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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84EAE5 it is the complementary color #7B151A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84EAE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84EAE5 shade: #89EAE0, #9AFCF3, #ABFFFF, #BCFFFF and #CDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84EAE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84EAE5 shade: #84EAE5, #73D8D2, #62C6BF, #51B4AC and #40A299

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84EAE5 shade: #84EAE5, #84EAC9, #84EAAE, #84EA93 and #91EA84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84EAE5 shade: #84EAE5, #84D3EA, #84B8EA, #849DEA and #8484EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84EAE5 shade matches the following richer shades: #84EAE5 and #79F5EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84EAE5 shade: #84EAE5, #90DEDA, #9CD3D0, #A7C7C6 and #B3BCBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84EAE5 shade: #84EAAF, #84EACA, #84EAE5, #84D4EA and #84B9EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84EAE5 shade: #3EDED6, #61E4DD, #84EAE5, #A8F0EC and #CBF6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84EAE5 shade: #84EAE5, #9484EA and #EABC84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84EAE5 shade: #84EAE5, #E584EA and #EAE584

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84EAE5 shade: #84EAE5, #9484EA, #EA8489 and #DBEA84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84EAE5 shade: #84EAE5, #B284EA, #EA8489 and #BCEA84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 2 / 8

HEX #84EAE5

RGB 132 234 229

HSL 177.06, 0.71%, 0.72%

LAB 86.71, -30.94, -6.88

 

Complementary color

CMYK 0 / 83 / 79 / 52

HEX #7B151A

RGB 123 21 26

HSL 357.06, 0.71%, 0.28%

LAB 26.22, 42.68, 25.35

 

CMYK 41 / 0 / 4 / 8

HEX #89EAE0

RGB 137 234 224

HSL 173.81, 0.7%, 0.73%

LAB 86.77, -30.94, -4.13

 

CMYK 39 / 0 / 4 / 1

HEX #9AFCF3

RGB 154 252 243

HSL 174.49, 0.94%, 0.8%

LAB 93, -30.86, -4.79

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 26 / 0 / 0 / 0

HEX #BCFFFF

RGB 188 255 255

HSL 180, 1%, 0.87%

LAB 95.76, -20.62, -6.73

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 44 / 0 / 2 / 8

HEX #84EAE5

RGB 132 234 229

HSL 177.06, 0.71%, 0.72%

LAB 86.71, -30.94, -6.88

 

CMYK 47 / 0 / 3 / 15

HEX #73D8D2

RGB 115 216 210

HSL 176.44, 0.56%, 0.65%

LAB 80.41, -30.95, -6.2

 

CMYK 51 / 0 / 4 / 22

HEX #62C6BF

RGB 98 198 191

HSL 175.8, 0.47%, 0.58%

LAB 74.03, -30.92, -5.49

 

CMYK 55 / 0 / 4 / 29

HEX #51B4AC

RGB 81 180 172

HSL 175.15, 0.4%, 0.51%

LAB 67.55, -30.81, -4.71

 

CMYK 60 / 0 / 6 / 36

HEX #40A299

RGB 64 162 153

HSL 174.49, 0.43%, 0.44%

LAB 60.98, -30.6, -3.86

 

CMYK 44 / 0 / 2 / 8

HEX #84EAE5

RGB 132 234 229

HSL 177.06, 0.71%, 0.72%

LAB 86.71, -30.94, -6.88

 

CMYK 44 / 0 / 14 / 8

HEX #84EAC9

RGB 132 234 201

HSL 160.59, 0.71%, 0.72%

LAB 85.99, -37.39, 6.78

 

CMYK 44 / 0 / 26 / 8

HEX #84EAAE

RGB 132 234 174

HSL 144.71, 0.71%, 0.72%

LAB 85.41, -42.89, 20.04

 

CMYK 44 / 0 / 37 / 8

HEX #84EA93

RGB 132 234 147

HSL 128.82, 0.71%, 0.72%

LAB 84.92, -47.63, 33.21

 

CMYK 38 / 0 / 44 / 8

HEX #91EA84

RGB 145 234 132

HSL 112.35, 0.71%, 0.72%

LAB 85.27, -46.03, 41.23

 

CMYK 44 / 0 / 2 / 8

HEX #84EAE5

RGB 132 234 229

HSL 177.06, 0.71%, 0.72%

LAB 86.71, -30.94, -6.88

 

CMYK 44 / 10 / 0 / 8

HEX #84D3EA

RGB 132 211 234

HSL 193.53, 0.71%, 0.72%

LAB 80.42, -18.38, -18.92

 

CMYK 44 / 21 / 0 / 8

HEX #84B8EA

RGB 132 184 234

HSL 209.41, 0.71%, 0.72%

LAB 72.98, -4.17, -30.29

 

CMYK 44 / 33 / 0 / 8

HEX #849DEA

RGB 132 157 234

HSL 225.29, 0.71%, 0.72%

LAB 65.72, 10.95, -41.56

 

CMYK 44 / 44 / 0 / 8

HEX #8484EA

RGB 132 132 234

HSL 240, 0.71%, 0.72%

LAB 59.3, 25.51, -51.7

 

CMYK 44 / 0 / 2 / 8

HEX #84EAE5

RGB 132 234 229

HSL 177.06, 0.71%, 0.72%

LAB 86.71, -30.94, -6.88

 

CMYK 51 / 0 / 2 / 4

HEX #79F5EF

RGB 121 245 239

HSL 177.1, 0.86%, 0.72%

LAB 89.67, -36.03, -7.76

 

CMYK 44 / 0 / 2 / 8

HEX #84EAE5

RGB 132 234 229

HSL 177.06, 0.71%, 0.72%

LAB 86.71, -30.94, -6.88

 

