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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #855FB9 it is the complementary color #7AA046. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #855FB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #855FB9 shade: #8A5FB4, #9B71C7, #AC83DA, #BD95ED and #CEA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #855FB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #855FB9 shade: #855FB9, #744DA6, #633B93, #522980 and #41176D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #855FB9 shade: #855FB9, #9D5FB9, #B55FB9, #B95FA4 and #B95F8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #855FB9 shade: #855FB9, #6D5FB9 and #5F5FB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #855FB9 shade matches the following richer shades: #855FB9, #824CCB, #7F3ADE and #7C27F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #855FB9 shade: #855FB9, #8872A6, #8B8493, #8D9781 and #90A96E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #855FB9 shade: #5F69B9, #6C5FB9, #845FB9, #9C5FB9 and #B45FB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #855FB9 shade: #5C3C89, #7048A6, #855FB9, #9B7CC5 and #B198D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #855FB9 shade: #855FB9, #B95F81 and #5FB960

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #855FB9 shade: #855FB9, #B9845F and #5FB984

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #855FB9 shade: #855FB9, #B95F81, #93B95F and #5FB996

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #855FB9 shade: #855FB9, #B95F66, #93B95F and #5FB9B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 49 / 0 / 27

HEX #855FB9

RGB 133 95 185

HSL 265.33, 0.39%, 0.55%

LAB 47.85, 34.2, -42.06

 

Complementary color

CMYK 24 / 0 / 56 / 37

HEX #7AA046

RGB 122 160 70

HSL 85.33, 0.39%, 0.45%

LAB 61.41, -28.07, 42.09

 

CMYK 23 / 47 / 0 / 29

HEX #8A5FB4

RGB 138 95 180

HSL 270.35, 0.36%, 0.54%

LAB 48.11, 34.38, -38.7

 

CMYK 22 / 43 / 0 / 22

HEX #9B71C7

RGB 155 113 199

HSL 269.3, 0.43%, 0.61%

LAB 54.97, 33.5, -38.72

 

CMYK 21 / 40 / 0 / 15

HEX #AC83DA

RGB 172 131 218

HSL 268.28, 0.54%, 0.68%

LAB 61.71, 32.69, -38.75

 

CMYK 20 / 37 / 0 / 7

HEX #BD95ED

RGB 189 149 237

HSL 267.27, 0.71%, 0.76%

LAB 68.33, 31.93, -38.79

 

CMYK 19 / 35 / 0 / 0

HEX #CEA7FF

RGB 206 167 255

HSL 266.59, 1%, 0.83%

LAB 74.81, 31.01, -38.38

 

CMYK 28 / 49 / 0 / 27

HEX #855FB9

RGB 133 95 185

HSL 265.33, 0.39%, 0.55%

LAB 47.85, 34.2, -42.06

 

CMYK 30 / 54 / 0 / 35

HEX #744DA6

RGB 116 77 166

HSL 266.29, 0.37%, 0.48%

LAB 40.85, 35.2, -42.12

 

CMYK 33 / 60 / 0 / 42

HEX #633B93

RGB 99 59 147

HSL 267.27, 0.43%, 0.4%

LAB 33.75, 36.24, -42.16

 

CMYK 36 / 68 / 0 / 50

HEX #522980

RGB 82 41 128

HSL 268.28, 0.51%, 0.33%

LAB 26.56, 37.21, -42.08

 

CMYK 40 / 79 / 0 / 57

HEX #41176D

RGB 65 23 109

HSL 269.3, 0.65%, 0.26%

LAB 19.39, 37.82, -41.67

 

CMYK 28 / 49 / 0 / 27

HEX #855FB9

RGB 133 95 185

HSL 265.33, 0.39%, 0.55%

LAB 47.85, 34.2, -42.06

 

CMYK 15 / 49 / 0 / 27

HEX #9D5FB9

RGB 157 95 185

HSL 281.33, 0.39%, 0.55%

LAB 50.52, 40.97, -37.67

 

