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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85B3C7 it is the complementary color #7A4C38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85B3C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85B3C7 shade: #8AB3C2, #9BC5D5, #ACD7E8, #BDE9FB and #CEFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85B3C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85B3C7 shade: #85B3C7, #74A1B4, #638FA1, #527D8E and #416B7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85B3C7 shade: #84B2C6, #84A0C6, #848FC6, #8C84C6 and #9D84C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85B3C7 shade: #84B2C6, #84A0C6, #848FC6 and #8484C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85B3C7 shade matches the following richer shades: #84B2C6, #76B8D5, #67BEE3 and #59C3F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85B3C7 shade: #84B2C6, #93ADB8, #A1A7A9, #B0A19B and #BE9C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85B3C7 shade: #84C6B7, #84C4C6, #84B2C6, #84A1C6 and #848FC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85B3C7 shade: #4E8EAA, #68A1B9, #84B2C6, #A0C4D3 and #BDD6E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85B3C7 shade: #85B3C7, #A584C6 and #C6C084

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85B3C7 shade: #85B3C7, #C684B2 and #B2C684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85B3C7 shade: #85B3C7, #A584C6, #C69884 and #A5C684

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85B3C7 shade: #85B3C7, #B984C6, #C69884 and #91C684

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 10 / 0 / 22

HEX #85B3C7

RGB 133 179 199

HSL 198.18, 0.37%, 0.65%

LAB 70.42, -10.4, -15.07

 

Complementary color

CMYK 0 / 38 / 54 / 52

HEX #7A4C38

RGB 122 76 56

HSL 18.18, 0.37%, 0.35%

LAB 37.1, 17.15, 19.95

 

CMYK 29 / 8 / 0 / 24

HEX #8AB3C2

RGB 138 179 194

HSL 196.07, 0.31%, 0.65%

LAB 70.55, -10.17, -12.1

 

CMYK 27 / 8 / 0 / 16

HEX #9BC5D5

RGB 155 197 213

HSL 196.55, 0.41%, 0.72%

LAB 77.1, -10.19, -12.53

 

CMYK 26 / 7 / 0 / 9

HEX #ACD7E8

RGB 172 215 232

HSL 197, 0.57%, 0.79%

LAB 83.55, -10.21, -12.95

 

CMYK 25 / 7 / 0 / 2

HEX #BDE9FB

RGB 189 233 251

HSL 197.42, 0.89%, 0.86%

LAB 89.89, -10.24, -13.38

 

CMYK 19 / 2 / 0 / 0

HEX #CEFBFF

RGB 206 251 255

HSL 184.9, 1%, 0.9%

LAB 95.72, -13.44, -6.68

 

CMYK 33 / 10 / 0 / 22

HEX #85B3C7

RGB 133 179 199

HSL 198.18, 0.37%, 0.65%

LAB 70.42, -10.4, -15.07

 

CMYK 36 / 11 / 0 / 29

HEX #74A1B4

RGB 116 161 180

HSL 197.81, 0.3%, 0.58%

LAB 63.75, -10.33, -14.68

 

CMYK 39 / 11 / 0 / 37

HEX #638FA1

RGB 99 143 161

HSL 197.42, 0.25%, 0.51%

LAB 56.95, -10.25, -14.28

 

CMYK 42 / 12 / 0 / 44

HEX #527D8E

RGB 82 125 142

HSL 197, 0.27%, 0.44%

LAB 49.99, -10.14, -13.88

 

CMYK 47 / 13 / 0 / 52

HEX #416B7B

RGB 65 107 123

HSL 196.55, 0.31%, 0.37%

LAB 42.87, -9.98, -13.47

 

CMYK 33 / 10 / 0 / 22

HEX #84B2C6

RGB 132 178 198

HSL 198.18, 0.37%, 0.65%

LAB 70.05, -10.4, -15.08

 

CMYK 33 / 19 / 0 / 22

HEX #84A0C6

RGB 132 160 198

HSL 214.55, 0.37%, 0.65%

LAB 65.06, -0.56, -22.66

 

