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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84EB98 it is the complementary color #7B1467. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84EB98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84EB98 shade: #89EB93, #9AFDA6, #ABFFB9, #BCFFCC and #CDFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84EB98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84EB98 shade: #84EB98, #73D985, #62C772, #51B55F and #40A34C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84EB98 shade: #84EB98, #8BEB84, #A7EB84, #C3EB84 and #DFEB84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84EB98 shade: #84EB98, #84EBB3, #84EBCF, #84EAEB and #84CEEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84EB98 shade matches the following richer shades: #84EB98 and #78F691

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84EB98 shade: #84EB98, #8FDF9F, #9BD3A6, #A6C8AD and #B2BCB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84EB98 shade: #A8EB84, #8CEB84, #84EB97, #84EBB2 and #84EBCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84EB98 shade: #3DDF5C, #60E57A, #84EB98, #A7F0B5 and #CBF6D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84EB98 shade: #84EB98, #84C3EB and #EB849A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84EB98 shade: #84EB98, #9784EB and #EB9784

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84EB98 shade: #84EB98, #84C3EB, #EB84D8 and #EBAB84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84EB98 shade: #84EB98, #84A4EB, #EB84D8 and #EBCA84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 35 / 8

HEX #84EB98

RGB 132 235 152

HSL 131.65, 0.72%, 0.72%

LAB 85.3, -47.24, 31.18

 

Complementary color

CMYK 0 / 84 / 16 / 52

HEX #7B1467

RGB 123 20 103

HSL 311.65, 0.72%, 0.28%

LAB 28.62, 50.36, -22.45

 

CMYK 42 / 0 / 37 / 8

HEX #89EB93

RGB 137 235 147

HSL 126.12, 0.71%, 0.73%

LAB 85.42, -46.63, 33.91

 

CMYK 39 / 0 / 34 / 1

HEX #9AFDA6

RGB 154 253 166

HSL 127.27, 0.96%, 0.8%

LAB 91.63, -46.41, 32.74

 

CMYK 33 / 0 / 27 / 0

HEX #ABFFB9

RGB 171 255 185

HSL 130, 1%, 0.84%

LAB 93.31, -39.15, 25.58

 

CMYK 26 / 0 / 20 / 0

HEX #BCFFCC

RGB 188 255 204

HSL 134.33, 1%, 0.87%

LAB 94.56, -30.67, 17.77

 

CMYK 20 / 0 / 13 / 0

HEX #CDFFDF

RGB 205 255 223

HSL 141.6, 1%, 0.9%

LAB 95.92, -21.93, 10.1

 

CMYK 44 / 0 / 35 / 8

HEX #84EB98

RGB 132 235 152

HSL 131.65, 0.72%, 0.72%

LAB 85.3, -47.24, 31.18

 

CMYK 47 / 0 / 39 / 15

HEX #73D985

RGB 115 217 133

HSL 130.59, 0.57%, 0.65%

LAB 79.02, -47.42, 32.4

 

CMYK 51 / 0 / 43 / 22

HEX #62C772

RGB 98 199 114

HSL 129.5, 0.47%, 0.58%

LAB 72.67, -47.53, 33.7

 

CMYK 55 / 0 / 48 / 29

HEX #51B55F

RGB 81 181 95

HSL 128.4, 0.4%, 0.51%

LAB 66.23, -47.53, 35.06

 

CMYK 61 / 0 / 53 / 36

HEX #40A34C

RGB 64 163 76

HSL 127.27, 0.44%, 0.45%

LAB 59.71, -47.34, 36.46

 

CMYK 44 / 0 / 35 / 8

HEX #84EB98

RGB 132 235 152

HSL 131.65, 0.72%, 0.72%

LAB 85.3, -47.24, 31.18

 

CMYK 41 / 0 / 44 / 8

HEX #8BEB84

RGB 139 235 132

HSL 115.92, 0.72%, 0.72%

LAB 85.29, -48.27, 41.2

 

