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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85590E it is the complementary color #7AA6F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85590E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85590E shade: #8A5909, #9B6B1C, #AC7D2F, #BD8F42 and #CEA155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85590E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85590E shade: #85590E, #744700, #633500, #522300 and #411100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85590E shade: #85590E, #85390E, #85180E and #850E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85590E shade: #85590E, #85790E, #71850E, #51850E and #30850E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85590E shade matches the following richer shades: #85590E and #915C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85590E shade: #85590E, #79561A, #6D5325, #615031 and #554D3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85590E shade: #85180E, #85370E, #85570E, #85770E and #73850E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85590E shade: #3B2706, #60400A, #85590E, #AB7211 and #D08B15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85590E shade: #85590E, #24850E and #280E85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85590E shade: #85590E, #0E8557 and #570E85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85590E shade: #85590E, #24850E, #0E3B85 and #6F0E85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85590E shade: #85590E, #0E851C, #0E3B85 and #850E77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 89 / 48

HEX #85590E

RGB 133 89 14

HSL 37.82, 0.81%, 0.29%

LAB 41.47, 12.01, 45.79

 

Complementary color

CMYK 49 / 31 / 0 / 5

HEX #7AA6F1

RGB 122 166 241

HSL 217.82, 0.81%, 0.71%

LAB 67.84, 5.45, -42.11

 

CMYK 0 / 36 / 93 / 46

HEX #8A5909

RGB 138 89 9

HSL 37.21, 0.88%, 0.29%

LAB 42.1, 14.25, 47.93

 

CMYK 0 / 31 / 82 / 39

HEX #9B6B1C

RGB 155 107 28

HSL 37.32, 0.69%, 0.36%

LAB 48.97, 12.24, 48.49

 

CMYK 0 / 27 / 73 / 33

HEX #AC7D2F

RGB 172 125 47

HSL 37.44, 0.57%, 0.43%

LAB 55.73, 10.58, 47.81

 

CMYK 0 / 24 / 65 / 26

HEX #BD8F42

RGB 189 143 66

HSL 37.56, 0.48%, 0.5%

LAB 62.39, 9.21, 46.65

 

CMYK 0 / 22 / 59 / 19

HEX #CEA155

RGB 206 161 85

HSL 37.69, 0.55%, 0.57%

LAB 68.94, 8.05, 45.33

 

CMYK 0 / 33 / 89 / 48

HEX #85590E

RGB 133 89 14

HSL 37.82, 0.81%, 0.29%

LAB 41.47, 12.01, 45.79

 

CMYK 0 / 39 / 100 / 55

HEX #744700

RGB 116 71 0

HSL 36.72, 1%, 0.23%

LAB 34.44, 14.28, 43.88

 

CMYK 0 / 46 / 100 / 61

HEX #633500

RGB 99 53 0

HSL 32.12, 1%, 0.19%

LAB 27.29, 17, 37.54

 

CMYK 0 / 57 / 100 / 68

HEX #522300

RGB 82 35 0

HSL 25.61, 1%, 0.16%

LAB 20.03, 19.79, 29.34

 

CMYK 0 / 74 / 100 / 75

HEX #411100

RGB 65 17 0

HSL 15.69, 1%, 0.13%

LAB 12.76, 22.3, 19.59

 

CMYK 0 / 33 / 89 / 48

HEX #85590E

RGB 133 89 14

HSL 37.82, 0.81%, 0.29%

LAB 41.47, 12.01, 45.79

 

CMYK 0 / 57 / 89 / 48

HEX #85390E

RGB 133 57 14

HSL 21.68, 0.81%, 0.29%

LAB 33.87, 30.3, 39.6

 

CMYK 0 / 82 / 89 / 48

HEX #85180E

RGB 133 24 14

HSL 5.04, 0.81%, 0.29%

LAB 28.57, 44.56, 35.25

 

CMYK 0 / 89 / 89 / 48

HEX #850E0E

RGB 133 14 14

HSL 0, 0.81%, 0.29%

LAB 27.66, 47.13, 34.5

 

CMYK 0 / 33 / 89 / 48

HEX #85590E

RGB 133 89 14

HSL 37.82, 0.81%, 0.29%

LAB 41.47, 12.01, 45.79

 

CMYK 0 / 9 / 89 / 48

HEX #85790E

RGB 133 121 14

HSL 53.95, 0.81%, 0.29%

LAB 50.33, -6.46, 52.96

 

CMYK 15 / 0 / 89 / 48

HEX #71850E

RGB 113 133 14

HSL 70.08, 0.81%, 0.29%

LAB 52.19, -22.09, 53.79

 

CMYK 39 / 0 / 89 / 48

HEX #51850E

RGB 81 133 14

HSL 86.22, 0.81%, 0.29%

LAB 50.16, -35.33, 51.27

 

CMYK 64 / 0 / 89 / 48

HEX #30850E

RGB 48 133 14

HSL 102.86, 0.81%, 0.29%

LAB 48.8, -45.78, 49.56

 

CMYK 0 / 33 / 89 / 48

HEX #85590E

RGB 133 89 14

HSL 37.82, 0.81%, 0.29%

LAB 41.47, 12.01, 45.79

 

CMYK 0 / 37 / 99 / 43

HEX #915C02

RGB 145 92 2

HSL 37.76, 0.97%, 0.29%

LAB 43.77, 15.64, 51.36

 

CMYK 0 / 33 / 89 / 48

HEX #85590E

RGB 133 89 14

HSL 37.82, 0.81%, 0.29%

LAB 41.47, 12.01, 45.79

 

