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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84EABD it is the complementary color #7B1542. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84EABD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84EABD shade: #89EAB8, #9AFCCB, #ABFFDE, #BCFFF1 and #CDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84EABD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84EABD shade: #84EABD, #73D8AA, #62C697, #51B484 and #40A271

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84EABD shade: #84EABD, #84EAA2, #84EA86, #9EEA84 and #B9EA84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84EABD shade: #84EABD, #84EAD8, #84E0EA, #84C5EA and #84A9EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84EABD shade matches the following richer shades: #84EABD and #79F5BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84EABD shade: #84EABD, #90DEBC, #9CD3BA, #A7C7B9 and #B3BCB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84EABD shade: #84EA86, #84EAA1, #84EABC, #84EAD7 and #84E1EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84EABD shade: #3EDE97, #61E4AA, #84EABD, #A8F0D0 and #CBF6E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84EABD shade: #84EABD, #849EEA and #EA9484

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84EABD shade: #84EABD, #BC84EA and #EABC84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84EABD shade: #84EABD, #849EEA, #EA84B2 and #EAD084

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84EABD shade: #84EABD, #8984EA, #EA84B2 and #E5EA84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 19 / 8

HEX #84EABD

RGB 132 234 189

HSL 153.53, 0.71%, 0.72%

LAB 85.72, -39.93, 12.67

 

Complementary color

CMYK 0 / 83 / 46 / 52

HEX #7B1542

RGB 123 21 66

HSL 333.53, 0.71%, 0.28%

LAB 27.13, 45.47, -0.23

 

CMYK 41 / 0 / 21 / 8

HEX #89EAB8

RGB 137 234 184

HSL 149.07, 0.7%, 0.73%

LAB 85.82, -39.62, 15.45

 

CMYK 39 / 0 / 19 / 1

HEX #9AFCCB

RGB 154 252 203

HSL 150, 0.94%, 0.8%

LAB 92.04, -39.39, 14.5

 

CMYK 33 / 0 / 13 / 0

HEX #ABFFDE

RGB 171 255 222

HSL 156.43, 1%, 0.84%

LAB 94.08, -32.29, 7.73

 

CMYK 26 / 0 / 5 / 0

HEX #BCFFF1

RGB 188 255 241

HSL 167.46, 1%, 0.87%

LAB 95.4, -23.57, -0.05

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 44 / 0 / 19 / 8

HEX #84EABD

RGB 132 234 189

HSL 153.53, 0.71%, 0.72%

LAB 85.72, -39.93, 12.67

 

CMYK 47 / 0 / 21 / 15

HEX #73D8AA

RGB 115 216 170

HSL 152.67, 0.56%, 0.65%

LAB 79.42, -40.12, 13.66

 

CMYK 51 / 0 / 24 / 22

HEX #62C697

RGB 98 198 151

HSL 151.8, 0.47%, 0.58%

LAB 73.04, -40.28, 14.73

 

CMYK 55 / 0 / 27 / 29

HEX #51B484

RGB 81 180 132

HSL 150.91, 0.4%, 0.51%

LAB 66.56, -40.38, 15.88

 

CMYK 60 / 0 / 30 / 36

HEX #40A271

RGB 64 162 113

HSL 150, 0.43%, 0.44%

LAB 60, -40.37, 17.15

 

CMYK 44 / 0 / 19 / 8

HEX #84EABD

RGB 132 234 189

HSL 153.53, 0.71%, 0.72%

LAB 85.72, -39.93, 12.67

 

CMYK 44 / 0 / 31 / 8

HEX #84EAA2

RGB 132 234 162

HSL 137.65, 0.71%, 0.72%

LAB 85.18, -45.1, 25.92

 

CMYK 44 / 0 / 43 / 8

HEX #84EA86

RGB 132 234 134

HSL 121.18, 0.71%, 0.72%

LAB 84.73, -49.61, 39.44

 

CMYK 32 / 0 / 44 / 8

HEX #9EEA84

RGB 158 234 132

HSL 104.71, 0.71%, 0.72%

LAB 85.9, -41.9, 42.16

 

CMYK 21 / 0 / 44 / 8

HEX #B9EA84

RGB 185 234 132

HSL 88.82, 0.71%, 0.72%

LAB 87.4, -32.61, 44.37

 

CMYK 44 / 0 / 19 / 8

HEX #84EABD

RGB 132 234 189

HSL 153.53, 0.71%, 0.72%

LAB 85.72, -39.93, 12.67

 

CMYK 44 / 0 / 8 / 8

HEX #84EAD8

RGB 132 234 216

HSL 169.41, 0.71%, 0.72%

LAB 86.36, -34.02, -0.56

 

CMYK 44 / 4 / 0 / 8

HEX #84E0EA

RGB 132 224 234

HSL 185.88, 0.71%, 0.72%

LAB 84.05, -24.88, -13.47

 

CMYK 44 / 16 / 0 / 8

HEX #84C5EA

RGB 132 197 234

HSL 201.76, 0.71%, 0.72%

LAB 76.54, -11.14, -24.82

 

CMYK 44 / 28 / 0 / 8

HEX #84A9EA

RGB 132 169 234

HSL 218.24, 0.71%, 0.72%

LAB 68.91, 4.13, -36.58

 

CMYK 44 / 0 / 19 / 8

HEX #84EABD

RGB 132 234 189

HSL 153.53, 0.71%, 0.72%

LAB 85.72, -39.93, 12.67

 

CMYK 51 / 0 / 22 / 4

HEX #79F5BE

RGB 121 245 190

HSL 153.39, 0.86%, 0.72%

LAB 88.49, -47.21, 16.01

 

CMYK 44 / 0 / 19 / 8

HEX #84EABD

RGB 132 234 189

HSL 153.53, 0.71%, 0.72%

LAB 85.72, -39.93, 12.67

 

