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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84A206 it is the complementary color #7B5DF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84A206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84A206 shade: #89A201, #9AB414, #ABC627, #BCD83A and #CDEA4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84A206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84A206 shade: #84A206, #739000, #627E00, #516C00 and #405A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84A206 shade: #84A205, #A29605, #A26C05, #A24105 and #A21705

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84A206 shade: #84A205, #5AA205, #2FA205, #05A206 and #05A230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84A206 shade matches the following richer shades: #84A205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84A206 shade: #84A205, #7B9413, #738721, #6B792E and #626B3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84A206 shade: #A26B05, #A29505, #85A205, #5BA205 and #32A205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84A206 shade: #435203, #637A04, #84A205, #A4CA07 and #C5F208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84A206 shade: #84A206, #05A241 and #8005A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84A206 shade: #84A206, #0585A2 and #A20585

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84A206 shade: #84A206, #05A241, #2205A2 and #A20566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84A206 shade: #84A206, #05A270, #2205A2 and #A20537

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 96 / 36

HEX #84A206

RGB 132 162 6

HSL 71.54, 0.93%, 0.33%

LAB 62.3, -28.36, 63.75

 

Complementary color

CMYK 51 / 63 / 0 / 2

HEX #7B5DF9

RGB 123 93 249

HSL 251.54, 0.93%, 0.67%

LAB 50.55, 50.47, -74.16

 

CMYK 15 / 0 / 99 / 36

HEX #89A201

RGB 137 162 1

HSL 69.32, 0.99%, 0.32%

LAB 62.64, -26.31, 64.85

 

CMYK 14 / 0 / 89 / 29

HEX #9AB414

RGB 154 180 20

HSL 69.75, 0.8%, 0.39%

LAB 69.16, -27.48, 67.75

 

CMYK 14 / 0 / 80 / 22

HEX #ABC627

RGB 171 198 39

HSL 70.19, 0.67%, 0.46%

LAB 75.57, -28.46, 69.34

 

CMYK 13 / 0 / 73 / 15

HEX #BCD83A

RGB 188 216 58

HSL 70.63, 0.67%, 0.54%

LAB 81.9, -29.24, 69.86

 

CMYK 12 / 0 / 67 / 8

HEX #CDEA4D

RGB 205 234 77

HSL 71.08, 0.79%, 0.61%

LAB 88.14, -29.87, 69.71

 

CMYK 19 / 0 / 96 / 36

HEX #84A206

RGB 132 162 6

HSL 71.54, 0.93%, 0.33%

LAB 62.3, -28.36, 63.75

 

CMYK 20 / 0 / 100 / 44

HEX #739000

RGB 115 144 0

HSL 72.08, 1%, 0.28%

LAB 55.68, -27, 59.06

 

CMYK 22 / 0 / 100 / 51

HEX #627E00

RGB 98 126 0

HSL 73.33, 1%, 0.25%

LAB 48.91, -25.52, 53.42

 

CMYK 25 / 0 / 100 / 58

HEX #516C00

RGB 81 108 0

HSL 75, 1%, 0.21%

LAB 41.96, -24.01, 47.64

 

CMYK 29 / 0 / 100 / 65

HEX #405A00

RGB 64 90 0

HSL 77.33, 1%, 0.18%

LAB 34.81, -22.48, 41.68

 

CMYK 19 / 0 / 97 / 36

HEX #84A205

RGB 132 162 5

HSL 71.46, 0.94%, 0.33%

LAB 62.3, -28.37, 63.88

 

CMYK 0 / 7 / 97 / 36

HEX #A29605

RGB 162 150 5

HSL 55.41, 0.94%, 0.33%

LAB 61.22, -8.98, 64.12

 

CMYK 0 / 33 / 97 / 36

HEX #A26C05

RGB 162 108 5

HSL 39.36, 0.94%, 0.33%

LAB 50, 14.35, 55.98

 

CMYK 0 / 60 / 97 / 36

HEX #A24105

RGB 162 65 5

HSL 22.93, 0.94%, 0.33%

LAB 40.37, 37.75, 49.54

 

CMYK 0 / 86 / 97 / 36

HEX #A21705

RGB 162 23 5

HSL 6.88, 0.94%, 0.33%

LAB 34.61, 53.45, 46.17

 

CMYK 19 / 0 / 97 / 36

HEX #84A205

RGB 132 162 5

HSL 71.46, 0.94%, 0.33%

LAB 62.3, -28.37, 63.88

 

CMYK 44 / 0 / 97 / 36

HEX #5AA205

RGB 90 162 5

HSL 87.52, 0.94%, 0.33%

LAB 59.91, -44.59, 60.98

 

CMYK 71 / 0 / 97 / 36

HEX #2FA205

RGB 47 162 5

HSL 103.95, 0.94%, 0.33%

LAB 58.47, -56.17, 59.21

 

CMYK 97 / 0 / 96 / 36

HEX #05A206

RGB 5 162 6

HSL 120.38, 0.94%, 0.33%

LAB 57.93, -60.94, 58.4

 

CMYK 97 / 0 / 70 / 36

HEX #05A230

RGB 5 162 48

HSL 136.43, 0.94%, 0.33%

LAB 58.12, -58.5, 47.22

 

CMYK 19 / 0 / 97 / 36

HEX #84A205

RGB 132 162 5

HSL 71.46, 0.94%, 0.33%

LAB 62.3, -28.37, 63.88

 

CMYK 19 / 0 / 97 / 36

HEX #84A205

RGB 132 162 5

HSL 71.46, 0.94%, 0.33%

LAB 62.3, -28.37, 63.88

 

