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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84E39B it is the complementary color #7B1C64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84E39B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84E39B shade: #89E396, #9AF5A9, #ABFFBC, #BCFFCF and #CDFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84E39B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84E39B shade: #84E39B, #73D188, #62BF75, #51AD62 and #409B4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84E39B shade: #82E299, #84E282, #9EE282, #B8E282 and #D2E282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84E39B shade: #82E299, #82E2B3, #82E2CD, #82DDE2 and #82C3E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84E39B shade matches the following richer shades: #82E299, #75EF93 and #69FB8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84E39B shade: #82E299, #8ED6A0, #9BC9A6, #A7BDAC and #B3B1B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84E39B shade: #9FE282, #85E282, #82E298, #82E2B2 and #82E2CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84E39B shade: #3FD362, #60DB7E, #82E299, #A3EAB4 and #C5F1D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84E39B shade: #84E39B, #82B8E2 and #E28292

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84E39B shade: #84E39B, #9882E2 and #E29882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84E39B shade: #84E39B, #82B8E2, #E282CC and #E2AC82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84E39B shade: #84E39B, #829CE2, #E282CC and #E2C882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 32 / 11

HEX #84E39B

RGB 132 227 155

HSL 134.53, 0.63%, 0.7%

LAB 83.03, -43.29, 26.6

 

Complementary color

CMYK 0 / 77 / 19 / 52

HEX #7B1C64

RGB 123 28 100

HSL 314.53, 0.63%, 0.3%

LAB 29.32, 47.48, -19.42

 

CMYK 40 / 0 / 34 / 11

HEX #89E396

RGB 137 227 150

HSL 128.67, 0.62%, 0.71%

LAB 83.16, -42.7, 29.38

 

CMYK 37 / 0 / 31 / 4

HEX #9AF5A9

RGB 154 245 169

HSL 129.89, 0.82%, 0.78%

LAB 89.41, -42.45, 28.25

 

CMYK 33 / 0 / 26 / 0

HEX #ABFFBC

RGB 171 255 188

HSL 132.14, 1%, 0.84%

LAB 93.37, -38.64, 24.14

 

CMYK 26 / 0 / 19 / 0

HEX #BCFFCF

RGB 188 255 207

HSL 137.01, 1%, 0.87%

LAB 94.62, -30.13, 16.32

 

CMYK 20 / 0 / 11 / 0

HEX #CDFFE2

RGB 205 255 226

HSL 145.2, 1%, 0.9%

LAB 95.99, -21.38, 8.66

 

CMYK 42 / 0 / 32 / 11

HEX #84E39B

RGB 132 227 155

HSL 134.53, 0.63%, 0.7%

LAB 83.03, -43.29, 26.6

 

CMYK 45 / 0 / 35 / 18

HEX #73D188

RGB 115 209 136

HSL 133.4, 0.51%, 0.64%

LAB 76.69, -43.51, 27.77

 

CMYK 49 / 0 / 39 / 25

HEX #62BF75

RGB 98 191 117

HSL 132.26, 0.42%, 0.57%

LAB 70.28, -43.69, 29.03

 

CMYK 53 / 0 / 43 / 32

HEX #51AD62

RGB 81 173 98

HSL 131.09, 0.36%, 0.5%

LAB 63.77, -43.78, 30.37

 

CMYK 59 / 0 / 49 / 39

HEX #409B4F

RGB 64 155 79

HSL 129.89, 0.42%, 0.43%

LAB 57.17, -43.71, 31.79

 

CMYK 42 / 0 / 32 / 11

HEX #82E299

RGB 130 226 153

HSL 134.38, 0.62%, 0.7%

LAB 82.61, -43.76, 27.05

 

CMYK 42 / 0 / 42 / 11

HEX #84E282

RGB 132 226 130

HSL 118.75, 0.62%, 0.7%

LAB 82.33, -46.84, 38.35

 

