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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #852C6E it is the complementary color #7AD391. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #852C6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #852C6E shade: #8A2C69, #9B3E7C, #AC508F, #BD62A2 and #CE74B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #852C6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #852C6E shade: #852C6E, #741A5B, #630848, #520035 and #410022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #852C6E shade: #852C6E, #852C56, #852C3E and #852C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #852C6E shade: #852C6E, #842C85, #6C2C85, #542C85 and #3C2C85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #852C6E shade matches the following richer shades: #852C6E, #941E75, #A20F7C and #B10183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #852C6E shade: #852C6E, #773B67, #684960, #5A5759 and #4C6652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #852C6E shade: #6C2C85, #842C85, #852C6F, #852C57 and #852C3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #852C6E shade: #47173B, #662255, #852C6E, #A43688 and #C044A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #852C6E shade: #852C6E, #85542C and #2C8578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #852C6E shade: #852C6E, #6F852C and #2C6F85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #852C6E shade: #852C6E, #85542C, #2C8542 and #2C5D85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #852C6E shade: #852C6E, #856F2C, #2C8542 and #2C4285

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 17 / 48

HEX #852C6E

RGB 133 44 110

HSL 315.51, 0.5%, 0.35%

LAB 33.8, 45.49, -18.73

 

Complementary color

CMYK 42 / 0 / 31 / 17

HEX #7AD391

RGB 122 211 145

HSL 135.51, 0.5%, 0.65%

LAB 77.74, -40.85, 24.55

 

CMYK 0 / 68 / 24 / 46

HEX #8A2C69

RGB 138 44 105

HSL 321.06, 0.52%, 0.36%

LAB 34.45, 46.19, -14.49

 

CMYK 0 / 60 / 20 / 39

HEX #9B3E7C

RGB 155 62 124

HSL 320, 0.43%, 0.43%

LAB 41.01, 46.01, -16.09

 

CMYK 0 / 53 / 17 / 33

HEX #AC508F

RGB 172 80 143

HSL 318.91, 0.37%, 0.49%

LAB 47.61, 45.48, -17.3

 

CMYK 0 / 48 / 14 / 26

HEX #BD62A2

RGB 189 98 162

HSL 317.8, 0.41%, 0.56%

LAB 54.2, 44.8, -18.26

 

CMYK 0 / 44 / 12 / 19

HEX #CE74B5

RGB 206 116 181

HSL 316.67, 0.48%, 0.63%

LAB 60.74, 44.06, -19.05

 

CMYK 0 / 67 / 17 / 48

HEX #852C6E

RGB 133 44 110

HSL 315.51, 0.5%, 0.35%

LAB 33.8, 45.49, -18.73

 

CMYK 0 / 78 / 22 / 55

HEX #741A5B

RGB 116 26 91

HSL 316.67, 0.63%, 0.28%

LAB 27.32, 45.01, -16.75

 

CMYK 0 / 92 / 27 / 61

HEX #630848

RGB 99 8 72

HSL 317.8, 0.85%, 0.21%

LAB 21.19, 43.16, -13.77

 

CMYK 0 / 100 / 35 / 68

HEX #520035

RGB 82 0 53

HSL 321.22, 1%, 0.16%

LAB 15.75, 38.81, -9.13

 

CMYK 0 / 100 / 48 / 75

HEX #410022

RGB 65 0 34

HSL 328.62, 1%, 0.13%

LAB 10.84, 32.37, -2.93

 

CMYK 0 / 67 / 17 / 48

HEX #852C6E

RGB 133 44 110

HSL 315.51, 0.5%, 0.35%

LAB 33.8, 45.49, -18.73

 

CMYK 0 / 67 / 35 / 48

HEX #852C56

RGB 133 44 86

HSL 331.69, 0.5%, 0.35%

LAB 32.83, 42.1, -4.82

 

