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Color name
HEX #84F216

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84F216 it is the complementary color #7B0DE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84F216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84F216 shade: #89F211, #9AFF24, #ABFF37, #BCFF4A and #CDFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84F216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84F216 shade: #84F216, #73E003, #62CE00, #51BC00 and #40AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84F216 shade: #84F117, #BFF117, #F1E817, #F1AE17 and #F17317

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84F216 shade: #84F117, #49F117, #17F120, #17F15A and #17F195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84F216 shade matches the following richer shades: #84F117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84F216 shade: #84F117, #84DD2B, #84C93F, #84B653 and #84A266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84F216 shade: #F1EA17, #BEF117, #84F117, #4AF117 and #17F11E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84F216 shade: #5BAC0A, #6FD30C, #84F117, #99F33E and #ADF665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84F216 shade: #84F216, #17F1B0 and #F117DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84F216 shade: #84F216, #1784F1 and #F11784

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84F216 shade: #84F216, #17F1B0, #8417F1 and #F11759

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84F216 shade: #84F216, #17F1F1, #8417F1 and #F11717

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 91 / 5

HEX #84F216

RGB 132 242 22

HSL 90, 0.89%, 0.52%

LAB 86.24, -61.63, 80.94

 

Complementary color

CMYK 47 / 94 / 0 / 9

HEX #7B0DE9

RGB 123 13 233

HSL 270, 0.89%, 0.48%

LAB 38.52, 76.67, -84.86

 

CMYK 43 / 0 / 93 / 5

HEX #89F211

RGB 137 242 17

HSL 88, 0.9%, 0.51%

LAB 86.44, -60.18, 81.8

 

CMYK 40 / 0 / 86 / 0

HEX #9AFF24

RGB 154 255 36

HSL 87.67, 1%, 0.57%

LAB 91.02, -59.25, 83.04

 

CMYK 33 / 0 / 78 / 0

HEX #ABFF37

RGB 171 255 55

HSL 85.2, 1%, 0.61%

LAB 91.89, -52.86, 79.74

 

CMYK 26 / 0 / 71 / 0

HEX #BCFF4A

RGB 188 255 74

HSL 82.21, 1%, 0.65%

LAB 92.89, -45.88, 75.19

 

CMYK 20 / 0 / 64 / 0

HEX #CDFF5D

RGB 205 255 93

HSL 78.52, 1%, 0.68%

LAB 94.01, -38.42, 69.7

 

CMYK 45 / 0 / 91 / 5

HEX #84F216

RGB 132 242 22

HSL 90, 0.89%, 0.52%

LAB 86.24, -61.63, 80.94

 

CMYK 49 / 0 / 99 / 12

HEX #73E003

RGB 115 224 3

HSL 89.59, 0.97%, 0.45%

LAB 80.16, -60.44, 77.7

 

CMYK 52 / 0 / 100 / 19

HEX #62CE00

RGB 98 206 0

HSL 91.46, 1%, 0.4%

LAB 74.02, -58.91, 72.89

 

CMYK 57 / 0 / 100 / 26

HEX #51BC00

RGB 81 188 0

HSL 94.15, 1%, 0.37%

LAB 67.81, -57.19, 67.75

 

CMYK 62 / 0 / 100 / 33

HEX #40AA00

RGB 64 170 0

HSL 97.41, 1%, 0.33%

LAB 61.52, -55.26, 62.55

 

CMYK 45 / 0 / 90 / 5

HEX #84F117

RGB 132 241 23

HSL 90, 0.89%, 0.52%

LAB 85.95, -61.24, 80.56

 

CMYK 21 / 0 / 90 / 5

HEX #BFF117

RGB 191 241 23

HSL 73.76, 0.89%, 0.52%

LAB 88.95, -40.56, 84.25

 

CMYK 0 / 4 / 90 / 5

HEX #F1E817

RGB 241 232 23

HSL 57.52, 0.89%, 0.52%

LAB 90.08, -16.08, 86.66

 

CMYK 0 / 28 / 90 / 5

HEX #F1AE17

RGB 241 174 23

HSL 41.56, 0.89%, 0.52%

LAB 75.47, 13.52, 75.52

 

CMYK 0 / 52 / 90 / 5

HEX #F17317

RGB 241 115 23

HSL 25.32, 0.89%, 0.52%

LAB 62.53, 44.04, 65.96

 

CMYK 45 / 0 / 90 / 5

HEX #84F117

RGB 132 241 23

HSL 90, 0.89%, 0.52%

LAB 85.95, -61.24, 80.56

 

CMYK 70 / 0 / 90 / 5

HEX #49F117

RGB 73 241 23

HSL 106.24, 0.89%, 0.52%

LAB 84.17, -75.58, 78.36

 

CMYK 90 / 0 / 87 / 5

HEX #17F120

RGB 23 241 32

HSL 122.48, 0.89%, 0.52%

LAB 83.55, -80.99, 76.08

 

CMYK 90 / 0 / 63 / 5

HEX #17F15A

RGB 23 241 90

HSL 138.44, 0.89%, 0.52%

LAB 83.88, -76.78, 58.1

 

CMYK 90 / 0 / 38 / 5

HEX #17F195

RGB 23 241 149

HSL 154.68, 0.89%, 0.52%

LAB 84.62, -67.85, 31.36

 

CMYK 45 / 0 / 90 / 5

HEX #84F117

RGB 132 241 23

HSL 90, 0.89%, 0.52%

LAB 85.95, -61.24, 80.56

 

CMYK 45 / 0 / 90 / 5

HEX #84F117

RGB 132 241 23

HSL 90, 0.89%, 0.52%

LAB 85.95, -61.24, 80.56

 

