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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #854564 it is the complementary color #7ABA9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #854564. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #854564 shade: #8A455F, #9B5772, #AC6985, #BD7B98 and #CE8DAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #854564. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #854564 shade: #854564, #743351, #63213E, #520F2B and #410018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #854564 shade: #864564, #864553 and #864545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #854564 shade: #864564, #864576, #854586, #734586 and #614586

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #854564 shade matches the following richer shades: #864564, #973464, #A72463, #B81363 and #C80362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #854564 shade: #864564, #765565, #656666, #557666 and #448767

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #854564 shade: #844586, #864577, #864566, #864554 and #864745

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #854564 shade: #50293C, #6B3750, #864564, #A15379 and #B36B8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #854564 shade: #854564, #867345 and #458086

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #854564 shade: #854564, #668645 and #456686

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #854564 shade: #854564, #867345, #458666 and #455886

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #854564 shade: #854564, #868645, #458666 and #454586

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 25 / 48

HEX #854564

RGB 133 69 100

HSL 330.94, 0.32%, 0.4%

LAB 38.13, 31.36, -5.84

 

Complementary color

CMYK 34 / 0 / 17 / 27

HEX #7ABA9B

RGB 122 186 155

HSL 150.94, 0.32%, 0.6%

LAB 70.61, -27.3, 9.28

 

CMYK 0 / 50 / 31 / 46

HEX #8A455F

RGB 138 69 95

HSL 337.39, 0.33%, 0.41%

LAB 38.7, 32.46, -1.78

 

CMYK 0 / 44 / 26 / 39

HEX #9B5772

RGB 155 87 114

HSL 336.18, 0.28%, 0.47%

LAB 45.63, 31.55, -3.02

 

CMYK 0 / 39 / 23 / 33

HEX #AC6985

RGB 172 105 133

HSL 334.93, 0.29%, 0.54%

LAB 52.47, 30.67, -4.04

 

CMYK 0 / 35 / 20 / 26

HEX #BD7B98

RGB 189 123 152

HSL 333.64, 0.33%, 0.61%

LAB 59.21, 29.85, -4.93

 

CMYK 0 / 32 / 17 / 19

HEX #CE8DAB

RGB 206 141 171

HSL 332.31, 0.4%, 0.68%

LAB 65.84, 29.09, -5.72

 

CMYK 0 / 48 / 25 / 48

HEX #854564

RGB 133 69 100

HSL 330.94, 0.32%, 0.4%

LAB 38.13, 31.36, -5.84

 

CMYK 0 / 56 / 30 / 55

HEX #743351

RGB 116 51 81

HSL 332.31, 0.39%, 0.33%

LAB 31.05, 32.21, -4.52

 

CMYK 0 / 67 / 37 / 61

HEX #63213E

RGB 99 33 62

HSL 333.64, 0.5%, 0.26%

LAB 23.96, 32.84, -2.73

 

CMYK 0 / 82 / 48 / 68

HEX #520F2B

RGB 82 15 43

HSL 334.93, 0.69%, 0.19%

LAB 17.04, 32.77, -0.01

 

CMYK 0 / 100 / 63 / 75

HEX #410018

RGB 65 0 24

HSL 337.85, 1%, 0.13%

LAB 10.48, 31.41, 4.19

 

CMYK 0 / 49 / 25 / 47

HEX #864564

RGB 134 69 100

HSL 331.38, 0.32%, 0.4%

LAB 38.28, 31.73, -5.61

 

CMYK 0 / 49 / 38 / 47

HEX #864553

RGB 134 69 83

HSL 347.08, 0.32%, 0.4%

LAB 37.75, 29.33, 4.31

 

CMYK 0 / 49 / 49 / 47

HEX #864545

RGB 134 69 69

HSL 0, 0.32%, 0.4%

LAB 37.4, 27.68, 12.61

 

CMYK 0 / 49 / 25 / 47

HEX #864564

RGB 134 69 100

HSL 331.38, 0.32%, 0.4%

LAB 38.28, 31.73, -5.61

 

CMYK 0 / 49 / 12 / 47

HEX #864576

RGB 134 69 118

HSL 314.77, 0.32%, 0.4%

LAB 38.95, 34.7, -15.8

 

CMYK 1 / 49 / 0 / 47

HEX #854586

RGB 133 69 134

HSL 299.08, 0.32%, 0.4%

LAB 39.52, 37.36, -24.79

 

CMYK 14 / 49 / 0 / 47

HEX #734586

RGB 115 69 134

HSL 282.46, 0.32%, 0.4%

LAB 37.16, 31.77, -28.66

 

CMYK 28 / 49 / 0 / 47

HEX #614586

RGB 97 69 134

HSL 265.85, 0.32%, 0.4%

LAB 35.04, 26.29, -32.14

 

CMYK 0 / 49 / 25 / 47

HEX #864564

RGB 134 69 100

HSL 331.38, 0.32%, 0.4%

LAB 38.28, 31.73, -5.61

 

CMYK 0 / 66 / 34 / 41

HEX #973464

RGB 151 52 100

HSL 330.91, 0.49%, 0.4%

LAB 37.76, 46.01, -6.09

 

CMYK 0 / 78 / 41 / 35

HEX #A72463

RGB 167 36 99

HSL 331.15, 0.65%, 0.4%

LAB 38.51, 56.46, -4.03

 

CMYK 0 / 90 / 46 / 28

HEX #B81363

RGB 184 19 99

HSL 330.91, 0.81%, 0.4%

LAB 40.5, 64.62, -0.71

 

CMYK 0 / 99 / 51 / 22

HEX #C80362

RGB 200 3 98

HSL 331.07, 0.97%, 0.4%

LAB 43.1, 70.06, 4.09

 

