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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #854E21 it is the complementary color #7AB1DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #854E21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #854E21 shade: #8A4E1C, #9B602F, #AC7242, #BD8455 and #CE9668

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #854E21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #854E21 shade: #854E21, #743C0E, #632A00, #521800 and #410600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #854E21 shade: #864F21, #863321 and #862121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #854E21 shade: #864F21, #866A21, #868521, #6C8621 and #518621

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #854E21 shade matches the following richer shades: #864F21, #944D14 and #A14C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #854E21 shade: #864F21, #79502F, #6B513C, #5D534A and #505458

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #854E21 shade: #86212A, #863421, #864F21, #866A21 and #868421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #854E21 shade: #442811, #653B19, #864F21, #A76229 and #C87532

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #854E21 shade: #854E21, #458621 and #262186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #854E21 shade: #854E21, #21864F and #4F2186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #854E21 shade: #854E21, #458621, #215986 and #632186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #854E21 shade: #854E21, #268621, #215986 and #812186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 75 / 48

HEX #854E21

RGB 133 78 33

HSL 27, 0.6%, 0.33%

LAB 38.8, 19.21, 35.41

 

Complementary color

CMYK 45 / 20 / 0 / 13

HEX #7AB1DE

RGB 122 177 222

HSL 207, 0.6%, 0.67%

LAB 70.07, -6.15, -28.26

 

CMYK 0 / 43 / 80 / 46

HEX #8A4E1C

RGB 138 78 28

HSL 27.27, 0.66%, 0.33%

LAB 39.47, 21.22, 38.78

 

CMYK 0 / 38 / 70 / 39

HEX #9B602F

RGB 155 96 47

HSL 27.22, 0.53%, 0.4%

LAB 46.36, 19.45, 37.22

 

CMYK 0 / 34 / 62 / 33

HEX #AC7242

RGB 172 114 66

HSL 27.17, 0.45%, 0.47%

LAB 53.17, 17.96, 35.55

 

CMYK 0 / 30 / 55 / 26

HEX #BD8455

RGB 189 132 85

HSL 27.12, 0.44%, 0.54%

LAB 59.87, 16.7, 33.95

 

CMYK 0 / 27 / 50 / 19

HEX #CE9668

RGB 206 150 104

HSL 27.06, 0.51%, 0.61%

LAB 66.47, 15.62, 32.45

 

CMYK 0 / 41 / 75 / 48

HEX #854E21

RGB 133 78 33

HSL 27, 0.6%, 0.33%

LAB 38.8, 19.21, 35.41

 

CMYK 0 / 48 / 88 / 55

HEX #743C0E

RGB 116 60 14

HSL 27.06, 0.78%, 0.25%

LAB 31.75, 21.2, 36.7

 

CMYK 0 / 58 / 100 / 61

HEX #632A00

RGB 99 42 0

HSL 25.45, 1%, 0.19%

LAB 24.67, 23.51, 35.14

 

CMYK 0 / 71 / 100 / 68

HEX #521800

RGB 82 24 0

HSL 17.56, 1%, 0.16%

LAB 17.68, 25.9, 26.59

 

CMYK 0 / 91 / 100 / 75

HEX #410600

RGB 65 6 0

HSL 5.54, 1%, 0.13%

LAB 10.95, 27.3, 17.11

 

CMYK 0 / 41 / 75 / 47

HEX #864F21

RGB 134 79 33

HSL 27.33, 0.6%, 0.33%

LAB 39.19, 19.08, 35.86

 

CMYK 0 / 62 / 75 / 47

HEX #863321

RGB 134 51 33

HSL 10.69, 0.6%, 0.33%

LAB 33.02, 34.5, 29.23

 

CMYK 0 / 75 / 75 / 47

HEX #862121

RGB 134 33 33

HSL 0, 0.6%, 0.33%

LAB 30.07, 42.46, 25.91

 

CMYK 0 / 41 / 75 / 47

HEX #864F21

RGB 134 79 33

HSL 27.33, 0.6%, 0.33%

LAB 39.19, 19.08, 35.86

 

CMYK 0 / 21 / 75 / 47

HEX #866A21

RGB 134 106 33

HSL 43.37, 0.6%, 0.33%

LAB 46.29, 3.25, 43.07

 

CMYK 0 / 1 / 75 / 47

HEX #868521

RGB 134 133 33

HSL 59.41, 0.6%, 0.33%

LAB 53.98, -11.89, 50.49

 

CMYK 19 / 0 / 75 / 47

HEX #6C8621

RGB 108 134 33

HSL 75.45, 0.6%, 0.33%

LAB 52.23, -23.98, 48.1

 

CMYK 40 / 0 / 75 / 47

HEX #518621

RGB 81 134 33

HSL 91.49, 0.6%, 0.33%

LAB 50.58, -34.82, 45.92

 

CMYK 0 / 41 / 75 / 47

HEX #864F21

RGB 134 79 33

HSL 27.33, 0.6%, 0.33%

LAB 39.19, 19.08, 35.86

 

CMYK 0 / 48 / 86 / 42

HEX #944D14

RGB 148 77 20

HSL 26.72, 0.76%, 0.33%

LAB 40.66, 25.93, 43.88

 

CMYK 0 / 53 / 96 / 37

HEX #A14C06

RGB 161 76 6

HSL 27.1, 0.93%, 0.33%

LAB 42.4, 31.73, 50.48

 

CMYK 0 / 41 / 75 / 47

HEX #864F21

RGB 134 79 33

HSL 27.33, 0.6%, 0.33%

LAB 39.19, 19.08, 35.86

 