CMYK 0 / 29 / 79 / 53

HEX #79561A

RGB 121 86 26

HSL 37.89, 0.65%, 0.29%

LAB 39.23, 8.5, 38.69

 

CMYK 0 / 24 / 66 / 57

HEX #6D5325

RGB 109 83 37

HSL 38.33, 0.49%, 0.29%

LAB 37.06, 5.22, 30.52

 

CMYK 0 / 18 / 49 / 62

HEX #615031

RGB 97 80 49

HSL 38.75, 0.33%, 0.29%

LAB 35, 2.45, 20.87

 

CMYK 0 / 9 / 28 / 67

HEX #554D3D

RGB 85 77 61

HSL 40, 0.16%, 0.29%

LAB 33.08, 0.41, 10.72

 

CMYK 0 / 82 / 89 / 48

HEX #85180E

RGB 133 24 14

HSL 5.04, 0.81%, 0.29%

LAB 28.57, 44.56, 35.25

 

CMYK 0 / 59 / 89 / 48

HEX #85370E

RGB 133 55 14

HSL 20.67, 0.81%, 0.29%

LAB 33.46, 31.35, 39.26

 

CMYK 0 / 35 / 89 / 48

HEX #85570E

RGB 133 87 14

HSL 36.81, 0.81%, 0.29%

LAB 40.95, 13.19, 45.37

 

CMYK 0 / 11 / 89 / 48

HEX #85770E

RGB 133 119 14

HSL 52.94, 0.81%, 0.29%

LAB 49.75, -5.34, 52.5

 

CMYK 14 / 0 / 89 / 48

HEX #73850E

RGB 115 133 14

HSL 69.08, 0.81%, 0.29%

LAB 52.34, -21.2, 53.98

 

CMYK 0 / 34 / 90 / 77

HEX #3B2706

RGB 59 39 6

HSL 37.36, 0.82%, 0.13%

LAB 17.43, 5.81, 22.91

 

CMYK 0 / 33 / 90 / 62

HEX #60400A

RGB 96 64 10

HSL 37.67, 0.81%, 0.21%

LAB 29.85, 9.04, 35.49

 

CMYK 0 / 33 / 89 / 48

HEX #85590E

RGB 133 89 14

HSL 37.82, 0.81%, 0.29%

LAB 41.47, 12.01, 45.79

 

CMYK 0 / 33 / 90 / 33

HEX #AB7211

RGB 171 114 17

HSL 37.79, 0.82%, 0.37%

LAB 52.66, 15.25, 55.86

 

CMYK 0 / 33 / 90 / 18

HEX #D08B15

RGB 208 139 21

HSL 37.86, 0.82%, 0.45%

LAB 63.28, 17.93, 65.04

 

CMYK 0 / 33 / 89 / 48

HEX #85590E

RGB 133 89 14

HSL 37.82, 0.81%, 0.29%

LAB 41.47, 12.01, 45.79

 

CMYK 73 / 0 / 89 / 48

HEX #24850E

RGB 36 133 14

HSL 108.91, 0.81%, 0.29%

LAB 48.49, -48.44, 49.16

 

CMYK 70 / 89 / 0 / 48

HEX #280E85

RGB 40 14 133

HSL 253.11, 0.81%, 0.29%

LAB 17.73, 45.22, -59.89

 

CMYK 0 / 33 / 89 / 48

HEX #85590E

RGB 133 89 14

HSL 37.82, 0.81%, 0.29%

LAB 41.47, 12.01, 45.79

 

CMYK 89 / 0 / 35 / 48

HEX #0E8557

RGB 14 133 87

HSL 156.81, 0.81%, 0.29%

LAB 48.95, -41.68, 16.47

 

CMYK 35 / 89 / 0 / 48

HEX #570E85

RGB 87 14 133

HSL 276.81, 0.81%, 0.29%

LAB 23.78, 50.54, -49.7

 

CMYK 0 / 33 / 89 / 48

HEX #85590E

RGB 133 89 14

HSL 37.82, 0.81%, 0.29%

LAB 41.47, 12.01, 45.79

 

CMYK 73 / 0 / 89 / 48

HEX #24850E

RGB 36 133 14

HSL 108.91, 0.81%, 0.29%

LAB 48.49, -48.44, 49.16

 

CMYK 89 / 56 / 0 / 48

HEX #0E3B85

RGB 14 59 133

HSL 217.31, 0.81%, 0.29%

LAB 26.49, 15.7, -45.55

 

CMYK 17 / 89 / 0 / 48

HEX #6F0E85

RGB 111 14 133

HSL 288.91, 0.81%, 0.29%

LAB 27.81, 54.43, -42.97

 

CMYK 0 / 33 / 89 / 48

HEX #85590E

RGB 133 89 14

HSL 37.82, 0.81%, 0.29%

LAB 41.47, 12.01, 45.79

 

CMYK 89 / 0 / 79 / 48

HEX #0E851C

RGB 14 133 28

HSL 127.06, 0.81%, 0.29%

LAB 48.2, -50.71, 44.72

 

CMYK 89 / 56 / 0 / 48

HEX #0E3B85

RGB 14 59 133

HSL 217.31, 0.81%, 0.29%

LAB 26.49, 15.7, -45.55

 

CMYK 0 / 89 / 11 / 48

HEX #850E77

RGB 133 14 119

HSL 307.06, 0.81%, 0.29%

LAB 30.96, 56.27, -28.89

 

Description

Color code: HEX #85590E | qconv.com Color code: HEX #85590E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 89 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 89 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 89 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 89% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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