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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #858ACA it is the complementary color #7A7535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #858ACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #858ACA shade: #8A8AC5, #9B9CD8, #ACAEEB, #BDC0FE and #CED2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #858ACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #858ACA shade: #858ACA, #7478B7, #6366A4, #525491 and #41427E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #858ACA shade: #868BCA, #9386CA, #A686CA, #B886CA and #CA86C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #858ACA shade: #868BCA and #8686CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #858ACA shade matches the following richer shades: #868BCA, #787FD8, #6A73E6 and #5C67F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #858ACA shade: #868BCA, #9497BC, #A2A3AE, #B0AFA0 and #BEBB92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #858ACA shade: #86B0CA, #869ECA, #868CCA, #9286CA and #A486CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #858ACA shade: #4D54B0, #696FBD, #868BCA, #A3A6D6 and #BFC2E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #858ACA shade: #858ACA, #CA86C2 and #A7CA86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #858ACA shade: #858ACA, #CA868C and #8CCA86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #858ACA shade: #858ACA, #CA86C2, #CAC486 and #86CA8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #858ACA shade: #858ACA, #CA86AD, #CAC486 and #86CAA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 32 / 0 / 21

HEX #858ACA

RGB 133 138 202

HSL 235.65, 0.39%, 0.66%

LAB 59.37, 13.37, -33.68

 

Complementary color

CMYK 0 / 4 / 57 / 52

HEX #7A7535

RGB 122 117 53

HSL 55.65, 0.39%, 0.34%

LAB 48.41, -7.24, 35.45

 

CMYK 30 / 30 / 0 / 23

HEX #8A8AC5

RGB 138 138 197

HSL 240, 0.34%, 0.66%

LAB 59.54, 13.51, -30.57

 

CMYK 28 / 28 / 0 / 15

HEX #9B9CD8

RGB 155 156 216

HSL 239.02, 0.44%, 0.73%

LAB 66.29, 12.99, -30.62

 

CMYK 27 / 26 / 0 / 8

HEX #ACAEEB

RGB 172 174 235

HSL 238.1, 0.61%, 0.8%

LAB 72.92, 12.52, -30.71

 

CMYK 26 / 24 / 0 / 0

HEX #BDC0FE

RGB 189 192 254

HSL 237.23, 0.97%, 0.87%

LAB 79.43, 12.1, -30.82

 

CMYK 19 / 18 / 0 / 0

HEX #CED2FF

RGB 206 210 255

HSL 235.1, 1%, 0.9%

LAB 85.22, 7.71, -22.4

 

CMYK 34 / 32 / 0 / 21

HEX #858ACA

RGB 133 138 202

HSL 235.65, 0.39%, 0.66%

LAB 59.37, 13.37, -33.68

 

CMYK 37 / 34 / 0 / 28

HEX #7478B7

RGB 116 120 183

HSL 236.42, 0.32%, 0.59%

LAB 52.47, 14.02, -33.72

 

CMYK 40 / 38 / 0 / 36

HEX #6366A4

RGB 99 102 164

HSL 237.23, 0.26%, 0.52%

LAB 45.41, 14.78, -33.83

 

CMYK 43 / 42 / 0 / 43

HEX #525491

RGB 82 84 145

HSL 238.1, 0.28%, 0.45%

LAB 38.16, 15.7, -34

 

CMYK 48 / 48 / 0 / 51

HEX #41427E

RGB 65 66 126

HSL 239.02, 0.32%, 0.37%

LAB 30.7, 16.84, -34.26

 

CMYK 34 / 31 / 0 / 21

HEX #868BCA

RGB 134 139 202

HSL 235.59, 0.39%, 0.66%

LAB 59.71, 13.07, -33.15

 

CMYK 27 / 34 / 0 / 21

HEX #9386CA

RGB 147 134 202

HSL 251.47, 0.39%, 0.66%

LAB 59.45, 19.76, -33.46

 

CMYK 18 / 34 / 0 / 21

HEX #A686CA

RGB 166 134 202

HSL 268.24, 0.39%, 0.66%

LAB 61.15, 25.53, -30.69

 

CMYK 9 / 34 / 0 / 21

HEX #B886CA

RGB 184 134 202

HSL 284.12, 0.39%, 0.66%

LAB 62.93, 31.17, -27.79

 

CMYK 0 / 34 / 0 / 21

HEX #CA86C9

RGB 202 134 201

HSL 300.88, 0.39%, 0.66%

LAB 64.82, 36.72, -24.16

 

CMYK 34 / 31 / 0 / 21

HEX #868BCA

RGB 134 139 202

HSL 235.59, 0.39%, 0.66%

LAB 59.71, 13.07, -33.15

 

CMYK 34 / 34 / 0 / 21

HEX #8686CA

RGB 134 134 202

HSL 240, 0.39%, 0.66%

LAB 58.4, 15.99, -35.18

 

CMYK 34 / 31 / 0 / 21

HEX #868BCA

RGB 134 139 202

HSL 235.59, 0.39%, 0.66%

LAB 59.71, 13.07, -33.15

 

CMYK 44 / 41 / 0 / 15

HEX #787FD8

RGB 120 127 216

HSL 235.63, 0.55%, 0.66%

LAB 56.22, 20.34, -46.58

 

CMYK 54 / 50 / 0 / 10

HEX #6A73E6

RGB 106 115 230

HSL 235.65, 0.71%, 0.66%

LAB 52.99, 28.68, -59.65

 

CMYK 62 / 58 / 0 / 4

HEX #5C67F4

RGB 92 103 244

HSL 235.66, 0.87%, 0.66%

LAB 50.11, 37.93, -72.19

 

