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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85224D it is the complementary color #7ADDB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85224D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85224D shade: #8A2248, #9B345B, #AC466E, #BD5881 and #CE6A94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85224D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85224D shade: #85224D, #74103A, #630027, #520014 and #410001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85224D shade: #85224D, #852232 and #852222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85224D shade: #85224D, #852268, #852283, #6D2285 and #522285

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85224D shade matches the following richer shades: #85224D, #93144B and #A1074A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85224D shade: #85224D, #78304F, #6A3D51, #5C4B52 and #4F5854

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85224D shade: #852284, #852269, #85224F, #852234 and #852A22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85224D shade: #441127, #641A3A, #85224D, #A62A60 and #C73373

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85224D shade: #85224D, #856C22 and #227685

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85224D shade: #85224D, #4F8522 and #224F85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85224D shade: #85224D, #856C22, #228559 and #223B85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85224D shade: #85224D, #808522, #228559 and #272285

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 42 / 48

HEX #85224D

RGB 133 34 77

HSL 333.94, 0.59%, 0.33%

LAB 31.04, 45.17, -1.6

 

Complementary color

CMYK 45 / 0 / 19 / 13

HEX #7ADDB2

RGB 122 221 178

HSL 153.94, 0.59%, 0.67%

LAB 81.33, -38.92, 12.17

 

CMYK 0 / 75 / 48 / 46

HEX #8A2248

RGB 138 34 72

HSL 338.08, 0.6%, 0.34%

LAB 31.84, 46.16, 2.98

 

CMYK 0 / 66 / 41 / 39

HEX #9B345B

RGB 155 52 91

HSL 337.28, 0.5%, 0.41%

LAB 38.16, 46.21, 0.28

 

CMYK 0 / 59 / 36 / 33

HEX #AC466E

RGB 172 70 110

HSL 336.47, 0.42%, 0.47%

LAB 44.63, 45.75, -1.77

 

CMYK 0 / 53 / 32 / 26

HEX #BD5881

RGB 189 88 129

HSL 335.64, 0.43%, 0.54%

LAB 51.13, 45.06, -3.38

 

CMYK 0 / 49 / 28 / 19

HEX #CE6A94

RGB 206 106 148

HSL 334.8, 0.51%, 0.61%

LAB 57.62, 44.26, -4.71

 

CMYK 0 / 74 / 42 / 48

HEX #85224D

RGB 133 34 77

HSL 333.94, 0.59%, 0.33%

LAB 31.04, 45.17, -1.6

 

CMYK 0 / 86 / 50 / 55

HEX #74103A

RGB 116 16 58

HSL 334.8, 0.76%, 0.26%

LAB 24.92, 44.13, 1.81

 

CMYK 0 / 100 / 61 / 61

HEX #630027

RGB 99 0 39

HSL 336.36, 1%, 0.19%

LAB 19.22, 41.72, 6.51

 

CMYK 0 / 100 / 76 / 68

HEX #520014

RGB 82 0 20

HSL 345.37, 1%, 0.16%

LAB 14.65, 35.9, 13.42

 

CMYK 0 / 100 / 98 / 75

HEX #410001

RGB 65 0 1

HSL 359.08, 1%, 0.13%

LAB 10, 30.11, 15.37

 

CMYK 0 / 74 / 42 / 48

HEX #85224D

RGB 133 34 77

HSL 333.94, 0.59%, 0.33%

LAB 31.04, 45.17, -1.6

 

CMYK 0 / 74 / 62 / 48

HEX #852232

RGB 133 34 50

HSL 350.3, 0.59%, 0.33%

LAB 30.31, 42.74, 15.2

 

CMYK 0 / 74 / 74 / 48

HEX #852222

RGB 133 34 34

HSL 0, 0.59%, 0.33%

LAB 30.03, 41.78, 25.18

 

CMYK 0 / 74 / 42 / 48

HEX #85224D

RGB 133 34 77

HSL 333.94, 0.59%, 0.33%

LAB 31.04, 45.17, -1.6

 

CMYK 0 / 74 / 22 / 48

HEX #852268

RGB 133 34 104

HSL 317.58, 0.59%, 0.33%

LAB 32.1, 48.58, -17.53

 

CMYK 0 / 74 / 2 / 48

HEX #852283

RGB 133 34 131

HSL 301.21, 0.59%, 0.33%

LAB 33.5, 52.84, -32.4

 

CMYK 18 / 74 / 0 / 48

HEX #6D2285

RGB 109 34 133

HSL 285.45, 0.59%, 0.33%

LAB 29.64, 47.79, -40.05

 

CMYK 38 / 74 / 0 / 48

HEX #522285

RGB 82 34 133

HSL 269.09, 0.59%, 0.33%

LAB 25.66, 42.14, -46.68

 

CMYK 0 / 74 / 42 / 48

HEX #85224D

RGB 133 34 77

HSL 333.94, 0.59%, 0.33%

LAB 31.04, 45.17, -1.6

 

CMYK 0 / 86 / 49 / 42

HEX #93144B

RGB 147 20 75

HSL 334.02, 0.76%, 0.33%

LAB 32.28, 53.1, 1.87

 

CMYK 0 / 96 / 54 / 37

HEX #A1074A

RGB 161 7 74

HSL 333.9, 0.92%, 0.33%

LAB 34.44, 58.7, 6.01

 

CMYK 0 / 74 / 42 / 48

HEX #85224D

RGB 133 34 77

HSL 333.94, 0.59%, 0.33%

LAB 31.04, 45.17, -1.6

 

