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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85CDB6 it is the complementary color #7A3249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85CDB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85CDB6 shade: #8ACDB1, #9BDFC4, #ACF1D7, #BDFFEA and #CEFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85CDB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85CDB6 shade: #85CDB6, #74BBA3, #63A990, #52977D and #41856A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85CDB6 shade: #83CCB5, #83CCA1, #83CC8E, #8DCC83 and #A0CC83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85CDB6 shade: #83CCB5, #83CCC9, #83BCCC, #83A9CC and #8395CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85CDB6 shade matches the following richer shades: #83CCB5, #75DABA, #67E8BF and #59F6C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85CDB6 shade: #83CCB5, #91BEB0, #9FB0AB, #ADA2A6 and #BB94A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85CDB6 shade: #83CC8D, #83CCA1, #83CCB4, #83CCC7 and #83BECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85CDB6 shade: #49B492, #66C0A3, #83CCB5, #A1D8C6 and #BEE4D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85CDB6 shade: #85CDB6, #838DCC and #CC9783

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85CDB6 shade: #85CDB6, #B483CC and #CCB483

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85CDB6 shade: #85CDB6, #838DCC, #CC839C and #CCC383

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85CDB6 shade: #85CDB6, #9083CC, #CC839C and #C0CC83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 11 / 20

HEX #85CDB6

RGB 133 205 182

HSL 160.83, 0.42%, 0.66%

LAB 77.3, -27.61, 4.33

 

Complementary color

CMYK 0 / 59 / 40 / 52

HEX #7A3249

RGB 122 50 73

HSL 340.83, 0.42%, 0.34%

LAB 31.58, 33.84, 1.57

 

CMYK 33 / 0 / 14 / 20

HEX #8ACDB1

RGB 138 205 177

HSL 154.93, 0.4%, 0.67%

LAB 77.42, -27.22, 7.23

 

CMYK 30 / 0 / 12 / 13

HEX #9BDFC4

RGB 155 223 196

HSL 156.18, 0.52%, 0.74%

LAB 83.82, -27, 6.43

 

CMYK 29 / 0 / 11 / 5

HEX #ACF1D7

RGB 172 241 215

HSL 157.39, 0.71%, 0.81%

LAB 90.13, -26.8, 5.67

 

CMYK 26 / 0 / 8 / 0

HEX #BDFFEA

RGB 189 255 234

HSL 160.91, 1%, 0.87%

LAB 95.28, -24.71, 3.4

 

CMYK 19 / 0 / 1 / 0

HEX #CEFFFD

RGB 206 255 253

HSL 177.55, 1%, 0.9%

LAB 96.71, -15.83, -4.18

 

CMYK 35 / 0 / 11 / 20

HEX #85CDB6

RGB 133 205 182

HSL 160.83, 0.42%, 0.66%

LAB 77.3, -27.61, 4.33

 

CMYK 38 / 0 / 13 / 27

HEX #74BBA3

RGB 116 187 163

HSL 159.72, 0.34%, 0.59%

LAB 70.8, -27.82, 5.15

 

CMYK 41 / 0 / 15 / 34

HEX #63A990

RGB 99 169 144

HSL 158.57, 0.29%, 0.53%

LAB 64.2, -28.03, 6.02

 

CMYK 46 / 0 / 17 / 41

HEX #52977D

RGB 82 151 125

HSL 157.39, 0.3%, 0.46%

LAB 57.47, -28.24, 6.97

 

CMYK 51 / 0 / 20 / 48

HEX #41856A

RGB 65 133 106

HSL 156.18, 0.34%, 0.39%

LAB 50.62, -28.41, 8.02

 

CMYK 36 / 0 / 11 / 20

HEX #83CCB5

RGB 131 204 181

HSL 161.1, 0.42%, 0.66%

LAB 76.89, -27.91, 4.27

 

CMYK 36 / 0 / 21 / 20

HEX #83CCA1

RGB 131 204 161

HSL 144.66, 0.42%, 0.66%

LAB 76.43, -32.04, 14.33

 

