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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8530F1 it is the complementary color #7ACF0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8530F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8530F1 shade: #8A30EC, #9B42FF, #AC54FF, #BD66FF and #CE78FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8530F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8530F1 shade: #8530F1, #741EDE, #630CCB, #5200B8 and #4100A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8530F1 shade: #8531F0, #B931F0, #EC31F0, #F031C1 and #F0318D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8530F1 shade: #8531F0, #5231F0 and #3131F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8530F1 shade matches the following richer shades: #8531F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8530F1 shade: #8531F0, #8843DF, #8A55CD, #8C67BB and #8E78A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8530F1 shade: #3145F0, #5131F0, #8431F0, #B731F0 and #EA31F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8530F1 shade: #5D0DC2, #6F10E9, #8531F0, #9C58F3 and #B37FF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8530F1 shade: #8530F1, #F03177 and #31F038

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8530F1 shade: #8530F1, #F08431 and #31F084

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8530F1 shade: #8530F1, #F03177, #9EF031 and #31F0AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8530F1 shade: #8530F1, #F0313E, #9EF031 and #31F0E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 80 / 0 / 5

HEX #8530F1

RGB 133 48 241

HSL 266.42, 0.87%, 0.57%

LAB 43.44, 70.89, -81.25

 

Complementary color

CMYK 41 / 0 / 93 / 19

HEX #7ACF0E

RGB 122 207 14

HSL 86.42, 0.87%, 0.43%

LAB 75.32, -51.63, 72.89

 

CMYK 42 / 80 / 0 / 7

HEX #8A30EC

RGB 138 48 236

HSL 268.72, 0.83%, 0.56%

LAB 43.61, 70.41, -78.11

 

CMYK 39 / 74 / 0 / 0

HEX #9B42FF

RGB 155 66 255

HSL 268.25, 1%, 0.63%

LAB 49.6, 70.49, -78.9

 

CMYK 33 / 67 / 0 / 0

HEX #AC54FF

RGB 172 84 255

HSL 270.88, 1%, 0.66%

LAB 54.38, 65.75, -71.04

 

CMYK 26 / 60 / 0 / 0

HEX #BD66FF

RGB 189 102 255

HSL 274.12, 1%, 0.7%

LAB 59.47, 60.85, -62.72

 

CMYK 19 / 53 / 0 / 0

HEX #CE78FF

RGB 206 120 255

HSL 278.22, 1%, 0.74%

LAB 64.78, 56.01, -54.13

 

CMYK 45 / 80 / 0 / 5

HEX #8530F1

RGB 133 48 241

HSL 266.42, 0.87%, 0.57%

LAB 43.44, 70.89, -81.25

 

CMYK 48 / 86 / 0 / 13

HEX #741EDE

RGB 116 30 222

HSL 266.88, 0.76%, 0.49%

LAB 37.69, 70.13, -79.98

 

CMYK 51 / 94 / 0 / 20

HEX #630CCB

RGB 99 12 203

HSL 267.33, 0.89%, 0.42%

LAB 32.32, 68.13, -77.93

 

CMYK 55 / 100 / 0 / 28

HEX #5200B8

RGB 82 0 184

HSL 266.74, 1%, 0.36%

LAB 27.45, 64.47, -74.86

 

CMYK 61 / 100 / 0 / 35

HEX #4100A5

RGB 65 0 165

HSL 263.64, 1%, 0.32%

LAB 23.14, 58.96, -70.65

 

CMYK 45 / 80 / 0 / 6

HEX #8531F0

RGB 133 49 240

HSL 266.39, 0.86%, 0.57%

LAB 43.47, 70.31, -80.64

 

CMYK 23 / 80 / 0 / 6

HEX #B931F0

RGB 185 49 240

HSL 282.72, 0.86%, 0.57%

LAB 50.45, 78.09, -68.94

 

CMYK 2 / 80 / 0 / 6

HEX #EC31F0

RGB 236 49 240

HSL 298.74, 0.86%, 0.57%

LAB 58.34, 86.98, -55.84

 

CMYK 0 / 80 / 20 / 6

HEX #F031C1

RGB 240 49 193

HSL 314.76, 0.86%, 0.57%

LAB 56.66, 81.26, -31.8

 

CMYK 0 / 80 / 41 / 6

HEX #F0318D

RGB 240 49 141

HSL 331.1, 0.86%, 0.57%

LAB 54.7, 75.6, -4.31

 

CMYK 45 / 80 / 0 / 6

HEX #8531F0

RGB 133 49 240

HSL 266.39, 0.86%, 0.57%

LAB 43.47, 70.31, -80.64

 

CMYK 66 / 80 / 0 / 6

HEX #5231F0

RGB 82 49 240

HSL 250.37, 0.86%, 0.57%

LAB 38.34, 64.67, -89.26

 

CMYK 80 / 80 / 0 / 6

HEX #3131F0

RGB 49 49 240

HSL 240, 0.86%, 0.57%

LAB 36.25, 62.39, -92.79

 

CMYK 45 / 80 / 0 / 6

HEX #8531F0

RGB 133 49 240

HSL 266.39, 0.86%, 0.57%

LAB 43.47, 70.31, -80.64

 

CMYK 45 / 80 / 0 / 6

HEX #8531F0

RGB 133 49 240

HSL 266.39, 0.86%, 0.57%

LAB 43.47, 70.31, -80.64

 

CMYK 39 / 70 / 0 / 13

HEX #8843DF

RGB 136 67 223

HSL 266.54, 0.71%, 0.57%

LAB 45.05, 59.26, -68.41

 

