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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856F0D it is the complementary color #7A90F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856F0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #856F0D shade: #8A6F08, #9B811B, #AC932E, #BDA541 and #CEB754

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856F0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #856F0D shade: #856F0D, #745D00, #634B00, #523900 and #412700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #856F0D shade: #86700D, #864F0D, #862E0D, #860E0D and #860D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #856F0D shade: #86700D, #7C860D, #5B860D, #3A860D and #1A860D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #856F0D shade matches the following richer shades: #86700D and #927701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #856F0D shade: #86700D, #7A6819, #6E6125, #625931 and #56523D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #856F0D shade: #862F0D, #86500D, #86700D, #7C860D and #5C860D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #856F0D shade: #3B3105, #615109, #86700D, #AC8F11 and #D1AF14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #856F0D shade: #856F0D, #0D860F and #3F0D86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #856F0D shade: #856F0D, #0D8670 and #700D86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #856F0D shade: #856F0D, #0D860F, #0D2386 and #860D84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #856F0D shade: #856F0D, #0D8633, #0D2386 and #860D60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 90 / 48

HEX #856F0D

RGB 133 111 13

HSL 49, 0.82%, 0.29%

LAB 47.47, -0.84, 50.9

 

Complementary color

CMYK 50 / 40 / 0 / 5

HEX #7A90F2

RGB 122 144 242

HSL 229, 0.82%, 0.71%

LAB 62.08, 18.48, -51.75

 

CMYK 0 / 20 / 94 / 46

HEX #8A6F08

RGB 138 111 8

HSL 47.54, 0.89%, 0.29%

LAB 47.99, 1.44, 52.62

 

CMYK 0 / 17 / 83 / 39

HEX #9B811B

RGB 155 129 27

HSL 47.81, 0.7%, 0.36%

LAB 54.81, -0.26, 54.03

 

CMYK 0 / 15 / 73 / 33

HEX #AC932E

RGB 172 147 46

HSL 48.1, 0.58%, 0.43%

LAB 61.51, -1.65, 54.02

 

CMYK 0 / 13 / 66 / 26

HEX #BDA541

RGB 189 165 65

HSL 48.39, 0.49%, 0.5%

LAB 68.1, -2.78, 53.31

 

CMYK 0 / 11 / 59 / 19

HEX #CEB754

RGB 206 183 84

HSL 48.69, 0.55%, 0.57%

LAB 74.59, -3.72, 52.3

 

CMYK 0 / 17 / 90 / 48

HEX #856F0D

RGB 133 111 13

HSL 49, 0.82%, 0.29%

LAB 47.47, -0.84, 50.9

 

CMYK 0 / 20 / 100 / 55

HEX #745D00

RGB 116 93 0

HSL 48.1, 1%, 0.23%

LAB 40.48, 1.08, 47.97

 

CMYK 0 / 24 / 100 / 61

HEX #634B00

RGB 99 75 0

HSL 45.45, 1%, 0.19%

LAB 33.32, 3.41, 42.07

 

CMYK 0 / 30 / 100 / 68

HEX #523900

RGB 82 57 0

HSL 41.71, 1%, 0.16%

LAB 25.92, 5.93, 35.39

 

CMYK 0 / 40 / 100 / 75

HEX #412700

RGB 65 39 0

HSL 36, 1%, 0.13%

LAB 18.25, 8.69, 26.55

 

CMYK 0 / 16 / 90 / 47

HEX #86700D

RGB 134 112 13

HSL 49.09, 0.82%, 0.29%

LAB 47.86, -0.93, 51.26

 

CMYK 0 / 41 / 90 / 47

HEX #864F0D

RGB 134 79 13

HSL 32.73, 0.82%, 0.29%

LAB 39.05, 18.32, 44.21

 

CMYK 0 / 66 / 90 / 47

HEX #862E0D

RGB 134 46 13

HSL 16.36, 0.82%, 0.29%

LAB 31.92, 36.21, 38.51

 

CMYK 0 / 90 / 90 / 47

HEX #860E0D

RGB 134 14 13

HSL 0.5, 0.82%, 0.29%

LAB 27.88, 47.4, 35.26

 

CMYK 0 / 90 / 90 / 47

HEX #860D0D

RGB 134 13 13

HSL 0, 0.82%, 0.29%

LAB 27.81, 47.6, 35.2

 

CMYK 0 / 16 / 90 / 47

HEX #86700D

RGB 134 112 13

HSL 49.09, 0.82%, 0.29%

LAB 47.86, -0.93, 51.26

 

CMYK 7 / 0 / 90 / 47

HEX #7C860D

RGB 124 134 13

HSL 64.96, 0.82%, 0.29%

LAB 53.35, -17.69, 55.29

 

CMYK 32 / 0 / 90 / 47

HEX #5B860D

RGB 91 134 13

HSL 81.32, 0.82%, 0.29%

LAB 51.04, -31.93, 52.45

 

CMYK 57 / 0 / 90 / 47

HEX #3A860D

RGB 58 134 13

HSL 97.69, 0.82%, 0.29%

LAB 49.47, -43.49, 50.49

 

CMYK 81 / 0 / 90 / 47

HEX #1A860D

RGB 26 134 13

HSL 113.55, 0.82%, 0.29%

LAB 48.63, -50.5, 49.44

 

CMYK 0 / 16 / 90 / 47

HEX #86700D

RGB 134 112 13

HSL 49.09, 0.82%, 0.29%

LAB 47.86, -0.93, 51.26

 

CMYK 0 / 18 / 99 / 43

HEX #927701

RGB 146 119 1

HSL 48.83, 0.99%, 0.29%

LAB 51.04, 0.55, 56.68

 

