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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84EE50 it is the complementary color #7B11AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84EE50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84EE50 shade: #89EE4B, #9AFF5E, #ABFF71, #BCFF84 and #CDFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84EE50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84EE50 shade: #84EE50, #73DC3D, #62CA2A, #51B817 and #40A604

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84EE50 shade: #82ED4E, #ADED4E, #D8ED4E, #EDD74E and #EDAC4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84EE50 shade: #82ED4E, #58ED4E, #4EED70, #4EED9A and #4EEDC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84EE50 shade matches the following richer shades: #82ED4E and #7DFD3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84EE50 shade: #82ED4E, #88DD5E, #8DCE6D, #93BE7D and #98AE8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84EE50 shade: #D8ED4E, #ADED4E, #83ED4E, #59ED4E and #4EED6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84EE50 shade: #54D415, #68E929, #82ED4E, #9DF174 and #B7F499

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84EE50 shade: #84EE50, #4EEDD8 and #ED4EC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84EE50 shade: #84EE50, #4E83ED and #ED4E83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84EE50 shade: #84EE50, #4EEDD8, #B84EED and #ED4E63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84EE50 shade: #84EE50, #4ED3ED, #B84EED and #ED694E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 66 / 7

HEX #84EE50

RGB 132 238 80

HSL 100.25, 0.82%, 0.62%

LAB 85.32, -57.28, 64.39

 

Complementary color

CMYK 30 / 90 / 0 / 31

HEX #7B11AF

RGB 123 17 175

HSL 280.25, 0.82%, 0.38%

LAB 33.37, 63.91, -59.54

 

CMYK 42 / 0 / 68 / 7

HEX #89EE4B

RGB 137 238 75

HSL 97.18, 0.83%, 0.61%

LAB 85.49, -56.14, 66.53

 

CMYK 40 / 0 / 63 / 0

HEX #9AFF5E

RGB 154 255 94

HSL 97.64, 1%, 0.68%

LAB 91.32, -56.02, 65.62

 

CMYK 33 / 0 / 56 / 0

HEX #ABFF71

RGB 171 255 113

HSL 95.49, 1%, 0.72%

LAB 92.3, -48.79, 58.93

 

CMYK 26 / 0 / 48 / 0

HEX #BCFF84

RGB 188 255 132

HSL 92.68, 1%, 0.76%

LAB 93.4, -41.05, 51.84

 

CMYK 20 / 0 / 41 / 0

HEX #CDFF97

RGB 205 255 151

HSL 88.85, 1%, 0.8%

LAB 94.63, -32.9, 44.55

 

CMYK 45 / 0 / 66 / 7

HEX #84EE50

RGB 132 238 80

HSL 100.25, 0.82%, 0.62%

LAB 85.32, -57.28, 64.39

 

CMYK 48 / 0 / 72 / 14

HEX #73DC3D

RGB 115 220 61

HSL 99.62, 0.69%, 0.55%

LAB 79.14, -56.87, 64.8

 

CMYK 51 / 0 / 79 / 21

HEX #62CA2A

RGB 98 202 42

HSL 99, 0.66%, 0.48%

LAB 72.9, -56.22, 64.63

 

CMYK 56 / 0 / 88 / 28

HEX #51B817

RGB 81 184 23

HSL 98.39, 0.78%, 0.41%

LAB 66.59, -55.22, 63.49

 

CMYK 61 / 0 / 98 / 35

HEX #40A604

RGB 64 166 4

HSL 97.78, 0.95%, 0.33%

LAB 60.22, -53.78, 60.96

 

CMYK 45 / 0 / 67 / 7

HEX #82ED4E

RGB 130 237 78

HSL 100.38, 0.82%, 0.62%

LAB 84.93, -57.65, 64.72

 

CMYK 27 / 0 / 67 / 7

HEX #ADED4E

RGB 173 237 78

HSL 84.15, 0.82%, 0.62%

LAB 87, -43.33, 67.53

 

