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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #858C98 it is the complementary color #7A7367. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #858C98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #858C98 shade: #8A8C93, #9B9EA6, #ACB0B9, #BDC2CC and #CED4DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #858C98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #858C98 shade: #858C98, #747A85, #636872, #52565F and #41444C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #858C98 shade: #858C97, #858797, #888597, #8D8597 and #928597

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #858C98 shade: #858C97, #858797 and #858597

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #858C98 shade matches the following richer shades: #858C97, #7387A9, #6182BC, #4F7ECE and #3D79E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #858C98 shade: #858C97, #979185, #AA9573, #BC9A61 and #CE9F4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #858C98 shade: #859697, #859197, #858C97, #858797 and #888597

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #858C98 shade: #5D636D, #707783, #858C97, #9CA1AA and #B2B6BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #858C98 shade: #858C98, #948597 and #939785

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #858C98 shade: #858C98, #97858C and #8C9785

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #858C98 shade: #858C98, #948597, #979085 and #899785

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #858C98 shade: #858C98, #978595, #979085 and #859787

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 8 / 0 / 40

HEX #858C98

RGB 133 140 152

HSL 217.89, 0.08%, 0.56%

LAB 58.05, -0.01, -7.25

 

Complementary color

CMYK 0 / 6 / 16 / 52

HEX #7A7367

RGB 122 115 103

HSL 37.89, 0.08%, 0.44%

LAB 48.73, 0.49, 7.61

 

CMYK 6 / 5 / 0 / 42

HEX #8A8C93

RGB 138 140 147

HSL 226.67, 0.04%, 0.56%

LAB 58.29, 0.69, -3.98

 

CMYK 7 / 5 / 0 / 35

HEX #9B9EA6

RGB 155 158 166

HSL 223.64, 0.06%, 0.63%

LAB 65.1, 0.52, -4.54

 

CMYK 7 / 5 / 0 / 27

HEX #ACB0B9

RGB 172 176 185

HSL 221.54, 0.08%, 0.7%

LAB 71.77, 0.36, -5.08

 

CMYK 7 / 5 / 0 / 20

HEX #BDC2CC

RGB 189 194 204

HSL 220, 0.13%, 0.77%

LAB 78.32, 0.21, -5.61

 

CMYK 8 / 5 / 0 / 13

HEX #CED4DF

RGB 206 212 223

HSL 218.82, 0.21%, 0.84%

LAB 84.76, 0.06, -6.13

 

CMYK 13 / 8 / 0 / 40

HEX #858C98

RGB 133 140 152

HSL 217.89, 0.08%, 0.56%

LAB 58.05, -0.01, -7.25

 

CMYK 13 / 8 / 0 / 48

HEX #747A85

RGB 116 122 133

HSL 218.82, 0.07%, 0.49%

LAB 51.07, 0.14, -6.76

 

CMYK 13 / 9 / 0 / 55

HEX #636872

RGB 99 104 114

HSL 220, 0.07%, 0.42%

LAB 43.9, 0.31, -6.26

 

CMYK 14 / 9 / 0 / 63

HEX #52565F

RGB 82 86 95

HSL 221.54, 0.07%, 0.35%

LAB 36.51, 0.49, -5.75

 

CMYK 14 / 11 / 0 / 70

HEX #41444C

RGB 65 68 76

HSL 223.64, 0.08%, 0.28%

LAB 28.85, 0.68, -5.24

 

CMYK 12 / 7 / 0 / 41

HEX #858C97

RGB 133 140 151

HSL 216.67, 0.08%, 0.56%

LAB 58.02, -0.23, -6.72

 

CMYK 12 / 11 / 0 / 41

HEX #858797

RGB 133 135 151

HSL 233.33, 0.08%, 0.56%

LAB 56.63, 2.62, -8.78

 

CMYK 10 / 12 / 0 / 41

HEX #888597

RGB 136 133 151

HSL 250, 0.08%, 0.56%

LAB 56.33, 4.81, -9.21

 

