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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8578AA it is the complementary color #7A8755. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8578AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8578AA shade: #8A78A5, #9B8AB8, #AC9CCB, #BDAEDE and #CEC0F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8578AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8578AA shade: #8578AA, #746697, #635484, #524271 and #41305E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8578AA shade: #8578AA, #9278AA, #A078AA, #AA78A7 and #AA7899

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8578AA shade: #8578AA and #7878AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8578AA shade matches the following richer shades: #8578AA, #7C66BC, #7454CE, #6B42DF and #6331F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8578AA shade: #8578AA, #8D8998, #969B87, #9EAD75 and #A7BF63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8578AA shade: #7886AA, #7878AA, #8478AA, #9278AA and #9F78AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8578AA shade: #5C5080, #6E6099, #8578AA, #9C91BA and #B3AACA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8578AA shade: #8578AA, #AA7893 and #7FAA78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8578AA shade: #8578AA, #AA8478 and #78AA84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8578AA shade: #8578AA, #AA7893, #9DAA78 and #78AA8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8578AA shade: #8578AA, #AA7884, #9DAA78 and #78AA9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 29 / 0 / 33

HEX #8578AA

RGB 133 120 170

HSL 255.6, 0.23%, 0.57%

LAB 53.3, 15.76, -24.82

 

Complementary color

CMYK 10 / 0 / 37 / 47

HEX #7A8755

RGB 122 135 85

HSL 75.6, 0.23%, 0.43%

LAB 54.16, -13.52, 25.34

 

CMYK 16 / 27 / 0 / 35

HEX #8A78A5

RGB 138 120 165

HSL 264, 0.2%, 0.56%

LAB 53.55, 16.2, -21.51

 

CMYK 16 / 25 / 0 / 28

HEX #9B8AB8

RGB 155 138 184

HSL 262.17, 0.24%, 0.63%

LAB 60.43, 15.67, -21.72

 

CMYK 15 / 23 / 0 / 20

HEX #AC9CCB

RGB 172 156 203

HSL 260.43, 0.31%, 0.7%

LAB 67.17, 15.2, -21.95

 

CMYK 15 / 22 / 0 / 13

HEX #BDAEDE

RGB 189 174 222

HSL 258.75, 0.42%, 0.78%

LAB 73.78, 14.76, -22.19

 

CMYK 15 / 20 / 0 / 5

HEX #CEC0F1

RGB 206 192 241

HSL 257.14, 0.64%, 0.85%

LAB 80.28, 14.36, -22.45

 

CMYK 22 / 29 / 0 / 33

HEX #8578AA

RGB 133 120 170

HSL 255.6, 0.23%, 0.57%

LAB 53.3, 15.76, -24.82

 

CMYK 23 / 32 / 0 / 41

HEX #746697

RGB 116 102 151

HSL 257.14, 0.19%, 0.5%

LAB 46.24, 16.37, -24.73

 

CMYK 25 / 36 / 0 / 48

HEX #635484

RGB 99 84 132

HSL 258.75, 0.22%, 0.42%

LAB 39, 17.07, -24.68

 

CMYK 27 / 42 / 0 / 56

HEX #524271

RGB 82 66 113

HSL 260.43, 0.26%, 0.35%

LAB 31.54, 17.89, -24.68

 

CMYK 31 / 49 / 0 / 63

HEX #41305E

RGB 65 48 94

HSL 262.17, 0.32%, 0.28%

LAB 23.82, 18.86, -24.75

 

CMYK 22 / 29 / 0 / 33

HEX #8578AA

RGB 133 120 170

HSL 255.6, 0.23%, 0.57%

LAB 53.3, 15.76, -24.82

 

CMYK 14 / 29 / 0 / 33

HEX #9278AA

RGB 146 120 170

HSL 271.2, 0.23%, 0.57%

LAB 54.5, 19.98, -22.88

 

