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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #859B21 it is the complementary color #7A64DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #859B21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #859B21 shade: #8A9B1C, #9BAD2F, #ACBF42, #BDD155 and #CEE368

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #859B21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #859B21 shade: #859B21, #74890E, #637700, #526500 and #415300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #859B21 shade: #859B21, #9B9021, #9B6F21, #9B4E21 and #9B2D21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #859B21 shade: #859B21, #649B21, #439B21, #229B21 and #219B40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #859B21 shade matches the following richer shades: #859B21, #8FAA11 and #99BA02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #859B21 shade: #859B21, #7B8C30, #727D3F, #686D4E and #5E5E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #859B21 shade: #9B6E21, #9B8F21, #879B21, #669B21 and #459B21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #859B21 shade: #4B5712, #687919, #859B21, #A2BD28 and #B9D53A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #859B21 shade: #859B21, #219B4D and #7F219B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #859B21 shade: #859B21, #21879B and #9B2187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #859B21 shade: #859B21, #219B4D, #35219B and #9B216E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #859B21 shade: #859B21, #219B72, #35219B and #9B2149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 79 / 39

HEX #859B21

RGB 133 155 33

HSL 70.82, 0.65%, 0.37%

LAB 60.37, -23.75, 56.4

 

Complementary color

CMYK 45 / 55 / 0 / 13

HEX #7A64DE

RGB 122 100 222

HSL 250.82, 0.65%, 0.63%

LAB 50.13, 38.57, -59.68

 

CMYK 11 / 0 / 82 / 39

HEX #8A9B1C

RGB 138 155 28

HSL 68.03, 0.69%, 0.36%

LAB 60.72, -21.79, 58.34

 

CMYK 10 / 0 / 73 / 32

HEX #9BAD2F

RGB 155 173 47

HSL 68.57, 0.57%, 0.43%

LAB 67.32, -22.64, 58.81

 

CMYK 10 / 0 / 65 / 25

HEX #ACBF42

RGB 172 191 66

HSL 69.12, 0.49%, 0.5%

LAB 73.82, -23.31, 58.48

 

CMYK 10 / 0 / 59 / 18

HEX #BDD155

RGB 189 209 85

HSL 69.68, 0.57%, 0.58%

LAB 80.22, -23.83, 57.75

 

CMYK 9 / 0 / 54 / 11

HEX #CEE368

RGB 206 227 104

HSL 70.24, 0.69%, 0.65%

LAB 86.53, -24.24, 56.8

 

CMYK 14 / 0 / 79 / 39

HEX #859B21

RGB 133 155 33

HSL 70.82, 0.65%, 0.37%

LAB 60.37, -23.75, 56.4

 

CMYK 15 / 0 / 90 / 46

HEX #74890E

RGB 116 137 14

HSL 70.24, 0.81%, 0.3%

LAB 53.64, -22.79, 55.07

 

CMYK 17 / 0 / 100 / 53

HEX #637700

RGB 99 119 0

HSL 70.08, 1%, 0.23%

LAB 46.77, -21.54, 51.84

 

CMYK 19 / 0 / 100 / 60

HEX #526500

RGB 82 101 0

HSL 71.29, 1%, 0.2%

LAB 39.75, -19.97, 46

 

CMYK 22 / 0 / 100 / 67

HEX #415300

RGB 65 83 0

HSL 73.01, 1%, 0.16%

LAB 32.5, -18.37, 39.96

 

CMYK 14 / 0 / 79 / 39

HEX #859B21

RGB 133 155 33

HSL 70.82, 0.65%, 0.37%

LAB 60.37, -23.75, 56.4

 

CMYK 0 / 7 / 79 / 39

HEX #9B9021

RGB 155 144 33

HSL 54.59, 0.65%, 0.37%

LAB 59, -8.27, 55.81

 

CMYK 0 / 28 / 79 / 39

HEX #9B6F21

RGB 155 111 33

HSL 38.36, 0.65%, 0.37%

LAB 50.03, 10.15, 47.52

 

