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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84E87C it is the complementary color #7B1783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84E87C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84E87C shade: #89E877, #9AFA8A, #ABFF9D, #BCFFB0 and #CDFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84E87C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84E87C shade: #84E87C, #73D669, #62C456, #51B243 and #40A030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84E87C shade: #84E87C, #A1E87C, #BEE87C, #DBE87C and #E8D77C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84E87C shade: #84E87C, #7CE891, #7CE8AE, #7CE8CB and #7CE7E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84E87C shade matches the following richer shades: #84E87C and #7AF470

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84E87C shade: #84E87C, #8FDB89, #99CF95, #A4C2A2 and #AFB6AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84E87C shade: #BEE87C, #A2E87C, #85E87C, #7CE890 and #7CE8AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84E87C shade: #43DB36, #63E159, #84E87C, #A5EEA0 and #C6F4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84E87C shade: #84E87C, #7CDBE8 and #E87CB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84E87C shade: #84E87C, #7C85E8 and #E87C85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84E87C shade: #84E87C, #7CDBE8, #DF7CE8 and #E8897C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84E87C shade: #84E87C, #7CBBE8, #DF7CE8 and #E8A97C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 47 / 9

HEX #84E87C

RGB 132 232 124

HSL 115.56, 0.7%, 0.7%

LAB 84, -50.18, 43.41

 

Complementary color

CMYK 6 / 82 / 0 / 49

HEX #7B1783

RGB 123 23 131

HSL 295.56, 0.7%, 0.3%

LAB 30.55, 54.1, -37.2

 

CMYK 41 / 0 / 49 / 9

HEX #89E877

RGB 137 232 119

HSL 110.44, 0.71%, 0.69%

LAB 84.15, -49.35, 46.05

 

CMYK 38 / 0 / 45 / 2

HEX #9AFA8A

RGB 154 250 138

HSL 111.43, 0.92%, 0.76%

LAB 90.36, -49.23, 44.85

 

CMYK 33 / 0 / 38 / 0

HEX #ABFF9D

RGB 171 255 157

HSL 111.43, 1%, 0.81%

LAB 92.84, -43.5, 38.96

 

CMYK 26 / 0 / 31 / 0

HEX #BCFFB0

RGB 188 255 176

HSL 110.89, 1%, 0.85%

LAB 94.03, -35.27, 31.25

 

CMYK 20 / 0 / 24 / 0

HEX #CDFFC3

RGB 205 255 195

HSL 110, 1%, 0.88%

LAB 95.35, -26.72, 23.6

 

CMYK 43 / 0 / 47 / 9

HEX #84E87C

RGB 132 232 124

HSL 115.56, 0.7%, 0.7%

LAB 84, -50.18, 43.41

 

CMYK 46 / 0 / 51 / 16

HEX #73D669

RGB 115 214 105

HSL 114.5, 0.57%, 0.63%

LAB 77.73, -50.24, 44.65

 

CMYK 50 / 0 / 56 / 23

HEX #62C456

RGB 98 196 86

HSL 113.45, 0.48%, 0.55%

LAB 71.38, -50.19, 45.87

 

CMYK 54 / 0 / 62 / 30

HEX #51B243

RGB 81 178 67

HSL 112.43, 0.45%, 0.48%

LAB 64.96, -49.95, 47

 

CMYK 60 / 0 / 70 / 37

HEX #40A030

RGB 64 160 48

HSL 111.43, 0.54%, 0.41%

LAB 58.46, -49.43, 47.88

 

CMYK 43 / 0 / 47 / 9

HEX #84E87C

RGB 132 232 124

HSL 115.56, 0.7%, 0.7%

LAB 84, -50.18, 43.41

 

CMYK 31 / 0 / 47 / 9

HEX #A1E87C

RGB 161 232 124

HSL 99.44, 0.7%, 0.7%

LAB 85.38, -41.04, 45.42

 

