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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85128F it is the complementary color #7AED70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85128F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85128F shade: #8A128A, #9B249D, #AC36B0, #BD48C3 and #CE5AD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85128F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85128F shade: #85128F, #74007C, #630069, #520056 and #410043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85128F shade: #871191, #911179, #911156, #911134 and #911112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85128F shade: #871191, #641191, #421191, #201191 and #111191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85128F shade matches the following richer shades: #871191 and #92049E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85128F shade: #871191, #7B1F84, #702C76, #653969 and #5A465C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85128F shade: #421191, #641191, #861191, #911179 and #911157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85128F shade: #420847, #640D6C, #871191, #A916B5 and #CB1BDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85128F shade: #85128F, #912011 and #119153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85128F shade: #85128F, #918611 and #119186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85128F shade: #85128F, #912011, #1C9111 and #118291

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85128F shade: #85128F, #914611, #1C9111 and #115C91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 87 / 0 / 44

HEX #85128F

RGB 133 18 143

HSL 295.2, 0.78%, 0.32%

LAB 32.71, 59.34, -41.1

 

Complementary color

CMYK 49 / 0 / 53 / 7

HEX #7AED70

RGB 122 237 112

HSL 115.2, 0.78%, 0.68%

LAB 84.93, -56.54, 50.15

 

CMYK 0 / 87 / 0 / 46

HEX #8A128A

RGB 138 18 138

HSL 300, 0.77%, 0.31%

LAB 33.29, 59.45, -37.03

 

CMYK 1 / 77 / 0 / 38

HEX #9B249D

RGB 155 36 157

HSL 299.01, 0.63%, 0.38%

LAB 39.01, 61.44, -39.35

 

CMYK 2 / 69 / 0 / 31

HEX #AC36B0

RGB 172 54 176

HSL 298.03, 0.53%, 0.45%

LAB 45, 62.33, -40.99

 

CMYK 3 / 63 / 0 / 24

HEX #BD48C3

RGB 189 72 195

HSL 297.07, 0.51%, 0.52%

LAB 51.14, 62.55, -42.18

 

CMYK 4 / 58 / 0 / 16

HEX #CE5AD6

RGB 206 90 214

HSL 296.13, 0.6%, 0.6%

LAB 57.36, 62.36, -43.06

 

CMYK 7 / 87 / 0 / 44

HEX #85128F

RGB 133 18 143

HSL 295.2, 0.78%, 0.32%

LAB 32.71, 59.34, -41.1

 

CMYK 6 / 100 / 0 / 51

HEX #74007C

RGB 116 0 124

HSL 296.13, 1%, 0.24%

LAB 27.21, 56.23, -38.23

 

CMYK 6 / 100 / 0 / 59

HEX #630069

RGB 99 0 105

HSL 296.57, 1%, 0.21%

LAB 22.56, 50.11, -33.66

 

CMYK 5 / 100 / 0 / 66

HEX #520056

RGB 82 0 86

HSL 297.21, 1%, 0.17%

LAB 17.76, 43.79, -28.94

 

CMYK 3 / 100 / 0 / 74

HEX #410043

RGB 65 0 67

HSL 298.21, 1%, 0.13%

LAB 12.79, 37.23, -24.01

 

CMYK 7 / 88 / 0 / 43

HEX #871191

RGB 135 17 145

HSL 295.31, 0.79%, 0.32%

LAB 33.13, 60.25, -41.64

 

CMYK 0 / 88 / 17 / 43

HEX #911179

RGB 145 17 121

HSL 311.25, 0.79%, 0.32%

LAB 33.57, 58.52, -25.89

 

CMYK 0 / 88 / 41 / 43

HEX #911156

RGB 145 17 86

HSL 327.66, 0.79%, 0.32%

LAB 32.02, 54.28, -5.79

 

CMYK 0 / 88 / 64 / 43

HEX #911134

RGB 145 17 52

HSL 343.59, 0.79%, 0.32%

LAB 31.04, 51.49, 15.3

 

CMYK 0 / 88 / 88 / 43

HEX #911112

RGB 145 17 18

HSL 359.53, 0.79%, 0.32%

LAB 30.55, 50.07, 35.91

 

CMYK 7 / 88 / 0 / 43

HEX #871191

RGB 135 17 145

HSL 295.31, 0.79%, 0.32%

LAB 33.13, 60.25, -41.64

 

CMYK 31 / 88 / 0 / 43

HEX #641191

RGB 100 17 145

HSL 278.91, 0.79%, 0.32%

LAB 27.17, 54.34, -51.57

 

CMYK 54 / 88 / 0 / 43

HEX #421191

RGB 66 17 145

HSL 262.97, 0.79%, 0.32%

LAB 22.31, 49.86, -59.72

 

CMYK 78 / 88 / 0 / 43

HEX #201191

RGB 32 17 145

HSL 247.03, 0.79%, 0.32%

LAB 19.02, 47.09, -65.28

 

CMYK 88 / 88 / 0 / 43

HEX #111191

RGB 17 17 145

HSL 240, 0.79%, 0.32%

LAB 18.21, 46.45, -66.66

 

CMYK 7 / 88 / 0 / 43

HEX #871191

RGB 135 17 145

HSL 295.31, 0.79%, 0.32%

LAB 33.13, 60.25, -41.64

 

CMYK 8 / 97 / 0 / 38

HEX #92049E

RGB 146 4 158

HSL 295.32, 0.95%, 0.32%

LAB 35.33, 66.23, -45.93

 

CMYK 7 / 88 / 0 / 43

HEX #871191

RGB 135 17 145

HSL 295.31, 0.79%, 0.32%

LAB 33.13, 60.25, -41.64

 

