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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84AC47 it is the complementary color #7B53B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84AC47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84AC47 shade: #89AC42, #9ABE55, #ABD068, #BCE27B and #CDF48E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84AC47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84AC47 shade: #84AC47, #739A34, #628821, #51760E and #406400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84AC47 shade: #85AD46, #A0AD46, #AD9F46, #AD8346 and #AD6746

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84AC47 shade: #85AD46, #69AD46, #4DAD46, #46AD5C and #46AD77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84AC47 shade matches the following richer shades: #85AD46, #89C133, #8DD51F and #91E90B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84AC47 shade: #85AD46, #809A5A, #7C866E, #787282 and #745E96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84AC47 shade: #AD9E46, #A1AD46, #86AD46, #6AAD46 and #4FAD46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84AC47 shade: #58732F, #6E903B, #85AD46, #98BE60 and #ABCA7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84AC47 shade: #84AC47, #46AD82 and #AC46AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84AC47 shade: #84AC47, #4686AD and #AD4686

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84AC47 shade: #84AC47, #46AD82, #6E46AD and #AD4671

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84AC47 shade: #84AC47, #46ADA1, #6E46AD and #AD4652

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 59 / 33

HEX #84AC47

RGB 132 172 71

HSL 83.76, 0.42%, 0.48%

LAB 65.64, -29.83, 46.63

 

Complementary color

CMYK 33 / 55 / 0 / 28

HEX #7B53B8

RGB 123 83 184

HSL 263.76, 0.42%, 0.52%

LAB 44.03, 38.22, -47.62

 

CMYK 20 / 0 / 62 / 33

HEX #89AC42

RGB 137 172 66

HSL 79.81, 0.45%, 0.47%

LAB 65.92, -28.3, 49.29

 

CMYK 19 / 0 / 55 / 25

HEX #9ABE55

RGB 154 190 85

HSL 80.57, 0.45%, 0.54%

LAB 72.46, -28.55, 48.33

 

CMYK 18 / 0 / 50 / 18

HEX #ABD068

RGB 171 208 104

HSL 81.35, 0.53%, 0.61%

LAB 78.91, -28.71, 47.24

 

CMYK 17 / 0 / 46 / 11

HEX #BCE27B

RGB 188 226 123

HSL 82.14, 0.64%, 0.68%

LAB 85.26, -28.81, 46.11

 

CMYK 16 / 0 / 42 / 4

HEX #CDF48E

RGB 205 244 142

HSL 82.94, 0.82%, 0.76%

LAB 91.52, -28.86, 44.97

 

CMYK 23 / 0 / 59 / 33

HEX #84AC47

RGB 132 172 71

HSL 83.76, 0.42%, 0.48%

LAB 65.64, -29.83, 46.63

 

CMYK 25 / 0 / 66 / 40

HEX #739A34

RGB 115 154 52

HSL 82.94, 0.5%, 0.4%

LAB 58.98, -29.57, 47.48

 

CMYK 28 / 0 / 76 / 47

HEX #628821

RGB 98 136 33

HSL 82.14, 0.61%, 0.33%

LAB 52.19, -29.14, 47.83

 

CMYK 31 / 0 / 88 / 54

HEX #51760E

RGB 81 118 14

HSL 81.35, 0.79%, 0.26%

LAB 45.27, -28.45, 47.07

 

CMYK 36 / 0 / 100 / 61

HEX #406400

RGB 64 100 0

HSL 81.6, 1%, 0.2%

LAB 38.21, -27.4, 44.29

 

CMYK 23 / 0 / 60 / 32

HEX #85AD46

RGB 133 173 70

HSL 83.3, 0.42%, 0.48%

LAB 65.99, -30.01, 47.51

 

CMYK 8 / 0 / 60 / 32

HEX #A0AD46

RGB 160 173 70

HSL 67.57, 0.42%, 0.48%

LAB 67.88, -19.04, 50.13

 

CMYK 0 / 8 / 60 / 32

HEX #AD9F46

RGB 173 159 70

HSL 51.84, 0.42%, 0.48%

LAB 65.06, -6.2, 47.29

 

