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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85D736 it is the complementary color #7A28C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85D736. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85D736 shade: #8AD731, #9BE944, #ACFB57, #BDFF6A and #CEFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85D736. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85D736 shade: #85D736, #74C523, #63B310, #52A100 and #418F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85D736 shade: #85D736, #B0D736, #D7D236, #D7A736 and #D77C36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85D736 shade: #85D736, #5AD736, #36D73E, #36D769 and #36D795

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85D736 shade matches the following richer shades: #85D736, #85EA23 and #84FE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85D736 shade: #85D736, #86C44A, #86B05D, #869D71 and #878984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85D736 shade: #D7D236, #B1D736, #87D736, #5CD736 and #36D73C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85D736 shade: #5C9C1E, #71BF25, #85D736, #9ADE59 and #AFE57B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85D736 shade: #85D736, #36D7A7 and #D736C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85D736 shade: #85D736, #3687D7 and #D73687

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85D736 shade: #85D736, #36D7A7, #8736D7 and #D73667

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85D736 shade: #85D736, #36D7D7, #8736D7 and #D73636

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 75 / 16

HEX #85D736

RGB 133 215 54

HSL 90.56, 0.67%, 0.53%

LAB 78.38, -49.65, 66.67

 

Complementary color

CMYK 39 / 80 / 0 / 21

HEX #7A28C9

RGB 122 40 201

HSL 270.56, 0.67%, 0.47%

LAB 37.61, 62.94, -67.94

 

CMYK 36 / 0 / 77 / 16

HEX #8AD731

RGB 138 215 49

HSL 87.83, 0.67%, 0.52%

LAB 78.59, -48.2, 68.53

 

CMYK 33 / 0 / 71 / 9

HEX #9BE944

RGB 155 233 68

HSL 88.36, 0.79%, 0.59%

LAB 84.82, -48.68, 68.65

 

CMYK 31 / 0 / 65 / 2

HEX #ACFB57

RGB 172 251 87

HSL 88.9, 0.95%, 0.66%

LAB 90.99, -49.01, 68.26

 

CMYK 26 / 0 / 58 / 0

HEX #BDFF6A

RGB 189 255 106

HSL 86.58, 1%, 0.71%

LAB 93.18, -43.25, 63.21

 

CMYK 19 / 0 / 51 / 0

HEX #CEFF7D

RGB 206 255 125

HSL 82.62, 1%, 0.75%

LAB 94.36, -35.39, 56.48

 

CMYK 38 / 0 / 75 / 16

HEX #85D736

RGB 133 215 54

HSL 90.56, 0.67%, 0.53%

LAB 78.38, -49.65, 66.67

 

CMYK 41 / 0 / 82 / 23

HEX #74C523

RGB 116 197 35

HSL 90, 0.7%, 0.45%

LAB 72.07, -49.03, 66.07

 

CMYK 45 / 0 / 91 / 30

HEX #63B310

RGB 99 179 16

HSL 89.45, 0.84%, 0.38%

LAB 65.69, -48.15, 64.3

 

CMYK 49 / 0 / 100 / 37

HEX #52A100

RGB 82 161 0

HSL 89.44, 1%, 0.32%

LAB 59.24, -46.93, 61.03

 

CMYK 55 / 0 / 100 / 44

HEX #418F00

RGB 65 143 0

HSL 92.73, 1%, 0.28%

LAB 52.7, -45.25, 55.61

 

CMYK 38 / 0 / 75 / 16

HEX #85D736

RGB 133 215 54

HSL 90.56, 0.67%, 0.53%

LAB 78.38, -49.65, 66.67

 

CMYK 18 / 0 / 75 / 16

HEX #B0D736

RGB 176 215 54

HSL 74.53, 0.67%, 0.53%

LAB 80.79, -33.76, 69.83

 

CMYK 0 / 2 / 75 / 16

HEX #D7D236

RGB 215 210 54

HSL 58.14, 0.67%, 0.53%

LAB 82.27, -15.35, 72.24

 

