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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856475 it is the complementary color #7A9B8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856475. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #856475 shade: #8A6470, #9B7683, #AC8896, #BD9AA9 and #CEACBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856475. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #856475 shade: #856475, #745262, #63404F, #522E3C and #411C29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #856475 shade: #856475, #85646C and #856464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #856475 shade: #856475, #85647E, #836485, #7B6485 and #726485

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #856475 shade matches the following richer shades: #856475, #985176, #AB3E76, #BE2B77 and #D11878

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #856475 shade: #856475, #727775, #5F8A74, #4C9D74 and #39B073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #856475 shade: #846485, #85647E, #856475, #85646D and #856564

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #856475 shade: #56414C, #6E5361, #856475, #9A798A and #AC919E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #856475 shade: #856475, #857B64 and #648285

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #856475 shade: #856475, #758564 and #647585

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #856475 shade: #856475, #857B64, #648574 and #646F85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #856475 shade: #856475, #858564, #648574 and #646585

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 12 / 48

HEX #856475

RGB 133 100 117

HSL 329.09, 0.14%, 0.46%

LAB 46.16, 16.21, -4.36

 

Complementary color

CMYK 21 / 0 / 11 / 39

HEX #7A9B8A

RGB 122 155 138

HSL 149.09, 0.14%, 0.54%

LAB 61.15, -15.04, 5.17

 

CMYK 0 / 28 / 19 / 46

HEX #8A6470

RGB 138 100 112

HSL 341.05, 0.16%, 0.47%

LAB 46.56, 17.27, -0.69

 

CMYK 0 / 24 / 15 / 39

HEX #9B7683

RGB 155 118 131

HSL 338.92, 0.16%, 0.54%

LAB 53.56, 16.6, -1.49

 

CMYK 0 / 21 / 13 / 33

HEX #AC8896

RGB 172 136 150

HSL 336.67, 0.18%, 0.6%

LAB 60.41, 16.01, -2.22

 

CMYK 0 / 19 / 11 / 26

HEX #BD9AA9

RGB 189 154 169

HSL 334.29, 0.21%, 0.67%

LAB 67.12, 15.48, -2.9

 

CMYK 0 / 17 / 9 / 19

HEX #CEACBC

RGB 206 172 188

HSL 331.76, 0.26%, 0.74%

LAB 73.71, 15, -3.54

 

CMYK 0 / 25 / 12 / 48

HEX #856475

RGB 133 100 117

HSL 329.09, 0.14%, 0.46%

LAB 46.16, 16.21, -4.36

 

CMYK 0 / 29 / 16 / 55

HEX #745262

RGB 116 82 98

HSL 331.76, 0.17%, 0.39%

LAB 38.95, 16.91, -3.62

 

CMYK 0 / 35 / 20 / 61

HEX #63404F

RGB 99 64 79

HSL 334.29, 0.21%, 0.32%

LAB 31.54, 17.71, -2.78

 

CMYK 0 / 44 / 27 / 68

HEX #522E3C

RGB 82 46 60

HSL 336.67, 0.28%, 0.25%

LAB 23.91, 18.64, -1.75

 

CMYK 0 / 57 / 37 / 75

HEX #411C29

RGB 65 28 41

HSL 338.92, 0.4%, 0.18%

LAB 16.08, 19.67, -0.36

 

CMYK 0 / 25 / 12 / 48

HEX #856475

RGB 133 100 117

HSL 329.09, 0.14%, 0.46%

LAB 46.16, 16.21, -4.36

 

CMYK 0 / 25 / 19 / 48

HEX #85646C

RGB 133 100 108

HSL 345.45, 0.14%, 0.46%

LAB 45.88, 14.62, 0.66

 

CMYK 0 / 25 / 25 / 48

HEX #856464

RGB 133 100 100

HSL 0, 0.14%, 0.46%

LAB 45.66, 13.31, 5.17

 

CMYK 0 / 25 / 12 / 48

HEX #856475

RGB 133 100 117

HSL 329.09, 0.14%, 0.46%

LAB 46.16, 16.21, -4.36

 

CMYK 0 / 25 / 5 / 48

HEX #85647E

RGB 133 100 126

HSL 312.73, 0.14%, 0.46%

LAB 46.45, 17.91, -9.33

 

CMYK 2 / 25 / 0 / 48

HEX #836485

RGB 131 100 133

HSL 296.36, 0.14%, 0.46%

LAB 46.49, 18.58, -13.49

 

CMYK 8 / 25 / 0 / 48

HEX #7B6485

RGB 123 100 133

HSL 281.82, 0.14%, 0.46%

LAB 45.66, 15.71, -14.83

 

CMYK 14 / 25 / 0 / 48

HEX #726485

RGB 114 100 133

HSL 265.45, 0.14%, 0.46%

LAB 44.78, 12.53, -16.25

 

CMYK 0 / 25 / 12 / 48

HEX #856475

RGB 133 100 117

HSL 329.09, 0.14%, 0.46%

LAB 46.16, 16.21, -4.36

 

CMYK 0 / 47 / 22 / 40

HEX #985176

RGB 152 81 118

HSL 328.73, 0.3%, 0.46%

LAB 44.04, 34.37, -7.86

 

CMYK 0 / 64 / 31 / 33

HEX #AB3E76

RGB 171 62 118

HSL 329.17, 0.47%, 0.46%

LAB 43.38, 50.07, -8.56

 

CMYK 0 / 77 / 37 / 25

HEX #BE2B77

RGB 190 43 119

HSL 328.98, 0.63%, 0.46%

LAB 44.24, 62.51, -7.53

 

CMYK 0 / 89 / 43 / 18

HEX #D11878

RGB 209 24 120

HSL 328.86, 0.79%, 0.46%

LAB 46.4, 71.52, -4.55

 