CMYK 30 / 0 / 42 / 11

HEX #9EE282

RGB 158 226 130

HSL 102.5, 0.62%, 0.7%

LAB 83.59, -38.61, 40.21

 

CMYK 19 / 0 / 42 / 11

HEX #B8E282

RGB 184 226 130

HSL 86.25, 0.62%, 0.7%

LAB 85.1, -29.48, 42.44

 

CMYK 7 / 0 / 42 / 11

HEX #D2E282

RGB 210 226 130

HSL 70, 0.62%, 0.7%

LAB 86.85, -19.71, 45.02

 

CMYK 42 / 0 / 32 / 11

HEX #82E299

RGB 130 226 153

HSL 134.38, 0.62%, 0.7%

LAB 82.61, -43.76, 27.05

 

CMYK 42 / 0 / 21 / 11

HEX #82E2B3

RGB 130 226 179

HSL 150.63, 0.62%, 0.7%

LAB 83.12, -38.89, 14.23

 

CMYK 42 / 0 / 9 / 11

HEX #82E2CD

RGB 130 226 205

HSL 166.88, 0.62%, 0.7%

LAB 83.73, -33.3, 1.39

 

CMYK 42 / 2 / 0 / 11

HEX #82DDE2

RGB 130 221 226

HSL 183.13, 0.62%, 0.7%

LAB 82.89, -25.89, -10.98

 

CMYK 42 / 14 / 0 / 11

HEX #82C3E2

RGB 130 195 226

HSL 199.38, 0.62%, 0.7%

LAB 75.62, -12.71, -21.92

 

CMYK 42 / 0 / 32 / 11

HEX #82E299

RGB 130 226 153

HSL 134.38, 0.62%, 0.7%

LAB 82.61, -43.76, 27.05

 

CMYK 51 / 0 / 38 / 6

HEX #75EF93

RGB 117 239 147

HSL 134.75, 0.79%, 0.7%

LAB 85.82, -53.64, 34.29

 

CMYK 58 / 0 / 44 / 2

HEX #69FB8C

RGB 105 251 140

HSL 134.38, 0.95%, 0.7%

LAB 88.87, -62.17, 41.63

 

CMYK 42 / 0 / 32 / 11

HEX #82E299

RGB 130 226 153

HSL 134.38, 0.62%, 0.7%

LAB 82.61, -43.76, 27.05

 

CMYK 34 / 0 / 25 / 16

HEX #8ED6A0

RGB 142 214 160

HSL 135, 0.47%, 0.7%

LAB 79.83, -33.6, 19.69

 

CMYK 23 / 0 / 17 / 21

HEX #9BC9A6

RGB 155 201 166

HSL 134.35, 0.3%, 0.7%

LAB 76.98, -22.1, 12.62

 

CMYK 12 / 0 / 9 / 26

HEX #A7BDAC

RGB 167 189 172

HSL 133.64, 0.14%, 0.7%

LAB 74.57, -10.8, 6.05

 

CMYK 0 / 1 / 0 / 30

HEX #B3B1B3

RGB 179 177 179

HSL 300, 0.01%, 0.7%

LAB 72.42, 1.08, -0.78

 

CMYK 30 / 0 / 42 / 11

HEX #9FE282

RGB 159 226 130

HSL 101.88, 0.62%, 0.7%

LAB 83.64, -38.28, 40.29

 

CMYK 41 / 0 / 42 / 11

HEX #85E282

RGB 133 226 130

HSL 118.13, 0.62%, 0.7%

LAB 82.37, -46.55, 38.41

 

CMYK 42 / 0 / 33 / 11

HEX #82E298

RGB 130 226 152

HSL 133.75, 0.62%, 0.7%

LAB 82.6, -43.94, 27.55

 

CMYK 42 / 0 / 21 / 11

HEX #82E2B2

RGB 130 226 178

HSL 150, 0.62%, 0.7%

LAB 83.1, -39.09, 14.72

 

CMYK 42 / 0 / 10 / 11

HEX #82E2CC

RGB 130 226 204

HSL 166.25, 0.62%, 0.7%

LAB 83.7, -33.53, 1.88

 

