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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85DB33 it is the complementary color #7A24CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85DB33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85DB33 shade: #8ADB2E, #9BED41, #ACFF54, #BDFF67 and #CEFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85DB33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85DB33 shade: #85DB33, #74C920, #63B70D, #52A500 and #419300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85DB33 shade: #85DB33, #B2DB33, #DBD633, #DBA933 and #DB7B33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85DB33 shade: #85DB33, #57DB33, #33DB3B, #33DB69 and #33DB96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85DB33 shade matches the following richer shades: #85DB33 and #84EE1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85DB33 shade: #85DB33, #85C746, #86B45A, #86A06D and #878D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85DB33 shade: #DBD533, #B3DB33, #87DB33, #5ADB33 and #33DB38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85DB33 shade: #5C9F1C, #70C222, #85DB33, #9AE156 and #AFE779

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85DB33 shade: #85DB33, #33DBA8 and #DB33CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85DB33 shade: #85DB33, #3387DB and #DB3387

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85DB33 shade: #85DB33, #33DBA8, #8733DB and #DB3365

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85DB33 shade: #85DB33, #33DBDB, #8733DB and #DB3333

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 77 / 14

HEX #85DB33

RGB 133 219 51

HSL 90.71, 0.7%, 0.53%

LAB 79.55, -51.43, 68.74

 

Complementary color

CMYK 40 / 82 / 0 / 20

HEX #7A24CC

RGB 122 36 204

HSL 270.71, 0.7%, 0.47%

LAB 37.41, 64.98, -70.03

 

CMYK 37 / 0 / 79 / 14

HEX #8ADB2E

RGB 138 219 46

HSL 88.09, 0.71%, 0.52%

LAB 79.76, -49.99, 70.49

 

CMYK 35 / 0 / 73 / 7

HEX #9BED41

RGB 155 237 65

HSL 88.6, 0.83%, 0.59%

LAB 85.97, -50.52, 70.81

 

CMYK 33 / 0 / 67 / 0

HEX #ACFF54

RGB 172 255 84

HSL 89.12, 1%, 0.66%

LAB 92.1, -50.88, 70.57

 

CMYK 26 / 0 / 60 / 0

HEX #BDFF67

RGB 189 255 103

HSL 86.05, 1%, 0.7%

LAB 93.15, -43.5, 64.44

 

CMYK 19 / 0 / 52 / 0

HEX #CEFF7A

RGB 206 255 122

HSL 82.11, 1%, 0.74%

LAB 94.33, -35.67, 57.8

 

CMYK 39 / 0 / 77 / 14

HEX #85DB33

RGB 133 219 51

HSL 90.71, 0.7%, 0.53%

LAB 79.55, -51.43, 68.74

 

CMYK 42 / 0 / 84 / 21

HEX #74C920

RGB 116 201 32

HSL 90.18, 0.73%, 0.46%

LAB 73.28, -50.75, 67.88

 

CMYK 46 / 0 / 93 / 28

HEX #63B70D

RGB 99 183 13

HSL 89.65, 0.87%, 0.38%

LAB 66.94, -49.79, 65.77

 

CMYK 50 / 0 / 100 / 35

HEX #52A500

RGB 82 165 0

HSL 90.18, 1%, 0.32%

LAB 60.52, -48.47, 62.03

 

CMYK 56 / 0 / 100 / 42

HEX #419300

RGB 65 147 0

HSL 93.47, 1%, 0.29%

LAB 54.02, -46.76, 56.65

 

CMYK 39 / 0 / 77 / 14

HEX #85DB33

RGB 133 219 51

HSL 90.71, 0.7%, 0.53%

LAB 79.55, -51.43, 68.74

 

CMYK 19 / 0 / 77 / 14

HEX #B2DB33

RGB 178 219 51

HSL 74.64, 0.7%, 0.53%

LAB 82.04, -34.94, 71.96

 