CMYK 33 / 28 / 0 / 22

HEX #848FC6

RGB 132 143 198

HSL 230, 0.37%, 0.65%

LAB 60.45, 9.12, -29.75

 

CMYK 29 / 33 / 0 / 22

HEX #8C84C6

RGB 140 132 198

HSL 247.27, 0.37%, 0.65%

LAB 58.18, 17.85, -33.22

 

CMYK 21 / 33 / 0 / 22

HEX #9D84C6

RGB 157 132 198

HSL 262.73, 0.37%, 0.65%

LAB 59.66, 22.97, -30.81

 

CMYK 33 / 10 / 0 / 22

HEX #84B2C6

RGB 132 178 198

HSL 198.18, 0.37%, 0.65%

LAB 70.05, -10.4, -15.08

 

CMYK 33 / 19 / 0 / 22

HEX #84A0C6

RGB 132 160 198

HSL 214.55, 0.37%, 0.65%

LAB 65.06, -0.56, -22.66

 

CMYK 33 / 28 / 0 / 22

HEX #848FC6

RGB 132 143 198

HSL 230, 0.37%, 0.65%

LAB 60.45, 9.12, -29.75

 

CMYK 33 / 33 / 0 / 22

HEX #8484C6

RGB 132 132 198

HSL 240, 0.37%, 0.65%

LAB 57.55, 15.53, -34.27

 

CMYK 33 / 10 / 0 / 22

HEX #84B2C6

RGB 132 178 198

HSL 198.18, 0.37%, 0.65%

LAB 70.05, -10.4, -15.08

 

CMYK 45 / 14 / 0 / 16

HEX #76B8D5

RGB 118 184 213

HSL 198.32, 0.53%, 0.65%

LAB 71.51, -13.37, -21.16

 

CMYK 55 / 16 / 0 / 11

HEX #67BEE3

RGB 103 190 227

HSL 197.9, 0.69%, 0.65%

LAB 73.06, -15.95, -26.48

 

CMYK 63 / 19 / 0 / 5

HEX #59C3F2

RGB 89 195 242

HSL 198.43, 0.85%, 0.65%

LAB 74.55, -16.66, -32.34

 

CMYK 33 / 10 / 0 / 22

HEX #84B2C6

RGB 132 178 198

HSL 198.18, 0.37%, 0.65%

LAB 70.05, -10.4, -15.08

 

CMYK 20 / 6 / 0 / 28

HEX #93ADB8

RGB 147 173 184

HSL 197.84, 0.21%, 0.65%

LAB 69.15, -6.51, -8.62

 

CMYK 5 / 1 / 0 / 34

HEX #A1A7A9

RGB 161 167 169

HSL 195, 0.04%, 0.65%

LAB 68.08, -1.73, -1.78

 

CMYK 0 / 9 / 12 / 31

HEX #B0A19B

RGB 176 161 155

HSL 17.14, 0.12%, 0.65%

LAB 67.34, 4.42, 5.09

 

CMYK 0 / 18 / 26 / 25

HEX #BE9C8D

RGB 190 156 141

HSL 18.37, 0.27%, 0.65%

LAB 67.01, 10.31, 12.59

 

CMYK 33 / 0 / 8 / 22

HEX #84C6B7

RGB 132 198 183

HSL 166.36, 0.37%, 0.65%

LAB 75.27, -24.24, 0.85

 

CMYK 33 / 1 / 0 / 22

HEX #84C4C6

RGB 132 196 198

HSL 181.82, 0.37%, 0.65%

LAB 75.12, -19.78, -7.51

 

CMYK 33 / 10 / 0 / 22

HEX #84B2C6

RGB 132 178 198

HSL 198.18, 0.37%, 0.65%

LAB 70.05, -10.4, -15.08

 

CMYK 33 / 19 / 0 / 22

HEX #84A1C6

RGB 132 161 198

HSL 213.64, 0.37%, 0.65%

LAB 65.34, -1.11, -22.24

 