CMYK 0 / 34 / 61 / 53

HEX #79502F

RGB 121 80 47

HSL 26.76, 0.44%, 0.33%

LAB 37.86, 13.48, 26.22

 

CMYK 0 / 24 / 44 / 58

HEX #6B513C

RGB 107 81 60

HSL 26.81, 0.28%, 0.33%

LAB 36.63, 7.8, 16.54

 

CMYK 0 / 11 / 20 / 64

HEX #5D534A

RGB 93 83 74

HSL 28.42, 0.11%, 0.33%

LAB 36, 2.43, 6.77

 

CMYK 9 / 5 / 0 / 65

HEX #505458

RGB 80 84 88

HSL 210, 0.05%, 0.33%

LAB 35.5, -0.69, -2.89

 

CMYK 0 / 75 / 69 / 47

HEX #86212A

RGB 134 33 42

HSL 354.65, 0.6%, 0.33%

LAB 30.21, 42.93, 20.35

 

CMYK 0 / 61 / 75 / 47

HEX #863421

RGB 134 52 33

HSL 11.29, 0.6%, 0.33%

LAB 33.21, 34, 29.44

 

CMYK 0 / 41 / 75 / 47

HEX #864F21

RGB 134 79 33

HSL 27.33, 0.6%, 0.33%

LAB 39.19, 19.08, 35.86

 

CMYK 0 / 21 / 75 / 47

HEX #866A21

RGB 134 106 33

HSL 43.37, 0.6%, 0.33%

LAB 46.29, 3.25, 43.07

 

CMYK 0 / 1 / 75 / 47

HEX #868421

RGB 134 132 33

HSL 58.81, 0.6%, 0.33%

LAB 53.69, -11.35, 50.21

 

CMYK 0 / 41 / 75 / 73

HEX #442811

RGB 68 40 17

HSL 27.06, 0.6%, 0.17%

LAB 19.17, 10.59, 20.22

 

CMYK 0 / 42 / 75 / 60

HEX #653B19

RGB 101 59 25

HSL 26.84, 0.6%, 0.25%

LAB 29.32, 15.28, 28.19

 

CMYK 0 / 41 / 75 / 47

HEX #864F21

RGB 134 79 33

HSL 27.33, 0.6%, 0.33%

LAB 39.19, 19.08, 35.86

 

CMYK 0 / 41 / 75 / 35

HEX #A76229

RGB 167 98 41

HSL 27.14, 0.61%, 0.41%

LAB 48.4, 23.26, 42.88

 

CMYK 0 / 42 / 75 / 22

HEX #C87532

RGB 200 117 50

HSL 26.8, 0.6%, 0.49%

LAB 57.3, 27.32, 49.16

 

CMYK 0 / 41 / 75 / 48

HEX #854E21

RGB 133 78 33

HSL 27, 0.6%, 0.33%

LAB 38.8, 19.21, 35.41

 

CMYK 49 / 0 / 75 / 47

HEX #458621

RGB 69 134 33

HSL 98.61, 0.6%, 0.33%

LAB 50.01, -38.99, 45.16

 

CMYK 72 / 75 / 0 / 47

HEX #262186

RGB 38 33 134

HSL 242.97, 0.6%, 0.33%

LAB 20.91, 36.01, -55.27

 

CMYK 0 / 41 / 75 / 48

HEX #854E21

RGB 133 78 33

HSL 27, 0.6%, 0.33%

LAB 38.8, 19.21, 35.41

 

CMYK 75 / 0 / 41 / 47

HEX #21864F

RGB 33 134 79

HSL 147.33, 0.6%, 0.33%

LAB 49.42, -41.59, 21.66

 

CMYK 41 / 75 / 0 / 47

HEX #4F2186

RGB 79 33 134

HSL 267.33, 0.6%, 0.33%

LAB 25.17, 42.31, -48.11

 

CMYK 0 / 41 / 75 / 48

HEX #854E21

RGB 133 78 33

HSL 27, 0.6%, 0.33%

LAB 38.8, 19.21, 35.41

 

CMYK 49 / 0 / 75 / 47

HEX #458621

RGB 69 134 33

HSL 98.61, 0.6%, 0.33%

LAB 50.01, -38.99, 45.16

 

CMYK 75 / 34 / 0 / 47

HEX #215986

RGB 33 89 134

HSL 206.73, 0.6%, 0.33%

LAB 36.35, -2.01, -30.36

 

CMYK 26 / 75 / 0 / 47

HEX #632186

RGB 99 33 134

HSL 279.21, 0.6%, 0.33%

LAB 28.01, 46.28, -43.37

 

CMYK 0 / 41 / 75 / 48

HEX #854E21

RGB 133 78 33

HSL 27, 0.6%, 0.33%

LAB 38.8, 19.21, 35.41

 

CMYK 72 / 0 / 75 / 47

HEX #268621

RGB 38 134 33

HSL 117.03, 0.6%, 0.33%

LAB 48.97, -47.21, 43.78

 

CMYK 75 / 34 / 0 / 47

HEX #215986

RGB 33 89 134

HSL 206.73, 0.6%, 0.33%

LAB 36.35, -2.01, -30.36

 

CMYK 4 / 75 / 0 / 47

HEX #812186

RGB 129 33 134

HSL 297.03, 0.6%, 0.33%

LAB 32.87, 52.8, -35.31

 

Description

Color code: HEX #854E21 | qconv.com Color code: HEX #854E21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 78 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 78 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 75 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 75% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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