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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84E5A7 it is the complementary color #7B1A58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84E5A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84E5A7 shade: #89E5A2, #9AF7B5, #ABFFC8, #BCFFDB and #CDFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84E5A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84E5A7 shade: #84E5A7, #73D394, #62C181, #51AF6E and #409D5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84E5A7 shade: #84E5A7, #84E58D, #96E584, #B0E584 and #C9E584

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84E5A7 shade: #84E5A7, #84E5C1, #84E5DB, #84D4E5 and #84BAE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84E5A7 shade matches the following richer shades: #84E5A7, #79F1A4 and #6DFDA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84E5A7 shade: #84E5A7, #90D9AB, #9CCDAE, #A8C1B1 and #B4B5B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84E5A7 shade: #96E584, #84E58C, #84E5A6, #84E5C0 and #84E5D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84E5A7 shade: #40D676, #62DD8F, #84E5A7, #A7ECC0 and #C9F3D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84E5A7 shade: #84E5A7, #84B0E5 and #E58489

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84E5A7 shade: #84E5A7, #A684E5 and #E5A684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84E5A7 shade: #84E5A7, #84B0E5, #E584C3 and #E5B984

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84E5A7 shade: #84E5A7, #8493E5, #E584C3 and #E5D684

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 27 / 10

HEX #84E5A7

RGB 132 229 167

HSL 141.65, 0.65%, 0.71%

LAB 83.83, -42.01, 21.49

 

Complementary color

CMYK 0 / 79 / 28 / 52

HEX #7B1A58

RGB 123 26 88

HSL 321.65, 0.65%, 0.29%

LAB 28.52, 46.46, -12.81

 

CMYK 40 / 0 / 29 / 10

HEX #89E5A2

RGB 137 229 162

HSL 136.3, 0.64%, 0.72%

LAB 83.95, -41.52, 24.28

 

CMYK 38 / 0 / 27 / 3

HEX #9AF7B5

RGB 154 247 181

HSL 137.42, 0.85%, 0.79%

LAB 90.2, -41.27, 23.21

 

CMYK 33 / 0 / 22 / 0

HEX #ABFFC8

RGB 171 255 200

HSL 140.71, 1%, 0.84%

LAB 93.6, -36.52, 18.35

 

CMYK 26 / 0 / 14 / 0

HEX #BCFFDB

RGB 188 255 219

HSL 147.76, 1%, 0.87%

LAB 94.88, -27.92, 10.53

 

CMYK 20 / 0 / 7 / 0

HEX #CDFFEE

RGB 205 255 238

HSL 159.6, 1%, 0.9%

LAB 96.27, -19.11, 2.89

 

CMYK 42 / 0 / 27 / 10

HEX #84E5A7

RGB 132 229 167

HSL 141.65, 0.65%, 0.71%

LAB 83.83, -42.01, 21.49

 

CMYK 45 / 0 / 30 / 17

HEX #73D394

RGB 115 211 148

HSL 140.63, 0.52%, 0.64%

LAB 77.5, -42.24, 22.6

 

CMYK 49 / 0 / 33 / 24

HEX #62C181

RGB 98 193 129

HSL 139.58, 0.43%, 0.57%

LAB 71.09, -42.43, 23.8

 

CMYK 54 / 0 / 37 / 31

HEX #51AF6E

RGB 81 175 110

HSL 138.51, 0.37%, 0.5%

LAB 64.59, -42.55, 25.09

 

CMYK 59 / 0 / 42 / 38

HEX #409D5B

RGB 64 157 91

HSL 137.42, 0.42%, 0.43%

LAB 58, -42.54, 26.49

 

CMYK 42 / 0 / 27 / 10

HEX #84E5A7

RGB 132 229 167

HSL 141.65, 0.65%, 0.71%

LAB 83.83, -42.01, 21.49

 

CMYK 42 / 0 / 38 / 10

HEX #84E58D

RGB 132 229 141

HSL 125.57, 0.65%, 0.71%

LAB 83.37, -46.46, 34.19

 