CMYK 35 / 0 / 2 / 13

HEX #90DEDA

RGB 144 222 218

HSL 176.92, 0.54%, 0.72%

LAB 83.57, -24.79, -5.66

 

CMYK 26 / 0 / 1 / 17

HEX #9CD3D0

RGB 156 211 208

HSL 176.73, 0.38%, 0.72%

LAB 80.86, -18.23, -4.26

 

CMYK 16 / 0 / 1 / 22

HEX #A7C7C6

RGB 167 199 198

HSL 178.13, 0.22%, 0.72%

LAB 77.96, -10.86, -3.09

 

CMYK 5 / 0 / 1 / 26

HEX #B3BCBB

RGB 179 188 187

HSL 173.33, 0.06%, 0.72%

LAB 75.54, -3.3, -0.58

 

CMYK 44 / 0 / 25 / 8

HEX #84EAAF

RGB 132 234 175

HSL 145.29, 0.71%, 0.72%

LAB 85.43, -42.7, 19.55

 

CMYK 44 / 0 / 14 / 8

HEX #84EACA

RGB 132 234 202

HSL 161.18, 0.71%, 0.72%

LAB 86.01, -37.17, 6.29

 

CMYK 44 / 0 / 2 / 8

HEX #84EAE5

RGB 132 234 229

HSL 177.06, 0.71%, 0.72%

LAB 86.71, -30.94, -6.88

 

CMYK 44 / 9 / 0 / 8

HEX #84D4EA

RGB 132 212 234

HSL 192.94, 0.71%, 0.72%

LAB 80.7, -18.89, -18.5

 

CMYK 44 / 21 / 0 / 8

HEX #84B9EA

RGB 132 185 234

HSL 208.82, 0.71%, 0.72%

LAB 73.25, -4.71, -29.87

 

CMYK 72 / 0 / 4 / 13

HEX #3EDED6

RGB 62 222 214

HSL 177, 0.71%, 0.56%

LAB 80.81, -41.81, -7.91

 

CMYK 57 / 0 / 3 / 11

HEX #61E4DD

RGB 97 228 221

HSL 176.79, 0.71%, 0.64%

LAB 83.57, -37.42, -7.43

 

CMYK 44 / 0 / 2 / 8

HEX #84EAE5

RGB 132 234 229

HSL 177.06, 0.71%, 0.72%

LAB 86.71, -30.94, -6.88

 

CMYK 30 / 0 / 2 / 6

HEX #A8F0EC

RGB 168 240 236

HSL 176.67, 0.71%, 0.8%

LAB 90.18, -23.01, -5.22

 

CMYK 17 / 0 / 1 / 4

HEX #CBF6F4

RGB 203 246 244

HSL 177.21, 0.7%, 0.88%

LAB 93.94, -14.1, -3.63

 

CMYK 44 / 0 / 2 / 8

HEX #84EAE5

RGB 132 234 229

HSL 177.06, 0.71%, 0.72%

LAB 86.71, -30.94, -6.88

 

CMYK 37 / 44 / 0 / 8

HEX #9484EA

RGB 148 132 234

HSL 249.41, 0.71%, 0.72%

LAB 60.55, 29.5, -49.63

 

CMYK 0 / 20 / 44 / 8

HEX #EABC84

RGB 234 188 132

HSL 32.94, 0.71%, 0.72%

LAB 79.11, 9.4, 34.55

 

CMYK 44 / 0 / 2 / 8

HEX #84EAE5

RGB 132 234 229

HSL 177.06, 0.71%, 0.72%

LAB 86.71, -30.94, -6.88

 

CMYK 2 / 44 / 0 / 8

HEX #E584EA

RGB 229 132 234

HSL 297.06, 0.71%, 0.72%

LAB 68.82, 52.08, -36.06

 

CMYK 0 / 2 / 44 / 8

HEX #EAE584

RGB 234 229 132

HSL 57.06, 0.71%, 0.72%

LAB 89.49, -11.66, 47.72

 

CMYK 44 / 0 / 2 / 8

HEX #84EAE5

RGB 132 234 229

HSL 177.06, 0.71%, 0.72%

LAB 86.71, -30.94, -6.88

 

CMYK 37 / 44 / 0 / 8

HEX #9484EA

RGB 148 132 234

HSL 249.41, 0.71%, 0.72%

LAB 60.55, 29.5, -49.63

 

CMYK 0 / 44 / 41 / 8

HEX #EA8489

RGB 234 132 137

HSL 357.06, 0.71%, 0.72%

LAB 66.37, 39.51, 14.65

 

CMYK 6 / 0 / 44 / 8

HEX #DBEA84

RGB 219 234 132

HSL 68.82, 0.71%, 0.72%

LAB 89.66, -19.94, 47.69

 

CMYK 44 / 0 / 2 / 8

HEX #84EAE5

RGB 132 234 229

HSL 177.06, 0.71%, 0.72%

LAB 86.71, -30.94, -6.88

 

CMYK 24 / 44 / 0 / 8

HEX #B284EA

RGB 178 132 234

HSL 267.06, 0.71%, 0.72%

LAB 63.27, 37.54, -45.16

 

CMYK 0 / 44 / 41 / 8

HEX #EA8489

RGB 234 132 137

HSL 357.06, 0.71%, 0.72%

LAB 66.37, 39.51, 14.65

 

CMYK 20 / 0 / 44 / 8

HEX #BCEA84

RGB 188 234 132

HSL 87.06, 0.71%, 0.72%

LAB 87.58, -31.53, 44.64

 

Description

Color code: HEX #84EAE5 | qconv.com Color code: HEX #84EAE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 234 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 234 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 2 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 2% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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