CMYK 29 / 0 / 44 / 8

HEX #A7EB84

RGB 167 235 132

HSL 99.61, 0.72%, 0.72%

LAB 86.65, -39.35, 43.21

 

CMYK 17 / 0 / 44 / 8

HEX #C3EB84

RGB 195 235 132

HSL 83.3, 0.72%, 0.72%

LAB 88.3, -29.45, 45.63

 

CMYK 5 / 0 / 44 / 8

HEX #DFEB84

RGB 223 235 132

HSL 66.99, 0.72%, 0.72%

LAB 90.22, -18.89, 48.44

 

CMYK 44 / 0 / 35 / 8

HEX #84EB98

RGB 132 235 152

HSL 131.65, 0.72%, 0.72%

LAB 85.3, -47.24, 31.18

 

CMYK 44 / 0 / 24 / 8

HEX #84EBB3

RGB 132 235 179

HSL 147.38, 0.72%, 0.72%

LAB 85.79, -42.37, 17.99

 

CMYK 44 / 0 / 12 / 8

HEX #84EBCF

RGB 132 235 207

HSL 163.69, 0.72%, 0.72%

LAB 86.42, -36.53, 4.25

 

CMYK 44 / 0 / 0 / 8

HEX #84EAEB

RGB 132 234 235

HSL 180.58, 0.72%, 0.72%

LAB 86.87, -29.47, -9.78

 

CMYK 44 / 12 / 0 / 8

HEX #84CEEB

RGB 132 206 235

HSL 196.89, 0.72%, 0.72%

LAB 79.07, -15.56, -21.51

 

CMYK 44 / 0 / 35 / 8

HEX #84EB98

RGB 132 235 152

HSL 131.65, 0.72%, 0.72%

LAB 85.3, -47.24, 31.18

 

CMYK 51 / 0 / 41 / 4

HEX #78F691

RGB 120 246 145

HSL 131.9, 0.88%, 0.72%

LAB 87.94, -56.01, 38.08

 

CMYK 44 / 0 / 35 / 8

HEX #84EB98

RGB 132 235 152

HSL 131.65, 0.72%, 0.72%

LAB 85.3, -47.24, 31.18

 

CMYK 36 / 0 / 29 / 13

HEX #8FDF9F

RGB 143 223 159

HSL 132, 0.56%, 0.72%

LAB 82.44, -37.61, 23.82

 

CMYK 27 / 0 / 21 / 17

HEX #9BD3A6

RGB 155 211 166

HSL 131.79, 0.39%, 0.72%

LAB 79.79, -27, 16.58

 

CMYK 17 / 0 / 14 / 22

HEX #A6C8AD

RGB 166 200 173

HSL 132.35, 0.24%, 0.72%

LAB 77.54, -16.62, 9.76

 

CMYK 5 / 0 / 4 / 26

HEX #B2BCB4

RGB 178 188 180

HSL 132, 0.07%, 0.72%

LAB 75.28, -4.97, 2.84

 

CMYK 29 / 0 / 44 / 8

HEX #A8EB84

RGB 168 235 132

HSL 99.03, 0.72%, 0.72%

LAB 86.71, -39.01, 43.29

 

CMYK 40 / 0 / 44 / 8

HEX #8CEB84

RGB 140 235 132

HSL 115.34, 0.72%, 0.72%

LAB 85.33, -47.98, 41.27

 

CMYK 44 / 0 / 36 / 8

HEX #84EB97

RGB 132 235 151

HSL 131.07, 0.72%, 0.72%

LAB 85.28, -47.4, 31.66

 

CMYK 44 / 0 / 24 / 8

HEX #84EBB2

RGB 132 235 178

HSL 146.8, 0.72%, 0.72%

LAB 85.77, -42.57, 18.48

 

CMYK 44 / 0 / 13 / 8

HEX #84EBCD

RGB 132 235 205

HSL 162.52, 0.72%, 0.72%

LAB 86.37, -36.97, 5.23

 

