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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84C142 it is the complementary color #7B3EBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84C142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84C142 shade: #89C13D, #9AD350, #ABE563, #BCF776 and #CDFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84C142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84C142 shade: #84C142, #73AF2F, #629D1C, #518B09 and #407900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84C142 shade: #84C142, #A6C142, #C1BA42, #C19742 and #C17542

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84C142 shade: #84C142, #62C142, #42C144, #42C167 and #42C189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84C142 shade matches the following richer shades: #84C142, #85D52E, #86EA19 and #86FE05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84C142 shade: #84C142, #83AD56, #82996A, #82857E and #817093

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84C142 shade: #C1B942, #A8C142, #86C142, #64C142 and #42C142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84C142 shade: #5A862B, #6FA535, #84C142, #98CB61 and #ACD580

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84C142 shade: #84C142, #42C197 and #C142B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84C142 shade: #84C142, #4286C1 and #C14286

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84C142 shade: #84C142, #42C197, #7D42C1 and #C1426C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84C142 shade: #84C142, #42C1BD, #7D42C1 and #C14246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 66 / 24

HEX #84C142

RGB 132 193 66

HSL 88.82, 0.51%, 0.51%

LAB 71.85, -39.88, 55.63

 

Complementary color

CMYK 35 / 67 / 0 / 26

HEX #7B3EBD

RGB 123 62 189

HSL 268.82, 0.51%, 0.49%

LAB 40.13, 50.8, -56.83

 

CMYK 29 / 0 / 68 / 24

HEX #89C13D

RGB 137 193 61

HSL 85.45, 0.52%, 0.5%

LAB 72.09, -38.41, 57.96

 

CMYK 27 / 0 / 62 / 17

HEX #9AD350

RGB 154 211 80

HSL 86.11, 0.6%, 0.57%

LAB 78.48, -38.69, 57.33

 

CMYK 25 / 0 / 57 / 10

HEX #ABE563

RGB 171 229 99

HSL 86.77, 0.71%, 0.64%

LAB 84.79, -38.87, 56.44

 

CMYK 24 / 0 / 52 / 3

HEX #BCF776

RGB 188 247 118

HSL 87.44, 0.89%, 0.72%

LAB 91.02, -38.97, 55.42

 

CMYK 20 / 0 / 46 / 0

HEX #CDFF89

RGB 205 255 137

HSL 85.42, 1%, 0.77%

LAB 94.44, -34.51, 51.01

 

CMYK 32 / 0 / 66 / 24

HEX #84C142

RGB 132 193 66

HSL 88.82, 0.51%, 0.51%

LAB 71.85, -39.88, 55.63

 

CMYK 34 / 0 / 73 / 31

HEX #73AF2F

RGB 115 175 47

HSL 88.13, 0.58%, 0.44%

LAB 65.37, -39.53, 56.02

 

CMYK 38 / 0 / 82 / 38

HEX #629D1C

RGB 98 157 28

HSL 87.44, 0.7%, 0.36%

LAB 58.78, -38.96, 55.65

 

CMYK 42 / 0 / 94 / 45

HEX #518B09

RGB 81 139 9

HSL 86.77, 0.88%, 0.29%

LAB 52.1, -38.09, 53.85

 

CMYK 47 / 0 / 100 / 53

HEX #407900

RGB 64 121 0

HSL 88.26, 1%, 0.24%

LAB 45.31, -36.78, 49.8

 

CMYK 32 / 0 / 66 / 24

HEX #84C142

RGB 132 193 66

HSL 88.82, 0.51%, 0.51%

LAB 71.85, -39.88, 55.63

 

CMYK 14 / 0 / 66 / 24

HEX #A6C142

RGB 166 193 66

HSL 72.76, 0.51%, 0.51%

LAB 73.96, -26.73, 58.5

 

CMYK 0 / 4 / 66 / 24

HEX #C1BA42

RGB 193 186 66

HSL 56.69, 0.51%, 0.51%

LAB 74.09, -11.97, 59.28

 