CMYK 0 / 49 / 25 / 47

HEX #864564

RGB 134 69 100

HSL 331.38, 0.32%, 0.4%

LAB 38.28, 31.73, -5.61

 

CMYK 0 / 28 / 14 / 54

HEX #765565

RGB 118 85 101

HSL 330.91, 0.16%, 0.4%

LAB 40.06, 16.42, -3.81

 

CMYK 1 / 0 / 0 / 60

HEX #656666

RGB 101 102 102

HSL 180, 0%, 0.4%

LAB 43.11, -0.39, -0.14

 

CMYK 28 / 0 / 14 / 54

HEX #557666

RGB 85 118 102

HSL 150.91, 0.16%, 0.4%

LAB 46.77, -15.48, 5.02

 

CMYK 50 / 0 / 24 / 47

HEX #448767

RGB 68 135 103

HSL 151.34, 0.33%, 0.4%

LAB 51.31, -29.27, 10.75

 

CMYK 1 / 49 / 0 / 47

HEX #844586

RGB 132 69 134

HSL 298.15, 0.32%, 0.4%

LAB 39.38, 37.05, -25.01

 

CMYK 0 / 49 / 11 / 47

HEX #864577

RGB 134 69 119

HSL 313.85, 0.32%, 0.4%

LAB 39, 34.88, -16.36

 

CMYK 0 / 49 / 24 / 47

HEX #864566

RGB 134 69 102

HSL 329.54, 0.32%, 0.4%

LAB 38.35, 32.03, -6.76

 

CMYK 0 / 49 / 37 / 47

HEX #864554

RGB 134 69 84

HSL 346.15, 0.32%, 0.4%

LAB 37.78, 29.46, 3.72

 

CMYK 0 / 47 / 49 / 47

HEX #864745

RGB 134 71 69

HSL 1.85, 0.32%, 0.4%

LAB 37.85, 26.55, 13.23

 

CMYK 0 / 49 / 25 / 69

HEX #50293C

RGB 80 41 60

HSL 330.77, 0.32%, 0.24%

LAB 22.36, 20.94, -4.08

 

CMYK 0 / 49 / 25 / 58

HEX #6B3750

RGB 107 55 80

HSL 331.15, 0.32%, 0.32%

LAB 30.49, 26.47, -4.86

 

CMYK 0 / 49 / 25 / 47

HEX #864564

RGB 134 69 100

HSL 331.38, 0.32%, 0.4%

LAB 38.28, 31.73, -5.61

 

CMYK 0 / 48 / 25 / 37

HEX #A15379

RGB 161 83 121

HSL 330.77, 0.32%, 0.48%

LAB 45.83, 36.92, -6.88

 

CMYK 0 / 40 / 21 / 30

HEX #B36B8E

RGB 179 107 142

HSL 330.83, 0.32%, 0.56%

LAB 54.08, 33.48, -6.85

 

CMYK 0 / 48 / 25 / 48

HEX #854564

RGB 133 69 100

HSL 330.94, 0.32%, 0.4%

LAB 38.13, 31.36, -5.84

 

CMYK 0 / 14 / 49 / 47

HEX #867345

RGB 134 115 69

HSL 42.46, 0.32%, 0.4%

LAB 49.2, 0.87, 28.1

 

CMYK 49 / 4 / 0 / 47

HEX #458086

RGB 69 128 134

HSL 185.54, 0.32%, 0.4%

LAB 50.01, -17.49, -9.23

 

CMYK 0 / 48 / 25 / 48

HEX #854564

RGB 133 69 100

HSL 330.94, 0.32%, 0.4%

LAB 38.13, 31.36, -5.84

 

CMYK 24 / 0 / 49 / 47

HEX #668645

RGB 102 134 69

HSL 89.54, 0.32%, 0.4%

LAB 52.18, -23.21, 31.23

 

CMYK 49 / 24 / 0 / 47

HEX #456686

RGB 69 102 134

HSL 209.54, 0.32%, 0.4%

LAB 41.98, -2.57, -21.44

 

CMYK 0 / 48 / 25 / 48

HEX #854564

RGB 133 69 100

HSL 330.94, 0.32%, 0.4%

LAB 38.13, 31.36, -5.84

 

CMYK 0 / 14 / 49 / 47

HEX #867345

RGB 134 115 69

HSL 42.46, 0.32%, 0.4%

LAB 49.2, 0.87, 28.1

 

CMYK 49 / 0 / 24 / 47

HEX #458666

RGB 69 134 102

HSL 150.46, 0.32%, 0.4%

LAB 51.01, -28.74, 10.91

 

CMYK 49 / 34 / 0 / 47

HEX #455886

RGB 69 88 134

HSL 222.46, 0.32%, 0.4%

LAB 37.78, 6.16, -27.98

 

CMYK 0 / 48 / 25 / 48

HEX #854564

RGB 133 69 100

HSL 330.94, 0.32%, 0.4%

LAB 38.13, 31.36, -5.84

 

CMYK 0 / 0 / 49 / 47

HEX #868645

RGB 134 134 69

HSL 60, 0.32%, 0.4%

LAB 54.6, -9.78, 34.74

 

CMYK 49 / 0 / 24 / 47

HEX #458666

RGB 69 134 102

HSL 150.46, 0.32%, 0.4%

LAB 51.01, -28.74, 10.91

 

CMYK 49 / 49 / 0 / 47

HEX #454586

RGB 69 69 134

HSL 240, 0.32%, 0.4%

LAB 32.35, 18.51, -36.57

 

Description

Color code: HEX #854564 | qconv.com Color code: HEX #854564 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 69 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 69 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 25 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 25% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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