CMYK 9 / 0 / 67 / 7

HEX #D8ED4E

RGB 216 237 78

HSL 67.92, 0.82%, 0.62%

LAB 89.73, -26.86, 71.2

 

CMYK 0 / 9 / 67 / 7

HEX #EDD74E

RGB 237 215 78

HSL 51.7, 0.82%, 0.62%

LAB 85.58, -7.51, 67.5

 

CMYK 0 / 27 / 67 / 7

HEX #EDAC4E

RGB 237 172 78

HSL 35.47, 0.82%, 0.62%

LAB 74.86, 14.79, 56.21

 

CMYK 45 / 0 / 67 / 7

HEX #82ED4E

RGB 130 237 78

HSL 100.38, 0.82%, 0.62%

LAB 84.93, -57.65, 64.72

 

CMYK 63 / 0 / 67 / 7

HEX #58ED4E

RGB 88 237 78

HSL 116.23, 0.82%, 0.62%

LAB 83.54, -68.37, 62.84

 

CMYK 67 / 0 / 53 / 7

HEX #4EED70

RGB 78 237 112

HSL 132.83, 0.82%, 0.62%

LAB 83.63, -66.51, 48.27

 

CMYK 67 / 0 / 35 / 7

HEX #4EED9A

RGB 78 237 154

HSL 148.68, 0.82%, 0.62%

LAB 84.24, -59.69, 28.45

 

CMYK 67 / 0 / 17 / 7

HEX #4EEDC5

RGB 78 237 197

HSL 164.91, 0.82%, 0.62%

LAB 85.11, -50.48, 7.39

 

CMYK 45 / 0 / 67 / 7

HEX #82ED4E

RGB 130 237 78

HSL 100.38, 0.82%, 0.62%

LAB 84.93, -57.65, 64.72

 

CMYK 51 / 0 / 75 / 1

HEX #7DFD3E

RGB 125 253 62

HSL 100.21, 0.98%, 0.62%

LAB 89.37, -66.09, 74.66

 

CMYK 45 / 0 / 67 / 7

HEX #82ED4E

RGB 130 237 78

HSL 100.38, 0.82%, 0.62%

LAB 84.93, -57.65, 64.72

 

CMYK 38 / 0 / 57 / 13

HEX #88DD5E

RGB 136 221 94

HSL 100.16, 0.65%, 0.62%

LAB 80.6, -47.95, 53.37

 

CMYK 32 / 0 / 47 / 19

HEX #8DCE6D

RGB 141 206 109

HSL 100.21, 0.5%, 0.62%

LAB 76.62, -38.1, 41.62

 

CMYK 23 / 0 / 34 / 25

HEX #93BE7D

RGB 147 190 125

HSL 99.69, 0.33%, 0.62%

LAB 72.57, -26.31, 28.32

 

CMYK 13 / 0 / 19 / 32

HEX #98AE8D

RGB 152 174 141

HSL 100, 0.17%, 0.62%

LAB 68.66, -13.86, 14.43

 

CMYK 9 / 0 / 67 / 7

HEX #D8ED4E

RGB 216 237 78

HSL 67.92, 0.82%, 0.62%

LAB 89.73, -26.86, 71.2

 

CMYK 27 / 0 / 67 / 7

HEX #ADED4E

RGB 173 237 78

HSL 84.15, 0.82%, 0.62%

LAB 87, -43.33, 67.53

 

CMYK 45 / 0 / 67 / 7

HEX #83ED4E

RGB 131 237 78

HSL 100, 0.82%, 0.62%

LAB 84.97, -57.35, 64.78

 

CMYK 62 / 0 / 67 / 7

HEX #59ED4E

RGB 89 237 78

HSL 115.85, 0.82%, 0.62%

LAB 83.57, -68.16, 62.87

 

CMYK 67 / 0 / 54 / 7

HEX #4EED6E

RGB 78 237 110

HSL 132.08, 0.82%, 0.62%

LAB 83.61, -66.77, 49.17

 

