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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856B1E it is the complementary color #7A94E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856B1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #856B1E shade: #8A6B19, #9B7D2C, #AC8F3F, #BDA152 and #CEB365

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856B1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #856B1E shade: #856B1E, #74590B, #634700, #523500 and #412300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #856B1E shade: #856B1E, #854F1E, #85331E and #851E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #856B1E shade: #856B1E, #83851E, #67851E, #4B851E and #30851E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #856B1E shade matches the following richer shades: #856B1E, #927110 and #9F7803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #856B1E shade: #856B1E, #77642B, #6A5D38, #5D5745 and #505053

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #856B1E shade: #85321E, #854E1E, #85691E, #85851E and #69851E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #856B1E shade: #41340E, #634F16, #856B1E, #A68625 and #C8A12D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #856B1E shade: #856B1E, #25851E and #401E85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #856B1E shade: #856B1E, #1E8569 and #691E85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #856B1E shade: #856B1E, #25851E, #1E3985 and #7E1E85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #856B1E shade: #856B1E, #1E8536, #1E3985 and #851E6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

Complementary color

CMYK 46 / 34 / 0 / 12

HEX #7A94E1

RGB 122 148 225

HSL 224.85, 0.63%, 0.68%

LAB 62.3, 11.09, -42

 

CMYK 0 / 22 / 82 / 46

HEX #8A6B19

RGB 138 107 25

HSL 43.54, 0.69%, 0.32%

LAB 46.96, 4.21, 47.04

 

CMYK 0 / 19 / 72 / 39

HEX #9B7D2C

RGB 155 125 44

HSL 43.78, 0.56%, 0.39%

LAB 53.83, 2.73, 46.6

 

CMYK 0 / 17 / 63 / 33

HEX #AC8F3F

RGB 172 143 63

HSL 44.04, 0.46%, 0.46%

LAB 60.58, 1.54, 45.58

 

CMYK 0 / 15 / 57 / 26

HEX #BDA152

RGB 189 161 82

HSL 44.3, 0.45%, 0.53%

LAB 67.22, 0.56, 44.36

 

CMYK 0 / 13 / 51 / 19

HEX #CEB365

RGB 206 179 101

HSL 44.57, 0.52%, 0.6%

LAB 73.74, -0.25, 43.09

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 0 / 23 / 91 / 55

HEX #74590B

RGB 116 89 11

HSL 44.57, 0.83%, 0.25%

LAB 39.38, 3.73, 44.11

 

CMYK 0 / 28 / 100 / 61

HEX #634700

RGB 99 71 0

HSL 43.03, 1%, 0.19%

LAB 32.17, 5.88, 41.28

 

CMYK 0 / 35 / 100 / 68

HEX #523500

RGB 82 53 0

HSL 38.78, 1%, 0.16%

LAB 24.77, 8.5, 34.3

 

CMYK 0 / 46 / 100 / 75

HEX #412300

RGB 65 35 0

HSL 32.31, 1%, 0.13%

LAB 17.11, 11.35, 25.18

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 0 / 41 / 77 / 48

HEX #854F1E

RGB 133 79 30

HSL 28.54, 0.63%, 0.32%

LAB 39.02, 18.47, 37.14

 

CMYK 0 / 62 / 77 / 48

HEX #85331E

RGB 133 51 30

HSL 12.23, 0.63%, 0.32%

LAB 32.81, 33.96, 30.67

 

CMYK 0 / 77 / 77 / 48

HEX #851E1E

RGB 133 30 30

HSL 0, 0.63%, 0.32%

LAB 29.43, 43.09, 27

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 2 / 0 / 77 / 48

HEX #83851E

RGB 131 133 30

HSL 61.17, 0.63%, 0.32%

LAB 53.7, -13.4, 51.19

 

CMYK 23 / 0 / 77 / 48

HEX #67851E

RGB 103 133 30

HSL 77.48, 0.63%, 0.32%

LAB 51.56, -25.78, 48.41

 

CMYK 44 / 0 / 77 / 48

HEX #4B851E

RGB 75 133 30

HSL 93.79, 0.63%, 0.32%

LAB 49.94, -36.74, 46.29

 

CMYK 64 / 0 / 77 / 48

HEX #30851E

RGB 48 133 30

HSL 109.51, 0.63%, 0.32%

LAB 48.88, -44.87, 44.9

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 0 / 23 / 89 / 43

HEX #927110

RGB 146 113 16

HSL 44.77, 0.8%, 0.32%

LAB 49.45, 4.25, 52.33

 

CMYK 0 / 25 / 98 / 38

HEX #9F7803

RGB 159 120 3

HSL 45, 0.96%, 0.32%

LAB 52.74, 6.12, 58.15

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 0 / 16 / 64 / 53

HEX #77642B

RGB 119 100 43

HSL 45, 0.47%, 0.32%

LAB 43.08, 0.3, 34.44

 