CMYK 7 / 12 / 0 / 41

HEX #8D8597

RGB 141 133 151

HSL 266.67, 0.08%, 0.56%

LAB 56.75, 6.58, -8.53

 

CMYK 3 / 12 / 0 / 41

HEX #928597

RGB 146 133 151

HSL 283.33, 0.08%, 0.56%

LAB 57.19, 8.37, -7.83

 

CMYK 12 / 7 / 0 / 41

HEX #858C97

RGB 133 140 151

HSL 216.67, 0.08%, 0.56%

LAB 58.02, -0.23, -6.72

 

CMYK 12 / 11 / 0 / 41

HEX #858797

RGB 133 135 151

HSL 233.33, 0.08%, 0.56%

LAB 56.63, 2.62, -8.78

 

CMYK 12 / 12 / 0 / 41

HEX #858597

RGB 133 133 151

HSL 240, 0.08%, 0.56%

LAB 56.08, 3.76, -9.6

 

CMYK 12 / 7 / 0 / 41

HEX #858C97

RGB 133 140 151

HSL 216.67, 0.08%, 0.56%

LAB 58.02, -0.23, -6.72

 

CMYK 32 / 20 / 0 / 34

HEX #7387A9

RGB 115 135 169

HSL 217.78, 0.24%, 0.56%

LAB 55.92, 1.09, -20.33

 

CMYK 48 / 31 / 0 / 26

HEX #6182BC

RGB 97 130 188

HSL 218.24, 0.4%, 0.56%

LAB 54.17, 4.48, -34.02

 

CMYK 62 / 39 / 0 / 19

HEX #4F7ECE

RGB 79 126 206

HSL 217.8, 0.56%, 0.56%

LAB 52.99, 8.8, -46.19

 

CMYK 73 / 46 / 0 / 12

HEX #3D79E0

RGB 61 121 224

HSL 217.91, 0.72%, 0.56%

LAB 51.89, 15.36, -58.17

 

CMYK 12 / 7 / 0 / 41

HEX #858C97

RGB 133 140 151

HSL 216.67, 0.08%, 0.56%

LAB 58.02, -0.23, -6.72

 

CMYK 0 / 4 / 12 / 41

HEX #979185

RGB 151 145 133

HSL 40, 0.08%, 0.56%

LAB 60.36, 0.04, 7.15

 

CMYK 0 / 12 / 32 / 33

HEX #AA9573

RGB 170 149 115

HSL 37.09, 0.24%, 0.56%

LAB 62.74, 2.61, 20.85

 

CMYK 0 / 18 / 48 / 26

HEX #BC9A61

RGB 188 154 97

HSL 37.58, 0.4%, 0.56%

LAB 65.49, 5.26, 34.55

 

CMYK 0 / 23 / 62 / 19

HEX #CE9F4F

RGB 206 159 79

HSL 37.8, 0.56%, 0.56%

LAB 68.37, 8.69, 47.61

 

CMYK 12 / 1 / 0 / 41

HEX #859697

RGB 133 150 151

HSL 183.33, 0.08%, 0.56%

LAB 60.81, -5.82, -2.59

 

CMYK 12 / 4 / 0 / 41

HEX #859197

RGB 133 145 151

HSL 200, 0.08%, 0.56%

LAB 59.41, -3.04, -4.66

 

CMYK 12 / 7 / 0 / 41

HEX #858C97

RGB 133 140 151

HSL 216.67, 0.08%, 0.56%

LAB 58.02, -0.23, -6.72

 

CMYK 12 / 11 / 0 / 41

HEX #858797

RGB 133 135 151

HSL 233.33, 0.08%, 0.56%

LAB 56.63, 2.62, -8.78

 

CMYK 10 / 12 / 0 / 41

HEX #888597

RGB 136 133 151

HSL 250, 0.08%, 0.56%

LAB 56.33, 4.81, -9.21

 