CMYK 17 / 0 / 87 / 42

HEX #7B9413

RGB 123 148 19

HSL 71.63, 0.77%, 0.33%

LAB 57.5, -25.09, 57.42

 

CMYK 15 / 0 / 76 / 47

HEX #738721

RGB 115 135 33

HSL 71.76, 0.61%, 0.33%

LAB 53.04, -21.46, 49.05

 

CMYK 12 / 0 / 62 / 53

HEX #6B792E

RGB 107 121 46

HSL 71.2, 0.45%, 0.33%

LAB 48.26, -16.78, 38.41

 

CMYK 8 / 0 / 44 / 58

HEX #626B3C

RGB 98 107 60

HSL 71.49, 0.28%, 0.33%

LAB 43.42, -11.63, 25.16

 

CMYK 0 / 34 / 97 / 36

HEX #A26B05

RGB 162 107 5

HSL 38.98, 0.94%, 0.33%

LAB 49.75, 14.92, 55.81

 

CMYK 0 / 8 / 97 / 36

HEX #A29505

RGB 162 149 5

HSL 55.03, 0.94%, 0.33%

LAB 60.95, -8.45, 63.91

 

CMYK 18 / 0 / 97 / 36

HEX #85A205

RGB 133 162 5

HSL 71.08, 0.94%, 0.33%

LAB 62.37, -27.95, 63.96

 

CMYK 44 / 0 / 97 / 36

HEX #5BA205

RGB 91 162 5

HSL 87.13, 0.94%, 0.33%

LAB 59.96, -44.25, 61.04

 

CMYK 69 / 0 / 97 / 36

HEX #32A205

RGB 50 162 5

HSL 102.8, 0.94%, 0.33%

LAB 58.54, -55.58, 59.3

 

CMYK 18 / 0 / 96 / 68

HEX #435203

RGB 67 82 3

HSL 71.39, 0.93%, 0.17%

LAB 32.33, -16.74, 38.82

 

CMYK 19 / 0 / 97 / 52

HEX #637A04

RGB 99 122 4

HSL 71.69, 0.94%, 0.25%

LAB 47.73, -22.97, 51.73

 

CMYK 19 / 0 / 97 / 36

HEX #84A205

RGB 132 162 5

HSL 71.46, 0.94%, 0.33%

LAB 62.3, -28.37, 63.88

 

CMYK 19 / 0 / 97 / 21

HEX #A4CA07

RGB 164 202 7

HSL 71.69, 0.93%, 0.41%

LAB 76.16, -33.92, 75.28

 

CMYK 19 / 0 / 97 / 5

HEX #C5F208

RGB 197 242 8

HSL 71.54, 0.94%, 0.49%

LAB 89.58, -38.86, 86.43

 

CMYK 19 / 0 / 96 / 36

HEX #84A206

RGB 132 162 6

HSL 71.54, 0.93%, 0.33%

LAB 62.3, -28.36, 63.75

 

CMYK 97 / 0 / 60 / 36

HEX #05A241

RGB 5 162 65

HSL 142.93, 0.94%, 0.33%

LAB 58.28, -56.5, 39.88

 

CMYK 21 / 97 / 0 / 36

HEX #8005A2

RGB 128 5 162

HSL 287.01, 0.94%, 0.33%

LAB 32.49, 64.01, -53.1

 

CMYK 19 / 0 / 96 / 36

HEX #84A206

RGB 132 162 6

HSL 71.54, 0.93%, 0.33%

LAB 62.3, -28.36, 63.75

 

CMYK 97 / 18 / 0 / 36

HEX #0585A2

RGB 5 133 162

HSL 191.08, 0.94%, 0.33%

LAB 51.17, -19.5, -23.93

 

CMYK 0 / 97 / 18 / 36

HEX #A20585

RGB 162 5 133

HSL 311.08, 0.94%, 0.33%

LAB 36.9, 65.3, -27.92

 

CMYK 19 / 0 / 96 / 36

HEX #84A206

RGB 132 162 6

HSL 71.54, 0.93%, 0.33%

LAB 62.3, -28.36, 63.75

 

CMYK 97 / 0 / 60 / 36

HEX #05A241

RGB 5 162 65

HSL 142.93, 0.94%, 0.33%

LAB 58.28, -56.5, 39.88

 

CMYK 79 / 97 / 0 / 36

HEX #2205A2

RGB 34 5 162

HSL 251.08, 0.94%, 0.33%

LAB 20.27, 55.56, -73.67

 

CMYK 0 / 97 / 37 / 36

HEX #A20566

RGB 162 5 102

HSL 322.93, 0.94%, 0.33%

LAB 35.5, 61.68, -10.56

 

CMYK 19 / 0 / 96 / 36

HEX #84A206

RGB 132 162 6

HSL 71.54, 0.93%, 0.33%

LAB 62.3, -28.36, 63.75

 

CMYK 97 / 0 / 31 / 36

HEX #05A270

RGB 5 162 112

HSL 160.89, 0.94%, 0.33%

LAB 59.01, -47.79, 16.2

 

CMYK 79 / 97 / 0 / 36

HEX #2205A2

RGB 34 5 162

HSL 251.08, 0.94%, 0.33%

LAB 20.27, 55.56, -73.67

 

CMYK 0 / 97 / 66 / 36

HEX #A20537

RGB 162 5 55

HSL 340.89, 0.94%, 0.33%

LAB 34.12, 57.98, 18.06

 

Description

Color code: HEX #84A206 | qconv.com Color code: HEX #84A206 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 162 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 162 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 96 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 96% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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