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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #852C64 it is the complementary color #7AD39B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #852C64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #852C64 shade: #8A2C5F, #9B3E72, #AC5085, #BD6298 and #CE74AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #852C64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #852C64 shade: #852C64, #741A51, #63083E, #52002B and #410018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #852C64 shade: #852C64, #852C4C, #852C34 and #852C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #852C64 shade: #852C64, #852C7C, #762C85, #5E2C85 and #462C85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #852C64 shade matches the following richer shades: #852C64, #941E68, #A20F6C and #B1016F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #852C64 shade: #852C64, #773B61, #68495D, #5A5759 and #4C6655

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #852C64 shade: #762C85, #852C7C, #852C65, #852C4D and #852C35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #852C64 shade: #471736, #66224D, #852C64, #A4367C and #C04492

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #852C64 shade: #852C64, #855F2C and #2C8582

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #852C64 shade: #852C64, #65852C and #2C6585

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #852C64 shade: #852C64, #855F2C, #2C854D and #2C5385

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #852C64 shade: #852C64, #85792C, #2C854D and #2C3885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 25 / 48

HEX #852C64

RGB 133 44 100

HSL 322.25, 0.5%, 0.35%

LAB 33.37, 43.99, -13.03

 

Complementary color

CMYK 42 / 0 / 27 / 17

HEX #7AD39B

RGB 122 211 155

HSL 142.25, 0.5%, 0.65%

LAB 77.93, -39.01, 19.55

 

CMYK 0 / 68 / 31 / 46

HEX #8A2C5F

RGB 138 44 95

HSL 327.45, 0.52%, 0.36%

LAB 34.05, 44.82, -8.71

 

CMYK 0 / 60 / 26 / 39

HEX #9B3E72

RGB 155 62 114

HSL 326.45, 0.43%, 0.43%

LAB 40.62, 44.55, -10.5

 

CMYK 0 / 53 / 23 / 33

HEX #AC5085

RGB 172 80 133

HSL 325.43, 0.37%, 0.49%

LAB 47.24, 43.96, -11.86

 

CMYK 0 / 48 / 20 / 26

HEX #BD6298

RGB 189 98 152

HSL 324.4, 0.41%, 0.56%

LAB 53.84, 43.23, -12.95

 

CMYK 0 / 44 / 17 / 19

HEX #CE74AB

RGB 206 116 171

HSL 323.33, 0.48%, 0.63%

LAB 60.38, 42.46, -13.87

 

CMYK 0 / 67 / 25 / 48

HEX #852C64

RGB 133 44 100

HSL 322.25, 0.5%, 0.35%

LAB 33.37, 43.99, -13.03

 

CMYK 0 / 78 / 30 / 55

HEX #741A51

RGB 116 26 81

HSL 323.33, 0.63%, 0.28%

LAB 26.87, 43.61, -10.83

 

CMYK 0 / 92 / 37 / 61

HEX #63083E

RGB 99 8 62

HSL 324.4, 0.85%, 0.21%

LAB 20.73, 41.9, -7.56

 

CMYK 0 / 100 / 48 / 68

HEX #52002B

RGB 82 0 43

HSL 328.54, 1%, 0.16%

LAB 15.32, 37.69, -2.53

 

CMYK 0 / 100 / 63 / 75

HEX #410018

RGB 65 0 24

HSL 337.85, 1%, 0.13%

LAB 10.48, 31.41, 4.19

 

CMYK 0 / 67 / 25 / 48

HEX #852C64

RGB 133 44 100

HSL 322.25, 0.5%, 0.35%

LAB 33.37, 43.99, -13.03

 

CMYK 0 / 67 / 43 / 48

HEX #852C4C

RGB 133 44 76

HSL 338.43, 0.5%, 0.35%

LAB 32.5, 40.92, 1.2

 

CMYK 0 / 67 / 61 / 48

HEX #852C34

RGB 133 44 52

HSL 354.61, 0.5%, 0.35%

LAB 31.89, 38.67, 15.99

 

