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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #857CBF it is the complementary color #7A8340. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #857CBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #857CBF shade: #8A7CBA, #9B8ECD, #ACA0E0, #BDB2F3 and #CEC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #857CBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #857CBF shade: #857CBF, #746AAC, #635899, #524686 and #413473

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #857CBF shade: #867DBF, #977DBF, #A97DBF, #BB7DBF and #BF7DB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #857CBF shade: #867DBF and #7D7DBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #857CBF shade matches the following richer shades: #867DBF, #7A6DCE, #6F5DDE, #634EEE and #583EFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #857CBF shade: #867DBF, #918CAF, #9C9C9F, #A8AC90 and #B3BB80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #857CBF shade: #7D97BF, #7D85BF, #857DBF, #977DBF and #A97DBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #857CBF shade: #574D9C, #6C61B1, #867DBF, #9F98CC and #B9B4DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #857CBF shade: #857CBF, #BF7DA9 and #8EBF7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #857CBF shade: #857CBF, #BF857D and #7DBF85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #857CBF shade: #857CBF, #BF7DA9, #B6BF7D and #7DBF93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #857CBF shade: #857CBF, #BF7D95, #B6BF7D and #7DBFA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 35 / 0 / 25

HEX #857CBF

RGB 133 124 191

HSL 248.06, 0.34%, 0.62%

LAB 55.24, 18.68, -33.88

 

Complementary color

CMYK 7 / 0 / 51 / 49

HEX #7A8340

RGB 122 131 64

HSL 68.06, 0.34%, 0.38%

LAB 52.66, -13.88, 34.78

 

CMYK 26 / 33 / 0 / 27

HEX #8A7CBA

RGB 138 124 186

HSL 253.55, 0.31%, 0.61%

LAB 55.45, 18.9, -30.67

 

CMYK 24 / 31 / 0 / 20

HEX #9B8ECD

RGB 155 142 205

HSL 252.38, 0.39%, 0.68%

LAB 62.27, 18.28, -30.71

 

CMYK 23 / 29 / 0 / 12

HEX #ACA0E0

RGB 172 160 224

HSL 251.25, 0.51%, 0.75%

LAB 68.96, 17.73, -30.8

 

CMYK 22 / 27 / 0 / 5

HEX #BDB2F3

RGB 189 178 243

HSL 250.15, 0.73%, 0.83%

LAB 75.53, 17.22, -30.91

 

CMYK 19 / 23 / 0 / 0

HEX #CEC4FF

RGB 206 196 255

HSL 250.17, 1%, 0.88%

LAB 81.74, 15.21, -27.7

 

CMYK 30 / 35 / 0 / 25

HEX #857CBF

RGB 133 124 191

HSL 248.06, 0.34%, 0.62%

LAB 55.24, 18.68, -33.88

 

CMYK 33 / 38 / 0 / 33

HEX #746AAC

RGB 116 106 172

HSL 249.09, 0.28%, 0.55%

LAB 48.26, 19.43, -33.94

 

CMYK 35 / 42 / 0 / 40

HEX #635899

RGB 99 88 153

HSL 250.15, 0.27%, 0.47%

LAB 41.11, 20.3, -34.07

 

CMYK 39 / 48 / 0 / 47

HEX #524686

RGB 82 70 134

HSL 251.25, 0.31%, 0.4%

LAB 33.76, 21.33, -34.26

 

CMYK 43 / 55 / 0 / 55

HEX #413473

RGB 65 52 115

HSL 252.38, 0.38%, 0.33%

LAB 26.21, 22.56, -34.51

 

CMYK 30 / 35 / 0 / 25

HEX #867DBF

RGB 134 125 191

HSL 248.18, 0.34%, 0.62%

LAB 55.58, 18.39, -33.34

 

CMYK 21 / 35 / 0 / 25

HEX #977DBF

RGB 151 125 191

HSL 263.64, 0.34%, 0.62%

LAB 57.08, 23.52, -30.89

 

