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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85A91D it is the complementary color #7A56E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85A91D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85A91D shade: #8AA918, #9BBB2B, #ACCD3E, #BDDF51 and #CEF164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85A91D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85A91D shade: #85A91D, #74970A, #638500, #527300 and #416100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85A91D shade: #85AA1C, #AAA81C, #AA821C, #AA5C1C and #AA361C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85A91D shade: #85AA1C, #5FAA1C, #39AA1C, #1CAA26 and #1CAA4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85A91D shade matches the following richer shades: #85AA1C and #8DBA0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85A91D shade: #85AA1C, #7D992C, #76893D, #6E794D and #66695D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85A91D shade: #AA821C, #AAA71C, #86AA1C, #61AA1C and #3BAA1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85A91D shade: #4E6310, #698616, #85AA1C, #A1CD22 and #B4DD3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85A91D shade: #85A91D, #1CAA5C and #941CAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85A91D shade: #85A91D, #1C86AA and #AA1C86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85A91D shade: #85A91D, #1CAA5C, #401CAA and #AA1C6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85A91D shade: #85A91D, #1CAA86, #401CAA and #AA1C40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 83 / 34

HEX #85A91D

RGB 133 169 29

HSL 75.43, 0.71%, 0.39%

LAB 64.52, -30.7, 61.28

 

Complementary color

CMYK 46 / 62 / 0 / 11

HEX #7A56E2

RGB 122 86 226

HSL 255.43, 0.71%, 0.61%

LAB 47.35, 47.67, -66.45

 

CMYK 18 / 0 / 86 / 34

HEX #8AA918

RGB 138 169 24

HSL 72.83, 0.75%, 0.38%

LAB 64.84, -28.8, 62.9

 

CMYK 17 / 0 / 77 / 27

HEX #9BBB2B

RGB 155 187 43

HSL 73.33, 0.63%, 0.45%

LAB 71.34, -29.63, 63.94

 

CMYK 16 / 0 / 70 / 20

HEX #ACCD3E

RGB 172 205 62

HSL 73.85, 0.59%, 0.52%

LAB 77.75, -30.28, 64.03

 

CMYK 15 / 0 / 64 / 13

HEX #BDDF51

RGB 189 223 81

HSL 74.37, 0.69%, 0.6%

LAB 84.06, -30.78, 63.58

 

CMYK 15 / 0 / 59 / 5

HEX #CEF164

RGB 206 241 100

HSL 74.89, 0.83%, 0.67%

LAB 90.3, -31.16, 62.82

 

CMYK 21 / 0 / 83 / 34

HEX #85A91D

RGB 133 169 29

HSL 75.43, 0.71%, 0.39%

LAB 64.52, -30.7, 61.28

 

CMYK 23 / 0 / 93 / 41

HEX #74970A

RGB 116 151 10

HSL 74.89, 0.88%, 0.32%

LAB 57.91, -29.74, 59.25

 

CMYK 26 / 0 / 100 / 48

HEX #638500

RGB 99 133 0

HSL 75.34, 1%, 0.26%

LAB 51.18, -28.5, 55.18

 

CMYK 29 / 0 / 100 / 55

HEX #527300

RGB 82 115 0

HSL 77.22, 1%, 0.23%

LAB 44.31, -27.03, 49.46

 

CMYK 33 / 0 / 100 / 62

HEX #416100

RGB 65 97 0

HSL 79.79, 1%, 0.19%

LAB 37.25, -25.53, 43.58

 

CMYK 22 / 0 / 84 / 33

HEX #85AA1C

RGB 133 170 28

HSL 75.63, 0.72%, 0.39%

LAB 64.82, -31.2, 61.79

 

CMYK 0 / 1 / 84 / 33

HEX #AAA81C

RGB 170 168 28

HSL 59.15, 0.72%, 0.39%

LAB 67, -14.37, 64.75

 

