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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #857F22 it is the complementary color #7A80DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #857F22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #857F22 shade: #8A7F1D, #9B9130, #ACA343, #BDB556 and #CEC769

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #857F22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #857F22 shade: #857F22, #746D0F, #635B00, #524900 and #413700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #857F22 shade: #857F22, #856422, #854A22, #852F22 and #852222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #857F22 shade: #857F22, #718522, #568522, #3B8522 and #228524

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #857F22 shade matches the following richer shades: #857F22, #938B14 and #A19707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #857F22 shade: #857F22, #787330, #6A673D, #5C5B4B and #4F4F58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #857F22 shade: #854A22, #856422, #857F22, #718522 and #578522

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #857F22 shade: #444111, #64601A, #857F22, #A69F2A and #C7BE33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #857F22 shade: #857F22, #22852F and #572285

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #857F22 shade: #857F22, #22857F and #7F2285

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #857F22 shade: #857F22, #22852F, #222985 and #852278

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #857F22 shade: #857F22, #22854D, #222985 and #85225A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 74 / 48

HEX #857F22

RGB 133 127 34

HSL 56.36, 0.59%, 0.33%

LAB 52.15, -9.04, 48.34

 

Complementary color

CMYK 45 / 42 / 0 / 13

HEX #7A80DD

RGB 122 128 221

HSL 236.36, 0.59%, 0.67%

LAB 56.88, 21.69, -48.33

 

CMYK 0 / 8 / 79 / 46

HEX #8A7F1D

RGB 138 127 29

HSL 53.94, 0.65%, 0.33%

LAB 52.59, -6.96, 50.74

 

CMYK 0 / 6 / 69 / 39

HEX #9B9130

RGB 155 145 48

HSL 54.39, 0.53%, 0.4%

LAB 59.37, -8.08, 50.54

 

CMYK 0 / 5 / 61 / 33

HEX #ACA343

RGB 172 163 67

HSL 54.86, 0.44%, 0.47%

LAB 66.04, -8.97, 49.74

 

CMYK 0 / 4 / 54 / 26

HEX #BDB556

RGB 189 181 86

HSL 55.34, 0.44%, 0.54%

LAB 72.59, -9.69, 48.68

 

CMYK 0 / 3 / 49 / 19

HEX #CEC769

RGB 206 199 105

HSL 55.84, 0.51%, 0.61%

LAB 79.03, -10.28, 47.52

 

CMYK 0 / 5 / 74 / 48

HEX #857F22

RGB 133 127 34

HSL 56.36, 0.59%, 0.33%

LAB 52.15, -9.04, 48.34

 

CMYK 0 / 6 / 87 / 55

HEX #746D0F

RGB 116 109 15

HSL 55.84, 0.77%, 0.26%

LAB 45.2, -7.79, 47.82

 

CMYK 0 / 8 / 100 / 61

HEX #635B00

RGB 99 91 0

HSL 55.15, 1%, 0.19%

LAB 38.08, -6.18, 45.43

 

CMYK 0 / 11 / 100 / 68

HEX #524900

RGB 82 73 0

HSL 53.41, 1%, 0.16%

LAB 30.78, -4.09, 39.38

 

CMYK 0 / 15 / 100 / 75

HEX #413700

RGB 65 55 0

HSL 50.77, 1%, 0.13%

LAB 23.19, -1.85, 32.01

 

CMYK 0 / 5 / 74 / 48

HEX #857F22

RGB 133 127 34

HSL 56.36, 0.59%, 0.33%

LAB 52.15, -9.04, 48.34

 

CMYK 0 / 25 / 74 / 48

HEX #856422

RGB 133 100 34

HSL 40, 0.59%, 0.33%

LAB 44.54, 6.32, 40.84

 

CMYK 0 / 44 / 74 / 48

HEX #854A22

RGB 133 74 34

HSL 24.24, 0.59%, 0.33%

LAB 37.84, 21.58, 33.87

 

CMYK 0 / 65 / 74 / 48

HEX #852F22

RGB 133 47 34

HSL 7.88, 0.59%, 0.33%

LAB 32.11, 36.12, 27.57

 

CMYK 0 / 74 / 74 / 48

HEX #852222

RGB 133 34 34

HSL 0, 0.59%, 0.33%

LAB 30.03, 41.78, 25.18

 

CMYK 0 / 5 / 74 / 48

HEX #857F22

RGB 133 127 34

HSL 56.36, 0.59%, 0.33%

LAB 52.15, -9.04, 48.34

 

CMYK 15 / 0 / 74 / 48

HEX #718522

RGB 113 133 34

HSL 72.12, 0.59%, 0.33%

LAB 52.29, -21.25, 47.9

 

CMYK 35 / 0 / 74 / 48

HEX #568522

RGB 86 133 34

HSL 88.48, 0.59%, 0.33%

LAB 50.53, -32.42, 45.59

 

CMYK 56 / 0 / 74 / 48

HEX #3B8522

RGB 59 133 34

HSL 104.85, 0.59%, 0.33%

LAB 49.28, -41.61, 43.91

 

CMYK 74 / 0 / 73 / 48

HEX #228524

RGB 34 133 36

HSL 121.21, 0.59%, 0.33%

LAB 48.56, -47.35, 42.15

 

CMYK 0 / 5 / 74 / 48

HEX #857F22

RGB 133 127 34

HSL 56.36, 0.59%, 0.33%

LAB 52.15, -9.04, 48.34

 

CMYK 0 / 5 / 86 / 42

HEX #938B14

RGB 147 139 20

HSL 56.22, 0.76%, 0.33%

LAB 56.8, -9.66, 57.38

 

CMYK 0 / 6 / 96 / 37

HEX #A19707

RGB 161 151 7

HSL 56.1, 0.92%, 0.33%

LAB 61.42, -9.94, 63.93

 