CMYK 0 / 22 / 66 / 24

HEX #C19742

RGB 193 151 66

HSL 40.16, 0.51%, 0.51%

LAB 64.85, 6.57, 49.48

 

CMYK 0 / 39 / 66 / 24

HEX #C17542

RGB 193 117 66

HSL 24.09, 0.51%, 0.51%

LAB 56.54, 25.24, 40.17

 

CMYK 32 / 0 / 66 / 24

HEX #84C142

RGB 132 193 66

HSL 88.82, 0.51%, 0.51%

LAB 71.85, -39.88, 55.63

 

CMYK 49 / 0 / 66 / 24

HEX #62C142

RGB 98 193 66

HSL 104.88, 0.51%, 0.51%

LAB 70.27, -51.1, 53.46

 

CMYK 66 / 0 / 65 / 24

HEX #42C144

RGB 66 193 68

HSL 120.94, 0.51%, 0.51%

LAB 69.27, -58.87, 51.24

 

CMYK 66 / 0 / 47 / 24

HEX #42C167

RGB 66 193 103

HSL 137.48, 0.51%, 0.51%

LAB 69.67, -54.26, 35.25

 

CMYK 66 / 0 / 29 / 24

HEX #42C189

RGB 66 193 137

HSL 153.54, 0.51%, 0.51%

LAB 70.25, -47.89, 18.22

 

CMYK 32 / 0 / 66 / 24

HEX #84C142

RGB 132 193 66

HSL 88.82, 0.51%, 0.51%

LAB 71.85, -39.88, 55.63

 

CMYK 38 / 0 / 78 / 16

HEX #85D52E

RGB 133 213 46

HSL 88.74, 0.67%, 0.51%

LAB 77.74, -49.26, 68.53

 

CMYK 43 / 0 / 89 / 8

HEX #86EA19

RGB 134 234 25

HSL 88.71, 0.83%, 0.51%

LAB 83.96, -57.95, 78.65

 

CMYK 47 / 0 / 98 / 0

HEX #86FE05

RGB 134 254 5

HSL 88.92, 0.99%, 0.51%

LAB 89.84, -65.65, 85.5

 

CMYK 32 / 0 / 66 / 24

HEX #84C142

RGB 132 193 66

HSL 88.82, 0.51%, 0.51%

LAB 71.85, -39.88, 55.63

 

CMYK 24 / 0 / 50 / 32

HEX #83AD56

RGB 131 173 86

HSL 88.97, 0.35%, 0.51%

LAB 66.05, -29.14, 39.88

 

CMYK 15 / 0 / 31 / 40

HEX #82996A

RGB 130 153 106

HSL 89.36, 0.19%, 0.51%

LAB 60.4, -16.83, 22.1

 

CMYK 2 / 0 / 5 / 48

HEX #82857E

RGB 130 133 126

HSL 85.71, 0.03%, 0.51%

LAB 55.1, -2.48, 3.38

 

CMYK 12 / 24 / 0 / 42

HEX #817093

RGB 129 112 147

HSL 269.14, 0.14%, 0.51%

LAB 49.93, 13.77, -16.59

 

CMYK 0 / 4 / 66 / 24

HEX #C1B942

RGB 193 185 66

HSL 56.22, 0.51%, 0.51%

LAB 73.82, -11.46, 59

 

CMYK 13 / 0 / 66 / 24

HEX #A8C142

RGB 168 193 66

HSL 71.81, 0.51%, 0.51%

LAB 74.1, -25.92, 58.69

 

CMYK 31 / 0 / 66 / 24

HEX #86C142

RGB 134 193 66

HSL 87.87, 0.51%, 0.51%

LAB 71.96, -39.15, 55.78

 

CMYK 48 / 0 / 66 / 24

HEX #64C142

RGB 100 193 66

HSL 103.94, 0.51%, 0.51%

LAB 70.35, -50.51, 53.57

 