CMYK 0 / 2 / 77 / 14

HEX #DBD633

RGB 219 214 51

HSL 58.21, 0.7%, 0.53%

LAB 83.65, -15.77, 74.53

 

CMYK 0 / 23 / 77 / 14

HEX #DBA933

RGB 219 169 51

HSL 42.14, 0.7%, 0.53%

LAB 72.01, 7.43, 63.84

 

CMYK 0 / 44 / 77 / 14

HEX #DB7B33

RGB 219 123 51

HSL 25.71, 0.7%, 0.53%

LAB 61.19, 32.02, 53.45

 

CMYK 39 / 0 / 77 / 14

HEX #85DB33

RGB 133 219 51

HSL 90.71, 0.7%, 0.53%

LAB 79.55, -51.43, 68.74

 

CMYK 60 / 0 / 77 / 14

HEX #57DB33

RGB 87 219 51

HSL 107.14, 0.7%, 0.53%

LAB 77.83, -64.55, 66.5

 

CMYK 77 / 0 / 73 / 14

HEX #33DB3B

RGB 51 219 59

HSL 122.86, 0.7%, 0.53%

LAB 77.09, -70.61, 62.87

 

CMYK 77 / 0 / 52 / 14

HEX #33DB69

RGB 51 219 105

HSL 139.29, 0.7%, 0.53%

LAB 77.51, -65.51, 43.98

 

CMYK 77 / 0 / 32 / 14

HEX #33DB96

RGB 51 219 150

HSL 155.36, 0.7%, 0.53%

LAB 78.21, -57.51, 22.24

 

CMYK 39 / 0 / 77 / 14

HEX #85DB33

RGB 133 219 51

HSL 90.71, 0.7%, 0.53%

LAB 79.55, -51.43, 68.74

 

CMYK 45 / 0 / 87 / 7

HEX #84EE1F

RGB 132 238 31

HSL 90.72, 0.86%, 0.53%

LAB 85.07, -59.92, 78.54

 

CMYK 39 / 0 / 77 / 14

HEX #85DB33

RGB 133 219 51

HSL 90.71, 0.7%, 0.53%

LAB 79.55, -51.43, 68.74

 

CMYK 33 / 0 / 65 / 22

HEX #85C746

RGB 133 199 70

HSL 90.7, 0.54%, 0.53%

LAB 73.72, -41.82, 56.01

 

CMYK 26 / 0 / 50 / 29

HEX #86B45A

RGB 134 180 90

HSL 90.67, 0.38%, 0.53%

LAB 68.35, -30.89, 40.74

 

CMYK 16 / 0 / 32 / 37

HEX #86A06D

RGB 134 160 109

HSL 90.59, 0.21%, 0.53%

LAB 62.77, -18.48, 23.69

 

CMYK 4 / 0 / 9 / 45

HEX #878D80

RGB 135 141 128

HSL 87.69, 0.05%, 0.53%

LAB 57.81, -4.71, 6.17

 

CMYK 0 / 3 / 77 / 14

HEX #DBD533

RGB 219 213 51

HSL 57.86, 0.7%, 0.53%

LAB 83.38, -15.27, 74.29

 

CMYK 18 / 0 / 77 / 14

HEX #B3DB33

RGB 179 219 51

HSL 74.29, 0.7%, 0.53%

LAB 82.1, -34.55, 72.04

 

CMYK 38 / 0 / 77 / 14

HEX #87DB33

RGB 135 219 51

HSL 90, 0.7%, 0.53%

LAB 79.64, -50.76, 68.86

 

CMYK 59 / 0 / 77 / 14

HEX #5ADB33

RGB 90 219 51

HSL 106.07, 0.7%, 0.53%

LAB 77.92, -63.84, 66.61

 

CMYK 77 / 0 / 74 / 14

HEX #33DB38

RGB 51 219 56

HSL 121.79, 0.7%, 0.53%

LAB 77.07, -70.83, 63.88

 