CMYK 0 / 5 / 74 / 48

HEX #857F22

RGB 133 127 34

HSL 56.36, 0.59%, 0.33%

LAB 52.15, -9.04, 48.34

 

CMYK 0 / 4 / 60 / 53

HEX #787330

RGB 120 115 48

HSL 55.83, 0.43%, 0.33%

LAB 47.58, -7.45, 36.99

 

CMYK 0 / 3 / 42 / 58

HEX #6A673D

RGB 106 103 61

HSL 56, 0.27%, 0.33%

LAB 42.92, -5.67, 24.1

 

CMYK 0 / 1 / 18 / 64

HEX #5C5B4B

RGB 92 91 75

HSL 56.47, 0.1%, 0.33%

LAB 38.31, -2.69, 9.39

 

CMYK 10 / 10 / 0 / 65

HEX #4F4F58

RGB 79 79 88

HSL 240, 0.05%, 0.33%

LAB 33.9, 2.04, -5.27

 

CMYK 0 / 44 / 74 / 48

HEX #854A22

RGB 133 74 34

HSL 24.24, 0.59%, 0.33%

LAB 37.84, 21.58, 33.87

 

CMYK 0 / 25 / 74 / 48

HEX #856422

RGB 133 100 34

HSL 40, 0.59%, 0.33%

LAB 44.54, 6.32, 40.84

 

CMYK 0 / 5 / 74 / 48

HEX #857F22

RGB 133 127 34

HSL 56.36, 0.59%, 0.33%

LAB 52.15, -9.04, 48.34

 

CMYK 15 / 0 / 74 / 48

HEX #718522

RGB 113 133 34

HSL 72.12, 0.59%, 0.33%

LAB 52.29, -21.25, 47.9

 

CMYK 35 / 0 / 74 / 48

HEX #578522

RGB 87 133 34

HSL 87.88, 0.59%, 0.33%

LAB 50.59, -32.03, 45.66

 

CMYK 0 / 4 / 75 / 73

HEX #444111

RGB 68 65 17

HSL 56.47, 0.6%, 0.17%

LAB 26.88, -5.62, 28.52

 

CMYK 0 / 4 / 74 / 61

HEX #64601A

RGB 100 96 26

HSL 56.76, 0.59%, 0.25%

LAB 39.83, -7.6, 38.51

 

CMYK 0 / 5 / 74 / 48

HEX #857F22

RGB 133 127 34

HSL 56.36, 0.59%, 0.33%

LAB 52.15, -9.04, 48.34

 

CMYK 0 / 4 / 75 / 35

HEX #A69F2A

RGB 166 159 42

HSL 56.61, 0.6%, 0.41%

LAB 64.22, -10.94, 57.92

 

CMYK 0 / 5 / 74 / 22

HEX #C7BE33

RGB 199 190 51

HSL 56.35, 0.59%, 0.49%

LAB 75.58, -12.21, 66.51

 

CMYK 0 / 5 / 74 / 48

HEX #857F22

RGB 133 127 34

HSL 56.36, 0.59%, 0.33%

LAB 52.15, -9.04, 48.34

 

CMYK 74 / 0 / 65 / 48

HEX #22852F

RGB 34 133 47

HSL 127.88, 0.59%, 0.33%

LAB 48.66, -46.18, 37.43

 

CMYK 35 / 74 / 0 / 48

HEX #572285

RGB 87 34 133

HSL 272.12, 0.59%, 0.33%

LAB 26.34, 43.13, -45.53

 

CMYK 0 / 5 / 74 / 48

HEX #857F22

RGB 133 127 34

HSL 56.36, 0.59%, 0.33%

LAB 52.15, -9.04, 48.34

 

CMYK 74 / 0 / 5 / 48

HEX #22857F

RGB 34 133 127

HSL 176.36, 0.59%, 0.33%

LAB 50.27, -28.85, -4.85

 

CMYK 5 / 74 / 0 / 48

HEX #7F2285

RGB 127 34 133

HSL 296.36, 0.59%, 0.33%

LAB 32.59, 51.81, -35.15

 

CMYK 0 / 5 / 74 / 48

HEX #857F22

RGB 133 127 34

HSL 56.36, 0.59%, 0.33%

LAB 52.15, -9.04, 48.34

 

CMYK 74 / 0 / 65 / 48

HEX #22852F

RGB 34 133 47

HSL 127.88, 0.59%, 0.33%

LAB 48.66, -46.18, 37.43

 

CMYK 74 / 69 / 0 / 48

HEX #222985

RGB 34 41 133

HSL 235.76, 0.59%, 0.33%

LAB 22.37, 30.16, -52.24

 

CMYK 0 / 74 / 10 / 48

HEX #852278

RGB 133 34 120

HSL 307.88, 0.59%, 0.33%

LAB 32.89, 51.01, -26.47

 

CMYK 0 / 5 / 74 / 48

HEX #857F22

RGB 133 127 34

HSL 56.36, 0.59%, 0.33%

LAB 52.15, -9.04, 48.34

 

CMYK 74 / 0 / 42 / 48

HEX #22854D

RGB 34 133 77

HSL 146.06, 0.59%, 0.33%

LAB 49.07, -41.43, 22.31

 

CMYK 74 / 69 / 0 / 48

HEX #222985

RGB 34 41 133

HSL 235.76, 0.59%, 0.33%

LAB 22.37, 30.16, -52.24

 

CMYK 0 / 74 / 32 / 48

HEX #85225A

RGB 133 34 90

HSL 326.06, 0.59%, 0.33%

LAB 31.51, 46.69, -9.4

 

Description

Color code: HEX #857F22 | qconv.com Color code: HEX #857F22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 127 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 127 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 74 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 74% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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