CMYK 73 / 0 / 59 / 13

HEX #3DDF5C

RGB 61 223 92

HSL 131.48, 0.72%, 0.56%

LAB 78.78, -67.16, 51.53

 

CMYK 58 / 0 / 47 / 10

HEX #60E57A

RGB 96 229 122

HSL 131.73, 0.72%, 0.64%

LAB 81.8, -58.6, 41.34

 

CMYK 44 / 0 / 35 / 8

HEX #84EB98

RGB 132 235 152

HSL 131.65, 0.72%, 0.72%

LAB 85.3, -47.24, 31.18

 

CMYK 30 / 0 / 25 / 6

HEX #A7F0B5

RGB 167 240 181

HSL 131.51, 0.71%, 0.8%

LAB 88.86, -34.23, 21.46

 

CMYK 17 / 0 / 14 / 4

HEX #CBF6D3

RGB 203 246 211

HSL 131.16, 0.7%, 0.88%

LAB 93.15, -20.36, 12.31

 

CMYK 44 / 0 / 35 / 8

HEX #84EB98

RGB 132 235 152

HSL 131.65, 0.72%, 0.72%

LAB 85.3, -47.24, 31.18

 

CMYK 44 / 17 / 0 / 8

HEX #84C3EB

RGB 132 195 235

HSL 203.3, 0.72%, 0.72%

LAB 76.03, -9.81, -26.14

 

CMYK 0 / 44 / 34 / 8

HEX #EB849A

RGB 235 132 154

HSL 347.18, 0.72%, 0.72%

LAB 66.9, 41.8, 5.84

 

CMYK 44 / 0 / 35 / 8

HEX #84EB98

RGB 132 235 152

HSL 131.65, 0.72%, 0.72%

LAB 85.3, -47.24, 31.18

 

CMYK 36 / 44 / 0 / 8

HEX #9784EB

RGB 151 132 235

HSL 251.07, 0.72%, 0.72%

LAB 60.85, 30.53, -49.69

 

CMYK 0 / 36 / 44 / 8

HEX #EB9784

RGB 235 151 132

HSL 11.07, 0.72%, 0.72%

LAB 70.5, 29.42, 23.14

 

CMYK 44 / 0 / 35 / 8

HEX #84EB98

RGB 132 235 152

HSL 131.65, 0.72%, 0.72%

LAB 85.3, -47.24, 31.18

 

CMYK 44 / 17 / 0 / 8

HEX #84C3EB

RGB 132 195 235

HSL 203.3, 0.72%, 0.72%

LAB 76.03, -9.81, -26.14

 

CMYK 0 / 44 / 8 / 8

HEX #EB84D8

RGB 235 132 216

HSL 311.07, 0.72%, 0.72%

LAB 68.84, 50.73, -26.03

 

CMYK 0 / 27 / 44 / 8

HEX #EBAB84

RGB 235 171 132

HSL 22.72, 0.72%, 0.72%

LAB 75.11, 18.8, 29.32

 

CMYK 44 / 0 / 35 / 8

HEX #84EB98

RGB 132 235 152

HSL 131.65, 0.72%, 0.72%

LAB 85.3, -47.24, 31.18

 

CMYK 44 / 30 / 0 / 8

HEX #84A4EB

RGB 132 164 235

HSL 221.36, 0.72%, 0.72%

LAB 67.62, 7.23, -39.14

 

CMYK 0 / 44 / 8 / 8

HEX #EB84D8

RGB 235 132 216

HSL 311.07, 0.72%, 0.72%

LAB 68.84, 50.73, -26.03

 

CMYK 0 / 14 / 44 / 8

HEX #EBCA84

RGB 235 202 132

HSL 40.78, 0.72%, 0.72%

LAB 82.68, 2.47, 39.18

 

Description

Color code: HEX #84EB98 | qconv.com Color code: HEX #84EB98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 235 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 235 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 35 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 35% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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