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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #858EA2 it is the complementary color #7A715D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #858EA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #858EA2 shade: #8A8E9D, #9BA0B0, #ACB2C3, #BDC4D6 and #CED6E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #858EA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #858EA2 shade: #858EA2, #747C8F, #636A7C, #525869 and #414656

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #858EA2 shade: #858EA1, #8587A1, #8C85A1, #9385A1 and #9B85A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #858EA2 shade: #858EA1, #8587A1 and #8585A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #858EA2 shade matches the following richer shades: #858EA1, #7488B3, #6381C4, #517AD5 and #4074E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #858EA2 shade: #858EA1, #979590, #A89B7F, #B9A26D and #CBA85C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #858EA2 shade: #859DA1, #8596A1, #858EA1, #8587A1 and #8C85A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #858EA2 shade: #5C6578, #6E788F, #858EA1, #9DA4B3 and #B4B9C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #858EA2 shade: #858EA2, #9E85A1 and #99A185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #858EA2 shade: #858EA2, #A1858E and #8EA185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #858EA2 shade: #858EA2, #9E85A1, #A19985 and #89A185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #858EA2 shade: #858EA2, #A1859C, #A19985 and #85A18B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 12 / 0 / 36

HEX #858EA2

RGB 133 142 162

HSL 221.38, 0.13%, 0.58%

LAB 58.92, 1.09, -11.66

 

Complementary color

CMYK 0 / 7 / 24 / 52

HEX #7A715D

RGB 122 113 93

HSL 41.38, 0.13%, 0.42%

LAB 47.93, -0.01, 12.38

 

CMYK 12 / 10 / 0 / 38

HEX #8A8E9D

RGB 138 142 157

HSL 227.37, 0.09%, 0.58%

LAB 59.14, 1.67, -8.43

 

CMYK 12 / 9 / 0 / 31

HEX #9BA0B0

RGB 155 160 176

HSL 225.71, 0.12%, 0.65%

LAB 65.94, 1.49, -8.89

 

CMYK 12 / 9 / 0 / 24

HEX #ACB2C3

RGB 172 178 195

HSL 224.35, 0.16%, 0.72%

LAB 72.6, 1.32, -9.35

 

CMYK 12 / 8 / 0 / 16

HEX #BDC4D6

RGB 189 196 214

HSL 223.2, 0.23%, 0.79%

LAB 79.13, 1.15, -9.8

 

CMYK 12 / 8 / 0 / 9

HEX #CED6E9

RGB 206 214 233

HSL 222.22, 0.38%, 0.86%

LAB 85.55, 0.99, -10.25

 

CMYK 18 / 12 / 0 / 36

HEX #858EA2

RGB 133 142 162

HSL 221.38, 0.13%, 0.58%

LAB 58.92, 1.09, -11.66

 

CMYK 19 / 13 / 0 / 44

HEX #747C8F

RGB 116 124 143

HSL 222.22, 0.11%, 0.51%

LAB 51.96, 1.29, -11.28

 

CMYK 20 / 15 / 0 / 51

HEX #636A7C

RGB 99 106 124

HSL 223.2, 0.11%, 0.44%

LAB 44.82, 1.5, -10.9

 

CMYK 22 / 16 / 0 / 59

HEX #525869

RGB 82 88 105

HSL 224.35, 0.12%, 0.37%

LAB 37.47, 1.73, -10.54

 

CMYK 24 / 19 / 0 / 66

HEX #414656

RGB 65 70 86

HSL 225.71, 0.14%, 0.3%

LAB 29.85, 2, -10.2

 

CMYK 17 / 12 / 0 / 37

HEX #858EA1

RGB 133 142 161

HSL 220.71, 0.13%, 0.58%

LAB 58.89, 0.86, -11.14

 

CMYK 17 / 16 / 0 / 37

HEX #8587A1

RGB 133 135 161

HSL 235.71, 0.13%, 0.58%

LAB 56.97, 4.87, -14.03

 

