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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84B14C it is the complementary color #7B4EB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84B14C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84B14C shade: #89B147, #9AC35A, #ABD56D, #BCE780 and #CDF993

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84B14C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84B14C shade: #84B14C, #739F39, #628D26, #517B13 and #406900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84B14C shade: #85B24C, #A0B24C, #B2A84C, #B28D4C and #B2714C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84B14C shade: #85B24C, #69B24C, #4EB24C, #4CB266 and #4CB281

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84B14C shade matches the following richer shades: #85B24C, #87C737, #89DB23 and #8BF00E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84B14C shade: #85B24C, #829D61, #808975, #7E748A and #7C5F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84B14C shade: #B2A84C, #A1B24C, #86B24C, #6BB24C and #4FB24C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84B14C shade: #5A7833, #6F9540, #85B24C, #98BE69 and #ACCB86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84B14C shade: #84B14C, #4CB28D and #B24CAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84B14C shade: #84B14C, #4C86B2 and #B24C86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84B14C shade: #84B14C, #4CB28D, #784CB2 and #B24C71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84B14C shade: #84B14C, #4CB2AB, #784CB2 and #B24C53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 57 / 31

HEX #84B14C

RGB 132 177 76

HSL 86.73, 0.4%, 0.5%

LAB 67.18, -31.72, 46.07

 

Complementary color

CMYK 31 / 56 / 0 / 30

HEX #7B4EB3

RGB 123 78 179

HSL 266.73, 0.4%, 0.5%

LAB 42.63, 39.77, -46.92

 

CMYK 23 / 0 / 60 / 31

HEX #89B147

RGB 137 177 71

HSL 82.64, 0.43%, 0.49%

LAB 67.44, -30.26, 48.74

 

CMYK 21 / 0 / 54 / 24

HEX #9AC35A

RGB 154 195 90

HSL 83.43, 0.47%, 0.56%

LAB 73.96, -30.44, 47.73

 

CMYK 20 / 0 / 49 / 16

HEX #ABD56D

RGB 171 213 109

HSL 84.23, 0.55%, 0.63%

LAB 80.38, -30.54, 46.62

 

CMYK 19 / 0 / 45 / 9

HEX #BCE780

RGB 188 231 128

HSL 85.05, 0.68%, 0.7%

LAB 86.7, -30.59, 45.48

 

CMYK 18 / 0 / 41 / 2

HEX #CDF993

RGB 205 249 147

HSL 85.88, 0.89%, 0.78%

LAB 92.94, -30.61, 44.35

 

CMYK 25 / 0 / 57 / 31

HEX #84B14C

RGB 132 177 76

HSL 86.73, 0.4%, 0.5%

LAB 67.18, -31.72, 46.07

 

CMYK 28 / 0 / 64 / 38

HEX #739F39

RGB 115 159 57

HSL 85.88, 0.47%, 0.42%

LAB 60.55, -31.53, 47

 

CMYK 30 / 0 / 73 / 45

HEX #628D26

RGB 98 141 38

HSL 85.05, 0.58%, 0.35%

LAB 53.8, -31.19, 47.54

 

CMYK 34 / 0 / 85 / 52

HEX #517B13

RGB 81 123 19

HSL 84.23, 0.73%, 0.28%

LAB 46.92, -30.6, 47.17

 

CMYK 39 / 0 / 100 / 59

HEX #406900

RGB 64 105 0

HSL 83.43, 1%, 0.21%

LAB 39.9, -29.74, 45.6

 

CMYK 25 / 0 / 57 / 30

HEX #85B24C

RGB 133 178 76

HSL 86.47, 0.4%, 0.5%

LAB 67.54, -31.81, 46.5

 

CMYK 10 / 0 / 57 / 30

HEX #A0B24C

RGB 160 178 76

HSL 70.59, 0.4%, 0.5%

LAB 69.35, -21.07, 49.05

 

CMYK 0 / 6 / 57 / 30

HEX #B2A84C

RGB 178 168 76

HSL 54.12, 0.4%, 0.5%

LAB 68.01, -8.36, 47.92

 