CMYK 70 / 0 / 54 / 17

HEX #3FD362

RGB 63 211 98

HSL 134.19, 0.63%, 0.54%

LAB 75.16, -62.02, 44.49

 

CMYK 56 / 0 / 42 / 14

HEX #60DB7E

RGB 96 219 126

HSL 134.63, 0.63%, 0.62%

LAB 78.84, -54.14, 35.59

 

CMYK 42 / 0 / 32 / 11

HEX #82E299

RGB 130 226 153

HSL 134.38, 0.62%, 0.7%

LAB 82.61, -43.76, 27.05

 

CMYK 30 / 0 / 23 / 8

HEX #A3EAB4

RGB 163 234 180

HSL 134.37, 0.63%, 0.78%

LAB 86.96, -32.86, 19.31

 

CMYK 18 / 0 / 14 / 5

HEX #C5F1D0

RGB 197 241 208

HSL 135, 0.61%, 0.86%

LAB 91.39, -20.4, 11.3

 

CMYK 42 / 0 / 32 / 11

HEX #84E39B

RGB 132 227 155

HSL 134.53, 0.63%, 0.7%

LAB 83.03, -43.29, 26.6

 

CMYK 42 / 19 / 0 / 11

HEX #82B8E2

RGB 130 184 226

HSL 206.25, 0.62%, 0.7%

LAB 72.57, -6.86, -26.57

 

CMYK 0 / 42 / 35 / 11

HEX #E28292

RGB 226 130 146

HSL 350, 0.62%, 0.7%

LAB 65.13, 38.66, 7.67

 

CMYK 42 / 0 / 32 / 11

HEX #84E39B

RGB 132 227 155

HSL 134.53, 0.63%, 0.7%

LAB 83.03, -43.29, 26.6

 

CMYK 33 / 42 / 0 / 11

HEX #9882E2

RGB 152 130 226

HSL 253.75, 0.62%, 0.7%

LAB 60.01, 29.6, -46.02

 

CMYK 0 / 33 / 42 / 11

HEX #E29882

RGB 226 152 130

HSL 13.75, 0.62%, 0.7%

LAB 69.64, 25.19, 22.89

 

CMYK 42 / 0 / 32 / 11

HEX #84E39B

RGB 132 227 155

HSL 134.53, 0.63%, 0.7%

LAB 83.03, -43.29, 26.6

 

CMYK 42 / 19 / 0 / 11

HEX #82B8E2

RGB 130 184 226

HSL 206.25, 0.62%, 0.7%

LAB 72.57, -6.86, -26.57

 

CMYK 0 / 42 / 10 / 11

HEX #E282CC

RGB 226 130 204

HSL 313.75, 0.62%, 0.7%

LAB 66.9, 46.98, -22.42

 

CMYK 0 / 24 / 42 / 11

HEX #E2AC82

RGB 226 172 130

HSL 26.25, 0.62%, 0.7%

LAB 74.37, 14.48, 29.23

 

CMYK 42 / 0 / 32 / 11

HEX #84E39B

RGB 132 227 155

HSL 134.53, 0.63%, 0.7%

LAB 83.03, -43.29, 26.6

 

CMYK 42 / 31 / 0 / 11

HEX #829CE2

RGB 130 156 226

HSL 223.75, 0.62%, 0.7%

LAB 64.97, 8.75, -38.33

 

CMYK 0 / 42 / 10 / 11

HEX #E282CC

RGB 226 130 204

HSL 313.75, 0.62%, 0.7%

LAB 66.9, 46.98, -22.42

 

CMYK 0 / 12 / 42 / 11

HEX #E2C882

RGB 226 200 130

HSL 43.75, 0.62%, 0.7%

LAB 81.34, -0.29, 38.31

 

Description

Color code: HEX #84E39B | qconv.com Color code: HEX #84E39B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 227 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 227 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 32 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 32% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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