CMYK 0 / 24 / 84 / 33

HEX #AA821C

RGB 170 130 28

HSL 43.1, 0.72%, 0.39%

LAB 56.68, 6.1, 55.95

 

CMYK 0 / 46 / 84 / 33

HEX #AA5C1C

RGB 170 92 28

HSL 27.04, 0.72%, 0.39%

LAB 47.35, 27.37, 47.78

 

CMYK 0 / 68 / 84 / 33

HEX #AA361C

RGB 170 54 28

HSL 10.99, 0.72%, 0.39%

LAB 40.03, 46.19, 41.16

 

CMYK 22 / 0 / 84 / 33

HEX #85AA1C

RGB 133 170 28

HSL 75.63, 0.72%, 0.39%

LAB 64.82, -31.2, 61.79

 

CMYK 44 / 0 / 84 / 33

HEX #5FAA1C

RGB 95 170 28

HSL 91.69, 0.72%, 0.39%

LAB 62.73, -45.46, 59.15

 

CMYK 66 / 0 / 84 / 33

HEX #39AA1C

RGB 57 170 28

HSL 107.75, 0.72%, 0.39%

LAB 61.4, -55.98, 57.44

 

CMYK 84 / 0 / 78 / 33

HEX #1CAA26

RGB 28 170 38

HSL 124.23, 0.72%, 0.39%

LAB 60.9, -60.06, 53.8

 

CMYK 84 / 0 / 55 / 33

HEX #1CAA4C

RGB 28 170 76

HSL 140.28, 0.72%, 0.39%

LAB 61.24, -55.93, 38.13

 

CMYK 22 / 0 / 84 / 33

HEX #85AA1C

RGB 133 170 28

HSL 75.63, 0.72%, 0.39%

LAB 64.82, -31.2, 61.79

 

CMYK 24 / 0 / 94 / 27

HEX #8DBA0C

RGB 141 186 12

HSL 75.52, 0.88%, 0.39%

LAB 70.04, -35.77, 69.32

 

CMYK 22 / 0 / 84 / 33

HEX #85AA1C

RGB 133 170 28

HSL 75.63, 0.72%, 0.39%

LAB 64.82, -31.2, 61.79

 

CMYK 18 / 0 / 71 / 40

HEX #7D992C

RGB 125 153 44

HSL 75.41, 0.55%, 0.39%

LAB 59.27, -25.56, 51.27

 

CMYK 14 / 0 / 55 / 46

HEX #76893D

RGB 118 137 61

HSL 75, 0.38%, 0.39%

LAB 54.11, -19.07, 37.94

 

CMYK 9 / 0 / 36 / 53

HEX #6E794D

RGB 110 121 77

HSL 75, 0.22%, 0.39%

LAB 48.92, -11.99, 22.8

 

CMYK 3 / 0 / 11 / 59

HEX #66695D

RGB 102 105 93

HSL 75, 0.06%, 0.39%

LAB 43.83, -3.56, 6.35

 

CMYK 0 / 24 / 84 / 33

HEX #AA821C

RGB 170 130 28

HSL 43.1, 0.72%, 0.39%

LAB 56.68, 6.1, 55.95

 

CMYK 0 / 2 / 84 / 33

HEX #AAA71C

RGB 170 167 28

HSL 58.73, 0.72%, 0.39%

LAB 66.72, -13.86, 64.52

 

CMYK 21 / 0 / 84 / 33

HEX #86AA1C

RGB 134 170 28

HSL 75.21, 0.72%, 0.39%

LAB 64.88, -30.8, 61.87

 

CMYK 43 / 0 / 84 / 33

HEX #61AA1C

RGB 97 170 28

HSL 90.85, 0.72%, 0.39%

LAB 62.82, -44.79, 59.26

 

CMYK 65 / 0 / 84 / 33

HEX #3BAA1C

RGB 59 170 28

HSL 106.9, 0.72%, 0.39%

LAB 61.45, -55.54, 57.51

 

