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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85320E it is the complementary color #7ACDF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85320E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85320E shade: #8A3209, #9B441C, #AC562F, #BD6842 and #CE7A55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85320E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85320E shade: #85320E, #742000, #630E00, #520000 and #410000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85320E shade: #85320E, #85110E and #850E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85320E shade: #85320E, #85520E, #85720E, #78850E and #58850E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85320E shade matches the following richer shades: #85320E and #912D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85320E shade: #85320E, #79371A, #6D3B25, #614031 and #55453D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85320E shade: #850E2A, #85120E, #85310E, #85510E and #85710E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85320E shade: #3B1606, #60240A, #85320E, #AB4011 and #D04E15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85320E shade: #85320E, #49850E and #0E1A85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85320E shade: #85320E, #0E8531 and #310E85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85320E shade: #85320E, #49850E, #0E6185 and #490E85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85320E shade: #85320E, #26850E, #0E6185 and #6D0E85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 89 / 48

HEX #85320E

RGB 133 50 14

HSL 18.15, 0.81%, 0.29%

LAB 32.48, 33.91, 38.46

 

Complementary color

CMYK 49 / 15 / 0 / 5

HEX #7ACDF1

RGB 122 205 241

HSL 198.15, 0.81%, 0.71%

LAB 78.55, -15.74, -25.55

 

CMYK 0 / 64 / 93 / 46

HEX #8A3209

RGB 138 50 9

HSL 19.07, 0.88%, 0.29%

LAB 33.36, 35.77, 41.47

 

CMYK 0 / 56 / 82 / 39

HEX #9B441C

RGB 155 68 28

HSL 18.9, 0.69%, 0.36%

LAB 39.89, 33.97, 40.09

 

CMYK 0 / 50 / 73 / 33

HEX #AC562F

RGB 172 86 47

HSL 18.72, 0.57%, 0.43%

LAB 46.49, 32.23, 38.04

 

CMYK 0 / 45 / 65 / 26

HEX #BD6842

RGB 189 104 66

HSL 18.54, 0.48%, 0.5%

LAB 53.07, 30.63, 35.99

 

CMYK 0 / 41 / 59 / 19

HEX #CE7A55

RGB 206 122 85

HSL 18.35, 0.55%, 0.57%

LAB 59.61, 29.2, 34.09

 

CMYK 0 / 62 / 89 / 48

HEX #85320E

RGB 133 50 14

HSL 18.15, 0.81%, 0.29%

LAB 32.48, 33.91, 38.46

 

CMYK 0 / 72 / 100 / 55

HEX #742000

RGB 116 32 0

HSL 16.55, 1%, 0.23%

LAB 26, 35.5, 37.54

 

CMYK 0 / 86 / 100 / 61

HEX #630E00

RGB 99 14 0

HSL 8.48, 1%, 0.19%

LAB 19.91, 36.27, 30.13

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 62 / 89 / 48

HEX #85320E

RGB 133 50 14

HSL 18.15, 0.81%, 0.29%

LAB 32.48, 33.91, 38.46

 

CMYK 0 / 87 / 89 / 48

HEX #85110E

RGB 133 17 14

HSL 1.51, 0.81%, 0.29%

LAB 27.9, 46.46, 34.7

 

CMYK 0 / 89 / 89 / 48

HEX #850E0E

RGB 133 14 14

HSL 0, 0.81%, 0.29%

LAB 27.66, 47.13, 34.5

 

CMYK 0 / 62 / 89 / 48

HEX #85320E

RGB 133 50 14

HSL 18.15, 0.81%, 0.29%

LAB 32.48, 33.91, 38.46

 

CMYK 0 / 38 / 89 / 48

HEX #85520E

RGB 133 82 14

HSL 34.29, 0.81%, 0.29%

LAB 39.67, 16.13, 44.33

 

CMYK 0 / 14 / 89 / 48

HEX #85720E

RGB 133 114 14

HSL 50.42, 0.81%, 0.29%

LAB 48.33, -2.53, 51.35

 

CMYK 10 / 0 / 89 / 48

HEX #78850E

RGB 120 133 14

HSL 66.55, 0.81%, 0.29%

LAB 52.73, -18.95, 54.45

 

CMYK 34 / 0 / 89 / 48

HEX #58850E

RGB 88 133 14

HSL 82.69, 0.81%, 0.29%

LAB 50.55, -32.64, 51.75

 

CMYK 0 / 62 / 89 / 48

HEX #85320E

RGB 133 50 14

HSL 18.15, 0.81%, 0.29%

LAB 32.48, 33.91, 38.46

 

CMYK 0 / 69 / 99 / 43

HEX #912D02

RGB 145 45 2

HSL 18.04, 0.97%, 0.29%

LAB 33.78, 40.57, 45.12

 

CMYK 0 / 62 / 89 / 48

HEX #85320E

RGB 133 50 14

HSL 18.15, 0.81%, 0.29%

LAB 32.48, 33.91, 38.46

 

CMYK 0 / 55 / 79 / 53

HEX #79371A

RGB 121 55 26

HSL 18.32, 0.65%, 0.29%

LAB 31.51, 26.73, 30.91

 

CMYK 0 / 46 / 66 / 57

HEX #6D3B25

RGB 109 59 37

HSL 18.33, 0.49%, 0.29%

LAB 30.67, 19.81, 23.06

 