CMYK 34 / 31 / 0 / 21

HEX #868BCA

RGB 134 139 202

HSL 235.59, 0.39%, 0.66%

LAB 59.71, 13.07, -33.15

 

CMYK 21 / 20 / 0 / 26

HEX #9497BC

RGB 148 151 188

HSL 235.5, 0.23%, 0.66%

LAB 63.39, 6.91, -19.51

 

CMYK 7 / 6 / 0 / 32

HEX #A2A3AE

RGB 162 163 174

HSL 235, 0.07%, 0.66%

LAB 67.23, 1.81, -5.81

 

CMYK 0 / 1 / 9 / 31

HEX #B0AFA0

RGB 176 175 160

HSL 56.25, 0.09%, 0.66%

LAB 71.17, -2.33, 7.81

 

CMYK 0 / 2 / 23 / 25

HEX #BEBB92

RGB 190 187 146

HSL 55.91, 0.25%, 0.66%

LAB 75.18, -5.66, 21.2

 

CMYK 34 / 13 / 0 / 21

HEX #86B0CA

RGB 134 176 202

HSL 202.94, 0.39%, 0.66%

LAB 69.74, -7.75, -17.74

 

CMYK 34 / 22 / 0 / 21

HEX #869ECA

RGB 134 158 202

HSL 218.82, 0.39%, 0.66%

LAB 64.79, 2.18, -25.28

 

CMYK 34 / 31 / 0 / 21

HEX #868CCA

RGB 134 140 202

HSL 234.71, 0.39%, 0.66%

LAB 59.97, 12.49, -32.74

 

CMYK 28 / 34 / 0 / 21

HEX #9286CA

RGB 146 134 202

HSL 250.59, 0.39%, 0.66%

LAB 59.37, 19.47, -33.6

 

CMYK 19 / 34 / 0 / 21

HEX #A486CA

RGB 164 134 202

HSL 266.47, 0.39%, 0.66%

LAB 60.96, 24.91, -31

 

CMYK 56 / 52 / 0 / 31

HEX #4D54B0

RGB 77 84 176

HSL 235.76, 0.39%, 0.5%

LAB 39.67, 24.53, -50.14

 

CMYK 44 / 41 / 0 / 26

HEX #696FBD

RGB 105 111 189

HSL 235.71, 0.39%, 0.58%

LAB 49.55, 18.25, -41.83

 

CMYK 34 / 31 / 0 / 21

HEX #868BCA

RGB 134 139 202

HSL 235.59, 0.39%, 0.66%

LAB 59.71, 13.07, -33.15

 

CMYK 24 / 22 / 0 / 16

HEX #A3A6D6

RGB 163 166 214

HSL 236.47, 0.38%, 0.74%

LAB 69.41, 9.28, -24.67

 

CMYK 16 / 15 / 0 / 11

HEX #BFC2E3

RGB 191 194 227

HSL 235, 0.39%, 0.82%

LAB 79.16, 5.58, -16.74

 

CMYK 34 / 32 / 0 / 21

HEX #858ACA

RGB 133 138 202

HSL 235.65, 0.39%, 0.66%

LAB 59.37, 13.37, -33.68

 

CMYK 0 / 34 / 4 / 21

HEX #CA86C2

RGB 202 134 194

HSL 307.06, 0.39%, 0.66%

LAB 64.57, 35.44, -20.63

 

CMYK 17 / 0 / 34 / 21

HEX #A7CA86

RGB 167 202 134

HSL 90.88, 0.39%, 0.66%

LAB 77.39, -23.64, 30.23

 

CMYK 34 / 32 / 0 / 21

HEX #858ACA

RGB 133 138 202

HSL 235.65, 0.39%, 0.66%

LAB 59.37, 13.37, -33.68

 

CMYK 0 / 34 / 31 / 21

HEX #CA868C

RGB 202 134 140

HSL 354.71, 0.39%, 0.66%

LAB 62.93, 26.89, 7.54

 

CMYK 31 / 0 / 34 / 21

HEX #8CCA86

RGB 140 202 134

HSL 114.71, 0.39%, 0.66%

LAB 75.78, -33.06, 27.81

 

CMYK 34 / 32 / 0 / 21

HEX #858ACA

RGB 133 138 202

HSL 235.65, 0.39%, 0.66%

LAB 59.37, 13.37, -33.68

 

CMYK 0 / 34 / 4 / 21

HEX #CA86C2

RGB 202 134 194

HSL 307.06, 0.39%, 0.66%

LAB 64.57, 35.44, -20.63

 

CMYK 0 / 3 / 34 / 21

HEX #CAC486

RGB 202 196 134

HSL 54.71, 0.39%, 0.66%

LAB 78.32, -7.28, 31.93

 

CMYK 34 / 0 / 30 / 21

HEX #86CA8E

RGB 134 202 142

HSL 127.06, 0.39%, 0.66%

LAB 75.61, -33.68, 23.33

 

CMYK 34 / 32 / 0 / 21

HEX #858ACA

RGB 133 138 202

HSL 235.65, 0.39%, 0.66%

LAB 59.37, 13.37, -33.68

 

CMYK 0 / 34 / 14 / 21

HEX #CA86AD

RGB 202 134 173

HSL 325.59, 0.39%, 0.66%

LAB 63.86, 31.81, -9.85

 

CMYK 0 / 3 / 34 / 21

HEX #CAC486

RGB 202 196 134

HSL 54.71, 0.39%, 0.66%

LAB 78.32, -7.28, 31.93

 

CMYK 34 / 0 / 20 / 21

HEX #86CAA2

RGB 134 202 162

HSL 144.71, 0.39%, 0.66%

LAB 76.02, -30, 13.25

 

Description

Color code: HEX #858ACA | qconv.com Color code: HEX #858ACA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 138 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 138 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 32 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 32% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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