CMYK 13 / 17 / 0 / 37

HEX #8C85A1

RGB 140 133 161

HSL 255, 0.13%, 0.58%

LAB 57, 8.39, -13.92

 

CMYK 9 / 17 / 0 / 37

HEX #9385A1

RGB 147 133 161

HSL 270, 0.13%, 0.58%

LAB 57.61, 10.81, -12.95

 

CMYK 4 / 17 / 0 / 37

HEX #9B85A1

RGB 155 133 161

HSL 287.14, 0.13%, 0.58%

LAB 58.34, 13.61, -11.78

 

CMYK 17 / 12 / 0 / 37

HEX #858EA1

RGB 133 142 161

HSL 220.71, 0.13%, 0.58%

LAB 58.89, 0.86, -11.14

 

CMYK 17 / 16 / 0 / 37

HEX #8587A1

RGB 133 135 161

HSL 235.71, 0.13%, 0.58%

LAB 56.97, 4.87, -14.03

 

CMYK 17 / 17 / 0 / 37

HEX #8585A1

RGB 133 133 161

HSL 240, 0.13%, 0.58%

LAB 56.42, 6.02, -14.86

 

CMYK 17 / 12 / 0 / 37

HEX #858EA1

RGB 133 142 161

HSL 220.71, 0.13%, 0.58%

LAB 58.89, 0.86, -11.14

 

CMYK 35 / 24 / 0 / 30

HEX #7488B3

RGB 116 136 179

HSL 220.95, 0.29%, 0.58%

LAB 56.66, 3.47, -24.92

 

CMYK 49 / 34 / 0 / 23

HEX #6381C4

RGB 99 129 196

HSL 221.44, 0.45%, 0.58%

LAB 54.38, 8.01, -38.24

 

CMYK 62 / 43 / 0 / 16

HEX #517AD5

RGB 81 122 213

HSL 221.36, 0.61%, 0.58%

LAB 52.37, 13.99, -51.15

 

CMYK 72 / 50 / 0 / 9

HEX #4074E7

RGB 64 116 231

HSL 221.32, 0.78%, 0.58%

LAB 51.09, 21.4, -63.38

 

CMYK 17 / 12 / 0 / 37

HEX #858EA1

RGB 133 142 161

HSL 220.71, 0.13%, 0.58%

LAB 58.89, 0.86, -11.14

 

CMYK 0 / 1 / 5 / 41

HEX #979590

RGB 151 149 144

HSL 42.86, 0.03%, 0.58%

LAB 61.73, -0.21, 2.89

 

CMYK 0 / 8 / 24 / 34

HEX #A89B7F

RGB 168 155 127

HSL 40.98, 0.19%, 0.58%

LAB 64.4, 0.18, 16.43

 

CMYK 0 / 12 / 41 / 27

HEX #B9A26D

RGB 185 162 109

HSL 41.84, 0.35%, 0.58%

LAB 67.47, 0.93, 30.65

 

CMYK 0 / 17 / 55 / 20

HEX #CBA85C

RGB 203 168 92

HSL 41.08, 0.52%, 0.58%

LAB 70.51, 3.57, 43.63

 

CMYK 17 / 2 / 0 / 37

HEX #859DA1

RGB 133 157 161

HSL 188.57, 0.13%, 0.58%

LAB 63.07, -7.49, -4.91

 

CMYK 17 / 7 / 0 / 37

HEX #8596A1

RGB 133 150 161

HSL 203.57, 0.13%, 0.58%

LAB 61.11, -3.63, -7.82

 

CMYK 17 / 12 / 0 / 37

HEX #858EA1

RGB 133 142 161

HSL 220.71, 0.13%, 0.58%

LAB 58.89, 0.86, -11.14

 

CMYK 17 / 16 / 0 / 37

HEX #8587A1

RGB 133 135 161

HSL 235.71, 0.13%, 0.58%

LAB 56.97, 4.87, -14.03

 