CMYK 0 / 67 / 67 / 48

HEX #852C2C

RGB 133 44 44

HSL 0, 0.5%, 0.35%

LAB 31.74, 38.1, 20.93

 

CMYK 0 / 67 / 25 / 48

HEX #852C64

RGB 133 44 100

HSL 322.25, 0.5%, 0.35%

LAB 33.37, 43.99, -13.03

 

CMYK 0 / 67 / 7 / 48

HEX #852C7C

RGB 133 44 124

HSL 306.07, 0.5%, 0.35%

LAB 34.48, 47.78, -26.48

 

CMYK 11 / 67 / 0 / 48

HEX #762C85

RGB 118 44 133

HSL 289.89, 0.5%, 0.35%

LAB 32.58, 45.57, -35.25

 

CMYK 29 / 67 / 0 / 48

HEX #5E2C85

RGB 94 44 133

HSL 273.71, 0.5%, 0.35%

LAB 29.09, 39.69, -41.04

 

CMYK 47 / 67 / 0 / 48

HEX #462C85

RGB 70 44 133

HSL 257.53, 0.5%, 0.35%

LAB 26.15, 34.3, -45.94

 

CMYK 0 / 67 / 25 / 48

HEX #852C64

RGB 133 44 100

HSL 322.25, 0.5%, 0.35%

LAB 33.37, 43.99, -13.03

 

CMYK 0 / 80 / 30 / 42

HEX #941E68

RGB 148 30 104

HSL 322.37, 0.66%, 0.35%

LAB 34.44, 53.82, -13.69

 

CMYK 0 / 91 / 33 / 36

HEX #A20F6C

RGB 162 15 108

HSL 322.04, 0.83%, 0.35%

LAB 36.19, 61, -13.33

 

CMYK 0 / 99 / 37 / 31

HEX #B1016F

RGB 177 1 111

HSL 322.5, 0.99%, 0.35%

LAB 38.75, 66.32, -11.05

 

CMYK 0 / 67 / 25 / 48

HEX #852C64

RGB 133 44 100

HSL 322.25, 0.5%, 0.35%

LAB 33.37, 43.99, -13.03

 

CMYK 0 / 50 / 18 / 53

HEX #773B61

RGB 119 59 97

HSL 322, 0.34%, 0.35%

LAB 33.8, 31.41, -10.66

 

CMYK 0 / 30 / 11 / 59

HEX #68495D

RGB 104 73 93

HSL 321.29, 0.18%, 0.35%

LAB 35, 16.74, -6.51

 

CMYK 0 / 3 / 1 / 65

HEX #5A5759

RGB 90 87 89

HSL 320, 0.02%, 0.35%

LAB 37.32, 1.63, -0.73

 

CMYK 25 / 0 / 17 / 60

HEX #4C6655

RGB 76 102 85

HSL 140.77, 0.15%, 0.35%

LAB 40.73, -13.52, 6.51

 

CMYK 11 / 67 / 0 / 48

HEX #762C85

RGB 118 44 133

HSL 289.89, 0.5%, 0.35%

LAB 32.58, 45.57, -35.25

 

CMYK 0 / 67 / 7 / 48

HEX #852C7C

RGB 133 44 124

HSL 306.07, 0.5%, 0.35%

LAB 34.48, 47.78, -26.48

 

CMYK 0 / 67 / 24 / 48

HEX #852C65

RGB 133 44 101

HSL 321.57, 0.5%, 0.35%

LAB 33.41, 44.13, -13.6

 

CMYK 0 / 67 / 42 / 48

HEX #852C4D

RGB 133 44 77

HSL 337.75, 0.5%, 0.35%

LAB 32.53, 41.03, 0.59

 

CMYK 0 / 67 / 60 / 48

HEX #852C35

RGB 133 44 53

HSL 353.93, 0.5%, 0.35%

LAB 31.91, 38.74, 15.37

 