CMYK 0 / 67 / 53 / 48

HEX #852C3E

RGB 133 44 62

HSL 347.87, 0.5%, 0.35%

LAB 32.11, 39.5, 9.79

 

CMYK 0 / 67 / 67 / 48

HEX #852C2C

RGB 133 44 44

HSL 0, 0.5%, 0.35%

LAB 31.74, 38.1, 20.93

 

CMYK 0 / 67 / 17 / 48

HEX #852C6E

RGB 133 44 110

HSL 315.51, 0.5%, 0.35%

LAB 33.8, 45.49, -18.73

 

CMYK 1 / 67 / 0 / 48

HEX #842C85

RGB 132 44 133

HSL 299.33, 0.5%, 0.35%

LAB 34.8, 49.1, -31.59

 

CMYK 19 / 67 / 0 / 48

HEX #6C2C85

RGB 108 44 133

HSL 283.15, 0.5%, 0.35%

LAB 31.07, 43.09, -37.75

 

CMYK 37 / 67 / 0 / 48

HEX #542C85

RGB 84 44 133

HSL 266.97, 0.5%, 0.35%

LAB 27.79, 37.36, -43.2

 

CMYK 55 / 67 / 0 / 48

HEX #3C2C85

RGB 60 44 133

HSL 250.79, 0.5%, 0.35%

LAB 25.12, 32.31, -47.66

 

CMYK 0 / 67 / 17 / 48

HEX #852C6E

RGB 133 44 110

HSL 315.51, 0.5%, 0.35%

LAB 33.8, 45.49, -18.73

 

CMYK 0 / 80 / 21 / 42

HEX #941E75

RGB 148 30 117

HSL 315.76, 0.66%, 0.35%

LAB 35.02, 55.51, -21.05

 

CMYK 0 / 91 / 23 / 36

HEX #A20F7C

RGB 162 15 124

HSL 315.51, 0.83%, 0.35%

LAB 36.89, 62.88, -22.33

 

CMYK 0 / 99 / 26 / 31

HEX #B10183

RGB 177 1 131

HSL 315.68, 0.99%, 0.35%

LAB 39.59, 68.48, -22.26

 

CMYK 0 / 67 / 17 / 48

HEX #852C6E

RGB 133 44 110

HSL 315.51, 0.5%, 0.35%

LAB 33.8, 45.49, -18.73

 

CMYK 0 / 50 / 13 / 53

HEX #773B67

RGB 119 59 103

HSL 316, 0.34%, 0.35%

LAB 34.04, 32.45, -14.11

 

CMYK 0 / 30 / 8 / 59

HEX #684960

RGB 104 73 96

HSL 315.48, 0.18%, 0.35%

LAB 35.11, 17.33, -8.25

 

CMYK 0 / 3 / 1 / 65

HEX #5A5759

RGB 90 87 89

HSL 320, 0.02%, 0.35%

LAB 37.32, 1.63, -0.73

 

CMYK 25 / 0 / 20 / 60

HEX #4C6652

RGB 76 102 82

HSL 133.85, 0.15%, 0.35%

LAB 40.65, -14.16, 8.22

 

CMYK 19 / 67 / 0 / 48

HEX #6C2C85

RGB 108 44 133

HSL 283.15, 0.5%, 0.35%

LAB 31.07, 43.09, -37.75

 

CMYK 1 / 67 / 0 / 48

HEX #842C85

RGB 132 44 133

HSL 299.33, 0.5%, 0.35%

LAB 34.8, 49.1, -31.59

 

CMYK 0 / 67 / 17 / 48

HEX #852C6F

RGB 133 44 111

HSL 314.83, 0.5%, 0.35%

LAB 33.85, 45.64, -19.29

 

CMYK 0 / 67 / 35 / 48

HEX #852C57

RGB 133 44 87

HSL 331.01, 0.5%, 0.35%

LAB 32.87, 42.23, -5.41

 

CMYK 0 / 67 / 53 / 48

HEX #852C3F

RGB 133 44 63

HSL 347.19, 0.5%, 0.35%

LAB 32.14, 39.59, 9.17

 

