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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #853D18 it is the complementary color #7AC2E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #853D18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #853D18 shade: #8A3D13, #9B4F26, #AC6139, #BD734C and #CE855F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #853D18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #853D18 shade: #853D18, #742B05, #631900, #520700 and #410000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #853D18 shade: #853D18, #852018 and #851818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #853D18 shade: #853D18, #855A18, #857818, #758518 and #578518

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #853D18 shade matches the following richer shades: #853D18 and #92390B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #853D18 shade: #853D18, #784125, #6C4532, #5F493E and #524D4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #853D18 shade: #85182E, #851F18, #853C18, #855918 and #857718

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #853D18 shade: #3F1D0B, #622D12, #853D18, #A84D1E and #CB5D25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #853D18 shade: #853D18, #4B8518 and #181F85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #853D18 shade: #853D18, #18853C and #3C1885

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #853D18 shade: #853D18, #4B8518, #186185 and #521885

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #853D18 shade: #853D18, #2A8518, #186185 and #731885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 82 / 48

HEX #853D18

RGB 133 61 24

HSL 20.37, 0.69%, 0.31%

LAB 34.78, 28.46, 35.89

 

Complementary color

CMYK 47 / 16 / 0 / 9

HEX #7AC2E7

RGB 122 194 231

HSL 200.37, 0.69%, 0.69%

LAB 75.13, -12.76, -25.4

 

CMYK 0 / 56 / 86 / 46

HEX #8A3D13

RGB 138 61 19

HSL 21.18, 0.76%, 0.31%

LAB 35.57, 30.39, 39.27

 

CMYK 0 / 49 / 75 / 39

HEX #9B4F26

RGB 155 79 38

HSL 21.03, 0.61%, 0.38%

LAB 42.31, 28.51, 37.51

 

CMYK 0 / 44 / 67 / 33

HEX #AC6139

RGB 172 97 57

HSL 20.87, 0.5%, 0.45%

LAB 49.03, 26.83, 35.54

 

CMYK 0 / 39 / 60 / 26

HEX #BD734C

RGB 189 115 76

HSL 20.71, 0.46%, 0.52%

LAB 55.69, 25.36, 33.68

 

CMYK 0 / 35 / 54 / 19

HEX #CE855F

RGB 206 133 95

HSL 20.54, 0.53%, 0.59%

LAB 62.27, 24.07, 31.97

 

CMYK 0 / 54 / 82 / 48

HEX #853D18

RGB 133 61 24

HSL 20.37, 0.69%, 0.31%

LAB 34.78, 28.46, 35.89

 

CMYK 0 / 63 / 96 / 55

HEX #742B05

RGB 116 43 5

HSL 20.54, 0.92%, 0.24%

LAB 27.98, 30.39, 37.25

 

CMYK 0 / 75 / 100 / 61

HEX #631900

RGB 99 25 0

HSL 15.15, 1%, 0.19%

LAB 21.39, 32.17, 31.77

 

CMYK 0 / 91 / 100 / 68

HEX #520700

RGB 82 7 0

HSL 5.12, 1%, 0.16%

LAB 15.2, 32.74, 23.52

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 54 / 82 / 48

HEX #853D18

RGB 133 61 24

HSL 20.37, 0.69%, 0.31%

LAB 34.78, 28.46, 35.89

 

CMYK 0 / 76 / 82 / 48

HEX #852018

RGB 133 32 24

HSL 4.4, 0.69%, 0.31%

LAB 29.63, 42.13, 30.8

 

CMYK 0 / 82 / 82 / 48

HEX #851818

RGB 133 24 24

HSL 0, 0.69%, 0.31%

LAB 28.66, 44.84, 29.81

 

CMYK 0 / 54 / 82 / 48

HEX #853D18

RGB 133 61 24

HSL 20.37, 0.69%, 0.31%

LAB 34.78, 28.46, 35.89

 

CMYK 0 / 32 / 82 / 48

HEX #855A18

RGB 133 90 24

HSL 36.33, 0.69%, 0.31%

LAB 41.79, 11.74, 42.49

 

CMYK 0 / 10 / 82 / 48

HEX #857818

RGB 133 120 24

HSL 52.84, 0.69%, 0.31%

LAB 50.08, -5.6, 49.98

 

CMYK 12 / 0 / 82 / 48

HEX #758518

RGB 117 133 24

HSL 68.81, 0.69%, 0.31%

LAB 52.53, -19.97, 51.64

 

CMYK 35 / 0 / 82 / 48

HEX #578518

RGB 87 133 24

HSL 85.32, 0.69%, 0.31%

LAB 50.53, -32.62, 49.08

 

CMYK 0 / 54 / 82 / 48

HEX #853D18

RGB 133 61 24

HSL 20.37, 0.69%, 0.31%

LAB 34.78, 28.46, 35.89

 

CMYK 0 / 61 / 92 / 43

HEX #92390B

RGB 146 57 11

HSL 20.44, 0.86%, 0.31%

LAB 36.1, 35.51, 43.42

 

CMYK 0 / 54 / 82 / 48

HEX #853D18

RGB 133 61 24

HSL 20.37, 0.69%, 0.31%

LAB 34.78, 28.46, 35.89

 

CMYK 0 / 46 / 69 / 53

HEX #784125

RGB 120 65 37

HSL 20.24, 0.53%, 0.31%

LAB 33.79, 21.2, 27.16

 