CMYK 0 / 60 / 34 / 53

HEX #78304F

RGB 120 48 79

HSL 334.17, 0.43%, 0.33%

LAB 31.05, 34.93, -3.16

 

CMYK 0 / 42 / 24 / 58

HEX #6A3D51

RGB 106 61 81

HSL 333.33, 0.27%, 0.33%

LAB 31.8, 22.7, -3.59

 

CMYK 0 / 18 / 11 / 64

HEX #5C4B52

RGB 92 75 82

HSL 335.29, 0.1%, 0.33%

LAB 33.81, 8.49, -1.45

 

CMYK 10 / 0 / 5 / 65

HEX #4F5854

RGB 79 88 84

HSL 153.33, 0.05%, 0.33%

LAB 36.52, -4.43, 1.1

 

CMYK 0 / 74 / 1 / 48

HEX #852284

RGB 133 34 132

HSL 300.61, 0.59%, 0.33%

LAB 33.56, 53.01, -32.93

 

CMYK 0 / 74 / 21 / 48

HEX #852269

RGB 133 34 105

HSL 316.97, 0.59%, 0.33%

LAB 32.15, 48.72, -18.1

 

CMYK 0 / 74 / 41 / 48

HEX #85224F

RGB 133 34 79

HSL 332.73, 0.59%, 0.33%

LAB 31.1, 45.39, -2.82

 

CMYK 0 / 74 / 61 / 48

HEX #852234

RGB 133 34 52

HSL 349.09, 0.59%, 0.33%

LAB 30.35, 42.88, 13.94

 

CMYK 0 / 68 / 74 / 48

HEX #852A22

RGB 133 42 34

HSL 4.85, 0.59%, 0.33%

LAB 31.25, 38.44, 26.59

 

CMYK 0 / 75 / 43 / 73

HEX #441127

RGB 68 17 39

HSL 334.12, 0.6%, 0.17%

LAB 14.27, 26.68, -1.51

 

CMYK 0 / 74 / 42 / 61

HEX #641A3A

RGB 100 26 58

HSL 334.05, 0.59%, 0.25%

LAB 22.84, 35.88, -1.62

 

CMYK 0 / 74 / 42 / 48

HEX #85224D

RGB 133 34 77

HSL 333.94, 0.59%, 0.33%

LAB 31.04, 45.17, -1.6

 

CMYK 0 / 75 / 42 / 35

HEX #A62A60

RGB 166 42 96

HSL 333.87, 0.6%, 0.41%

LAB 38.91, 53.94, -1.56

 

CMYK 0 / 74 / 42 / 22

HEX #C73373

RGB 199 51 115

HSL 334.05, 0.59%, 0.49%

LAB 46.64, 62.02, -1.34

 

CMYK 0 / 74 / 42 / 48

HEX #85224D

RGB 133 34 77

HSL 333.94, 0.59%, 0.33%

LAB 31.04, 45.17, -1.6

 

CMYK 0 / 19 / 74 / 48

HEX #856C22

RGB 133 108 34

HSL 44.85, 0.59%, 0.33%

LAB 46.75, 1.67, 43.05

 

CMYK 74 / 11 / 0 / 48

HEX #227685

RGB 34 118 133

HSL 189.09, 0.59%, 0.33%

LAB 45.62, -19.23, -15.38

 

CMYK 0 / 74 / 42 / 48

HEX #85224D

RGB 133 34 77

HSL 333.94, 0.59%, 0.33%

LAB 31.04, 45.17, -1.6

 

CMYK 41 / 0 / 74 / 48

HEX #4F8522

RGB 79 133 34

HSL 92.73, 0.59%, 0.33%

LAB 50.16, -35.03, 45.09

 

CMYK 74 / 41 / 0 / 48

HEX #224F85

RGB 34 79 133

HSL 212.73, 0.59%, 0.33%

LAB 33.19, 4.22, -34.74

 

CMYK 0 / 74 / 42 / 48

HEX #85224D

RGB 133 34 77

HSL 333.94, 0.59%, 0.33%

LAB 31.04, 45.17, -1.6

 

CMYK 0 / 19 / 74 / 48

HEX #856C22

RGB 133 108 34

HSL 44.85, 0.59%, 0.33%

LAB 46.75, 1.67, 43.05

 

CMYK 74 / 0 / 33 / 48

HEX #228559

RGB 34 133 89

HSL 153.33, 0.59%, 0.33%

LAB 49.3, -38.9, 15.84

 

CMYK 74 / 56 / 0 / 48

HEX #223B85

RGB 34 59 133

HSL 224.85, 0.59%, 0.33%

LAB 27.19, 17.86, -44.38

 

CMYK 0 / 74 / 42 / 48

HEX #85224D

RGB 133 34 77

HSL 333.94, 0.59%, 0.33%

LAB 31.04, 45.17, -1.6

 

CMYK 4 / 0 / 74 / 48

HEX #808522

RGB 128 133 34

HSL 63.03, 0.59%, 0.33%

LAB 53.47, -14.57, 49.46

 

CMYK 74 / 0 / 33 / 48

HEX #228559

RGB 34 133 89

HSL 153.33, 0.59%, 0.33%

LAB 49.3, -38.9, 15.84

 

CMYK 71 / 74 / 0 / 48

HEX #272285

RGB 39 34 133

HSL 243.03, 0.59%, 0.33%

LAB 21.09, 35.18, -54.34

 

Description

Color code: HEX #85224D | qconv.com Color code: HEX #85224D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 34 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 34 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 42 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 42% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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