CMYK 33 / 28 / 0 / 22

HEX #848FC6

RGB 132 143 198

HSL 230, 0.37%, 0.65%

LAB 60.45, 9.12, -29.75

 

CMYK 54 / 16 / 0 / 33

HEX #4E8EAA

RGB 78 142 170

HSL 198.26, 0.37%, 0.49%

LAB 55.96, -12.41, -21.04

 

CMYK 44 / 13 / 0 / 27

HEX #68A1B9

RGB 104 161 185

HSL 197.78, 0.37%, 0.57%

LAB 63.29, -12.23, -18.24

 

CMYK 33 / 10 / 0 / 22

HEX #84B2C6

RGB 132 178 198

HSL 198.18, 0.37%, 0.65%

LAB 70.05, -10.4, -15.08

 

CMYK 24 / 7 / 0 / 17

HEX #A0C4D3

RGB 160 196 211

HSL 197.65, 0.37%, 0.73%

LAB 77.08, -8.64, -11.46

 

CMYK 16 / 4 / 0 / 12

HEX #BDD6E0

RGB 189 214 224

HSL 197.14, 0.36%, 0.81%

LAB 84.12, -6.26, -7.74

 

CMYK 33 / 10 / 0 / 22

HEX #85B3C7

RGB 133 179 199

HSL 198.18, 0.37%, 0.65%

LAB 70.42, -10.4, -15.07

 

CMYK 17 / 33 / 0 / 22

HEX #A584C6

RGB 165 132 198

HSL 270, 0.37%, 0.65%

LAB 60.41, 25.46, -29.59

 

CMYK 0 / 3 / 33 / 22

HEX #C6C084

RGB 198 192 132

HSL 54.55, 0.37%, 0.65%

LAB 76.9, -7.02, 31.05

 

CMYK 33 / 10 / 0 / 22

HEX #85B3C7

RGB 133 179 199

HSL 198.18, 0.37%, 0.65%

LAB 70.42, -10.4, -15.07

 

CMYK 0 / 33 / 10 / 22

HEX #C684B2

RGB 198 132 178

HSL 318.18, 0.37%, 0.65%

LAB 63.11, 32.36, -13.84

 

CMYK 10 / 0 / 33 / 22

HEX #B2C684

RGB 178 198 132

HSL 78.18, 0.37%, 0.65%

LAB 76.99, -17.83, 30.88

 

CMYK 33 / 10 / 0 / 22

HEX #85B3C7

RGB 133 179 199

HSL 198.18, 0.37%, 0.65%

LAB 70.42, -10.4, -15.07

 

CMYK 17 / 33 / 0 / 22

HEX #A584C6

RGB 165 132 198

HSL 270, 0.37%, 0.65%

LAB 60.41, 25.46, -29.59

 

CMYK 0 / 23 / 33 / 22

HEX #C69884

RGB 198 152 132

HSL 18.18, 0.37%, 0.65%

LAB 66.62, 14.42, 17.16

 

CMYK 17 / 0 / 33 / 22

HEX #A5C684

RGB 165 198 132

HSL 90, 0.37%, 0.65%

LAB 76.1, -22.68, 29.54

 

CMYK 33 / 10 / 0 / 22

HEX #85B3C7

RGB 133 179 199

HSL 198.18, 0.37%, 0.65%

LAB 70.42, -10.4, -15.07

 

CMYK 7 / 33 / 0 / 22

HEX #B984C6

RGB 185 132 198

HSL 288.18, 0.37%, 0.65%

LAB 62.42, 31.79, -26.33

 

CMYK 0 / 23 / 33 / 22

HEX #C69884

RGB 198 152 132

HSL 18.18, 0.37%, 0.65%

LAB 66.62, 14.42, 17.16

 

CMYK 27 / 0 / 33 / 22

HEX #91C684

RGB 145 198 132

HSL 108.18, 0.37%, 0.65%

LAB 74.87, -29.8, 27.69

 

Description

Color code: HEX #85B3C7 | qconv.com Color code: HEX #85B3C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 179 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 179 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 10 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 10% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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