CMYK 0 / 34 / 49 / 62

HEX #614031

RGB 97 64 49

HSL 18.75, 0.33%, 0.29%

LAB 30.47, 12.39, 14.99

 

CMYK 0 / 19 / 28 / 67

HEX #55453D

RGB 85 69 61

HSL 20, 0.16%, 0.29%

LAB 30.7, 5.43, 7.4

 

CMYK 0 / 89 / 68 / 48

HEX #850E2A

RGB 133 14 42

HSL 345.88, 0.81%, 0.29%

LAB 28.03, 48.2, 17.55

 

CMYK 0 / 86 / 89 / 48

HEX #85120E

RGB 133 18 14

HSL 2.02, 0.81%, 0.29%

LAB 27.98, 46.21, 34.77

 

CMYK 0 / 63 / 89 / 48

HEX #85310E

RGB 133 49 14

HSL 17.65, 0.81%, 0.29%

LAB 32.29, 34.4, 38.31

 

CMYK 0 / 39 / 89 / 48

HEX #85510E

RGB 133 81 14

HSL 33.78, 0.81%, 0.29%

LAB 39.42, 16.72, 44.12

 

CMYK 0 / 15 / 89 / 48

HEX #85710E

RGB 133 113 14

HSL 49.92, 0.81%, 0.29%

LAB 48.04, -1.96, 51.12

 

CMYK 0 / 63 / 90 / 77

HEX #3B1606

RGB 59 22 6

HSL 18.11, 0.82%, 0.13%

LAB 12.71, 17.05, 16.87

 

CMYK 0 / 63 / 90 / 62

HEX #60240A

RGB 96 36 10

HSL 18.14, 0.81%, 0.21%

LAB 22.9, 25.84, 29.12

 

CMYK 0 / 62 / 89 / 48

HEX #85320E

RGB 133 50 14

HSL 18.15, 0.81%, 0.29%

LAB 32.48, 33.91, 38.46

 

CMYK 0 / 63 / 90 / 33

HEX #AB4011

RGB 171 64 17

HSL 18.31, 0.82%, 0.37%

LAB 41.79, 41.86, 47.49

 

CMYK 0 / 63 / 90 / 18

HEX #D04E15

RGB 208 78 21

HSL 18.29, 0.82%, 0.45%

LAB 50.59, 49.11, 55.5

 

CMYK 0 / 62 / 89 / 48

HEX #85320E

RGB 133 50 14

HSL 18.15, 0.81%, 0.29%

LAB 32.48, 33.91, 38.46

 

CMYK 45 / 0 / 89 / 48

HEX #49850E

RGB 73 133 14

HSL 90.25, 0.81%, 0.29%

LAB 49.77, -38.24, 50.77

 

CMYK 89 / 80 / 0 / 48

HEX #0E1A85

RGB 14 26 133

HSL 233.95, 0.81%, 0.29%

LAB 18.03, 37.91, -59.43

 

CMYK 0 / 62 / 89 / 48

HEX #85320E

RGB 133 50 14

HSL 18.15, 0.81%, 0.29%

LAB 32.48, 33.91, 38.46

 

CMYK 89 / 0 / 63 / 48

HEX #0E8531

RGB 14 133 49

HSL 137.65, 0.81%, 0.29%

LAB 48.37, -48.54, 36.07

 

CMYK 63 / 89 / 0 / 48

HEX #310E85

RGB 49 14 133

HSL 257.65, 0.81%, 0.29%

LAB 18.63, 45.96, -58.37

 

CMYK 0 / 62 / 89 / 48

HEX #85320E

RGB 133 50 14

HSL 18.15, 0.81%, 0.29%

LAB 32.48, 33.91, 38.46

 

CMYK 45 / 0 / 89 / 48

HEX #49850E

RGB 73 133 14

HSL 90.25, 0.81%, 0.29%

LAB 49.77, -38.24, 50.77

 

CMYK 89 / 27 / 0 / 48

HEX #0E6185

RGB 14 97 133

HSL 198.15, 0.81%, 0.29%

LAB 38.44, -9.41, -26.49

 

CMYK 45 / 89 / 0 / 48

HEX #490E85

RGB 73 14 133

HSL 269.75, 0.81%, 0.29%

LAB 21.67, 48.59, -53.25

 

CMYK 0 / 62 / 89 / 48

HEX #85320E

RGB 133 50 14

HSL 18.15, 0.81%, 0.29%

LAB 32.48, 33.91, 38.46

 

CMYK 71 / 0 / 89 / 48

HEX #26850E

RGB 38 133 14

HSL 107.9, 0.81%, 0.29%

LAB 48.53, -48.05, 49.22

 

CMYK 89 / 27 / 0 / 48

HEX #0E6185

RGB 14 97 133

HSL 198.15, 0.81%, 0.29%

LAB 38.44, -9.41, -26.49

 

CMYK 18 / 89 / 0 / 48

HEX #6D0E85

RGB 109 14 133

HSL 287.9, 0.81%, 0.29%

LAB 27.46, 54.08, -43.56

 

Description

Color code: HEX #85320E | qconv.com Color code: HEX #85320E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 50 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 50 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 89 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 89% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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