CMYK 13 / 17 / 0 / 37

HEX #8C85A1

RGB 140 133 161

HSL 255, 0.13%, 0.58%

LAB 57, 8.39, -13.92

 

CMYK 23 / 16 / 0 / 53

HEX #5C6578

RGB 92 101 120

HSL 220.71, 0.13%, 0.42%

LAB 42.67, 1.09, -11.79

 

CMYK 23 / 16 / 0 / 44

HEX #6E788F

RGB 110 120 143

HSL 221.82, 0.13%, 0.5%

LAB 50.37, 1.61, -13.72

 

CMYK 17 / 12 / 0 / 37

HEX #858EA1

RGB 133 142 161

HSL 220.71, 0.13%, 0.58%

LAB 58.89, 0.86, -11.14

 

CMYK 12 / 8 / 0 / 30

HEX #9DA4B3

RGB 157 164 179

HSL 220.91, 0.13%, 0.66%

LAB 67.26, 0.59, -8.59

 

CMYK 9 / 6 / 0 / 23

HEX #B4B9C5

RGB 180 185 197

HSL 222.35, 0.13%, 0.74%

LAB 75.1, 0.61, -6.66

 

CMYK 18 / 12 / 0 / 36

HEX #858EA2

RGB 133 142 162

HSL 221.38, 0.13%, 0.58%

LAB 58.92, 1.09, -11.66

 

CMYK 2 / 17 / 0 / 37

HEX #9E85A1

RGB 158 133 161

HSL 293.57, 0.13%, 0.58%

LAB 58.62, 14.67, -11.33

 

CMYK 5 / 0 / 17 / 37

HEX #99A185

RGB 153 161 133

HSL 77.14, 0.13%, 0.58%

LAB 64.93, -7.96, 13.64

 

CMYK 18 / 12 / 0 / 36

HEX #858EA2

RGB 133 142 162

HSL 221.38, 0.13%, 0.58%

LAB 58.92, 1.09, -11.66

 

CMYK 0 / 17 / 12 / 37

HEX #A1858E

RGB 161 133 142

HSL 340.71, 0.13%, 0.58%

LAB 58.33, 12.2, -0.82

 

CMYK 12 / 0 / 17 / 37

HEX #8EA185

RGB 142 161 133

HSL 100.71, 0.13%, 0.58%

LAB 64.11, -12.07, 12.37

 

CMYK 18 / 12 / 0 / 36

HEX #858EA2

RGB 133 142 162

HSL 221.38, 0.13%, 0.58%

LAB 58.92, 1.09, -11.66

 

CMYK 2 / 17 / 0 / 37

HEX #9E85A1

RGB 158 133 161

HSL 293.57, 0.13%, 0.58%

LAB 58.62, 14.67, -11.33

 

CMYK 0 / 5 / 17 / 37

HEX #A19985

RGB 161 153 133

HSL 42.86, 0.13%, 0.58%

LAB 63.39, -0.53, 11.57

 

CMYK 15 / 0 / 17 / 37

HEX #89A185

RGB 137 161 133

HSL 111.43, 0.13%, 0.58%

LAB 63.76, -13.9, 11.82

 

CMYK 18 / 12 / 0 / 36

HEX #858EA2

RGB 133 142 162

HSL 221.38, 0.13%, 0.58%

LAB 58.92, 1.09, -11.66

 

CMYK 0 / 17 / 3 / 37

HEX #A1859C

RGB 161 133 156

HSL 310.71, 0.13%, 0.58%

LAB 58.74, 14.77, -8.24

 

CMYK 0 / 5 / 17 / 37

HEX #A19985

RGB 161 153 133

HSL 42.86, 0.13%, 0.58%

LAB 63.39, -0.53, 11.57

 

CMYK 17 / 0 / 14 / 37

HEX #85A18B

RGB 133 161 139

HSL 132.86, 0.13%, 0.58%

LAB 63.62, -14.2, 8.25

 

Description

Color code: HEX #858EA2 | qconv.com Color code: HEX #858EA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 142 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 142 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 12 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 12% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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