CMYK 12 / 35 / 0 / 25

HEX #A97DBF

RGB 169 125 191

HSL 280, 0.34%, 0.62%

LAB 58.85, 29.15, -28.01

 

CMYK 2 / 35 / 0 / 25

HEX #BB7DBF

RGB 187 125 191

HSL 296.36, 0.34%, 0.62%

LAB 60.78, 34.91, -24.88

 

CMYK 0 / 35 / 7 / 25

HEX #BF7DB1

RGB 191 125 177

HSL 312.73, 0.34%, 0.62%

LAB 60.71, 33.63, -16.98

 

CMYK 30 / 35 / 0 / 25

HEX #867DBF

RGB 134 125 191

HSL 248.18, 0.34%, 0.62%

LAB 55.58, 18.39, -33.34

 

CMYK 35 / 35 / 0 / 25

HEX #7D7DBF

RGB 125 125 191

HSL 240, 0.34%, 0.62%

LAB 54.85, 15.78, -34.53

 

CMYK 30 / 35 / 0 / 25

HEX #867DBF

RGB 134 125 191

HSL 248.18, 0.34%, 0.62%

LAB 55.58, 18.39, -33.34

 

CMYK 41 / 47 / 0 / 19

HEX #7A6DCE

RGB 122 109 206

HSL 248.04, 0.5%, 0.62%

LAB 51.3, 28.7, -48.71

 

CMYK 50 / 58 / 0 / 13

HEX #6F5DDE

RGB 111 93 222

HSL 248.37, 0.66%, 0.62%

LAB 47.6, 40.37, -63.81

 

CMYK 58 / 67 / 0 / 7

HEX #634EEE

RGB 99 78 238

HSL 247.88, 0.82%, 0.62%

LAB 44.62, 51.63, -77.75

 

CMYK 65 / 75 / 0 / 1

HEX #583EFD

RGB 88 62 253

HSL 248.17, 0.98%, 0.62%

LAB 42.17, 62.97, -90.22

 

CMYK 30 / 35 / 0 / 25

HEX #867DBF

RGB 134 125 191

HSL 248.18, 0.34%, 0.62%

LAB 55.58, 18.39, -33.34

 

CMYK 17 / 20 / 0 / 31

HEX #918CAF

RGB 145 140 175

HSL 248.57, 0.18%, 0.62%

LAB 59.77, 9.2, -17.69

 

CMYK 2 / 2 / 0 / 38

HEX #9C9C9F

RGB 156 156 159

HSL 240, 0.02%, 0.62%

LAB 64.44, 0.58, -1.57

 

CMYK 2 / 0 / 16 / 33

HEX #A8AC90

RGB 168 172 144

HSL 68.57, 0.14%, 0.62%

LAB 69.36, -6.38, 13.95

 

CMYK 4 / 0 / 32 / 27

HEX #B3BB80

RGB 179 187 128

HSL 68.14, 0.3%, 0.62%

LAB 73.99, -12.38, 29.02

 

CMYK 35 / 21 / 0 / 25

HEX #7D97BF

RGB 125 151 191

HSL 216.36, 0.34%, 0.62%

LAB 61.87, 0.67, -23.66

 

CMYK 35 / 30 / 0 / 25

HEX #7D85BF

RGB 125 133 191

HSL 232.73, 0.34%, 0.62%

LAB 56.97, 11.06, -31.22

 

CMYK 30 / 35 / 0 / 25

HEX #857DBF

RGB 133 125 191

HSL 247.27, 0.34%, 0.62%

LAB 55.5, 18.09, -33.48

 

CMYK 21 / 35 / 0 / 25

HEX #977DBF

RGB 151 125 191

HSL 263.64, 0.34%, 0.62%

LAB 57.08, 23.52, -30.89

 

CMYK 12 / 35 / 0 / 25

HEX #A97DBF

RGB 169 125 191

HSL 280, 0.34%, 0.62%

LAB 58.85, 29.15, -28.01

 

