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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #858DD5 it is the complementary color #7A722A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #858DD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #858DD5 shade: #8A8DD0, #9B9FE3, #ACB1F6, #BDC3FF and #CED5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #858DD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #858DD5 shade: #858DD5, #747BC2, #6369AF, #52579C and #414589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #858DD5 shade: #858DD5, #9285D5, #A885D5, #BE85D5 and #D385D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #858DD5 shade: #858DD5 and #8585D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #858DD5 shade matches the following richer shades: #858DD5, #7882E2, #6B78EF and #5D6DFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #858DD5 shade: #858DD5, #9297C8, #9FA2BA, #ADADAD and #BAB7A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #858DD5 shade: #85B8D5, #85A2D5, #858DD5, #9285D5 and #A885D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #858DD5 shade: #4753C0, #6670CA, #858DD5, #A4AADF and #C2C6EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #858DD5 shade: #858DD5, #D585CD and #ADD585

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #858DD5 shade: #858DD5, #D5858D and #8DD585

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #858DD5 shade: #858DD5, #D585CD, #D5CD85 and #85D58D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #858DD5 shade: #858DD5, #D585B5, #D5CD85 and #85D5A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

Complementary color

CMYK 0 / 7 / 66 / 52

HEX #7A722A

RGB 122 114 42

HSL 54, 0.49%, 0.32%

LAB 47.42, -6.42, 39.77

 

CMYK 34 / 32 / 0 / 18

HEX #8A8DD0

RGB 138 141 208

HSL 237.43, 0.43%, 0.68%

LAB 60.79, 14.63, -34.81

 

CMYK 32 / 30 / 0 / 11

HEX #9B9FE3

RGB 155 159 227

HSL 236.67, 0.56%, 0.75%

LAB 67.51, 14.05, -34.8

 

CMYK 30 / 28 / 0 / 4

HEX #ACB1F6

RGB 172 177 246

HSL 235.95, 0.8%, 0.82%

LAB 74.11, 13.54, -34.83

 

CMYK 26 / 24 / 0 / 0

HEX #BDC3FF

RGB 189 195 255

HSL 234.55, 1%, 0.87%

LAB 80.22, 10.7, -30.14

 

CMYK 19 / 16 / 0 / 0

HEX #CED5FF

RGB 206 213 255

HSL 231.43, 1%, 0.9%

LAB 85.97, 6.11, -21.26

 

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

CMYK 40 / 37 / 0 / 24

HEX #747BC2

RGB 116 123 194

HSL 234.62, 0.39%, 0.61%

LAB 53.79, 15.33, -37.96

 

CMYK 43 / 40 / 0 / 31

HEX #6369AF

RGB 99 105 175

HSL 235.26, 0.32%, 0.54%

LAB 46.78, 16.19, -38.12

 

CMYK 47 / 44 / 0 / 39

HEX #52579C

RGB 82 87 156

HSL 235.95, 0.31%, 0.47%

LAB 39.6, 17.23, -38.35

 

CMYK 53 / 50 / 0 / 46

HEX #414589

RGB 65 69 137

HSL 236.67, 0.36%, 0.4%

LAB 32.23, 18.52, -38.64

 

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

CMYK 31 / 38 / 0 / 16

HEX #9285D5

RGB 146 133 213

HSL 249.75, 0.49%, 0.68%

LAB 59.61, 22.85, -39.41

 

CMYK 21 / 38 / 0 / 16

HEX #A885D5

RGB 168 133 213

HSL 266.25, 0.49%, 0.68%

LAB 61.57, 29.22, -36.2

 

CMYK 11 / 38 / 0 / 16

HEX #BE85D5

RGB 190 133 213

HSL 282.75, 0.49%, 0.68%

LAB 63.78, 35.87, -32.6

 

CMYK 1 / 38 / 0 / 16

HEX #D385D5

RGB 211 133 213

HSL 298.5, 0.49%, 0.68%

LAB 66.08, 42.32, -28.85

 

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

CMYK 38 / 38 / 0 / 16

HEX #8585D5

RGB 133 133 213

HSL 240, 0.49%, 0.68%

LAB 58.57, 19.28, -41.11

 

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

CMYK 47 / 42 / 0 / 11

HEX #7882E2

RGB 120 130 226

HSL 234.34, 0.65%, 0.68%

LAB 57.51, 21.51, -50.13

 

CMYK 55 / 50 / 0 / 6

HEX #6B78EF

RGB 107 120 239

HSL 234.09, 0.8%, 0.68%

LAB 54.86, 28.7, -61.67

 

CMYK 63 / 57 / 0 / 1

HEX #5D6DFC

RGB 93 109 252

HSL 233.96, 0.96%, 0.68%

LAB 52.17, 37.09, -73.29

 