CMYK 0 / 21 / 57 / 30

HEX #B28D4C

RGB 178 141 76

HSL 38.24, 0.4%, 0.5%

LAB 60.81, 6.24, 39.56

 

CMYK 0 / 37 / 57 / 30

HEX #B2714C

RGB 178 113 76

HSL 21.76, 0.4%, 0.5%

LAB 53.81, 21.87, 31.05

 

CMYK 25 / 0 / 57 / 30

HEX #85B24C

RGB 133 178 76

HSL 86.47, 0.4%, 0.5%

LAB 67.54, -31.81, 46.5

 

CMYK 41 / 0 / 57 / 30

HEX #69B24C

RGB 105 178 76

HSL 102.94, 0.4%, 0.5%

LAB 66.03, -41.78, 44.37

 

CMYK 56 / 0 / 57 / 30

HEX #4EB24C

RGB 78 178 76

HSL 118.82, 0.4%, 0.5%

LAB 64.95, -49.71, 42.82

 

CMYK 57 / 0 / 43 / 30

HEX #4CB266

RGB 76 178 102

HSL 135.29, 0.4%, 0.5%

LAB 65.23, -46.42, 30.13

 

CMYK 57 / 0 / 28 / 30

HEX #4CB281

RGB 76 178 129

HSL 151.18, 0.4%, 0.5%

LAB 65.72, -41.28, 16.32

 

CMYK 25 / 0 / 57 / 30

HEX #85B24C

RGB 133 178 76

HSL 86.47, 0.4%, 0.5%

LAB 67.54, -31.81, 46.5

 

CMYK 32 / 0 / 72 / 22

HEX #87C737

RGB 135 199 55

HSL 86.67, 0.57%, 0.5%

LAB 73.72, -42.18, 61.81

 

CMYK 37 / 0 / 84 / 14

HEX #89DB23

RGB 137 219 35

HSL 86.74, 0.72%, 0.5%

LAB 79.67, -50.78, 73.17

 

CMYK 42 / 0 / 94 / 6

HEX #8BF00E

RGB 139 240 14

HSL 86.81, 0.89%, 0.5%

LAB 85.93, -58.84, 81.74

 

CMYK 25 / 0 / 57 / 30

HEX #85B24C

RGB 133 178 76

HSL 86.47, 0.4%, 0.5%

LAB 67.54, -31.81, 46.5

 

CMYK 17 / 0 / 38 / 38

HEX #829D61

RGB 130 157 97

HSL 87, 0.24%, 0.5%

LAB 61.41, -20.22, 28.35

 

CMYK 7 / 0 / 15 / 46

HEX #808975

RGB 128 137 117

HSL 87, 0.08%, 0.5%

LAB 55.85, -7.15, 9.61

 

CMYK 9 / 16 / 0 / 46

HEX #7E748A

RGB 126 116 138

HSL 267.27, 0.09%, 0.5%

LAB 50.41, 8.34, -10.6

 

CMYK 22 / 40 / 0 / 38

HEX #7C5F9F

RGB 124 95 159

HSL 267.19, 0.25%, 0.5%

LAB 45.6, 25.11, -30.42

 

CMYK 0 / 6 / 57 / 30

HEX #B2A84C

RGB 178 168 76

HSL 54.12, 0.4%, 0.5%

LAB 68.01, -8.36, 47.92

 

CMYK 10 / 0 / 57 / 30

HEX #A1B24C

RGB 161 178 76

HSL 70, 0.4%, 0.5%

LAB 69.43, -20.66, 49.15

 

CMYK 25 / 0 / 57 / 30

HEX #86B24C

RGB 134 178 76

HSL 85.88, 0.4%, 0.5%

LAB 67.6, -31.43, 46.58

 

CMYK 40 / 0 / 57 / 30

HEX #6BB24C

RGB 107 178 76

HSL 101.76, 0.4%, 0.5%

LAB 66.13, -41.12, 44.5

 