CMYK 18 / 0 / 47 / 9

HEX #BEE87C

RGB 190 232 124

HSL 83.33, 0.7%, 0.7%

LAB 87.05, -30.77, 47.87

 

CMYK 6 / 0 / 47 / 9

HEX #DBE87C

RGB 219 232 124

HSL 67.22, 0.7%, 0.7%

LAB 89.03, -19.77, 50.74

 

CMYK 0 / 7 / 47 / 9

HEX #E8D77C

RGB 232 215 124

HSL 50.56, 0.7%, 0.7%

LAB 85.61, -6.18, 46.79

 

CMYK 43 / 0 / 47 / 9

HEX #84E87C

RGB 132 232 124

HSL 115.56, 0.7%, 0.7%

LAB 84, -50.18, 43.41

 

CMYK 47 / 0 / 38 / 9

HEX #7CE891

RGB 124 232 145

HSL 131.67, 0.7%, 0.7%

LAB 83.99, -49.3, 32.93

 

CMYK 47 / 0 / 25 / 9

HEX #7CE8AE

RGB 124 232 174

HSL 147.78, 0.7%, 0.7%

LAB 84.51, -44.1, 18.75

 

CMYK 47 / 0 / 13 / 9

HEX #7CE8CB

RGB 124 232 203

HSL 163.89, 0.7%, 0.7%

LAB 85.15, -37.98, 4.49

 

CMYK 47 / 0 / 0 / 9

HEX #7CE7E8

RGB 124 231 232

HSL 180.56, 0.7%, 0.7%

LAB 85.64, -30.59, -10.08

 

CMYK 43 / 0 / 47 / 9

HEX #84E87C

RGB 132 232 124

HSL 115.56, 0.7%, 0.7%

LAB 84, -50.18, 43.41

 

CMYK 50 / 0 / 54 / 4

HEX #7AF470

RGB 122 244 112

HSL 115.45, 0.86%, 0.7%

LAB 87, -59.24, 52.62

 

CMYK 43 / 0 / 47 / 9

HEX #84E87C

RGB 132 232 124

HSL 115.56, 0.7%, 0.7%

LAB 84, -50.18, 43.41

 

CMYK 35 / 0 / 37 / 14

HEX #8FDB89

RGB 143 219 137

HSL 115.61, 0.53%, 0.7%

LAB 80.91, -39.39, 33.08

 

CMYK 26 / 0 / 28 / 19

HEX #99CF95

RGB 153 207 149

HSL 115.86, 0.38%, 0.7%

LAB 78.21, -28.67, 23.34

 

CMYK 15 / 0 / 16 / 24

HEX #A4C2A2

RGB 164 194 162

HSL 116.25, 0.21%, 0.7%

LAB 75.5, -16.24, 12.77

 

CMYK 4 / 0 / 4 / 29

HEX #AFB6AE

RGB 175 182 174

HSL 112.5, 0.05%, 0.7%

LAB 73.3, -3.94, 3.21

 

CMYK 18 / 0 / 47 / 9

HEX #BEE87C

RGB 190 232 124

HSL 83.33, 0.7%, 0.7%

LAB 87.05, -30.77, 47.87

 

CMYK 30 / 0 / 47 / 9

HEX #A2E87C

RGB 162 232 124

HSL 98.89, 0.7%, 0.7%

LAB 85.43, -40.7, 45.5

 

CMYK 43 / 0 / 47 / 9

HEX #85E87C

RGB 133 232 124

HSL 115, 0.7%, 0.7%

LAB 84.05, -49.89, 43.48

 

CMYK 47 / 0 / 38 / 9

HEX #7CE890

RGB 124 232 144

HSL 131.11, 0.7%, 0.7%

LAB 83.97, -49.46, 33.41

 

CMYK 47 / 0 / 25 / 9

HEX #7CE8AD

RGB 124 232 173

HSL 147.22, 0.7%, 0.7%

LAB 84.49, -44.29, 19.24

 

