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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8588C5 it is the complementary color #7A773A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8588C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8588C5 shade: #8A88C0, #9B9AD3, #ACACE6, #BDBEF9 and #CED0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8588C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8588C5 shade: #8588C5, #7476B2, #63649F, #52528C and #414079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8588C5 shade: #8588C5, #9385C5, #A585C5, #B685C5 and #C585C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8588C5 shade: #8588C5 and #8585C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8588C5 shade matches the following richer shades: #8588C5, #777BD4, #686EE2 and #5A61F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8588C5 shade: #8588C5, #9495B7, #A2A2A8, #B0AF9A and #BFBC8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8588C5 shade: #85ABC5, #8599C5, #8588C5, #9385C5 and #A485C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8588C5 shade: #4F53A9, #696DB8, #8588C5, #A1A3D3 and #BDBFE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8588C5 shade: #8588C5, #C585BC and #A2C585

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8588C5 shade: #8588C5, #C58588 and #88C585

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8588C5 shade: #8588C5, #C585BC, #C5C285 and #85C58F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8588C5 shade: #8588C5, #C585A8, #C5C285 and #85C5A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 31 / 0 / 23

HEX #8588C5

RGB 133 136 197

HSL 237.19, 0.36%, 0.65%

LAB 58.63, 13.21, -32.01

 

Complementary color

CMYK 0 / 2 / 52 / 52

HEX #7A773A

RGB 122 119 58

HSL 57.19, 0.36%, 0.35%

LAB 49.05, -7.9, 33.61

 

CMYK 28 / 29 / 0 / 25

HEX #8A88C0

RGB 138 136 192

HSL 242.14, 0.31%, 0.64%

LAB 58.8, 13.4, -28.87

 

CMYK 27 / 27 / 0 / 17

HEX #9B9AD3

RGB 155 154 211

HSL 241.05, 0.39%, 0.72%

LAB 65.58, 12.89, -28.95

 

CMYK 25 / 25 / 0 / 10

HEX #ACACE6

RGB 172 172 230

HSL 240, 0.54%, 0.79%

LAB 72.22, 12.44, -29.06

 

CMYK 24 / 24 / 0 / 2

HEX #BDBEF9

RGB 189 190 249

HSL 239, 0.83%, 0.86%

LAB 78.74, 12.03, -29.2

 

CMYK 19 / 18 / 0 / 0

HEX #CED0FF

RGB 206 208 255

HSL 237.55, 1%, 0.9%

LAB 84.72, 8.77, -23.16

 

CMYK 32 / 31 / 0 / 23

HEX #8588C5

RGB 133 136 197

HSL 237.19, 0.36%, 0.65%

LAB 58.63, 13.21, -32.01

 

CMYK 35 / 34 / 0 / 30

HEX #7476B2

RGB 116 118 178

HSL 238.06, 0.29%, 0.58%

LAB 51.71, 13.84, -32.03

 

CMYK 38 / 37 / 0 / 38

HEX #63649F

RGB 99 100 159

HSL 239, 0.24%, 0.51%

LAB 44.62, 14.57, -32.12

 

CMYK 41 / 41 / 0 / 45

HEX #52528C

RGB 82 82 140

HSL 240, 0.26%, 0.44%

LAB 37.34, 15.45, -32.27

 

CMYK 46 / 47 / 0 / 53

HEX #414079

RGB 65 64 121

HSL 241.05, 0.31%, 0.36%

LAB 29.84, 16.53, -32.51

 

CMYK 32 / 31 / 0 / 23

HEX #8588C5

RGB 133 136 197

HSL 237.19, 0.36%, 0.65%

LAB 58.63, 13.21, -32.01

 

CMYK 25 / 32 / 0 / 23

HEX #9385C5

RGB 147 133 197

HSL 253.13, 0.36%, 0.65%

LAB 58.98, 19.1, -31.37

 

CMYK 16 / 32 / 0 / 23

HEX #A585C5

RGB 165 133 197

HSL 270, 0.36%, 0.65%

LAB 60.61, 24.66, -28.72

 

CMYK 8 / 32 / 0 / 23

HEX #B685C5

RGB 182 133 197

HSL 285.94, 0.36%, 0.65%

LAB 62.3, 30.07, -25.98

 

CMYK 0 / 32 / 1 / 23

HEX #C585C3

RGB 197 133 195

HSL 301.88, 0.36%, 0.65%

LAB 63.82, 34.53, -22.37

 

CMYK 32 / 31 / 0 / 23

HEX #8588C5

RGB 133 136 197

HSL 237.19, 0.36%, 0.65%

LAB 58.63, 13.21, -32.01

 

CMYK 32 / 32 / 0 / 23

HEX #8585C5

RGB 133 133 197

HSL 240, 0.36%, 0.65%

LAB 57.84, 14.96, -33.23

 

CMYK 32 / 31 / 0 / 23

HEX #8588C5

RGB 133 136 197

HSL 237.19, 0.36%, 0.65%

LAB 58.63, 13.21, -32.01

 

CMYK 44 / 42 / 0 / 17

HEX #777BD4

RGB 119 123 212

HSL 237.42, 0.52%, 0.65%

LAB 54.91, 21.31, -46.4

 

CMYK 54 / 51 / 0 / 11

HEX #686EE2

RGB 104 110 226

HSL 237.05, 0.68%, 0.65%

LAB 51.37, 30.04, -60.02

 

CMYK 63 / 60 / 0 / 5

HEX #5A61F1

RGB 90 97 241

HSL 237.22, 0.84%, 0.65%

LAB 48.35, 40.25, -73.37

 

CMYK 32 / 31 / 0 / 23

HEX #8588C5

RGB 133 136 197

HSL 237.19, 0.36%, 0.65%

LAB 58.63, 13.21, -32.01

 