CMYK 0 / 12 / 47 / 58

HEX #6A5D38

RGB 106 93 56

HSL 44.4, 0.31%, 0.32%

LAB 39.88, -0.4, 23.13

 

CMYK 0 / 6 / 26 / 64

HEX #5D5745

RGB 93 87 69

HSL 45, 0.15%, 0.32%

LAB 37.07, -0.86, 11.36

 

CMYK 4 / 4 / 0 / 67

HEX #505053

RGB 80 80 83

HSL 240, 0.02%, 0.32%

LAB 34.12, 0.66, -1.76

 

CMYK 0 / 62 / 77 / 48

HEX #85321E

RGB 133 50 30

HSL 11.65, 0.63%, 0.32%

LAB 32.62, 34.46, 30.47

 

CMYK 0 / 41 / 77 / 48

HEX #854E1E

RGB 133 78 30

HSL 27.96, 0.63%, 0.32%

LAB 38.78, 19.06, 36.89

 

CMYK 0 / 21 / 77 / 48

HEX #85691E

RGB 133 105 30

HSL 43.69, 0.63%, 0.32%

LAB 45.88, 3.21, 43.9

 

CMYK 0 / 0 / 77 / 48

HEX #85851E

RGB 133 133 30

HSL 60, 0.63%, 0.32%

LAB 53.87, -12.49, 51.41

 

CMYK 21 / 0 / 77 / 48

HEX #69851E

RGB 105 133 30

HSL 76.31, 0.63%, 0.32%

LAB 51.69, -24.93, 48.59

 

CMYK 0 / 20 / 78 / 75

HEX #41340E

RGB 65 52 14

HSL 44.71, 0.65%, 0.15%

LAB 22.34, 0.87, 25.24

 

CMYK 0 / 20 / 78 / 61

HEX #634F16

RGB 99 79 22

HSL 44.42, 0.64%, 0.24%

LAB 34.61, 1.78, 35.05

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 0 / 19 / 78 / 35

HEX #A68625

RGB 166 134 37

HSL 45.12, 0.64%, 0.4%

LAB 57.36, 2.38, 53.29

 

CMYK 0 / 20 / 78 / 22

HEX #C8A12D

RGB 200 161 45

HSL 44.9, 0.63%, 0.48%

LAB 67.99, 3.18, 61.54

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 72 / 0 / 77 / 48

HEX #25851E

RGB 37 133 30

HSL 115.92, 0.63%, 0.32%

LAB 48.59, -47.3, 44.51

 

CMYK 52 / 77 / 0 / 48

HEX #401E85

RGB 64 30 133

HSL 259.81, 0.63%, 0.32%

LAB 22.7, 40.9, -51.61

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 77 / 0 / 21 / 48

HEX #1E8569

RGB 30 133 105

HSL 163.69, 0.63%, 0.32%

LAB 49.58, -35.58, 6.99

 

CMYK 21 / 77 / 0 / 48

HEX #691E85

RGB 105 30 133

HSL 283.69, 0.63%, 0.32%

LAB 28.45, 48.51, -42

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 72 / 0 / 77 / 48

HEX #25851E

RGB 37 133 30

HSL 115.92, 0.63%, 0.32%

LAB 48.59, -47.3, 44.51

 

CMYK 77 / 57 / 0 / 48

HEX #1E3985

RGB 30 57 133

HSL 224.27, 0.63%, 0.32%

LAB 26.44, 18.71, -45.61

 

CMYK 5 / 77 / 0 / 48

HEX #7E1E85

RGB 126 30 133

HSL 295.92, 0.63%, 0.32%

LAB 31.94, 52.97, -36.2

 

CMYK 0 / 20 / 77 / 48

HEX #856B1E

RGB 133 107 30

HSL 44.85, 0.63%, 0.32%

LAB 46.44, 2.05, 44.43

 

CMYK 77 / 0 / 59 / 48

HEX #1E8536

RGB 30 133 54

HSL 133.98, 0.63%, 0.32%

LAB 48.66, -45.93, 34.01

 

CMYK 77 / 57 / 0 / 48

HEX #1E3985

RGB 30 57 133

HSL 224.27, 0.63%, 0.32%

LAB 26.44, 18.71, -45.61

 

CMYK 0 / 77 / 18 / 48

HEX #851E6D

RGB 133 30 109

HSL 313.98, 0.63%, 0.32%

LAB 31.85, 50.68, -21.12

 

Description

Color code: HEX #856B1E | qconv.com Color code: HEX #856B1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 107 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 107 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 77 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 77% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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