CMYK 0 / 25 / 12 / 48

HEX #856475

RGB 133 100 117

HSL 329.09, 0.14%, 0.46%

LAB 46.16, 16.21, -4.36

 

CMYK 4 / 0 / 2 / 53

HEX #727775

RGB 114 119 117

HSL 156, 0.02%, 0.46%

LAB 49.56, -2.29, 0.44

 

CMYK 31 / 0 / 16 / 46

HEX #5F8A74

RGB 95 138 116

HSL 149.3, 0.18%, 0.46%

LAB 53.89, -19.76, 7.09

 

CMYK 52 / 0 / 26 / 38

HEX #4C9D74

RGB 76 157 116

HSL 149.63, 0.35%, 0.46%

LAB 58.89, -34.67, 14.02

 

CMYK 68 / 0 / 35 / 31

HEX #39B073

RGB 57 176 115

HSL 149.24, 0.51%, 0.46%

LAB 64.29, -47.16, 21.88

 

CMYK 1 / 25 / 0 / 48

HEX #846485

RGB 132 100 133

HSL 298.18, 0.14%, 0.46%

LAB 46.6, 18.94, -13.32

 

CMYK 0 / 25 / 5 / 48

HEX #85647E

RGB 133 100 126

HSL 312.73, 0.14%, 0.46%

LAB 46.45, 17.91, -9.33

 

CMYK 0 / 25 / 12 / 48

HEX #856475

RGB 133 100 117

HSL 329.09, 0.14%, 0.46%

LAB 46.16, 16.21, -4.36

 

CMYK 0 / 25 / 18 / 48

HEX #85646D

RGB 133 100 109

HSL 343.64, 0.14%, 0.46%

LAB 45.91, 14.79, 0.1

 

CMYK 0 / 24 / 25 / 48

HEX #856564

RGB 133 101 100

HSL 1.82, 0.14%, 0.46%

LAB 45.93, 12.71, 5.54

 

CMYK 0 / 24 / 12 / 66

HEX #56414C

RGB 86 65 76

HSL 328.57, 0.14%, 0.3%

LAB 30.11, 11.16, -3.13

 

CMYK 0 / 25 / 12 / 57

HEX #6E5361

RGB 110 83 97

HSL 328.89, 0.14%, 0.38%

LAB 38.49, 13.73, -3.76

 

CMYK 0 / 25 / 12 / 48

HEX #856475

RGB 133 100 117

HSL 329.09, 0.14%, 0.46%

LAB 46.16, 16.21, -4.36

 

CMYK 0 / 21 / 10 / 40

HEX #9A798A

RGB 154 121 138

HSL 329.09, 0.14%, 0.54%

LAB 54.43, 15.73, -4.32

 

CMYK 0 / 16 / 8 / 33

HEX #AC919E

RGB 172 145 158

HSL 331.11, 0.14%, 0.62%

LAB 62.92, 12.35, -3.08

 

CMYK 0 / 25 / 12 / 48

HEX #856475

RGB 133 100 117

HSL 329.09, 0.14%, 0.46%

LAB 46.16, 16.21, -4.36

 

CMYK 0 / 8 / 25 / 48

HEX #857B64

RGB 133 123 100

HSL 41.82, 0.14%, 0.46%

LAB 51.92, -0.11, 13.98

 

CMYK 25 / 2 / 0 / 48

HEX #648285

RGB 100 130 133

HSL 185.45, 0.14%, 0.46%

LAB 52.25, -9.89, -5.12

 

CMYK 0 / 25 / 12 / 48

HEX #856475

RGB 133 100 117

HSL 329.09, 0.14%, 0.46%

LAB 46.16, 16.21, -4.36

 

CMYK 12 / 0 / 25 / 48

HEX #758564

RGB 117 133 100

HSL 89.09, 0.14%, 0.46%

LAB 53.47, -12.17, 15.9

 

CMYK 25 / 12 / 0 / 48

HEX #647585

RGB 100 117 133

HSL 209.09, 0.14%, 0.46%

LAB 48.42, -2.45, -10.85

 

CMYK 0 / 25 / 12 / 48

HEX #856475

RGB 133 100 117

HSL 329.09, 0.14%, 0.46%

LAB 46.16, 16.21, -4.36

 

CMYK 0 / 8 / 25 / 48

HEX #857B64

RGB 133 123 100

HSL 41.82, 0.14%, 0.46%

LAB 51.92, -0.11, 13.98

 

CMYK 25 / 0 / 13 / 48

HEX #648574

RGB 100 133 116

HSL 149.09, 0.14%, 0.46%

LAB 52.67, -15.41, 5.39

 

CMYK 25 / 17 / 0 / 48

HEX #646F85

RGB 100 111 133

HSL 220, 0.14%, 0.46%

LAB 46.67, 1.1, -13.48

 

CMYK 0 / 25 / 12 / 48

HEX #856475

RGB 133 100 117

HSL 329.09, 0.14%, 0.46%

LAB 46.16, 16.21, -4.36

 

CMYK 0 / 0 / 25 / 48

HEX #858564

RGB 133 133 100

HSL 60, 0.14%, 0.46%

LAB 54.74, -5.75, 17.85

 

CMYK 25 / 0 / 13 / 48

HEX #648574

RGB 100 133 116

HSL 149.09, 0.14%, 0.46%

LAB 52.67, -15.41, 5.39

 

CMYK 25 / 24 / 0 / 48

HEX #646585

RGB 100 101 133

HSL 238.18, 0.14%, 0.46%

LAB 43.81, 7.13, -17.84

 

Description

Color code: HEX #856475 | qconv.com Color code: HEX #856475 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 100 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 100 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 12 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 12% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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