CMYK 35 / 0 / 15 / 13

HEX #90DEBC

RGB 144 222 188

HSL 153.85, 0.54%, 0.72%

LAB 82.81, -31.35, 9.13

 

CMYK 26 / 0 / 12 / 17

HEX #9CD3BA

RGB 156 211 186

HSL 152.73, 0.38%, 0.72%

LAB 80.29, -22.87, 6.67

 

CMYK 16 / 0 / 7 / 22

HEX #A7C7B9

RGB 167 199 185

HSL 153.75, 0.22%, 0.72%

LAB 77.62, -13.49, 3.43

 

CMYK 5 / 0 / 2 / 26

HEX #B3BCB8

RGB 179 188 184

HSL 153.33, 0.06%, 0.72%

LAB 75.46, -3.87, 0.93

 

CMYK 44 / 0 / 43 / 8

HEX #84EA86

RGB 132 234 134

HSL 121.18, 0.71%, 0.72%

LAB 84.73, -49.61, 39.44

 

CMYK 44 / 0 / 31 / 8

HEX #84EAA1

RGB 132 234 161

HSL 137.06, 0.71%, 0.72%

LAB 85.16, -45.27, 26.41

 

CMYK 44 / 0 / 20 / 8

HEX #84EABC

RGB 132 234 188

HSL 152.94, 0.71%, 0.72%

LAB 85.7, -40.13, 13.16

 

CMYK 44 / 0 / 8 / 8

HEX #84EAD7

RGB 132 234 215

HSL 168.82, 0.71%, 0.72%

LAB 86.33, -34.25, -0.07

 

CMYK 44 / 4 / 0 / 8

HEX #84E1EA

RGB 132 225 234

HSL 185.29, 0.71%, 0.72%

LAB 84.33, -25.37, -13.05

 

CMYK 72 / 0 / 32 / 13

HEX #3EDE97

RGB 62 222 151

HSL 153.38, 0.71%, 0.56%

LAB 79.33, -57.03, 23.28

 

CMYK 57 / 0 / 25 / 11

HEX #61E4AA

RGB 97 228 170

HSL 153.44, 0.71%, 0.64%

LAB 82.34, -49.41, 17.67

 

CMYK 44 / 0 / 19 / 8

HEX #84EABD

RGB 132 234 189

HSL 153.53, 0.71%, 0.72%

LAB 85.72, -39.93, 12.67

 

CMYK 30 / 0 / 13 / 6

HEX #A8F0D0

RGB 168 240 208

HSL 153.33, 0.71%, 0.8%

LAB 89.49, -28.9, 8.36

 

CMYK 17 / 0 / 8 / 4

HEX #CBF6E3

RGB 203 246 227

HSL 153.49, 0.7%, 0.88%

LAB 93.52, -17.43, 4.56

 

CMYK 44 / 0 / 19 / 8

HEX #84EABD

RGB 132 234 189

HSL 153.53, 0.71%, 0.72%

LAB 85.72, -39.93, 12.67

 

CMYK 44 / 32 / 0 / 8

HEX #849EEA

RGB 132 158 234

HSL 224.71, 0.71%, 0.72%

LAB 65.98, 10.37, -41.15

 

CMYK 0 / 37 / 44 / 8

HEX #EA9484

RGB 234 148 132

HSL 9.41, 0.71%, 0.72%

LAB 69.71, 30.62, 22.05

 

CMYK 44 / 0 / 19 / 8

HEX #84EABD

RGB 132 234 189

HSL 153.53, 0.71%, 0.72%

LAB 85.72, -39.93, 12.67

 

CMYK 20 / 44 / 0 / 8

HEX #BC84EA

RGB 188 132 234

HSL 272.94, 0.71%, 0.72%

LAB 64.27, 40.34, -43.51

 

CMYK 0 / 20 / 44 / 8

HEX #EABC84

RGB 234 188 132

HSL 32.94, 0.71%, 0.72%

LAB 79.11, 9.4, 34.55

 

CMYK 44 / 0 / 19 / 8

HEX #84EABD

RGB 132 234 189

HSL 153.53, 0.71%, 0.72%

LAB 85.72, -39.93, 12.67

 

CMYK 44 / 32 / 0 / 8

HEX #849EEA

RGB 132 158 234

HSL 224.71, 0.71%, 0.72%

LAB 65.98, 10.37, -41.15

 

CMYK 0 / 44 / 24 / 8

HEX #EA84B2

RGB 234 132 178

HSL 332.94, 0.71%, 0.72%

LAB 67.43, 44.59, -6.93

 

CMYK 0 / 11 / 44 / 8

HEX #EAD084

RGB 234 208 132

HSL 44.71, 0.71%, 0.72%

LAB 84.11, -1.03, 40.97

 

CMYK 44 / 0 / 19 / 8

HEX #84EABD

RGB 132 234 189

HSL 153.53, 0.71%, 0.72%

LAB 85.72, -39.93, 12.67

 

CMYK 41 / 44 / 0 / 8

HEX #8984EA

RGB 137 132 234

HSL 242.94, 0.71%, 0.72%

LAB 59.67, 26.73, -51.08

 

CMYK 0 / 44 / 24 / 8

HEX #EA84B2

RGB 234 132 178

HSL 332.94, 0.71%, 0.72%

LAB 67.43, 44.59, -6.93

 

CMYK 2 / 0 / 44 / 8

HEX #E5EA84

RGB 229 234 132

HSL 62.94, 0.71%, 0.72%

LAB 90.4, -16.08, 48.76

 

Description

Color code: HEX #84EABD | qconv.com Color code: HEX #84EABD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 234 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 234 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 19 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 19% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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