CMYK 2 / 49 / 0 / 27

HEX #B55FB9

RGB 181 95 185

HSL 297.33, 0.39%, 0.55%

LAB 53.5, 47.9, -32.77

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA4

RGB 185 95 164

HSL 314, 0.39%, 0.55%

LAB 53.14, 45.4, -21.08

 

CMYK 0 / 49 / 24 / 27

HEX #B95F8C

RGB 185 95 140

HSL 330, 0.39%, 0.55%

LAB 52.28, 41.66, -8.28

 

CMYK 28 / 49 / 0 / 27

HEX #855FB9

RGB 133 95 185

HSL 265.33, 0.39%, 0.55%

LAB 47.85, 34.2, -42.06

 

CMYK 41 / 49 / 0 / 27

HEX #6D5FB9

RGB 109 95 185

HSL 249.33, 0.39%, 0.55%

LAB 45.55, 27.85, -45.85

 

CMYK 49 / 49 / 0 / 27

HEX #5F5FB9

RGB 95 95 185

HSL 240, 0.39%, 0.55%

LAB 44.4, 24.45, -47.75

 

CMYK 28 / 49 / 0 / 27

HEX #855FB9

RGB 133 95 185

HSL 265.33, 0.39%, 0.55%

LAB 47.85, 34.2, -42.06

 

CMYK 36 / 63 / 0 / 20

HEX #824CCB

RGB 130 76 203

HSL 265.51, 0.55%, 0.55%

LAB 44.56, 48.61, -57.77

 

CMYK 43 / 74 / 0 / 13

HEX #7F3ADE

RGB 127 58 222

HSL 265.24, 0.71%, 0.55%

LAB 42.48, 61.53, -72.07

 

CMYK 48 / 84 / 0 / 6

HEX #7C27F0

RGB 124 39 240

HSL 265.37, 0.87%, 0.55%

LAB 41.26, 72.55, -84.31

 

CMYK 28 / 49 / 0 / 27

HEX #855FB9

RGB 133 95 185

HSL 265.33, 0.39%, 0.55%

LAB 47.85, 34.2, -42.06

 

CMYK 18 / 31 / 0 / 35

HEX #8872A6

RGB 136 114 166

HSL 265.38, 0.23%, 0.55%

LAB 51.86, 19.31, -24.7

 

CMYK 5 / 10 / 0 / 42

HEX #8B8493

RGB 139 132 147

HSL 268, 0.06%, 0.55%

LAB 56.19, 5.61, -7.09

 

CMYK 7 / 0 / 15 / 41

HEX #8D9781

RGB 141 151 129

HSL 87.27, 0.1%, 0.55%

LAB 61.12, -7.77, 10.38

 

CMYK 15 / 0 / 35 / 34

HEX #90A96E

RGB 144 169 110

HSL 85.42, 0.26%, 0.55%

LAB 66.08, -19.13, 27.67

 

CMYK 49 / 43 / 0 / 27

HEX #5F69B9

RGB 95 105 185

HSL 233.33, 0.39%, 0.55%

LAB 47.03, 18.25, -43.57

 

CMYK 42 / 49 / 0 / 27

HEX #6C5FB9

RGB 108 95 185

HSL 248.67, 0.39%, 0.55%

LAB 45.46, 27.6, -46

 

CMYK 29 / 49 / 0 / 27

HEX #845FB9

RGB 132 95 185

HSL 264.67, 0.39%, 0.55%

LAB 47.74, 33.93, -42.23

 

CMYK 16 / 49 / 0 / 27

HEX #9C5FB9

RGB 156 95 185

HSL 280.67, 0.39%, 0.55%

LAB 50.4, 40.68, -37.86

 

CMYK 3 / 49 / 0 / 27

HEX #B45FB9

RGB 180 95 185

HSL 296.67, 0.39%, 0.55%

LAB 53.37, 47.61, -32.98

 