CMYK 0 / 50 / 79 / 39

HEX #9B4E21

RGB 155 78 33

HSL 22.13, 0.65%, 0.37%

LAB 42.04, 28.84, 39.76

 

CMYK 0 / 71 / 79 / 39

HEX #9B2D21

RGB 155 45 33

HSL 5.9, 0.65%, 0.37%

LAB 35.9, 44.88, 33.47

 

CMYK 14 / 0 / 79 / 39

HEX #859B21

RGB 133 155 33

HSL 70.82, 0.65%, 0.37%

LAB 60.37, -23.75, 56.4

 

CMYK 35 / 0 / 79 / 39

HEX #649B21

RGB 100 155 33

HSL 87.05, 0.65%, 0.37%

LAB 58.28, -37.1, 53.71

 

CMYK 57 / 0 / 79 / 39

HEX #439B21

RGB 67 155 33

HSL 103.28, 0.65%, 0.37%

LAB 56.83, -47.91, 51.81

 

CMYK 78 / 0 / 79 / 39

HEX #229B21

RGB 34 155 33

HSL 119.51, 0.65%, 0.37%

LAB 55.98, -54.94, 50.7

 

CMYK 79 / 0 / 59 / 39

HEX #219B40

RGB 33 155 64

HSL 135.25, 0.65%, 0.37%

LAB 56.22, -51.9, 38.02

 

CMYK 14 / 0 / 79 / 39

HEX #859B21

RGB 133 155 33

HSL 70.82, 0.65%, 0.37%

LAB 60.37, -23.75, 56.4

 

CMYK 16 / 0 / 90 / 33

HEX #8FAA11

RGB 143 170 17

HSL 70.59, 0.82%, 0.37%

LAB 65.46, -27.36, 64.96

 

CMYK 18 / 0 / 99 / 27

HEX #99BA02

RGB 153 186 2

HSL 70.76, 0.98%, 0.37%

LAB 70.8, -31.04, 71.38

 

CMYK 14 / 0 / 79 / 39

HEX #859B21

RGB 133 155 33

HSL 70.82, 0.65%, 0.37%

LAB 60.37, -23.75, 56.4

 

CMYK 12 / 0 / 66 / 45

HEX #7B8C30

RGB 123 140 48

HSL 71.09, 0.49%, 0.37%

LAB 55.26, -19.59, 45.43

 

CMYK 9 / 0 / 50 / 51

HEX #727D3F

RGB 114 125 63

HSL 70.65, 0.33%, 0.37%

LAB 50.22, -14.21, 32.21

 

CMYK 5 / 0 / 28 / 57

HEX #686D4E

RGB 104 109 78

HSL 69.68, 0.17%, 0.37%

LAB 44.84, -7.63, 16.73

 

CMYK 0 / 0 / 0 / 63

HEX #5E5E5E

RGB 94 94 94

HSL 0, 0%, 0.37%

LAB 39.9, 0, -0.01

 

CMYK 0 / 29 / 79 / 39

HEX #9B6E21

RGB 155 110 33

HSL 37.87, 0.65%, 0.37%

LAB 49.77, 10.72, 47.27

 

CMYK 0 / 8 / 79 / 39

HEX #9B8F21

RGB 155 143 33

HSL 54.1, 0.65%, 0.37%

LAB 58.72, -7.73, 55.56

 

CMYK 13 / 0 / 79 / 39

HEX #879B21

RGB 135 155 33

HSL 69.84, 0.65%, 0.37%

LAB 60.52, -22.89, 56.59

 

CMYK 34 / 0 / 79 / 39

HEX #669B21

RGB 102 155 33

HSL 86.07, 0.65%, 0.37%

LAB 58.39, -36.35, 53.85

 

CMYK 55 / 0 / 79 / 39

HEX #459B21

RGB 69 155 33

HSL 102.3, 0.65%, 0.37%

LAB 56.9, -47.35, 51.9

 