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

CMYK 27 / 25 / 0 / 22

HEX #9297C8

RGB 146 151 200

HSL 234.44, 0.33%, 0.68%

LAB 63.68, 9.18, -25.8

 

CMYK 15 / 13 / 0 / 27

HEX #9FA2BA

RGB 159 162 186

HSL 233.33, 0.16%, 0.68%

LAB 67.09, 3.87, -12.71

 

CMYK 0 / 0 / 0 / 32

HEX #ADADAD

RGB 173 173 173

HSL 0, 0%, 0.68%

LAB 70.72, 0, -0.01

 

CMYK 0 / 2 / 14 / 27

HEX #BAB7A0

RGB 186 183 160

HSL 53.08, 0.16%, 0.68%

LAB 74.09, -2.92, 12.08

 

CMYK 38 / 14 / 0 / 16

HEX #85B8D5

RGB 133 184 213

HSL 201.75, 0.49%, 0.68%

LAB 72.28, -9.52, -19.93

 

CMYK 38 / 24 / 0 / 16

HEX #85A2D5

RGB 133 162 213

HSL 218.25, 0.49%, 0.68%

LAB 66.24, 2.55, -29.17

 

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

CMYK 31 / 38 / 0 / 16

HEX #9285D5

RGB 146 133 213

HSL 249.75, 0.49%, 0.68%

LAB 59.61, 22.85, -39.41

 

CMYK 21 / 38 / 0 / 16

HEX #A885D5

RGB 168 133 213

HSL 266.25, 0.49%, 0.68%

LAB 61.57, 29.22, -36.2

 

CMYK 63 / 57 / 0 / 25

HEX #4753C0

RGB 71 83 192

HSL 234.05, 0.49%, 0.52%

LAB 40.13, 29.48, -58.8

 

CMYK 50 / 45 / 0 / 21

HEX #6670CA

RGB 102 112 202

HSL 234, 0.49%, 0.6%

LAB 50.31, 20.88, -48.11

 

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

CMYK 26 / 24 / 0 / 13

HEX #A4AADF

RGB 164 170 223

HSL 233.9, 0.48%, 0.76%

LAB 70.85, 9.49, -27.39

 

CMYK 17 / 15 / 0 / 8

HEX #C2C6EA

RGB 194 198 234

HSL 234, 0.49%, 0.84%

LAB 80.63, 5.88, -18.26

 

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

CMYK 0 / 38 / 4 / 16

HEX #D585CD

RGB 213 133 205

HSL 306, 0.49%, 0.68%

LAB 66, 41.49, -24.48

 

CMYK 19 / 0 / 38 / 16

HEX #ADD585

RGB 173 213 133

HSL 90, 0.49%, 0.68%

LAB 80.83, -26.92, 35.33

 

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

CMYK 0 / 38 / 34 / 16

HEX #D5858D

RGB 213 133 141

HSL 354, 0.49%, 0.68%

LAB 64.03, 31.69, 8.73

 

CMYK 34 / 0 / 38 / 16

HEX #8DD585

RGB 141 213 133

HSL 114, 0.49%, 0.68%

LAB 79.01, -37.94, 32.61

 

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

CMYK 0 / 38 / 4 / 16

HEX #D585CD

RGB 213 133 205

HSL 306, 0.49%, 0.68%

LAB 66, 41.49, -24.48

 

CMYK 0 / 4 / 38 / 16

HEX #D5CD85

RGB 213 205 133

HSL 54, 0.49%, 0.68%

LAB 81.57, -7.7, 36.85

 

CMYK 38 / 0 / 34 / 16

HEX #85D58D

RGB 133 213 141

HSL 126, 0.49%, 0.68%

LAB 78.75, -39.18, 28.08

 

CMYK 38 / 34 / 0 / 16

HEX #858DD5

RGB 133 141 213

HSL 234, 0.49%, 0.68%

LAB 60.64, 14.59, -37.87

 

CMYK 0 / 38 / 15 / 16

HEX #D585B5

RGB 213 133 181

HSL 324, 0.49%, 0.68%

LAB 65.17, 37.43, -12.27

 

CMYK 0 / 4 / 38 / 16

HEX #D5CD85

RGB 213 205 133

HSL 54, 0.49%, 0.68%

LAB 81.57, -7.7, 36.85

 

CMYK 38 / 0 / 23 / 16

HEX #85D5A5

RGB 133 213 165

HSL 144, 0.49%, 0.68%

LAB 79.21, -34.88, 16.12

 

Description

Color code: HEX #858DD5 | qconv.com Color code: HEX #858DD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 141 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 141 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 34 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 34% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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