CMYK 42 / 0 / 82 / 38

HEX #5C9F1C

RGB 92 159 28

HSL 90.69, 0.7%, 0.37%

LAB 59.12, -41.95, 55.84

 

CMYK 42 / 0 / 82 / 24

HEX #70C222

RGB 112 194 34

HSL 90.75, 0.7%, 0.45%

LAB 70.97, -49.21, 65.27

 

CMYK 39 / 0 / 77 / 14

HEX #85DB33

RGB 133 219 51

HSL 90.71, 0.7%, 0.53%

LAB 79.55, -51.43, 68.74

 

CMYK 32 / 0 / 62 / 12

HEX #9AE156

RGB 154 225 86

HSL 90.65, 0.7%, 0.61%

LAB 82.59, -44.32, 59.32

 

CMYK 24 / 0 / 48 / 9

HEX #AFE779

RGB 175 231 121

HSL 90.55, 0.7%, 0.69%

LAB 85.83, -36.08, 47.59

 

CMYK 39 / 0 / 77 / 14

HEX #85DB33

RGB 133 219 51

HSL 90.71, 0.7%, 0.53%

LAB 79.55, -51.43, 68.74

 

CMYK 77 / 0 / 23 / 14

HEX #33DBA8

RGB 51 219 168

HSL 161.79, 0.7%, 0.53%

LAB 78.57, -53.53, 13.29

 

CMYK 0 / 77 / 8 / 14

HEX #DB33CA

RGB 219 51 202

HSL 306.07, 0.7%, 0.53%

LAB 53.7, 77.54, -41.86

 

CMYK 39 / 0 / 77 / 14

HEX #85DB33

RGB 133 219 51

HSL 90.71, 0.7%, 0.53%

LAB 79.55, -51.43, 68.74

 

CMYK 77 / 38 / 0 / 14

HEX #3387DB

RGB 51 135 219

HSL 210, 0.7%, 0.53%

LAB 55.22, 3.75, -50.05

 

CMYK 0 / 77 / 38 / 14

HEX #DB3387

RGB 219 51 135

HSL 330, 0.7%, 0.53%

LAB 50.89, 69.26, -6.79

 

CMYK 39 / 0 / 77 / 14

HEX #85DB33

RGB 133 219 51

HSL 90.71, 0.7%, 0.53%

LAB 79.55, -51.43, 68.74

 

CMYK 77 / 0 / 23 / 14

HEX #33DBA8

RGB 51 219 168

HSL 161.79, 0.7%, 0.53%

LAB 78.57, -53.53, 13.29

 

CMYK 38 / 77 / 0 / 14

HEX #8733DB

RGB 135 51 219

HSL 270, 0.7%, 0.53%

LAB 42.21, 64.98, -70.76

 

CMYK 0 / 77 / 54 / 14

HEX #DB3365

RGB 219 51 101

HSL 342.14, 0.7%, 0.53%

LAB 49.94, 66.3, 12.43

 

CMYK 39 / 0 / 77 / 14

HEX #85DB33

RGB 133 219 51

HSL 90.71, 0.7%, 0.53%

LAB 79.55, -51.43, 68.74

 

CMYK 77 / 0 / 0 / 14

HEX #33DBDB

RGB 51 219 219

HSL 180, 0.7%, 0.53%

LAB 79.89, -40.23, -11.96

 

CMYK 38 / 77 / 0 / 14

HEX #8733DB

RGB 135 51 219

HSL 270, 0.7%, 0.53%

LAB 42.21, 64.98, -70.76

 

CMYK 0 / 77 / 77 / 14

HEX #DB3333

RGB 219 51 51

HSL 0, 0.7%, 0.53%

LAB 49.09, 63.6, 41.04

 

Description

Color code: HEX #85DB33 | qconv.com Color code: HEX #85DB33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 219 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 219 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 77 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 77% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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