CMYK 56 / 0 / 57 / 30

HEX #4FB24C

RGB 79 178 76

HSL 118.24, 0.4%, 0.5%

LAB 64.98, -49.46, 42.87

 

CMYK 25 / 0 / 58 / 53

HEX #5A7833

RGB 90 120 51

HSL 86.09, 0.4%, 0.34%

LAB 46.77, -23.05, 33.93

 

CMYK 26 / 0 / 57 / 42

HEX #6F9540

RGB 111 149 64

HSL 86.82, 0.4%, 0.42%

LAB 57.31, -27.66, 40.05

 

CMYK 25 / 0 / 57 / 30

HEX #85B24C

RGB 133 178 76

HSL 86.47, 0.4%, 0.5%

LAB 67.54, -31.81, 46.5

 

CMYK 20 / 0 / 45 / 25

HEX #98BE69

RGB 152 190 105

HSL 86.82, 0.4%, 0.58%

LAB 72.58, -27.16, 38.71

 

CMYK 15 / 0 / 34 / 20

HEX #ACCB86

RGB 172 203 134

HSL 86.96, 0.4%, 0.66%

LAB 78, -22.29, 31.09

 

CMYK 25 / 0 / 57 / 31

HEX #84B14C

RGB 132 177 76

HSL 86.73, 0.4%, 0.5%

LAB 67.18, -31.72, 46.07

 

CMYK 57 / 0 / 21 / 30

HEX #4CB28D

RGB 76 178 141

HSL 158.24, 0.4%, 0.5%

LAB 65.98, -38.62, 10.11

 

CMYK 0 / 57 / 2 / 30

HEX #B24CAF

RGB 178 76 175

HSL 301.76, 0.4%, 0.5%

LAB 49.17, 54.49, -33.77

 

CMYK 25 / 0 / 57 / 31

HEX #84B14C

RGB 132 177 76

HSL 86.73, 0.4%, 0.5%

LAB 67.18, -31.72, 46.07

 

CMYK 57 / 25 / 0 / 30

HEX #4C86B2

RGB 76 134 178

HSL 205.88, 0.4%, 0.5%

LAB 53.82, -5.82, -28.93

 

CMYK 0 / 57 / 25 / 30

HEX #B24C86

RGB 178 76 134

HSL 325.88, 0.4%, 0.5%

LAB 47.44, 47.98, -12.07

 

CMYK 25 / 0 / 57 / 31

HEX #84B14C

RGB 132 177 76

HSL 86.73, 0.4%, 0.5%

LAB 67.18, -31.72, 46.07

 

CMYK 57 / 0 / 21 / 30

HEX #4CB28D

RGB 76 178 141

HSL 158.24, 0.4%, 0.5%

LAB 65.98, -38.62, 10.11

 

CMYK 33 / 57 / 0 / 30

HEX #784CB2

RGB 120 76 178

HSL 265.88, 0.4%, 0.5%

LAB 41.81, 39.89, -47.68

 

CMYK 0 / 57 / 37 / 30

HEX #B24C71

RGB 178 76 113

HSL 338.24, 0.4%, 0.5%

LAB 46.75, 45.25, -0.38

 

CMYK 25 / 0 / 57 / 31

HEX #84B14C

RGB 132 177 76

HSL 86.73, 0.4%, 0.5%

LAB 67.18, -31.72, 46.07

 

CMYK 57 / 0 / 4 / 30

HEX #4CB2AB

RGB 76 178 171

HSL 175.88, 0.4%, 0.5%

LAB 66.76, -31.11, -5.34

 

CMYK 33 / 57 / 0 / 30

HEX #784CB2

RGB 120 76 178

HSL 265.88, 0.4%, 0.5%

LAB 41.81, 39.89, -47.68

 

CMYK 0 / 57 / 53 / 30

HEX #B24C53

RGB 178 76 83

HSL 355.88, 0.4%, 0.5%

LAB 45.99, 42.15, 16.81

 

Description

Color code: HEX #84B14C | qconv.com Color code: HEX #84B14C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 177 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 177 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 57 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 57% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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