CMYK 36 / 0 / 30 / 20

HEX #83CC8E

RGB 131 204 142

HSL 129.04, 0.42%, 0.66%

LAB 76.05, -35.54, 23.89

 

CMYK 31 / 0 / 36 / 20

HEX #8DCC83

RGB 141 204 131

HSL 111.78, 0.42%, 0.66%

LAB 76.37, -34.13, 30.15

 

CMYK 22 / 0 / 36 / 20

HEX #A0CC83

RGB 160 204 131

HSL 96.16, 0.42%, 0.66%

LAB 77.46, -27.56, 31.8

 

CMYK 36 / 0 / 11 / 20

HEX #83CCB5

RGB 131 204 181

HSL 161.1, 0.42%, 0.66%

LAB 76.89, -27.91, 4.27

 

CMYK 36 / 0 / 1 / 20

HEX #83CCC9

RGB 131 204 201

HSL 177.53, 0.42%, 0.66%

LAB 77.42, -23.35, -5.73

 

CMYK 36 / 8 / 0 / 20

HEX #83BCCC

RGB 131 188 204

HSL 193.15, 0.42%, 0.66%

LAB 72.99, -14.46, -13.95

 

CMYK 36 / 17 / 0 / 20

HEX #83A9CC

RGB 131 169 204

HSL 208.77, 0.42%, 0.66%

LAB 67.7, -4.27, -21.97

 

CMYK 36 / 27 / 0 / 20

HEX #8395CC

RGB 131 149 204

HSL 225.21, 0.42%, 0.66%

LAB 62.24, 6.97, -30.36

 

CMYK 36 / 0 / 11 / 20

HEX #83CCB5

RGB 131 204 181

HSL 161.1, 0.42%, 0.66%

LAB 76.89, -27.91, 4.27

 

CMYK 46 / 0 / 15 / 15

HEX #75DABA

RGB 117 218 186

HSL 160.99, 0.58%, 0.66%

LAB 80.44, -37.08, 6.64

 

CMYK 56 / 0 / 18 / 9

HEX #67E8BF

RGB 103 232 191

HSL 160.93, 0.74%, 0.66%

LAB 84.15, -45.33, 9.25

 

CMYK 64 / 0 / 20 / 4

HEX #59F6C4

RGB 89 246 196

HSL 160.89, 0.9%, 0.66%

LAB 87.98, -52.69, 12.05

 

CMYK 36 / 0 / 11 / 20

HEX #83CCB5

RGB 131 204 181

HSL 161.1, 0.42%, 0.66%

LAB 76.89, -27.91, 4.27

 

CMYK 24 / 0 / 7 / 25

HEX #91BEB0

RGB 145 190 176

HSL 161.33, 0.26%, 0.66%

LAB 73.53, -17.81, 2.21

 

CMYK 10 / 0 / 3 / 31

HEX #9FB0AB

RGB 159 176 171

HSL 162.35, 0.1%, 0.66%

LAB 70.43, -6.88, 0.54

 

CMYK 0 / 6 / 4 / 32

HEX #ADA2A6

RGB 173 162 166

HSL 338.18, 0.06%, 0.66%

LAB 67.63, 4.71, -0.65

 

CMYK 0 / 21 / 14 / 27

HEX #BB94A1

RGB 187 148 161

HSL 340, 0.22%, 0.66%

LAB 65.21, 16.71, -1.24

 

CMYK 36 / 0 / 31 / 20

HEX #83CC8D

RGB 131 204 141

HSL 128.22, 0.42%, 0.66%

LAB 76.03, -35.72, 24.39

 

CMYK 36 / 0 / 21 / 20

HEX #83CCA1

RGB 131 204 161

HSL 144.66, 0.42%, 0.66%

LAB 76.43, -32.04, 14.33

 

CMYK 36 / 0 / 12 / 20

HEX #83CCB4

RGB 131 204 180

HSL 160.27, 0.42%, 0.66%

LAB 76.86, -28.13, 4.77

 

CMYK 36 / 0 / 2 / 20

HEX #83CCC7

RGB 131 204 199

HSL 175.89, 0.42%, 0.66%

LAB 77.36, -23.83, -4.73

 