CMYK 60 / 0 / 90 / 17

HEX #54D415

RGB 84 212 21

HSL 100.21, 0.82%, 0.46%

LAB 75.47, -64.22, 71.46

 

CMYK 55 / 0 / 82 / 9

HEX #68E929

RGB 104 233 41

HSL 100.31, 0.81%, 0.54%

LAB 82.58, -65.7, 73.85

 

CMYK 45 / 0 / 67 / 7

HEX #82ED4E

RGB 130 237 78

HSL 100.38, 0.82%, 0.62%

LAB 84.93, -57.65, 64.72

 

CMYK 35 / 0 / 52 / 5

HEX #9DF174

RGB 157 241 116

HSL 100.32, 0.82%, 0.7%

LAB 87.65, -47.18, 51.92

 

CMYK 25 / 0 / 37 / 4

HEX #B7F499

RGB 183 244 153

HSL 100.22, 0.81%, 0.78%

LAB 90.35, -35.23, 37.81

 

CMYK 45 / 0 / 66 / 7

HEX #84EE50

RGB 132 238 80

HSL 100.25, 0.82%, 0.62%

LAB 85.32, -57.28, 64.39

 

CMYK 67 / 0 / 9 / 7

HEX #4EEDD8

RGB 78 237 216

HSL 172.08, 0.82%, 0.62%

LAB 85.58, -45.78, -1.9

 

CMYK 0 / 67 / 18 / 7

HEX #ED4EC3

RGB 237 78 195

HSL 315.85, 0.82%, 0.62%

LAB 59.34, 72.06, -28.82

 

CMYK 45 / 0 / 66 / 7

HEX #84EE50

RGB 132 238 80

HSL 100.25, 0.82%, 0.62%

LAB 85.32, -57.28, 64.39

 

CMYK 67 / 45 / 0 / 7

HEX #4E83ED

RGB 78 131 237

HSL 220, 0.82%, 0.62%

LAB 56.05, 16.24, -58.72

 

CMYK 0 / 67 / 45 / 7

HEX #ED4E83

RGB 237 78 131

HSL 340, 0.82%, 0.62%

LAB 57.16, 64.7, 5.14

 

CMYK 45 / 0 / 66 / 7

HEX #84EE50

RGB 132 238 80

HSL 100.25, 0.82%, 0.62%

LAB 85.32, -57.28, 64.39

 

CMYK 67 / 0 / 9 / 7

HEX #4EEDD8

RGB 78 237 216

HSL 172.08, 0.82%, 0.62%

LAB 85.58, -45.78, -1.9

 

CMYK 22 / 67 / 0 / 7

HEX #B84EED

RGB 184 78 237

HSL 280, 0.82%, 0.62%

LAB 53.76, 66.91, -61.92

 

CMYK 0 / 67 / 58 / 7

HEX #ED4E63

RGB 237 78 99

HSL 352.08, 0.82%, 0.62%

LAB 56.44, 62.14, 22.99

 

CMYK 45 / 0 / 66 / 7

HEX #84EE50

RGB 132 238 80

HSL 100.25, 0.82%, 0.62%

LAB 85.32, -57.28, 64.39

 

CMYK 67 / 11 / 0 / 7

HEX #4ED3ED

RGB 78 211 237

HSL 189.81, 0.82%, 0.62%

LAB 78.65, -27.98, -23.39

 

CMYK 22 / 67 / 0 / 7

HEX #B84EED

RGB 184 78 237

HSL 280, 0.82%, 0.62%

LAB 53.76, 66.91, -61.92

 

CMYK 0 / 56 / 67 / 7

HEX #ED694E

RGB 237 105 78

HSL 10.19, 0.82%, 0.62%

LAB 60.48, 49.22, 39.97

 

Description

Color code: HEX #84EE50 | qconv.com Color code: HEX #84EE50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 238 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 238 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 66 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 66% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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