CMYK 0 / 24 / 60 / 32

HEX #AD8346

RGB 173 131 70

HSL 35.53, 0.42%, 0.48%

LAB 57.62, 9.15, 38.74

 

CMYK 0 / 40 / 60 / 32

HEX #AD6746

RGB 173 103 70

HSL 19.22, 0.42%, 0.48%

LAB 50.72, 24.85, 30.42

 

CMYK 23 / 0 / 60 / 32

HEX #85AD46

RGB 133 173 70

HSL 83.3, 0.42%, 0.48%

LAB 65.99, -30.01, 47.51

 

CMYK 39 / 0 / 60 / 32

HEX #69AD46

RGB 105 173 70

HSL 99.61, 0.42%, 0.48%

LAB 64.43, -40.27, 45.31

 

CMYK 55 / 0 / 60 / 32

HEX #4DAD46

RGB 77 173 70

HSL 115.92, 0.42%, 0.48%

LAB 63.27, -48.75, 43.67

 

CMYK 60 / 0 / 47 / 32

HEX #46AD5C

RGB 70 173 92

HSL 132.82, 0.42%, 0.48%

LAB 63.31, -47.46, 32.83

 

CMYK 60 / 0 / 31 / 32

HEX #46AD77

RGB 70 173 119

HSL 148.54, 0.42%, 0.48%

LAB 63.77, -42.54, 19.06

 

CMYK 23 / 0 / 60 / 32

HEX #85AD46

RGB 133 173 70

HSL 83.3, 0.42%, 0.48%

LAB 65.99, -30.01, 47.51

 

CMYK 29 / 0 / 74 / 24

HEX #89C133

RGB 137 193 51

HSL 83.66, 0.58%, 0.48%

LAB 72.03, -39.05, 61.58

 

CMYK 34 / 0 / 85 / 16

HEX #8DD51F

RGB 141 213 31

HSL 83.74, 0.75%, 0.48%

LAB 78.08, -47.05, 72.74

 

CMYK 38 / 0 / 95 / 9

HEX #91E90B

RGB 145 233 11

HSL 83.78, 0.91%, 0.48%

LAB 84.13, -54.2, 80.7

 

CMYK 23 / 0 / 60 / 32

HEX #85AD46

RGB 133 173 70

HSL 83.3, 0.42%, 0.48%

LAB 65.99, -30.01, 47.51

 

CMYK 17 / 0 / 42 / 40

HEX #809A5A

RGB 128 154 90

HSL 84.38, 0.26%, 0.48%

LAB 60.28, -20.41, 30.61

 

CMYK 7 / 0 / 18 / 47

HEX #7C866E

RGB 124 134 110

HSL 85, 0.1%, 0.48%

LAB 54.51, -8.28, 11.7

 

CMYK 8 / 12 / 0 / 49

HEX #787282

RGB 120 114 130

HSL 262.5, 0.07%, 0.48%

LAB 49.06, 5.61, -7.95

 

CMYK 23 / 37 / 0 / 41

HEX #745E96

RGB 116 94 150

HSL 263.57, 0.23%, 0.48%

LAB 44.12, 20.97, -27.44

 

CMYK 0 / 9 / 60 / 32

HEX #AD9E46

RGB 173 158 70

HSL 51.26, 0.42%, 0.48%

LAB 64.79, -5.66, 46.99

 

CMYK 7 / 0 / 60 / 32

HEX #A1AD46

RGB 161 173 70

HSL 66.99, 0.42%, 0.48%

LAB 67.95, -18.63, 50.23

 

CMYK 23 / 0 / 60 / 32

HEX #86AD46

RGB 134 173 70

HSL 82.72, 0.42%, 0.48%

LAB 66.06, -29.62, 47.59

 

CMYK 39 / 0 / 60 / 32

HEX #6AAD46

RGB 106 173 70

HSL 99.03, 0.42%, 0.48%

LAB 64.48, -39.93, 45.38

 