CMYK 6 / 29 / 0 / 33

HEX #A078AA

RGB 160 120 170

HSL 288, 0.23%, 0.57%

LAB 55.9, 24.65, -20.61

 

CMYK 0 / 29 / 2 / 33

HEX #AA78A7

RGB 170 120 167

HSL 303.6, 0.23%, 0.57%

LAB 56.85, 27.44, -17.33

 

CMYK 0 / 29 / 10 / 33

HEX #AA7899

RGB 170 120 153

HSL 320.4, 0.23%, 0.57%

LAB 56.37, 24.85, -9.97

 

CMYK 22 / 29 / 0 / 33

HEX #8578AA

RGB 133 120 170

HSL 255.6, 0.23%, 0.57%

LAB 53.3, 15.76, -24.82

 

CMYK 29 / 29 / 0 / 33

HEX #7878AA

RGB 120 120 170

HSL 240, 0.23%, 0.57%

LAB 52.21, 11.68, -26.6

 

CMYK 22 / 29 / 0 / 33

HEX #8578AA

RGB 133 120 170

HSL 255.6, 0.23%, 0.57%

LAB 53.3, 15.76, -24.82

 

CMYK 34 / 46 / 0 / 26

HEX #7C66BC

RGB 124 102 188

HSL 255.35, 0.39%, 0.57%

LAB 48.78, 28.41, -42.37

 

CMYK 44 / 59 / 0 / 19

HEX #7454CE

RGB 116 84 206

HSL 255.74, 0.55%, 0.57%

LAB 44.96, 41.98, -58.93

 

CMYK 52 / 70 / 0 / 13

HEX #6B42DF

RGB 107 66 223

HSL 255.67, 0.71%, 0.57%

LAB 41.77, 54.86, -73.89

 

CMYK 59 / 80 / 0 / 5

HEX #6331F1

RGB 99 49 241

HSL 255.63, 0.87%, 0.57%

LAB 39.92, 66.54, -87.18

 

CMYK 22 / 29 / 0 / 33

HEX #8578AA

RGB 133 120 170

HSL 255.6, 0.23%, 0.57%

LAB 53.3, 15.76, -24.82

 

CMYK 7 / 10 / 0 / 40

HEX #8D8998

RGB 141 137 152

HSL 256, 0.07%, 0.57%

LAB 57.87, 4.5, -7.45

 

CMYK 3 / 0 / 13 / 39

HEX #969B87

RGB 150 155 135

HSL 75, 0.09%, 0.57%

LAB 63.07, -5.5, 9.88

 

CMYK 9 / 0 / 32 / 32

HEX #9EAD75

RGB 158 173 117

HSL 76.07, 0.25%, 0.57%

LAB 68.34, -14.8, 27.09

 

CMYK 13 / 0 / 48 / 25

HEX #A7BF63

RGB 167 191 99

HSL 75.65, 0.42%, 0.57%

LAB 73.79, -22.54, 43.41

 

CMYK 29 / 21 / 0 / 33

HEX #7886AA

RGB 120 134 170

HSL 223.2, 0.23%, 0.57%

LAB 56.03, 3.45, -20.71

 

CMYK 29 / 29 / 0 / 33

HEX #7878AA

RGB 120 120 170

HSL 240, 0.23%, 0.57%

LAB 52.21, 11.68, -26.6

 

CMYK 22 / 29 / 0 / 33

HEX #8478AA

RGB 132 120 170

HSL 254.4, 0.23%, 0.57%

LAB 53.21, 15.44, -24.97

 

CMYK 14 / 29 / 0 / 33

HEX #9278AA

RGB 146 120 170

HSL 271.2, 0.23%, 0.57%

LAB 54.5, 19.98, -22.88

 

CMYK 6 / 29 / 0 / 33

HEX #9F78AA

RGB 159 120 170

HSL 286.8, 0.23%, 0.57%

LAB 55.79, 24.31, -20.78

 