CMYK 0 / 68 / 17 / 72

HEX #47173B

RGB 71 23 59

HSL 315, 0.51%, 0.18%

LAB 16.84, 27.84, -11.92

 

CMYK 0 / 67 / 17 / 60

HEX #662255

RGB 102 34 85

HSL 315, 0.5%, 0.27%

LAB 25.64, 36.79, -15.59

 

CMYK 0 / 67 / 17 / 48

HEX #852C6E

RGB 133 44 110

HSL 315.51, 0.5%, 0.35%

LAB 33.8, 45.49, -18.73

 

CMYK 0 / 67 / 17 / 36

HEX #A43688

RGB 164 54 136

HSL 315.27, 0.5%, 0.43%

LAB 41.7, 53.9, -22.26

 

CMYK 0 / 65 / 17 / 25

HEX #C044A0

RGB 192 68 160

HSL 315.48, 0.5%, 0.51%

LAB 49.35, 59.33, -24.49

 

CMYK 0 / 67 / 17 / 48

HEX #852C6E

RGB 133 44 110

HSL 315.51, 0.5%, 0.35%

LAB 33.8, 45.49, -18.73

 

CMYK 0 / 37 / 67 / 48

HEX #85542C

RGB 133 84 44

HSL 26.97, 0.5%, 0.35%

LAB 40.42, 16.36, 31.34

 

CMYK 67 / 0 / 10 / 48

HEX #2C8578

RGB 44 133 120

HSL 171.24, 0.5%, 0.35%

LAB 50.29, -29.36, -0.69

 

CMYK 0 / 67 / 17 / 48

HEX #852C6E

RGB 133 44 110

HSL 315.51, 0.5%, 0.35%

LAB 33.8, 45.49, -18.73

 

CMYK 17 / 0 / 67 / 48

HEX #6F852C

RGB 111 133 44

HSL 74.83, 0.5%, 0.35%

LAB 52.22, -21.46, 43.7

 

CMYK 67 / 17 / 0 / 48

HEX #2C6F85

RGB 44 111 133

HSL 194.83, 0.5%, 0.35%

LAB 43.65, -13.77, -18.36

 

CMYK 0 / 67 / 17 / 48

HEX #852C6E

RGB 133 44 110

HSL 315.51, 0.5%, 0.35%

LAB 33.8, 45.49, -18.73

 

CMYK 0 / 37 / 67 / 48

HEX #85542C

RGB 133 84 44

HSL 26.97, 0.5%, 0.35%

LAB 40.42, 16.36, 31.34

 

CMYK 67 / 0 / 50 / 48

HEX #2C8542

RGB 44 133 66

HSL 134.83, 0.5%, 0.35%

LAB 49.13, -41.53, 28.46

 

CMYK 67 / 30 / 0 / 48

HEX #2C5D85

RGB 44 93 133

HSL 206.97, 0.5%, 0.35%

LAB 37.95, -3.06, -27.21

 

CMYK 0 / 67 / 17 / 48

HEX #852C6E

RGB 133 44 110

HSL 315.51, 0.5%, 0.35%

LAB 33.8, 45.49, -18.73

 

CMYK 0 / 17 / 67 / 48

HEX #856F2C

RGB 133 111 44

HSL 45.17, 0.5%, 0.35%

LAB 47.67, 0.54, 39.41

 

CMYK 67 / 0 / 50 / 48

HEX #2C8542

RGB 44 133 66

HSL 134.83, 0.5%, 0.35%

LAB 49.13, -41.53, 28.46

 

CMYK 67 / 50 / 0 / 48

HEX #2C4285

RGB 44 66 133

HSL 225.17, 0.5%, 0.35%

LAB 29.73, 14.66, -40.26

 

Description

Color code: HEX #852C6E | qconv.com Color code: HEX #852C6E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 44 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 44 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 17 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 17% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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