CMYK 21 / 0 / 84 / 61

HEX #4E6310

RGB 78 99 16

HSL 75.18, 0.72%, 0.23%

LAB 38.87, -20.17, 40.73

 

CMYK 22 / 0 / 84 / 47

HEX #698616

RGB 105 134 22

HSL 75.54, 0.72%, 0.31%

LAB 51.96, -25.81, 51.38

 

CMYK 22 / 0 / 84 / 33

HEX #85AA1C

RGB 133 170 28

HSL 75.63, 0.72%, 0.39%

LAB 64.82, -31.2, 61.79

 

CMYK 21 / 0 / 83 / 20

HEX #A1CD22

RGB 161 205 34

HSL 75.44, 0.72%, 0.47%

LAB 76.89, -35.92, 71.5

 

CMYK 19 / 0 / 73 / 13

HEX #B4DD3B

RGB 180 221 59

HSL 75.19, 0.7%, 0.55%

LAB 82.77, -34.69, 70.18

 

CMYK 21 / 0 / 83 / 34

HEX #85A91D

RGB 133 169 29

HSL 75.43, 0.71%, 0.39%

LAB 64.52, -30.7, 61.28

 

CMYK 84 / 0 / 46 / 33

HEX #1CAA5C

RGB 28 170 92

HSL 147.04, 0.72%, 0.39%

LAB 61.45, -53.33, 30.28

 

CMYK 13 / 84 / 0 / 33

HEX #941CAA

RGB 148 28 170

HSL 290.7, 0.72%, 0.39%

LAB 37.89, 64.52, -49.02

 

CMYK 21 / 0 / 83 / 34

HEX #85A91D

RGB 133 169 29

HSL 75.43, 0.71%, 0.39%

LAB 64.52, -30.7, 61.28

 

CMYK 84 / 21 / 0 / 33

HEX #1C86AA

RGB 28 134 170

HSL 195.21, 0.72%, 0.39%

LAB 52.06, -15.81, -27.16

 

CMYK 0 / 84 / 21 / 33

HEX #AA1C86

RGB 170 28 134

HSL 315.21, 0.72%, 0.39%

LAB 39.74, 63.41, -23.98

 

CMYK 21 / 0 / 83 / 34

HEX #85A91D

RGB 133 169 29

HSL 75.43, 0.71%, 0.39%

LAB 64.52, -30.7, 61.28

 

CMYK 84 / 0 / 46 / 33

HEX #1CAA5C

RGB 28 170 92

HSL 147.04, 0.72%, 0.39%

LAB 61.45, -53.33, 30.28

 

CMYK 62 / 84 / 0 / 33

HEX #401CAA

RGB 64 28 170

HSL 255.21, 0.72%, 0.39%

LAB 26.22, 52.34, -68.56

 

CMYK 0 / 84 / 38 / 33

HEX #AA1C6A

RGB 170 28 106

HSL 327.04, 0.72%, 0.39%

LAB 38.58, 60.11, -8.29

 

CMYK 21 / 0 / 83 / 34

HEX #85A91D

RGB 133 169 29

HSL 75.43, 0.71%, 0.39%

LAB 64.52, -30.7, 61.28

 

CMYK 84 / 0 / 21 / 33

HEX #1CAA86

RGB 28 170 134

HSL 164.79, 0.72%, 0.39%

LAB 62.27, -44.21, 8.56

 

CMYK 62 / 84 / 0 / 33

HEX #401CAA

RGB 64 28 170

HSL 255.21, 0.72%, 0.39%

LAB 26.22, 52.34, -68.56

 

CMYK 0 / 84 / 62 / 33

HEX #AA1C40

RGB 170 28 64

HSL 344.79, 0.72%, 0.39%

LAB 37.38, 56.59, 16.84

 

Description

Color code: HEX #85A91D | qconv.com Color code: HEX #85A91D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 169 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 169 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 83 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 83% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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