CMYK 44 / 51 / 0 / 39

HEX #574D9C

RGB 87 77 156

HSL 247.59, 0.34%, 0.46%

LAB 37.36, 24.84, -41.89

 

CMYK 39 / 45 / 0 / 31

HEX #6C61B1

RGB 108 97 177

HSL 248.25, 0.34%, 0.54%

LAB 45.51, 24.07, -41.25

 

CMYK 30 / 35 / 0 / 25

HEX #867DBF

RGB 134 125 191

HSL 248.18, 0.34%, 0.62%

LAB 55.58, 18.39, -33.34

 

CMYK 22 / 25 / 0 / 20

HEX #9F98CC

RGB 159 152 204

HSL 248.08, 0.34%, 0.7%

LAB 65.11, 13.57, -25.75

 

CMYK 15 / 17 / 0 / 15

HEX #B9B4DA

RGB 185 180 218

HSL 247.89, 0.34%, 0.78%

LAB 74.84, 9.34, -18.44

 

CMYK 30 / 35 / 0 / 25

HEX #857CBF

RGB 133 124 191

HSL 248.06, 0.34%, 0.62%

LAB 55.24, 18.68, -33.88

 

CMYK 0 / 35 / 12 / 25

HEX #BF7DA9

RGB 191 125 169

HSL 320, 0.34%, 0.62%

LAB 60.43, 32.24, -12.83

 

CMYK 26 / 0 / 35 / 25

HEX #8EBF7D

RGB 142 191 125

HSL 104.55, 0.34%, 0.62%

LAB 72.56, -28.57, 28.25

 

CMYK 30 / 35 / 0 / 25

HEX #857CBF

RGB 133 124 191

HSL 248.06, 0.34%, 0.62%

LAB 55.24, 18.68, -33.88

 

CMYK 0 / 30 / 35 / 25

HEX #BF857D

RGB 191 133 125

HSL 7.27, 0.34%, 0.62%

LAB 61.07, 21.24, 13.27

 

CMYK 35 / 0 / 30 / 25

HEX #7DBF85

RGB 125 191 133

HSL 127.27, 0.34%, 0.62%

LAB 71.77, -32.95, 22.79

 

CMYK 30 / 35 / 0 / 25

HEX #857CBF

RGB 133 124 191

HSL 248.06, 0.34%, 0.62%

LAB 55.24, 18.68, -33.88

 

CMYK 0 / 35 / 12 / 25

HEX #BF7DA9

RGB 191 125 169

HSL 320, 0.34%, 0.62%

LAB 60.43, 32.24, -12.83

 

CMYK 5 / 0 / 35 / 25

HEX #B6BF7D

RGB 182 191 125

HSL 68.18, 0.34%, 0.62%

LAB 75.26, -13.65, 32.3

 

CMYK 35 / 0 / 23 / 25

HEX #7DBF93

RGB 125 191 147

HSL 140, 0.34%, 0.62%

LAB 72.05, -30.39, 15.67

 

CMYK 30 / 35 / 0 / 25

HEX #857CBF

RGB 133 124 191

HSL 248.06, 0.34%, 0.62%

LAB 55.24, 18.68, -33.88

 

CMYK 0 / 35 / 22 / 25

HEX #BF7D95

RGB 191 125 149

HSL 338.18, 0.34%, 0.62%

LAB 59.81, 29.01, -2.29

 

CMYK 5 / 0 / 35 / 25

HEX #B6BF7D

RGB 182 191 125

HSL 68.18, 0.34%, 0.62%

LAB 75.26, -13.65, 32.3

 

CMYK 35 / 0 / 13 / 25

HEX #7DBFA6

RGB 125 191 166

HSL 157.27, 0.34%, 0.62%

LAB 72.48, -26.54, 5.98

 

Description

Color code: HEX #857CBF | qconv.com Color code: HEX #857CBF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 124 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 124 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 35 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 35% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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