CMYK 19 / 19 / 0 / 28

HEX #9495B7

RGB 148 149 183

HSL 238.29, 0.2%, 0.65%

LAB 62.68, 6.89, -17.77

 

CMYK 4 / 4 / 0 / 34

HEX #A2A2A8

RGB 162 162 168

HSL 240, 0.03%, 0.65%

LAB 66.79, 1.17, -3.11

 

CMYK 0 / 1 / 13 / 31

HEX #B0AF9A

RGB 176 175 154

HSL 57.27, 0.12%, 0.65%

LAB 71.02, -3.35, 10.9

 

CMYK 0 / 2 / 27 / 25

HEX #BFBC8C

RGB 191 188 140

HSL 56.47, 0.28%, 0.65%

LAB 75.41, -6.63, 24.74

 

CMYK 32 / 13 / 0 / 23

HEX #85ABC5

RGB 133 171 197

HSL 204.38, 0.36%, 0.65%

LAB 68.13, -6.59, -17.43

 

CMYK 32 / 22 / 0 / 23

HEX #8599C5

RGB 133 153 197

HSL 221.25, 0.36%, 0.65%

LAB 63.18, 3.42, -24.98

 

CMYK 32 / 31 / 0 / 23

HEX #8588C5

RGB 133 136 197

HSL 237.19, 0.36%, 0.65%

LAB 58.63, 13.21, -32.01

 

CMYK 25 / 32 / 0 / 23

HEX #9385C5

RGB 147 133 197

HSL 253.13, 0.36%, 0.65%

LAB 58.98, 19.1, -31.37

 

CMYK 17 / 32 / 0 / 23

HEX #A485C5

RGB 164 133 197

HSL 269.06, 0.36%, 0.65%

LAB 60.51, 24.35, -28.87

 

CMYK 53 / 51 / 0 / 34

HEX #4F53A9

RGB 79 83 169

HSL 237.33, 0.36%, 0.49%

LAB 39.09, 23.27, -46.92

 

CMYK 43 / 41 / 0 / 28

HEX #696DB8

RGB 105 109 184

HSL 236.96, 0.36%, 0.57%

LAB 48.76, 17.98, -40.19

 

CMYK 32 / 31 / 0 / 23

HEX #8588C5

RGB 133 136 197

HSL 237.19, 0.36%, 0.65%

LAB 58.63, 13.21, -32.01

 

CMYK 24 / 23 / 0 / 17

HEX #A1A3D3

RGB 161 163 211

HSL 237.6, 0.36%, 0.73%

LAB 68.37, 9.63, -24.62

 

CMYK 16 / 15 / 0 / 12

HEX #BDBFE0

RGB 189 191 224

HSL 236.57, 0.36%, 0.81%

LAB 78.15, 5.92, -16.66

 

CMYK 32 / 31 / 0 / 23

HEX #8588C5

RGB 133 136 197

HSL 237.19, 0.36%, 0.65%

LAB 58.63, 13.21, -32.01

 

CMYK 0 / 32 / 5 / 23

HEX #C585BC

RGB 197 133 188

HSL 308.44, 0.36%, 0.65%

LAB 63.57, 33.24, -18.81

 

CMYK 18 / 0 / 32 / 23

HEX #A2C585

RGB 162 197 133

HSL 92.81, 0.36%, 0.65%

LAB 75.64, -23.15, 28.37

 

CMYK 32 / 31 / 0 / 23

HEX #8588C5

RGB 133 136 197

HSL 237.19, 0.36%, 0.65%

LAB 58.63, 13.21, -32.01

 

CMYK 0 / 32 / 31 / 23

HEX #C58588

RGB 197 133 136

HSL 357.19, 0.36%, 0.65%

LAB 62.02, 25, 8.44

 

CMYK 31 / 0 / 32 / 23

HEX #88C585

RGB 136 197 133

HSL 117.19, 0.36%, 0.65%

LAB 74.1, -32.2, 26.04

 

CMYK 32 / 31 / 0 / 23

HEX #8588C5

RGB 133 136 197

HSL 237.19, 0.36%, 0.65%

LAB 58.63, 13.21, -32.01

 

CMYK 0 / 32 / 5 / 23

HEX #C585BC

RGB 197 133 188

HSL 308.44, 0.36%, 0.65%

LAB 63.57, 33.24, -18.81

 

CMYK 0 / 2 / 32 / 23

HEX #C5C285

RGB 197 194 133

HSL 57.19, 0.36%, 0.65%

LAB 77.37, -8.33, 31.13

 

CMYK 32 / 0 / 27 / 23

HEX #85C58F

RGB 133 197 143

HSL 129.38, 0.36%, 0.65%

LAB 74.13, -31.48, 20.76

 

CMYK 32 / 31 / 0 / 23

HEX #8588C5

RGB 133 136 197

HSL 237.19, 0.36%, 0.65%

LAB 58.63, 13.21, -32.01

 

CMYK 0 / 32 / 15 / 23

HEX #C585A8

RGB 197 133 168

HSL 327.19, 0.36%, 0.65%

LAB 62.9, 29.79, -8.49

 

CMYK 0 / 2 / 32 / 23

HEX #C5C285

RGB 197 194 133

HSL 57.19, 0.36%, 0.65%

LAB 77.37, -8.33, 31.13

 

CMYK 32 / 0 / 18 / 23

HEX #85C5A2

RGB 133 197 162

HSL 147.19, 0.36%, 0.65%

LAB 74.53, -27.9, 11.13

 

Description

Color code: HEX #8588C5 | qconv.com Color code: HEX #8588C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 136 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 136 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 31 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 31% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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