CMYK 0 / 36 / 54 / 58

HEX #6C4532

RGB 108 69 50

HSL 19.66, 0.37%, 0.31%

LAB 33.3, 14.47, 18.34

 

CMYK 0 / 23 / 35 / 63

HEX #5F493E

RGB 95 73 62

HSL 20, 0.21%, 0.31%

LAB 33.02, 7.57, 10.17

 

CMYK 0 / 6 / 9 / 68

HEX #524D4B

RGB 82 77 75

HSL 17.14, 0.04%, 0.31%

LAB 33.16, 1.66, 1.92

 

CMYK 0 / 82 / 65 / 48

HEX #85182E

RGB 133 24 46

HSL 347.89, 0.69%, 0.31%

LAB 29, 45.9, 16.13

 

CMYK 0 / 77 / 82 / 48

HEX #851F18

RGB 133 31 24

HSL 3.85, 0.69%, 0.31%

LAB 29.49, 42.5, 30.66

 

CMYK 0 / 55 / 82 / 48

HEX #853C18

RGB 133 60 24

HSL 19.82, 0.69%, 0.31%

LAB 34.57, 29, 35.68

 

CMYK 0 / 33 / 82 / 48

HEX #855918

RGB 133 89 24

HSL 35.78, 0.69%, 0.31%

LAB 41.53, 12.33, 42.25

 

CMYK 0 / 11 / 82 / 48

HEX #857718

RGB 133 119 24

HSL 52.29, 0.69%, 0.31%

LAB 49.79, -5.04, 49.73

 

CMYK 0 / 54 / 83 / 75

HEX #3F1D0B

RGB 63 29 11

HSL 20.77, 0.7%, 0.15%

LAB 15.27, 14.87, 18.32

 

CMYK 0 / 54 / 82 / 62

HEX #622D12

RGB 98 45 18

HSL 20.25, 0.69%, 0.23%

LAB 25.31, 21.95, 27.69

 

CMYK 0 / 54 / 82 / 48

HEX #853D18

RGB 133 61 24

HSL 20.37, 0.69%, 0.31%

LAB 34.78, 28.46, 35.89

 

CMYK 0 / 54 / 82 / 34

HEX #A84D1E

RGB 168 77 30

HSL 20.43, 0.7%, 0.39%

LAB 43.84, 34.62, 43.62

 

CMYK 0 / 54 / 82 / 20

HEX #CB5D25

RGB 203 93 37

HSL 20.24, 0.69%, 0.47%

LAB 52.57, 40.55, 50.57

 

CMYK 0 / 54 / 82 / 48

HEX #853D18

RGB 133 61 24

HSL 20.37, 0.69%, 0.31%

LAB 34.78, 28.46, 35.89

 

CMYK 44 / 0 / 82 / 48

HEX #4B8518

RGB 75 133 24

HSL 91.93, 0.69%, 0.31%

LAB 49.9, -37.09, 48.27

 

CMYK 82 / 77 / 0 / 48

HEX #181F85

RGB 24 31 133

HSL 236.15, 0.69%, 0.31%

LAB 19.51, 35.55, -56.98

 

CMYK 0 / 54 / 82 / 48

HEX #853D18

RGB 133 61 24

HSL 20.37, 0.69%, 0.31%

LAB 34.78, 28.46, 35.89

 

CMYK 82 / 0 / 55 / 48

HEX #18853C

RGB 24 133 60

HSL 139.82, 0.69%, 0.31%

LAB 48.63, -45.89, 30.9

 

CMYK 55 / 82 / 0 / 48

HEX #3C1885

RGB 60 24 133

HSL 259.82, 0.69%, 0.31%

LAB 21.24, 43.17, -54.03

 

CMYK 0 / 54 / 82 / 48

HEX #853D18

RGB 133 61 24

HSL 20.37, 0.69%, 0.31%

LAB 34.78, 28.46, 35.89

 

CMYK 44 / 0 / 82 / 48

HEX #4B8518

RGB 75 133 24

HSL 91.93, 0.69%, 0.31%

LAB 49.9, -37.09, 48.27

 

CMYK 82 / 27 / 0 / 48

HEX #186185

RGB 24 97 133

HSL 199.82, 0.69%, 0.31%

LAB 38.62, -8.49, -26.2

 

CMYK 38 / 82 / 0 / 48

HEX #521885

RGB 82 24 133

HSL 271.93, 0.69%, 0.31%

LAB 24.13, 46.51, -49.17

 

CMYK 0 / 54 / 82 / 48

HEX #853D18

RGB 133 61 24

HSL 20.37, 0.69%, 0.31%

LAB 34.78, 28.46, 35.89

 

CMYK 68 / 0 / 82 / 48

HEX #2A8518

RGB 42 133 24

HSL 110.09, 0.69%, 0.31%

LAB 48.68, -46.68, 46.68

 

CMYK 82 / 27 / 0 / 48

HEX #186185

RGB 24 97 133

HSL 199.82, 0.69%, 0.31%

LAB 38.62, -8.49, -26.2

 

CMYK 14 / 82 / 0 / 48

HEX #731885

RGB 115 24 133

HSL 290.09, 0.69%, 0.31%

LAB 29.39, 52.58, -40.39

 

Description

Color code: HEX #853D18 | qconv.com Color code: HEX #853D18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 61 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 61 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 82 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 82% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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