CMYK 33 / 56 / 0 / 46

HEX #5C3C89

RGB 92 60 137

HSL 264.94, 0.39%, 0.39%

LAB 32.51, 31.16, -38.05

 

CMYK 33 / 57 / 0 / 35

HEX #7048A6

RGB 112 72 166

HSL 265.53, 0.39%, 0.47%

LAB 39.3, 37.05, -44.64

 

CMYK 28 / 49 / 0 / 27

HEX #855FB9

RGB 133 95 185

HSL 265.33, 0.39%, 0.55%

LAB 47.85, 34.2, -42.06

 

CMYK 21 / 37 / 0 / 23

HEX #9B7CC5

RGB 155 124 197

HSL 265.48, 0.39%, 0.63%

LAB 57.48, 26.73, -33.66

 

CMYK 16 / 28 / 0 / 18

HEX #B198D2

RGB 177 152 210

HSL 265.86, 0.39%, 0.71%

LAB 66.87, 20.58, -26.26

 

CMYK 28 / 49 / 0 / 27

HEX #855FB9

RGB 133 95 185

HSL 265.33, 0.39%, 0.55%

LAB 47.85, 34.2, -42.06

 

CMYK 0 / 49 / 30 / 27

HEX #B95F81

RGB 185 95 129

HSL 337.33, 0.39%, 0.55%

LAB 51.93, 40.13, -2.27

 

CMYK 49 / 0 / 48 / 27

HEX #5FB960

RGB 95 185 96

HSL 120.67, 0.39%, 0.55%

LAB 68, -45.26, 36.88

 

CMYK 28 / 49 / 0 / 27

HEX #855FB9

RGB 133 95 185

HSL 265.33, 0.39%, 0.55%

LAB 47.85, 34.2, -42.06

 

CMYK 0 / 29 / 49 / 27

HEX #B9845F

RGB 185 132 95

HSL 24.67, 0.39%, 0.55%

LAB 59.56, 15.94, 28

 

CMYK 49 / 0 / 29 / 27

HEX #5FB984

RGB 95 185 132

HSL 144.67, 0.39%, 0.55%

LAB 68.6, -39.13, 18.78

 

CMYK 28 / 49 / 0 / 27

HEX #855FB9

RGB 133 95 185

HSL 265.33, 0.39%, 0.55%

LAB 47.85, 34.2, -42.06

 

CMYK 0 / 49 / 30 / 27

HEX #B95F81

RGB 185 95 129

HSL 337.33, 0.39%, 0.55%

LAB 51.93, 40.13, -2.27

 

CMYK 21 / 0 / 49 / 27

HEX #93B95F

RGB 147 185 95

HSL 85.33, 0.39%, 0.55%

LAB 70.68, -27.81, 41.29

 

CMYK 49 / 0 / 19 / 27

HEX #5FB996

RGB 95 185 150

HSL 156.67, 0.39%, 0.55%

LAB 68.99, -35.35, 9.54

 

CMYK 28 / 49 / 0 / 27

HEX #855FB9

RGB 133 95 185

HSL 265.33, 0.39%, 0.55%

LAB 47.85, 34.2, -42.06

 

CMYK 0 / 49 / 45 / 27

HEX #B95F66

RGB 185 95 102

HSL 355.33, 0.39%, 0.55%

LAB 51.22, 36.9, 12.76

 

CMYK 21 / 0 / 49 / 27

HEX #93B95F

RGB 147 185 95

HSL 85.33, 0.39%, 0.55%

LAB 70.68, -27.81, 41.29

 

CMYK 49 / 0 / 4 / 27

HEX #5FB9B1

RGB 95 185 177

HSL 174.67, 0.39%, 0.55%

LAB 69.69, -28.89, -4.26

 

Description

Color code: HEX #855FB9 | qconv.com Color code: HEX #855FB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 95 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 95 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 49 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 49% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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