CMYK 34 / 0 / 42 / 10

HEX #96E584

RGB 150 229 132

HSL 108.87, 0.65%, 0.71%

LAB 84.06, -42.3, 39.75

 

CMYK 23 / 0 / 42 / 10

HEX #B0E584

RGB 176 229 132

HSL 92.78, 0.65%, 0.71%

LAB 85.47, -33.51, 41.83

 

CMYK 12 / 0 / 42 / 10

HEX #C9E584

RGB 201 229 132

HSL 77.32, 0.65%, 0.71%

LAB 87.06, -24.37, 44.16

 

CMYK 42 / 0 / 27 / 10

HEX #84E5A7

RGB 132 229 167

HSL 141.65, 0.65%, 0.71%

LAB 83.83, -42.01, 21.49

 

CMYK 42 / 0 / 16 / 10

HEX #84E5C1

RGB 132 229 193

HSL 157.73, 0.65%, 0.71%

LAB 84.38, -36.82, 8.67

 

CMYK 42 / 0 / 4 / 10

HEX #84E5DB

RGB 132 229 219

HSL 173.81, 0.65%, 0.71%

LAB 85.03, -30.97, -4.09

 

CMYK 42 / 7 / 0 / 10

HEX #84D4E5

RGB 132 212 229

HSL 190.52, 0.65%, 0.71%

LAB 80.54, -20.18, -16.07

 

CMYK 42 / 19 / 0 / 10

HEX #84BAE5

RGB 132 186 229

HSL 206.6, 0.65%, 0.71%

LAB 73.34, -6.62, -27.02

 

CMYK 42 / 0 / 27 / 10

HEX #84E5A7

RGB 132 229 167

HSL 141.65, 0.65%, 0.71%

LAB 83.83, -42.01, 21.49

 

CMYK 50 / 0 / 32 / 5

HEX #79F1A4

RGB 121 241 164

HSL 141.5, 0.81%, 0.71%

LAB 86.83, -50.54, 27.07

 

CMYK 57 / 0 / 36 / 1

HEX #6DFDA1

RGB 109 253 161

HSL 141.67, 0.97%, 0.71%

LAB 89.89, -58.64, 32.64

 

CMYK 42 / 0 / 27 / 10

HEX #84E5A7

RGB 132 229 167

HSL 141.65, 0.65%, 0.71%

LAB 83.83, -42.01, 21.49

 

CMYK 34 / 0 / 21 / 15

HEX #90D9AB

RGB 144 217 171

HSL 142.19, 0.49%, 0.71%

LAB 81.01, -32.36, 15.56

 

CMYK 24 / 0 / 15 / 20

HEX #9CCDAE

RGB 156 205 174

HSL 142.04, 0.33%, 0.71%

LAB 78.34, -22.25, 10.28

 

CMYK 13 / 0 / 8 / 24

HEX #A8C1B1

RGB 168 193 177

HSL 141.6, 0.17%, 0.71%

LAB 75.85, -11.6, 5.2

 

CMYK 1 / 0 / 1 / 29

HEX #B4B5B4

RGB 180 181 180

HSL 120, 0.01%, 0.71%

LAB 73.58, -0.53, 0.38

 

CMYK 34 / 0 / 42 / 10

HEX #96E584

RGB 150 229 132

HSL 108.87, 0.65%, 0.71%

LAB 84.06, -42.3, 39.75

 

CMYK 42 / 0 / 39 / 10

HEX #84E58C

RGB 132 229 140

HSL 124.95, 0.65%, 0.71%

LAB 83.36, -46.61, 34.68

 

CMYK 42 / 0 / 28 / 10

HEX #84E5A6

RGB 132 229 166

HSL 141.03, 0.65%, 0.71%

LAB 83.81, -42.2, 21.98

 

CMYK 42 / 0 / 16 / 10

HEX #84E5C0

RGB 132 229 192

HSL 157.11, 0.65%, 0.71%

LAB 84.35, -37.04, 9.16

 