CMYK 0 / 68 / 24 / 72

HEX #471736

RGB 71 23 54

HSL 321.25, 0.51%, 0.18%

LAB 16.6, 26.96, -8.76

 

CMYK 0 / 67 / 25 / 60

HEX #66224D

RGB 102 34 77

HSL 322.06, 0.5%, 0.27%

LAB 25.27, 35.51, -10.83

 

CMYK 0 / 67 / 25 / 48

HEX #852C64

RGB 133 44 100

HSL 322.25, 0.5%, 0.35%

LAB 33.37, 43.99, -13.03

 

CMYK 0 / 67 / 24 / 36

HEX #A4367C

RGB 164 54 124

HSL 321.82, 0.5%, 0.43%

LAB 41.19, 52.19, -15.67

 

CMYK 0 / 65 / 24 / 25

HEX #C04492

RGB 192 68 146

HSL 322.26, 0.5%, 0.51%

LAB 48.78, 57.36, -17.03

 

CMYK 0 / 67 / 25 / 48

HEX #852C64

RGB 133 44 100

HSL 322.25, 0.5%, 0.35%

LAB 33.37, 43.99, -13.03

 

CMYK 0 / 29 / 67 / 48

HEX #855F2C

RGB 133 95 44

HSL 34.38, 0.5%, 0.35%

LAB 43.29, 9.87, 34.59

 

CMYK 67 / 0 / 2 / 48

HEX #2C8582

RGB 44 133 130

HSL 177.98, 0.5%, 0.35%

LAB 50.6, -26.46, -6.1

 

CMYK 0 / 67 / 25 / 48

HEX #852C64

RGB 133 44 100

HSL 322.25, 0.5%, 0.35%

LAB 33.37, 43.99, -13.03

 

CMYK 24 / 0 / 67 / 48

HEX #65852C

RGB 101 133 44

HSL 81.57, 0.5%, 0.35%

LAB 51.52, -25.68, 42.75

 

CMYK 67 / 24 / 0 / 48

HEX #2C6585

RGB 44 101 133

HSL 201.57, 0.5%, 0.35%

LAB 40.47, -7.94, -23.27

 

CMYK 0 / 67 / 25 / 48

HEX #852C64

RGB 133 44 100

HSL 322.25, 0.5%, 0.35%

LAB 33.37, 43.99, -13.03

 

CMYK 0 / 29 / 67 / 48

HEX #855F2C

RGB 133 95 44

HSL 34.38, 0.5%, 0.35%

LAB 43.29, 9.87, 34.59

 

CMYK 67 / 0 / 42 / 48

HEX #2C854D

RGB 44 133 77

HSL 142.25, 0.5%, 0.35%

LAB 49.31, -39.58, 22.67

 

CMYK 67 / 38 / 0 / 48

HEX #2C5385

RGB 44 83 133

HSL 213.71, 0.5%, 0.35%

LAB 34.83, 3.3, -32.11

 

CMYK 0 / 67 / 25 / 48

HEX #852C64

RGB 133 44 100

HSL 322.25, 0.5%, 0.35%

LAB 33.37, 43.99, -13.03

 

CMYK 0 / 9 / 67 / 48

HEX #85792C

RGB 133 121 44

HSL 51.91, 0.5%, 0.35%

LAB 50.5, -5.13, 42.45

 

CMYK 67 / 0 / 42 / 48

HEX #2C854D

RGB 44 133 77

HSL 142.25, 0.5%, 0.35%

LAB 49.31, -39.58, 22.67

 

CMYK 67 / 58 / 0 / 48

HEX #2C3885

RGB 44 56 133

HSL 231.91, 0.5%, 0.35%

LAB 26.9, 21.5, -44.83

 

Description

Color code: HEX #852C64 | qconv.com Color code: HEX #852C64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 44 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 44 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 25 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 25% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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