CMYK 36 / 7 / 0 / 20

HEX #83BECC

RGB 131 190 204

HSL 191.51, 0.42%, 0.66%

LAB 73.55, -15.5, -13.11

 

CMYK 59 / 0 / 19 / 29

HEX #49B492

RGB 73 180 146

HSL 160.93, 0.42%, 0.5%

LAB 66.62, -38.98, 8.26

 

CMYK 47 / 0 / 15 / 25

HEX #66C0A3

RGB 102 192 163

HSL 160.67, 0.42%, 0.58%

LAB 71.67, -33.93, 6.32

 

CMYK 36 / 0 / 11 / 20

HEX #83CCB5

RGB 131 204 181

HSL 161.1, 0.42%, 0.66%

LAB 76.89, -27.91, 4.27

 

CMYK 25 / 0 / 8 / 15

HEX #A1D8C6

RGB 161 216 198

HSL 160.36, 0.41%, 0.74%

LAB 82.25, -21.37, 3.14

 

CMYK 17 / 0 / 5 / 11

HEX #BEE4D8

RGB 190 228 216

HSL 161.05, 0.41%, 0.82%

LAB 87.68, -14.71, 1.72

 

CMYK 35 / 0 / 11 / 20

HEX #85CDB6

RGB 133 205 182

HSL 160.83, 0.42%, 0.66%

LAB 77.3, -27.61, 4.33

 

CMYK 36 / 31 / 0 / 20

HEX #838DCC

RGB 131 141 204

HSL 231.78, 0.42%, 0.66%

LAB 60.1, 11.6, -33.67

 

CMYK 0 / 26 / 36 / 20

HEX #CC9783

RGB 204 151 131

HSL 16.44, 0.42%, 0.66%

LAB 66.98, 17.21, 18.32

 

CMYK 35 / 0 / 11 / 20

HEX #85CDB6

RGB 133 205 182

HSL 160.83, 0.42%, 0.66%

LAB 77.3, -27.61, 4.33

 

CMYK 12 / 36 / 0 / 20

HEX #B483CC

RGB 180 131 204

HSL 280.27, 0.42%, 0.66%

LAB 61.91, 32.01, -30.53

 

CMYK 0 / 12 / 36 / 20

HEX #CCB483

RGB 204 180 131

HSL 40.27, 0.42%, 0.66%

LAB 74.27, 1.54, 28.18

 

CMYK 35 / 0 / 11 / 20

HEX #85CDB6

RGB 133 205 182

HSL 160.83, 0.42%, 0.66%

LAB 77.3, -27.61, 4.33

 

CMYK 36 / 31 / 0 / 20

HEX #838DCC

RGB 131 141 204

HSL 231.78, 0.42%, 0.66%

LAB 60.1, 11.6, -33.67

 

CMYK 0 / 36 / 24 / 20

HEX #CC839C

RGB 204 131 156

HSL 339.45, 0.42%, 0.66%

LAB 62.9, 31.51, -1.58

 

CMYK 0 / 4 / 36 / 20

HEX #CCC383

RGB 204 195 131

HSL 52.6, 0.42%, 0.66%

LAB 78.17, -6.33, 33.33

 

CMYK 35 / 0 / 11 / 20

HEX #85CDB6

RGB 133 205 182

HSL 160.83, 0.42%, 0.66%

LAB 77.3, -27.61, 4.33

 

CMYK 29 / 36 / 0 / 20

HEX #9083CC

RGB 144 131 204

HSL 250.68, 0.42%, 0.66%

LAB 58.53, 21.13, -36.05

 

CMYK 0 / 36 / 24 / 20

HEX #CC839C

RGB 204 131 156

HSL 339.45, 0.42%, 0.66%

LAB 62.9, 31.51, -1.58

 

CMYK 6 / 0 / 36 / 20

HEX #C0CC83

RGB 192 204 131

HSL 69.86, 0.42%, 0.66%

LAB 79.63, -15.62, 35.05

 

Description

Color code: HEX #85CDB6 | qconv.com Color code: HEX #85CDB6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 205 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 205 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 11 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 11% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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