CMYK 40 / 0 / 81 / 13

HEX #84DD2B

RGB 132 221 43

HSL 90, 0.72%, 0.52%

LAB 80.06, -52.94, 71.47

 

CMYK 34 / 0 / 69 / 21

HEX #84C93F

RGB 132 201 63

HSL 90, 0.56%, 0.52%

LAB 74.21, -43.57, 59.3

 

CMYK 27 / 0 / 54 / 29

HEX #84B653

RGB 132 182 83

HSL 90.3, 0.4%, 0.52%

LAB 68.74, -33.34, 44.58

 

CMYK 19 / 0 / 37 / 36

HEX #84A266

RGB 132 162 102

HSL 90, 0.24%, 0.52%

LAB 63.1, -21.29, 27.88

 

CMYK 0 / 3 / 90 / 5

HEX #F1EA17

RGB 241 234 23

HSL 58.07, 0.89%, 0.52%

LAB 90.6, -17.05, 87.06

 

CMYK 21 / 0 / 90 / 5

HEX #BEF117

RGB 190 241 23

HSL 74.04, 0.89%, 0.52%

LAB 88.88, -40.95, 84.17

 

CMYK 45 / 0 / 90 / 5

HEX #84F117

RGB 132 241 23

HSL 90, 0.89%, 0.52%

LAB 85.95, -61.24, 80.56

 

CMYK 69 / 0 / 90 / 5

HEX #4AF117

RGB 74 241 23

HSL 105.96, 0.89%, 0.52%

LAB 84.19, -75.41, 78.39

 

CMYK 90 / 0 / 88 / 5

HEX #17F11E

RGB 23 241 30

HSL 121.93, 0.89%, 0.52%

LAB 83.54, -81.06, 76.44

 

CMYK 47 / 0 / 94 / 33

HEX #5BAC0A

RGB 91 172 10

HSL 90, 0.89%, 0.36%

LAB 63.14, -48.13, 62.93

 

CMYK 47 / 0 / 94 / 17

HEX #6FD30C

RGB 111 211 12

HSL 90.15, 0.89%, 0.44%

LAB 76.07, -56.72, 73.52

 

CMYK 45 / 0 / 90 / 5

HEX #84F117

RGB 132 241 23

HSL 90, 0.89%, 0.52%

LAB 85.95, -61.24, 80.56

 

CMYK 37 / 0 / 74 / 5

HEX #99F33E

RGB 153 243 62

HSL 89.83, 0.88%, 0.6%

LAB 87.59, -53.79, 73.34

 

CMYK 30 / 0 / 59 / 4

HEX #ADF665

RGB 173 246 101

HSL 90.21, 0.89%, 0.68%

LAB 89.74, -45.41, 61.22

 

CMYK 45 / 0 / 91 / 5

HEX #84F216

RGB 132 242 22

HSL 90, 0.89%, 0.52%

LAB 86.24, -61.63, 80.94

 

CMYK 90 / 0 / 27 / 5

HEX #17F1B0

RGB 23 241 176

HSL 162.11, 0.89%, 0.52%

LAB 85.11, -62.25, 18.23

 

CMYK 0 / 90 / 9 / 5

HEX #F117DB

RGB 241 23 219

HSL 306.06, 0.89%, 0.52%

LAB 56.51, 89.36, -46.87

 

CMYK 45 / 0 / 91 / 5

HEX #84F216

RGB 132 242 22

HSL 90, 0.89%, 0.52%

LAB 86.24, -61.63, 80.94

 

CMYK 90 / 45 / 0 / 5

HEX #1784F1

RGB 23 132 241

HSL 210, 0.89%, 0.52%

LAB 55.11, 11.63, -62.54

 

CMYK 0 / 90 / 45 / 5

HEX #F11784

RGB 241 23 132

HSL 330, 0.89%, 0.52%

LAB 52.93, 79.91, -1.52

 

CMYK 45 / 0 / 91 / 5

HEX #84F216

RGB 132 242 22

HSL 90, 0.89%, 0.52%

LAB 86.24, -61.63, 80.94

 

CMYK 90 / 0 / 27 / 5

HEX #17F1B0

RGB 23 241 176

HSL 162.11, 0.89%, 0.52%

LAB 85.11, -62.25, 18.23

 

CMYK 45 / 90 / 0 / 5

HEX #8417F1

RGB 132 23 241

HSL 270, 0.89%, 0.52%

LAB 41.01, 77.6, -85.25

 

CMYK 0 / 90 / 63 / 5

HEX #F11759

RGB 241 23 89

HSL 341.83, 0.89%, 0.52%

LAB 51.88, 77.01, 23.05

 

CMYK 45 / 0 / 91 / 5

HEX #84F216

RGB 132 242 22

HSL 90, 0.89%, 0.52%

LAB 86.24, -61.63, 80.94

 

CMYK 90 / 0 / 0 / 5

HEX #17F1F1

RGB 23 241 241

HSL 180, 0.89%, 0.52%

LAB 86.72, -45.47, -13.4

 

CMYK 45 / 90 / 0 / 5

HEX #8417F1

RGB 132 23 241

HSL 270, 0.89%, 0.52%

LAB 41.01, 77.6, -85.25

 

CMYK 0 / 90 / 90 / 5

HEX #F11717

RGB 241 23 23

HSL 0, 0.89%, 0.52%

LAB 51.12, 74.89, 58.03

 

Description

Color code: HEX #84F216 | qconv.com Color code: HEX #84F216 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 242 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 242 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 91% 5% C M Y K

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Provide designers and agencies with accurate color values.

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