CMYK 42 / 0 / 5 / 10

HEX #84E5D9

RGB 132 229 217

HSL 172.58, 0.65%, 0.71%

LAB 84.97, -31.44, -3.12

 

CMYK 70 / 0 / 45 / 16

HEX #40D676

RGB 64 214 118

HSL 141.6, 0.65%, 0.55%

LAB 76.37, -59.88, 36.25

 

CMYK 56 / 0 / 35 / 13

HEX #62DD8F

RGB 98 221 143

HSL 141.95, 0.64%, 0.63%

LAB 79.78, -51.58, 28.18

 

CMYK 42 / 0 / 27 / 10

HEX #84E5A7

RGB 132 229 167

HSL 141.65, 0.65%, 0.71%

LAB 83.83, -42.01, 21.49

 

CMYK 29 / 0 / 19 / 7

HEX #A7ECC0

RGB 167 236 192

HSL 141.74, 0.64%, 0.79%

LAB 87.97, -30.39, 14.53

 

CMYK 17 / 0 / 11 / 5

HEX #C9F3D8

RGB 201 243 216

HSL 141.43, 0.64%, 0.87%

LAB 92.34, -18.64, 8.55

 

CMYK 42 / 0 / 27 / 10

HEX #84E5A7

RGB 132 229 167

HSL 141.65, 0.65%, 0.71%

LAB 83.83, -42.01, 21.49

 

CMYK 42 / 23 / 0 / 10

HEX #84B0E5

RGB 132 176 229

HSL 212.78, 0.65%, 0.71%

LAB 70.6, -1.16, -31.23

 

CMYK 0 / 42 / 40 / 10

HEX #E58489

RGB 229 132 137

HSL 356.91, 0.65%, 0.71%

LAB 65.72, 37.67, 13.66

 

CMYK 42 / 0 / 27 / 10

HEX #84E5A7

RGB 132 229 167

HSL 141.65, 0.65%, 0.71%

LAB 83.83, -42.01, 21.49

 

CMYK 28 / 42 / 0 / 10

HEX #A684E5

RGB 166 132 229

HSL 261.03, 0.65%, 0.71%

LAB 61.88, 33.02, -44.64

 

CMYK 0 / 28 / 42 / 10

HEX #E5A684

RGB 229 166 132

HSL 21.03, 0.65%, 0.71%

LAB 73.28, 19.09, 26.77

 

CMYK 42 / 0 / 27 / 10

HEX #84E5A7

RGB 132 229 167

HSL 141.65, 0.65%, 0.71%

LAB 83.83, -42.01, 21.49

 

CMYK 42 / 23 / 0 / 10

HEX #84B0E5

RGB 132 176 229

HSL 212.78, 0.65%, 0.71%

LAB 70.6, -1.16, -31.23

 

CMYK 0 / 42 / 15 / 10

HEX #E584C3

RGB 229 132 195

HSL 321.03, 0.65%, 0.71%

LAB 67.35, 45.46, -16.66

 

CMYK 0 / 19 / 42 / 10

HEX #E5B984

RGB 229 185 132

HSL 32.78, 0.65%, 0.71%

LAB 77.89, 8.98, 32.86

 

CMYK 42 / 0 / 27 / 10

HEX #84E5A7

RGB 132 229 167

HSL 141.65, 0.65%, 0.71%

LAB 83.83, -42.01, 21.49

 

CMYK 42 / 36 / 0 / 10

HEX #8493E5

RGB 132 147 229

HSL 230.72, 0.65%, 0.71%

LAB 62.87, 15.3, -43.28

 

CMYK 0 / 42 / 15 / 10

HEX #E584C3

RGB 229 132 195

HSL 321.03, 0.65%, 0.71%

LAB 67.35, 45.46, -16.66

 

CMYK 0 / 7 / 42 / 10

HEX #E5D684

RGB 229 214 132

HSL 50.72, 0.65%, 0.71%

LAB 85.21, -6.08, 42.28

 

Description

Color code: HEX #84E5A7 | qconv.com Color code: HEX #84E5A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 229 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 229 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 27 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 27% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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