CMYK 7 / 77 / 0 / 48

HEX #7B1F84

RGB 123 31 132

HSL 294.65, 0.62%, 0.32%

LAB 31.48, 51.79, -36.34

 

CMYK 5 / 63 / 0 / 54

HEX #702C76

RGB 112 44 118

HSL 295.14, 0.46%, 0.32%

LAB 30.77, 40.98, -28.79

 

CMYK 4 / 46 / 0 / 59

HEX #653969

RGB 101 57 105

HSL 295, 0.3%, 0.32%

LAB 31.14, 27.85, -20.06

 

CMYK 2 / 24 / 0 / 64

HEX #5A465C

RGB 90 70 92

HSL 294.55, 0.14%, 0.32%

LAB 32.54, 12.95, -9.74

 

CMYK 54 / 88 / 0 / 43

HEX #421191

RGB 66 17 145

HSL 262.97, 0.79%, 0.32%

LAB 22.31, 49.86, -59.72

 

CMYK 31 / 88 / 0 / 43

HEX #641191

RGB 100 17 145

HSL 278.91, 0.79%, 0.32%

LAB 27.17, 54.34, -51.57

 

CMYK 8 / 88 / 0 / 43

HEX #861191

RGB 134 17 145

HSL 294.84, 0.79%, 0.32%

LAB 32.95, 60.07, -41.94

 

CMYK 0 / 88 / 17 / 43

HEX #911179

RGB 145 17 121

HSL 311.25, 0.79%, 0.32%

LAB 33.57, 58.52, -25.89

 

CMYK 0 / 88 / 40 / 43

HEX #911157

RGB 145 17 87

HSL 327.19, 0.79%, 0.32%

LAB 32.05, 54.38, -6.39

 

CMYK 7 / 89 / 0 / 72

HEX #420847

RGB 66 8 71

HSL 295.24, 0.8%, 0.15%

LAB 14.33, 35.17, -24.34

 

CMYK 7 / 88 / 0 / 58

HEX #640D6C

RGB 100 13 108

HSL 294.95, 0.79%, 0.24%

LAB 23.93, 47.96, -33.39

 

CMYK 7 / 88 / 0 / 43

HEX #871191

RGB 135 17 145

HSL 295.31, 0.79%, 0.32%

LAB 33.13, 60.25, -41.64

 

CMYK 7 / 88 / 0 / 29

HEX #A916B5

RGB 169 22 181

HSL 295.47, 0.78%, 0.4%

LAB 41.76, 71.35, -49.15

 

CMYK 7 / 88 / 0 / 15

HEX #CB1BDA

RGB 203 27 218

HSL 295.29, 0.78%, 0.48%

LAB 50.15, 82.17, -56.84

 

CMYK 7 / 87 / 0 / 44

HEX #85128F

RGB 133 18 143

HSL 295.2, 0.78%, 0.32%

LAB 32.71, 59.34, -41.1

 

CMYK 0 / 78 / 88 / 43

HEX #912011

RGB 145 32 17

HSL 7.03, 0.79%, 0.32%

LAB 32.02, 45.89, 37.66

 

CMYK 88 / 0 / 43 / 43

HEX #119153

RGB 17 145 83

HSL 150.94, 0.79%, 0.32%

LAB 52.94, -46.91, 24.03

 

CMYK 7 / 87 / 0 / 44

HEX #85128F

RGB 133 18 143

HSL 295.2, 0.78%, 0.32%

LAB 32.71, 59.34, -41.1

 

CMYK 0 / 8 / 88 / 43

HEX #918611

RGB 145 134 17

HSL 54.84, 0.79%, 0.32%

LAB 55.19, -7.94, 56.69

 

CMYK 88 / 0 / 8 / 43

HEX #119186

RGB 17 145 134

HSL 174.84, 0.79%, 0.32%

LAB 54.12, -34.11, -3.25

 

CMYK 7 / 87 / 0 / 44

HEX #85128F

RGB 133 18 143

HSL 295.2, 0.78%, 0.32%

LAB 32.71, 59.34, -41.1

 

CMYK 0 / 78 / 88 / 43

HEX #912011

RGB 145 32 17

HSL 7.03, 0.79%, 0.32%

LAB 32.02, 45.89, 37.66

 

CMYK 81 / 0 / 88 / 43

HEX #1C9111

RGB 28 145 17

HSL 114.84, 0.79%, 0.32%

LAB 52.44, -53.53, 51.9

 

CMYK 88 / 10 / 0 / 43

HEX #118291

RGB 17 130 145

HSL 187.03, 0.79%, 0.32%

LAB 49.65, -23.24, -16.35

 

CMYK 7 / 87 / 0 / 44

HEX #85128F

RGB 133 18 143

HSL 295.2, 0.78%, 0.32%

LAB 32.71, 59.34, -41.1

 

CMYK 0 / 52 / 88 / 43

HEX #914611

RGB 145 70 17

HSL 24.84, 0.79%, 0.32%

LAB 38.62, 28.42, 43.14

 

CMYK 81 / 0 / 88 / 43

HEX #1C9111

RGB 28 145 17

HSL 114.84, 0.79%, 0.32%

LAB 52.44, -53.53, 51.9

 

CMYK 88 / 37 / 0 / 43

HEX #115C91

RGB 17 92 145

HSL 204.84, 0.79%, 0.32%

LAB 37.51, -1.35, -35.22

 

Description

Color code: HEX #85128F | qconv.com Color code: HEX #85128F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 18 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 18 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 87 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 87% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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