CMYK 0 / 22 / 75 / 16

HEX #D7A736

RGB 215 167 54

HSL 42.11, 0.67%, 0.53%

LAB 71.11, 6.89, 61.72

 

CMYK 0 / 42 / 75 / 16

HEX #D77C36

RGB 215 124 54

HSL 26.09, 0.67%, 0.53%

LAB 60.9, 29.98, 51.63

 

CMYK 38 / 0 / 75 / 16

HEX #85D736

RGB 133 215 54

HSL 90.56, 0.67%, 0.53%

LAB 78.38, -49.65, 66.67

 

CMYK 58 / 0 / 75 / 16

HEX #5AD736

RGB 90 215 54

HSL 106.58, 0.67%, 0.53%

LAB 76.7, -62.27, 64.47

 

CMYK 75 / 0 / 71 / 16

HEX #36D73E

RGB 54 215 62

HSL 122.98, 0.67%, 0.53%

LAB 75.91, -68.72, 60.61

 

CMYK 75 / 0 / 51 / 16

HEX #36D769

RGB 54 215 105

HSL 139.01, 0.67%, 0.53%

LAB 76.32, -63.76, 42.53

 

CMYK 75 / 0 / 31 / 16

HEX #36D795

RGB 54 215 149

HSL 155.4, 0.67%, 0.53%

LAB 77.01, -55.84, 21.13

 

CMYK 38 / 0 / 75 / 16

HEX #85D736

RGB 133 215 54

HSL 90.56, 0.67%, 0.53%

LAB 78.38, -49.65, 66.67

 

CMYK 43 / 0 / 85 / 8

HEX #85EA23

RGB 133 234 35

HSL 90.45, 0.83%, 0.53%

LAB 83.94, -57.97, 76.8

 

CMYK 48 / 0 / 94 / 0

HEX #84FE10

RGB 132 254 16

HSL 90.76, 0.99%, 0.53%

LAB 89.78, -66.1, 84.53

 

CMYK 38 / 0 / 75 / 16

HEX #85D736

RGB 133 215 54

HSL 90.56, 0.67%, 0.53%

LAB 78.38, -49.65, 66.67

 

CMYK 32 / 0 / 62 / 23

HEX #86C44A

RGB 134 196 74

HSL 90.49, 0.51%, 0.53%

LAB 72.92, -39.82, 53.46

 

CMYK 24 / 0 / 47 / 31

HEX #86B05D

RGB 134 176 93

HSL 90.36, 0.34%, 0.53%

LAB 67.21, -28.63, 37.84

 

CMYK 15 / 0 / 28 / 38

HEX #869D71

RGB 134 157 113

HSL 91.36, 0.18%, 0.53%

LAB 61.98, -16.3, 20.42

 

CMYK 1 / 0 / 4 / 46

HEX #878984

RGB 135 137 132

HSL 84, 0.02%, 0.53%

LAB 56.79, -1.71, 2.41

 

CMYK 0 / 2 / 75 / 16

HEX #D7D236

RGB 215 210 54

HSL 58.14, 0.67%, 0.53%

LAB 82.27, -15.35, 72.24

 

CMYK 18 / 0 / 75 / 16

HEX #B1D736

RGB 177 215 54

HSL 74.16, 0.67%, 0.53%

LAB 80.86, -33.36, 69.91

 

CMYK 37 / 0 / 75 / 16

HEX #87D736

RGB 135 215 54

HSL 89.81, 0.67%, 0.53%

LAB 78.47, -48.97, 66.8

 

CMYK 57 / 0 / 75 / 16

HEX #5CD736

RGB 92 215 54

HSL 105.84, 0.67%, 0.53%

LAB 76.77, -61.78, 64.55

 

CMYK 75 / 0 / 72 / 16

HEX #36D73C

RGB 54 215 60

HSL 122.24, 0.67%, 0.53%

LAB 75.89, -68.88, 61.32

 