CMYK 14 / 0 / 79 / 66

HEX #4B5712

RGB 75 87 18

HSL 70.43, 0.66%, 0.21%

LAB 34.71, -14.98, 36.05

 

CMYK 14 / 0 / 79 / 53

HEX #687919

RGB 104 121 25

HSL 70.63, 0.66%, 0.29%

LAB 47.86, -19.51, 46.7

 

CMYK 14 / 0 / 79 / 39

HEX #859B21

RGB 133 155 33

HSL 70.82, 0.65%, 0.37%

LAB 60.37, -23.75, 56.4

 

CMYK 14 / 0 / 79 / 26

HEX #A2BD28

RGB 162 189 40

HSL 70.87, 0.65%, 0.45%

LAB 72.38, -27.84, 65.98

 

CMYK 13 / 0 / 73 / 16

HEX #B9D53A

RGB 185 213 58

HSL 70.84, 0.65%, 0.53%

LAB 80.85, -29.04, 68.79

 

CMYK 14 / 0 / 79 / 39

HEX #859B21

RGB 133 155 33

HSL 70.82, 0.65%, 0.37%

LAB 60.37, -23.75, 56.4

 

CMYK 79 / 0 / 50 / 39

HEX #219B4D

RGB 33 155 77

HSL 141.64, 0.65%, 0.37%

LAB 56.39, -49.94, 31.69

 

CMYK 18 / 79 / 0 / 39

HEX #7F219B

RGB 127 33 155

HSL 286.23, 0.65%, 0.37%

LAB 33.91, 56.33, -46.56

 

CMYK 14 / 0 / 79 / 39

HEX #859B21

RGB 133 155 33

HSL 70.82, 0.65%, 0.37%

LAB 60.37, -23.75, 56.4

 

CMYK 79 / 13 / 0 / 39

HEX #21879B

RGB 33 135 155

HSL 189.84, 0.65%, 0.37%

LAB 51.86, -21.05, -18.79

 

CMYK 0 / 79 / 13 / 39

HEX #9B2187

RGB 155 33 135

HSL 309.84, 0.65%, 0.37%

LAB 37.49, 58.86, -28.32

 

CMYK 14 / 0 / 79 / 39

HEX #859B21

RGB 133 155 33

HSL 70.82, 0.65%, 0.37%

LAB 60.37, -23.75, 56.4

 

CMYK 79 / 0 / 50 / 39

HEX #219B4D

RGB 33 155 77

HSL 141.64, 0.65%, 0.37%

LAB 56.39, -49.94, 31.69

 

CMYK 66 / 79 / 0 / 39

HEX #35219B

RGB 53 33 155

HSL 249.84, 0.65%, 0.37%

LAB 24.36, 44.51, -62.56

 

CMYK 0 / 79 / 29 / 39

HEX #9B216E

RGB 155 33 110

HSL 322.13, 0.65%, 0.37%

LAB 36.33, 55.45, -14.5

 

CMYK 14 / 0 / 79 / 39

HEX #859B21

RGB 133 155 33

HSL 70.82, 0.65%, 0.37%

LAB 60.37, -23.75, 56.4

 

CMYK 79 / 0 / 26 / 39

HEX #219B72

RGB 33 155 114

HSL 159.84, 0.65%, 0.37%

LAB 57.06, -42.4, 12.4

 

CMYK 66 / 79 / 0 / 39

HEX #35219B

RGB 53 33 155

HSL 249.84, 0.65%, 0.37%

LAB 24.36, 44.51, -62.56

 

CMYK 0 / 79 / 53 / 39

HEX #9B2149

RGB 155 33 73

HSL 340.33, 0.65%, 0.37%

LAB 35.08, 51.61, 7.39

 

Description

Color code: HEX #859B21 | qconv.com Color code: HEX #859B21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 155 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 155 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 79 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 79% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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