CMYK 28 / 38 / 0 / 50

HEX #5C5080

RGB 92 80 128

HSL 255, 0.23%, 0.41%

LAB 37.06, 16.26, -25.3

 

CMYK 28 / 37 / 0 / 40

HEX #6E6099

RGB 110 96 153

HSL 254.74, 0.23%, 0.49%

LAB 44.21, 18.64, -29.13

 

CMYK 22 / 29 / 0 / 33

HEX #8578AA

RGB 133 120 170

HSL 255.6, 0.23%, 0.57%

LAB 53.3, 15.76, -24.82

 

CMYK 16 / 22 / 0 / 27

HEX #9C91BA

RGB 156 145 186

HSL 256.1, 0.23%, 0.65%

LAB 62.39, 12.45, -19.85

 

CMYK 11 / 16 / 0 / 21

HEX #B3AACA

RGB 179 170 202

HSL 256.88, 0.23%, 0.73%

LAB 71.28, 9.48, -15.11

 

CMYK 22 / 29 / 0 / 33

HEX #8578AA

RGB 133 120 170

HSL 255.6, 0.23%, 0.57%

LAB 53.3, 15.76, -24.82

 

CMYK 0 / 29 / 14 / 33

HEX #AA7893

RGB 170 120 147

HSL 327.6, 0.23%, 0.57%

LAB 56.17, 23.81, -6.78

 

CMYK 25 / 0 / 29 / 33

HEX #7FAA78

RGB 127 170 120

HSL 111.6, 0.23%, 0.57%

LAB 65.45, -24.36, 21.23

 

CMYK 22 / 29 / 0 / 33

HEX #8578AA

RGB 133 120 170

HSL 255.6, 0.23%, 0.57%

LAB 53.3, 15.76, -24.82

 

CMYK 0 / 22 / 29 / 33

HEX #AA8478

RGB 170 132 120

HSL 14.4, 0.23%, 0.57%

LAB 58.42, 12.79, 12.07

 

CMYK 29 / 0 / 22 / 33

HEX #78AA84

RGB 120 170 132

HSL 134.4, 0.23%, 0.57%

LAB 65.29, -24.61, 14.36

 

CMYK 22 / 29 / 0 / 33

HEX #8578AA

RGB 133 120 170

HSL 255.6, 0.23%, 0.57%

LAB 53.3, 15.76, -24.82

 

CMYK 0 / 29 / 14 / 33

HEX #AA7893

RGB 170 120 147

HSL 327.6, 0.23%, 0.57%

LAB 56.17, 23.81, -6.78

 

CMYK 8 / 0 / 29 / 33

HEX #9DAA78

RGB 157 170 120

HSL 75.6, 0.23%, 0.57%

LAB 67.48, -13.2, 24.32

 

CMYK 29 / 0 / 16 / 33

HEX #78AA8E

RGB 120 170 142

HSL 146.4, 0.23%, 0.57%

LAB 65.51, -22.64, 9.16

 

CMYK 22 / 29 / 0 / 33

HEX #8578AA

RGB 133 120 170

HSL 255.6, 0.23%, 0.57%

LAB 53.3, 15.76, -24.82

 

CMYK 0 / 29 / 22 / 33

HEX #AA7884

RGB 170 120 132

HSL 345.6, 0.23%, 0.57%

LAB 55.73, 21.35, 1.29

 

CMYK 8 / 0 / 29 / 33

HEX #9DAA78

RGB 157 170 120

HSL 75.6, 0.23%, 0.57%

LAB 67.48, -13.2, 24.32

 

CMYK 29 / 0 / 8 / 33

HEX #78AA9D

RGB 120 170 157

HSL 164.4, 0.23%, 0.57%

LAB 65.89, -19.45, 1.36

 

Description

Color code: HEX #8578AA | qconv.com Color code: HEX #8578AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 120 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 120 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 29 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 29% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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