CMYK 66 / 0 / 66 / 24

HEX #42C142

RGB 66 193 66

HSL 120, 0.51%, 0.51%

LAB 69.25, -59.07, 52.06

 

CMYK 33 / 0 / 68 / 47

HEX #5A862B

RGB 90 134 43

HSL 89.01, 0.51%, 0.35%

LAB 51.15, -30.66, 42.59

 

CMYK 33 / 0 / 68 / 35

HEX #6FA535

RGB 111 165 53

HSL 88.93, 0.51%, 0.43%

LAB 62.12, -36.14, 50.32

 

CMYK 32 / 0 / 66 / 24

HEX #84C142

RGB 132 193 66

HSL 88.82, 0.51%, 0.51%

LAB 71.85, -39.88, 55.63

 

CMYK 25 / 0 / 52 / 20

HEX #98CB61

RGB 152 203 97

HSL 88.87, 0.5%, 0.59%

LAB 76.22, -34.21, 47.07

 

CMYK 19 / 0 / 40 / 16

HEX #ACD580

RGB 172 213 128

HSL 88.94, 0.5%, 0.67%

LAB 80.69, -27.94, 37.67

 

CMYK 32 / 0 / 66 / 24

HEX #84C142

RGB 132 193 66

HSL 88.82, 0.51%, 0.51%

LAB 71.85, -39.88, 55.63

 

CMYK 66 / 0 / 22 / 24

HEX #42C197

RGB 66 193 151

HSL 160.16, 0.51%, 0.51%

LAB 70.55, -44.76, 11.08

 

CMYK 0 / 66 / 4 / 24

HEX #C142B9

RGB 193 66 185

HSL 303.78, 0.51%, 0.51%

LAB 50.38, 64.23, -37.55

 

CMYK 32 / 0 / 66 / 24

HEX #84C142

RGB 132 193 66

HSL 88.82, 0.51%, 0.51%

LAB 71.85, -39.88, 55.63

 

CMYK 66 / 31 / 0 / 24

HEX #4286C1

RGB 66 134 193

HSL 207.87, 0.51%, 0.51%

LAB 54.09, -2.76, -37.11

 

CMYK 0 / 66 / 31 / 24

HEX #C14286

RGB 193 66 134

HSL 327.87, 0.51%, 0.51%

LAB 48.2, 56.92, -10.68

 

CMYK 32 / 0 / 66 / 24

HEX #84C142

RGB 132 193 66

HSL 88.82, 0.51%, 0.51%

LAB 71.85, -39.88, 55.63

 

CMYK 66 / 0 / 22 / 24

HEX #42C197

RGB 66 193 151

HSL 160.16, 0.51%, 0.51%

LAB 70.55, -44.76, 11.08

 

CMYK 35 / 66 / 0 / 24

HEX #7D42C1

RGB 125 66 193

HSL 267.87, 0.51%, 0.51%

LAB 41.39, 50.2, -57.12

 

CMYK 0 / 66 / 44 / 24

HEX #C1426C

RGB 193 66 108

HSL 340.16, 0.51%, 0.51%

LAB 47.39, 54.03, 3.9

 

CMYK 32 / 0 / 66 / 24

HEX #84C142

RGB 132 193 66

HSL 88.82, 0.51%, 0.51%

LAB 71.85, -39.88, 55.63

 

CMYK 66 / 0 / 2 / 24

HEX #42C1BD

RGB 66 193 189

HSL 178.11, 0.51%, 0.51%

LAB 71.54, -34.99, -8.19

 

CMYK 35 / 66 / 0 / 24

HEX #7D42C1

RGB 125 66 193

HSL 267.87, 0.51%, 0.51%

LAB 41.39, 50.2, -57.12

 

CMYK 0 / 66 / 64 / 24

HEX #C14246

RGB 193 66 70

HSL 358.11, 0.51%, 0.51%

LAB 46.55, 50.96, 25.85

 

Description

Color code: HEX #84C142 | qconv.com Color code: HEX #84C142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 193 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 193 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 66 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 66% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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