CMYK 0 / 16 / 90 / 47

HEX #86700D

RGB 134 112 13

HSL 49.09, 0.82%, 0.29%

LAB 47.86, -0.93, 51.26

 

CMYK 0 / 15 / 80 / 52

HEX #7A6819

RGB 122 104 25

HSL 48.87, 0.66%, 0.29%

LAB 44.39, -1.68, 44.05

 

CMYK 0 / 12 / 66 / 57

HEX #6E6125

RGB 110 97 37

HSL 49.32, 0.5%, 0.29%

LAB 41.21, -2.66, 35.15

 

CMYK 0 / 9 / 50 / 62

HEX #625931

RGB 98 89 49

HSL 48.98, 0.33%, 0.29%

LAB 37.78, -2.52, 24.37

 

CMYK 0 / 5 / 29 / 66

HEX #56523D

RGB 86 82 61

HSL 50.4, 0.17%, 0.29%

LAB 34.7, -2.22, 12.95

 

CMYK 0 / 65 / 90 / 47

HEX #862F0D

RGB 134 47 13

HSL 16.86, 0.82%, 0.29%

LAB 32.1, 35.74, 38.66

 

CMYK 0 / 40 / 90 / 47

HEX #86500D

RGB 134 80 13

HSL 33.22, 0.82%, 0.29%

LAB 39.3, 17.74, 44.41

 

CMYK 0 / 16 / 90 / 47

HEX #86700D

RGB 134 112 13

HSL 49.09, 0.82%, 0.29%

LAB 47.86, -0.93, 51.26

 

CMYK 7 / 0 / 90 / 47

HEX #7C860D

RGB 124 134 13

HSL 64.96, 0.82%, 0.29%

LAB 53.35, -17.69, 55.29

 

CMYK 31 / 0 / 90 / 47

HEX #5C860D

RGB 92 134 13

HSL 80.83, 0.82%, 0.29%

LAB 51.1, -31.53, 52.52

 

CMYK 0 / 17 / 92 / 77

HEX #3B3105

RGB 59 49 5

HSL 48.89, 0.84%, 0.13%

LAB 20.59, -0.93, 26.99

 

CMYK 0 / 16 / 91 / 62

HEX #615109

RGB 97 81 9

HSL 49.09, 0.83%, 0.21%

LAB 34.89, -0.97, 40.11

 

CMYK 0 / 16 / 90 / 47

HEX #86700D

RGB 134 112 13

HSL 49.09, 0.82%, 0.29%

LAB 47.86, -0.93, 51.26

 

CMYK 0 / 17 / 90 / 33

HEX #AC8F11

RGB 172 143 17

HSL 48.77, 0.82%, 0.37%

LAB 60.3, -0.45, 61.88

 

CMYK 0 / 16 / 90 / 18

HEX #D1AF14

RGB 209 175 20

HSL 49.21, 0.83%, 0.45%

LAB 72.41, -0.98, 72.28

 

CMYK 0 / 17 / 90 / 48

HEX #856F0D

RGB 133 111 13

HSL 49, 0.82%, 0.29%

LAB 47.47, -0.84, 50.9

 

CMYK 90 / 0 / 89 / 47

HEX #0D860F

RGB 13 134 15

HSL 120.99, 0.82%, 0.29%

LAB 48.47, -51.9, 48.78

 

CMYK 53 / 90 / 0 / 47

HEX #3F0D86

RGB 63 13 134

HSL 264.79, 0.82%, 0.29%

LAB 20.31, 47.95, -56.18

 

CMYK 0 / 17 / 90 / 48

HEX #856F0D

RGB 133 111 13

HSL 49, 0.82%, 0.29%

LAB 47.47, -0.84, 50.9

 

CMYK 90 / 0 / 16 / 47

HEX #0D8670

RGB 13 134 112

HSL 169.09, 0.82%, 0.29%

LAB 49.86, -35.77, 3.29

 

CMYK 16 / 90 / 0 / 47

HEX #700D86

RGB 112 13 134

HSL 289.09, 0.82%, 0.29%

LAB 27.99, 55, -43.3

 

CMYK 0 / 17 / 90 / 48

HEX #856F0D

RGB 133 111 13

HSL 49, 0.82%, 0.29%

LAB 47.47, -0.84, 50.9

 

CMYK 90 / 0 / 89 / 47

HEX #0D860F

RGB 13 134 15

HSL 120.99, 0.82%, 0.29%

LAB 48.47, -51.9, 48.78

 

CMYK 90 / 74 / 0 / 47

HEX #0D2386

RGB 13 35 134

HSL 229.09, 0.82%, 0.29%

LAB 20.08, 32.7, -56.68

 

CMYK 0 / 90 / 1 / 47

HEX #860D84

RGB 134 13 132

HSL 300.99, 0.82%, 0.29%

LAB 31.86, 58.66, -35.62

 

CMYK 0 / 17 / 90 / 48

HEX #856F0D

RGB 133 111 13

HSL 49, 0.82%, 0.29%

LAB 47.47, -0.84, 50.9

 

CMYK 90 / 0 / 62 / 47

HEX #0D8633

RGB 13 134 51

HSL 138.84, 0.82%, 0.29%

LAB 48.73, -48.7, 35.51

 

CMYK 90 / 74 / 0 / 47

HEX #0D2386

RGB 13 35 134

HSL 229.09, 0.82%, 0.29%

LAB 20.08, 32.7, -56.68

 

CMYK 0 / 90 / 28 / 47

HEX #860D60

RGB 134 13 96

HSL 318.84, 0.82%, 0.29%

LAB 29.91, 53.53, -15.72

 

Description

Color code: HEX #856F0D | qconv.com Color code: HEX #856F0D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 111 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 111 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 90 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 90% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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