CMYK 69 / 0 / 75 / 14

HEX #43DB36

RGB 67 219 54

HSL 115.27, 0.7%, 0.54%

LAB 77.35, -68.46, 64.91

 

CMYK 56 / 0 / 60 / 12

HEX #63E159

RGB 99 225 89

HSL 115.59, 0.69%, 0.62%

LAB 80.31, -60.61, 54.85

 

CMYK 43 / 0 / 47 / 9

HEX #84E87C

RGB 132 232 124

HSL 115.56, 0.7%, 0.7%

LAB 84, -50.18, 43.41

 

CMYK 31 / 0 / 33 / 7

HEX #A5EEA0

RGB 165 238 160

HSL 116.15, 0.7%, 0.78%

LAB 87.82, -37.41, 30.76

 

CMYK 19 / 0 / 20 / 4

HEX #C6F4C3

RGB 198 244 195

HSL 116.33, 0.69%, 0.86%

LAB 91.97, -23.79, 18.85

 

CMYK 43 / 0 / 47 / 9

HEX #84E87C

RGB 132 232 124

HSL 115.56, 0.7%, 0.7%

LAB 84, -50.18, 43.41

 

CMYK 47 / 6 / 0 / 9

HEX #7CDBE8

RGB 124 219 232

HSL 187.22, 0.7%, 0.7%

LAB 82.26, -24.77, -15.13

 

CMYK 0 / 47 / 24 / 9

HEX #E87CB0

RGB 232 124 176

HSL 331.11, 0.7%, 0.7%

LAB 65.52, 47.69, -8.67

 

CMYK 43 / 0 / 47 / 9

HEX #84E87C

RGB 132 232 124

HSL 115.56, 0.7%, 0.7%

LAB 84, -50.18, 43.41

 

CMYK 47 / 43 / 0 / 9

HEX #7C85E8

RGB 124 133 232

HSL 235, 0.7%, 0.7%

LAB 58.87, 22.44, -51.3

 

CMYK 0 / 47 / 43 / 9

HEX #E87C85

RGB 232 124 133

HSL 355, 0.7%, 0.7%

LAB 64.37, 42.45, 14.09

 

CMYK 43 / 0 / 47 / 9

HEX #84E87C

RGB 132 232 124

HSL 115.56, 0.7%, 0.7%

LAB 84, -50.18, 43.41

 

CMYK 47 / 6 / 0 / 9

HEX #7CDBE8

RGB 124 219 232

HSL 187.22, 0.7%, 0.7%

LAB 82.26, -24.77, -15.13

 

CMYK 4 / 47 / 0 / 9

HEX #DF7CE8

RGB 223 124 232

HSL 295, 0.7%, 0.7%

LAB 66.47, 54.02, -38.68

 

CMYK 0 / 41 / 47 / 9

HEX #E8897C

RGB 232 137 124

HSL 7.22, 0.7%, 0.7%

LAB 66.9, 34.84, 22.63

 

CMYK 43 / 0 / 47 / 9

HEX #84E87C

RGB 132 232 124

HSL 115.56, 0.7%, 0.7%

LAB 84, -50.18, 43.41

 

CMYK 47 / 19 / 0 / 9

HEX #7CBBE8

RGB 124 187 232

HSL 205, 0.7%, 0.7%

LAB 73.32, -8.29, -28.71

 

CMYK 4 / 47 / 0 / 9

HEX #DF7CE8

RGB 223 124 232

HSL 295, 0.7%, 0.7%

LAB 66.47, 54.02, -38.68

 

CMYK 0 / 27 / 47 / 9

HEX #E8A97C

RGB 232 169 124

HSL 25, 0.7%, 0.7%

LAB 74.18, 17.87, 32.3

 

Description

Color code: HEX #84E87C | qconv.com Color code: HEX #84E87C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 232 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 232 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 47 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 47% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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