CMYK 15 / 9 / 0 / 57

HEX #5D636D

RGB 93 99 109

HSL 217.5, 0.08%, 0.4%

LAB 41.77, -0.05, -6.44

 

CMYK 15 / 9 / 0 / 49

HEX #707783

RGB 112 119 131

HSL 217.89, 0.08%, 0.48%

LAB 49.83, 0.02, -7.45

 

CMYK 12 / 7 / 0 / 41

HEX #858C97

RGB 133 140 151

HSL 216.67, 0.08%, 0.56%

LAB 58.02, -0.23, -6.72

 

CMYK 8 / 5 / 0 / 33

HEX #9CA1AA

RGB 156 161 170

HSL 218.57, 0.08%, 0.64%

LAB 66.11, 0.03, -5.29

 

CMYK 6 / 4 / 0 / 26

HEX #B2B6BD

RGB 178 182 189

HSL 218.18, 0.08%, 0.72%

LAB 73.93, -0.04, -4.04

 

CMYK 13 / 8 / 0 / 40

HEX #858C98

RGB 133 140 152

HSL 217.89, 0.08%, 0.56%

LAB 58.05, -0.01, -7.25

 

CMYK 2 / 12 / 0 / 41

HEX #948597

RGB 148 133 151

HSL 290, 0.08%, 0.56%

LAB 57.37, 9.09, -7.54

 

CMYK 3 / 0 / 12 / 41

HEX #939785

RGB 147 151 133

HSL 73.33, 0.08%, 0.56%

LAB 61.68, -4.8, 8.99

 

CMYK 13 / 8 / 0 / 40

HEX #858C98

RGB 133 140 152

HSL 217.89, 0.08%, 0.56%

LAB 58.05, -0.01, -7.25

 

CMYK 0 / 12 / 7 / 41

HEX #97858C

RGB 151 133 140

HSL 336.67, 0.08%, 0.56%

LAB 57.32, 8.07, -1.26

 

CMYK 7 / 0 / 12 / 41

HEX #8C9785

RGB 140 151 133

HSL 96.67, 0.08%, 0.56%

LAB 61.13, -7.42, 8.14

 

CMYK 13 / 8 / 0 / 40

HEX #858C98

RGB 133 140 152

HSL 217.89, 0.08%, 0.56%

LAB 58.05, -0.01, -7.25

 

CMYK 2 / 12 / 0 / 41

HEX #948597

RGB 148 133 151

HSL 290, 0.08%, 0.56%

LAB 57.37, 9.09, -7.54

 

CMYK 0 / 5 / 12 / 41

HEX #979085

RGB 151 144 133

HSL 36.67, 0.08%, 0.56%

LAB 60.09, 0.6, 6.76

 

CMYK 9 / 0 / 12 / 41

HEX #899785

RGB 137 151 133

HSL 106.67, 0.08%, 0.56%

LAB 60.91, -8.53, 7.79

 

CMYK 13 / 8 / 0 / 40

HEX #858C98

RGB 133 140 152

HSL 217.89, 0.08%, 0.56%

LAB 58.05, -0.01, -7.25

 

CMYK 0 / 12 / 1 / 41

HEX #978595

RGB 151 133 149

HSL 306.67, 0.08%, 0.56%

LAB 57.58, 9.78, -6.05

 

CMYK 0 / 5 / 12 / 41

HEX #979085

RGB 151 144 133

HSL 36.67, 0.08%, 0.56%

LAB 60.09, 0.6, 6.76

 

CMYK 12 / 0 / 11 / 41

HEX #859787

RGB 133 151 135

HSL 126.67, 0.08%, 0.56%

LAB 60.67, -9.62, 6.27

 

Description

Color code: HEX #858C98 | qconv.com Color code: HEX #858C98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 140 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 140 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 8 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 8% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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