CMYK 33 / 59 / 0 / 20

HEX #8A55CD

RGB 138 85 205

HSL 266.5, 0.55%, 0.57%

LAB 47.38, 46.11, -54.34

 

CMYK 25 / 45 / 0 / 27

HEX #8C67BB

RGB 140 103 187

HSL 266.43, 0.38%, 0.57%

LAB 50.53, 32.04, -38.93

 

CMYK 16 / 29 / 0 / 34

HEX #8E78A9

RGB 142 120 169

HSL 266.94, 0.22%, 0.57%

LAB 54.08, 18.44, -22.98

 

CMYK 80 / 71 / 0 / 6

HEX #3145F0

RGB 49 69 240

HSL 233.72, 0.86%, 0.57%

LAB 39.92, 51.96, -86.73

 

CMYK 66 / 80 / 0 / 6

HEX #5131F0

RGB 81 49 240

HSL 250.05, 0.86%, 0.57%

LAB 38.26, 64.58, -89.39

 

CMYK 45 / 80 / 0 / 6

HEX #8431F0

RGB 132 49 240

HSL 266.07, 0.86%, 0.57%

LAB 43.35, 70.17, -80.84

 

CMYK 24 / 80 / 0 / 6

HEX #B731F0

RGB 183 49 240

HSL 282.09, 0.86%, 0.57%

LAB 50.16, 77.76, -69.43

 

CMYK 3 / 80 / 0 / 6

HEX #EA31F0

RGB 234 49 240

HSL 298.12, 0.86%, 0.57%

LAB 58.02, 86.61, -56.38

 

CMYK 52 / 93 / 0 / 24

HEX #5D0DC2

RGB 93 13 194

HSL 266.52, 0.87%, 0.41%

LAB 30.66, 65.38, -75.41

 

CMYK 52 / 93 / 0 / 9

HEX #6F10E9

RGB 111 16 233

HSL 266.27, 0.87%, 0.49%

LAB 37.18, 75.2, -87.13

 

CMYK 45 / 80 / 0 / 6

HEX #8531F0

RGB 133 49 240

HSL 266.39, 0.86%, 0.57%

LAB 43.47, 70.31, -80.64

 

CMYK 36 / 64 / 0 / 5

HEX #9C58F3

RGB 156 88 243

HSL 266.32, 0.87%, 0.65%

LAB 52.42, 57.85, -67.62

 

CMYK 27 / 48 / 0 / 4

HEX #B37FF6

RGB 179 127 246

HSL 266.22, 0.87%, 0.73%

LAB 62.86, 43.38, -52.43

 

CMYK 45 / 80 / 0 / 5

HEX #8530F1

RGB 133 48 241

HSL 266.42, 0.87%, 0.57%

LAB 43.44, 70.89, -81.25

 

CMYK 0 / 80 / 50 / 6

HEX #F03177

RGB 240 49 119

HSL 338.01, 0.86%, 0.57%

LAB 54.08, 73.74, 7.94

 

CMYK 80 / 0 / 77 / 6

HEX #31F038

RGB 49 240 56

HSL 122.2, 0.86%, 0.57%

LAB 83.58, -77.3, 70.25

 

CMYK 45 / 80 / 0 / 5

HEX #8530F1

RGB 133 48 241

HSL 266.42, 0.87%, 0.57%

LAB 43.44, 70.89, -81.25

 

CMYK 0 / 45 / 80 / 6

HEX #F08431

RGB 240 132 49

HSL 26.07, 0.86%, 0.57%

LAB 65.94, 35.75, 59.84

 

CMYK 80 / 0 / 45 / 6

HEX #31F084

RGB 49 240 132

HSL 146.07, 0.86%, 0.57%

LAB 84.3, -68.58, 39.43

 

CMYK 45 / 80 / 0 / 5

HEX #8530F1

RGB 133 48 241

HSL 266.42, 0.87%, 0.57%

LAB 43.44, 70.89, -81.25

 

CMYK 0 / 80 / 50 / 6

HEX #F03177

RGB 240 49 119

HSL 338.01, 0.86%, 0.57%

LAB 54.08, 73.74, 7.94

 

CMYK 34 / 0 / 80 / 6

HEX #9EF031

RGB 158 240 49

HSL 85.76, 0.86%, 0.57%

LAB 86.9, -51.52, 76.56

 

CMYK 80 / 0 / 29 / 6

HEX #31F0AA

RGB 49 240 170

HSL 158.01, 0.86%, 0.57%

LAB 84.93, -61.36, 21.12

 

CMYK 45 / 80 / 0 / 5

HEX #8530F1

RGB 133 48 241

HSL 266.42, 0.87%, 0.57%

LAB 43.44, 70.89, -81.25

 

CMYK 0 / 80 / 74 / 6

HEX #F0313E

RGB 240 49 62

HSL 355.92, 0.86%, 0.57%

LAB 53.03, 70.5, 40.34

 

CMYK 34 / 0 / 80 / 6

HEX #9EF031

RGB 158 240 49

HSL 85.76, 0.86%, 0.57%

LAB 86.9, -51.52, 76.56

 

CMYK 80 / 0 / 5 / 6

HEX #31F0E4

RGB 49 240 228

HSL 176.23, 0.86%, 0.57%

LAB 86.29, -47.13, -7.2

 

Description

Color code: HEX #8530F1 | qconv.com Color code: HEX #8530F1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 48 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 48 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 80 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 80% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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