CMYK 41 / 0 / 81 / 39

HEX #5C9C1E

RGB 92 156 30

HSL 90.48, 0.68%, 0.36%

LAB 58.18, -40.59, 54.39

 

CMYK 41 / 0 / 81 / 25

HEX #71BF25

RGB 113 191 37

HSL 90.39, 0.68%, 0.45%

LAB 70.11, -47.53, 63.71

 

CMYK 38 / 0 / 75 / 16

HEX #85D736

RGB 133 215 54

HSL 90.56, 0.67%, 0.53%

LAB 78.38, -49.65, 66.67

 

CMYK 31 / 0 / 60 / 13

HEX #9ADE59

RGB 154 222 89

HSL 90.68, 0.67%, 0.61%

LAB 81.75, -42.77, 57.11

 

CMYK 24 / 0 / 46 / 10

HEX #AFE57B

RGB 175 229 123

HSL 90.57, 0.67%, 0.69%

LAB 85.29, -34.94, 45.97

 

CMYK 38 / 0 / 75 / 16

HEX #85D736

RGB 133 215 54

HSL 90.56, 0.67%, 0.53%

LAB 78.38, -49.65, 66.67

 

CMYK 75 / 0 / 22 / 16

HEX #36D7A7

RGB 54 215 167

HSL 162.11, 0.67%, 0.53%

LAB 77.39, -51.82, 12.14

 

CMYK 0 / 75 / 7 / 16

HEX #D736C7

RGB 215 54 199

HSL 305.96, 0.67%, 0.53%

LAB 53.18, 75.43, -41

 

CMYK 38 / 0 / 75 / 16

HEX #85D736

RGB 133 215 54

HSL 90.56, 0.67%, 0.53%

LAB 78.38, -49.65, 66.67

 

CMYK 75 / 37 / 0 / 16

HEX #3687D7

RGB 54 135 215

HSL 209.81, 0.67%, 0.53%

LAB 55.09, 2.65, -48

 

CMYK 0 / 75 / 37 / 16

HEX #D73687

RGB 215 54 135

HSL 329.81, 0.67%, 0.53%

LAB 50.49, 67.34, -7.46

 

CMYK 38 / 0 / 75 / 16

HEX #85D736

RGB 133 215 54

HSL 90.56, 0.67%, 0.53%

LAB 78.38, -49.65, 66.67

 

CMYK 75 / 0 / 22 / 16

HEX #36D7A7

RGB 54 215 167

HSL 162.11, 0.67%, 0.53%

LAB 77.39, -51.82, 12.14

 

CMYK 37 / 75 / 0 / 16

HEX #8736D7

RGB 135 54 215

HSL 270.19, 0.67%, 0.53%

LAB 42.3, 62.86, -68.31

 

CMYK 0 / 75 / 52 / 16

HEX #D73667

RGB 215 54 103

HSL 341.74, 0.67%, 0.53%

LAB 49.57, 64.43, 10.59

 

CMYK 38 / 0 / 75 / 16

HEX #85D736

RGB 133 215 54

HSL 90.56, 0.67%, 0.53%

LAB 78.38, -49.65, 66.67

 

CMYK 75 / 0 / 0 / 16

HEX #36D7D7

RGB 54 215 215

HSL 180, 0.67%, 0.53%

LAB 78.63, -39.27, -11.7

 

CMYK 37 / 75 / 0 / 16

HEX #8736D7

RGB 135 54 215

HSL 270.19, 0.67%, 0.53%

LAB 42.3, 62.86, -68.31

 

CMYK 0 / 75 / 75 / 16

HEX #D73636

RGB 215 54 54

HSL 0, 0.67%, 0.53%

LAB 48.7, 61.59, 38.72

 

Description

Color code: HEX #85D736 | qconv.com Color code: HEX #85D736 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 215 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 215 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 75 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 75% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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