CMYK 54 / 0 / 60 / 32

HEX #4FAD46

RGB 79 173 70

HSL 114.76, 0.42%, 0.48%

LAB 63.34, -48.22, 43.77

 

CMYK 23 / 0 / 59 / 55

HEX #58732F

RGB 88 115 47

HSL 83.82, 0.42%, 0.32%

LAB 45, -21.74, 33.87

 

CMYK 24 / 0 / 59 / 44

HEX #6E903B

RGB 110 144 59

HSL 84, 0.42%, 0.4%

LAB 55.66, -26.11, 40.55

 

CMYK 23 / 0 / 60 / 32

HEX #85AD46

RGB 133 173 70

HSL 83.3, 0.42%, 0.48%

LAB 65.99, -30.01, 47.51

 

CMYK 20 / 0 / 49 / 25

HEX #98BE60

RGB 152 190 96

HSL 84.26, 0.42%, 0.56%

LAB 72.46, -28.2, 43.03

 

CMYK 15 / 0 / 38 / 21

HEX #ABCA7D

RGB 171 202 125

HSL 84.16, 0.42%, 0.64%

LAB 77.51, -23.37, 35.08

 

CMYK 23 / 0 / 59 / 33

HEX #84AC47

RGB 132 172 71

HSL 83.76, 0.42%, 0.48%

LAB 65.64, -29.83, 46.63

 

CMYK 60 / 0 / 25 / 32

HEX #46AD82

RGB 70 173 130

HSL 154.95, 0.42%, 0.48%

LAB 64, -40.18, 13.35

 

CMYK 1 / 60 / 0 / 32

HEX #AC46AD

RGB 172 70 173

HSL 299.42, 0.42%, 0.48%

LAB 47.19, 55.26, -35.76

 

CMYK 23 / 0 / 59 / 33

HEX #84AC47

RGB 132 172 71

HSL 83.76, 0.42%, 0.48%

LAB 65.64, -29.83, 46.63

 

CMYK 60 / 23 / 0 / 32

HEX #4686AD

RGB 70 134 173

HSL 202.72, 0.42%, 0.48%

LAB 53.35, -8.67, -26.8

 

CMYK 0 / 60 / 23 / 32

HEX #AD4686

RGB 173 70 134

HSL 322.72, 0.42%, 0.48%

LAB 45.61, 49.25, -14.91

 

CMYK 23 / 0 / 59 / 33

HEX #84AC47

RGB 132 172 71

HSL 83.76, 0.42%, 0.48%

LAB 65.64, -29.83, 46.63

 

CMYK 60 / 0 / 25 / 32

HEX #46AD82

RGB 70 173 130

HSL 154.95, 0.42%, 0.48%

LAB 64, -40.18, 13.35

 

CMYK 36 / 60 / 0 / 32

HEX #6E46AD

RGB 110 70 173

HSL 263.3, 0.42%, 0.48%

LAB 39.09, 39.55, -49.14

 

CMYK 0 / 60 / 35 / 32

HEX #AD4671

RGB 173 70 113

HSL 334.95, 0.42%, 0.48%

LAB 44.88, 46.45, -3.22

 

CMYK 23 / 0 / 59 / 33

HEX #84AC47

RGB 132 172 71

HSL 83.76, 0.42%, 0.48%

LAB 65.64, -29.83, 46.63

 

CMYK 60 / 0 / 7 / 32

HEX #46ADA1

RGB 70 173 161

HSL 173.01, 0.42%, 0.48%

LAB 64.77, -32.56, -2.74

 

CMYK 36 / 60 / 0 / 32

HEX #6E46AD

RGB 110 70 173

HSL 263.3, 0.42%, 0.48%

LAB 39.09, 39.55, -49.14

 

CMYK 0 / 60 / 53 / 32

HEX #AD4652

RGB 173 70 82

HSL 353.01, 0.42%, 0.48%

LAB 44.05, 43.17, 14.66

 

Description

Color code: HEX #84AC47 | qconv.com Color code: HEX #84AC47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 172 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 172 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 59 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 59% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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