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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85E6E8 it is the complementary color #7A1917. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85E6E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85E6E8 shade: #8AE6E3, #9BF8F6, #ACFFFF, #BDFFFF and #CEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85E6E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85E6E8 shade: #85E6E8, #74D4D5, #63C2C2, #52B0AF and #419E9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85E6E8 shade: #87E6E8, #87CCE8, #87B1E8, #8797E8 and #9087E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85E6E8 shade: #87E6E8, #87CCE8, #87B1E8, #8797E8 and #8787E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85E6E8 shade matches the following richer shades: #87E6E8 and #7BF1F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85E6E8 shade: #87E6E8, #92DBDC, #9ED0D1, #A9C4C5 and #B5B9B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85E6E8 shade: #87E8B5, #87E8CF, #87E6E8, #87CCE8 and #87B2E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85E6E8 shade: #41D7DA, #64DFE1, #87E6E8, #A9EDEE and #CCF4F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85E6E8 shade: #85E6E8, #9C87E8 and #E8C287

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85E6E8 shade: #85E6E8, #E887E6 and #E6E887

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85E6E8 shade: #85E6E8, #9C87E8, #E88887 and #D3E887

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85E6E8 shade: #85E6E8, #B987E8, #E88887 and #B5E887

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 1 / 0 / 9

HEX #85E6E8

RGB 133 230 232

HSL 181.21, 0.68%, 0.72%

LAB 85.71, -28.06, -9.93

 

Complementary color

CMYK 0 / 80 / 81 / 52

HEX #7A1917

RGB 122 25 23

HSL 1.21, 0.68%, 0.28%

LAB 26.43, 40.94, 27.38

 

CMYK 40 / 0 / 1 / 10

HEX #8AE6E3

RGB 138 230 227

HSL 178.04, 0.65%, 0.72%

LAB 85.78, -28.08, -7.17

 

CMYK 38 / 0 / 1 / 3

HEX #9BF8F6

RGB 155 248 246

HSL 178.71, 0.87%, 0.79%

LAB 92.02, -28.01, -7.78

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 26 / 0 / 0 / 0

HEX #BDFFFF

RGB 189 255 255

HSL 180, 1%, 0.87%

LAB 95.81, -20.34, -6.65

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 43 / 1 / 0 / 9

HEX #85E6E8

RGB 133 230 232

HSL 181.21, 0.68%, 0.72%

LAB 85.71, -28.06, -9.93

 

CMYK 46 / 0 / 0 / 16

HEX #74D4D5

RGB 116 212 213

HSL 180.62, 0.54%, 0.65%

LAB 79.39, -28.04, -9.32

 

CMYK 49 / 0 / 0 / 24

HEX #63C2C2

RGB 99 194 194

HSL 180, 0.44%, 0.57%

LAB 72.98, -27.98, -8.67

 

CMYK 53 / 0 / 1 / 31

HEX #52B0AF

RGB 82 176 175

HSL 179.36, 0.37%, 0.51%

LAB 66.47, -27.85, -7.97

 

CMYK 59 / 0 / 1 / 38

HEX #419E9C

RGB 65 158 156

HSL 178.71, 0.42%, 0.44%

LAB 59.87, -27.62, -7.2

 

CMYK 42 / 1 / 0 / 9

HEX #87E6E8

RGB 135 230 232

HSL 181.24, 0.68%, 0.72%

LAB 85.79, -27.59, -9.8

 

CMYK 42 / 12 / 0 / 9

HEX #87CCE8

RGB 135 204 232

HSL 197.32, 0.68%, 0.72%

LAB 78.56, -14.58, -20.67

 

CMYK 42 / 24 / 0 / 9

HEX #87B1E8

RGB 135 177 232

HSL 214.02, 0.68%, 0.72%

LAB 71.16, -0.13, -31.99

 

CMYK 42 / 35 / 0 / 9

HEX #8797E8

RGB 135 151 232

HSL 230.1, 0.68%, 0.72%

LAB 64.25, 14.59, -42.75

 

CMYK 38 / 42 / 0 / 9

HEX #9087E8

RGB 144 135 232

HSL 245.57, 0.68%, 0.72%

LAB 60.86, 26.19, -48.06

 

CMYK 42 / 1 / 0 / 9

HEX #87E6E8

RGB 135 230 232

HSL 181.24, 0.68%, 0.72%

LAB 85.79, -27.59, -9.8

 

CMYK 42 / 12 / 0 / 9

HEX #87CCE8

RGB 135 204 232

HSL 197.32, 0.68%, 0.72%

LAB 78.56, -14.58, -20.67

 

CMYK 42 / 24 / 0 / 9

HEX #87B1E8

RGB 135 177 232

HSL 214.02, 0.68%, 0.72%

LAB 71.16, -0.13, -31.99

 

CMYK 42 / 35 / 0 / 9

HEX #8797E8

RGB 135 151 232

HSL 230.1, 0.68%, 0.72%

LAB 64.25, 14.59, -42.75

 

CMYK 42 / 42 / 0 / 9

HEX #8787E8

RGB 135 135 232

HSL 240, 0.68%, 0.72%

LAB 60.16, 23.91, -49.2

 

CMYK 42 / 1 / 0 / 9

HEX #87E6E8

RGB 135 230 232

HSL 181.24, 0.68%, 0.72%

LAB 85.79, -27.59, -9.8

 

CMYK 49 / 1 / 0 / 5

HEX #7BF1F3

RGB 123 241 243

HSL 181, 0.83%, 0.72%

LAB 88.73, -32.75, -11.25

 

CMYK 42 / 1 / 0 / 9

HEX #87E6E8

RGB 135 230 232

HSL 181.24, 0.68%, 0.72%

LAB 85.79, -27.59, -9.8

 

CMYK 34 / 0 / 0 / 14

HEX #92DBDC

RGB 146 219 220

HSL 180.81, 0.51%, 0.72%

LAB 82.88, -22.31, -7.72

 

CMYK 24 / 0 / 0 / 18

HEX #9ED0D1

RGB 158 208 209

HSL 181.18, 0.36%, 0.72%

LAB 80.17, -15.9, -5.8

 

CMYK 14 / 1 / 0 / 23

HEX #A9C4C5

RGB 169 196 197

HSL 182.14, 0.19%, 0.72%

LAB 77.25, -8.86, -3.57

 

CMYK 2 / 0 / 0 / 27

HEX #B5B9B9

RGB 181 185 185

HSL 180, 0.03%, 0.72%

LAB 74.84, -1.39, -0.5

 

CMYK 42 / 0 / 22 / 9

HEX #87E8B5

RGB 135 232 181

HSL 148.45, 0.68%, 0.72%

LAB 85.1, -39.85, 15.99

 

CMYK 42 / 0 / 11 / 9

HEX #87E8CF

RGB 135 232 207

HSL 164.54, 0.68%, 0.72%

LAB 85.69, -34.39, 3.21

 

CMYK 42 / 1 / 0 / 9

HEX #87E6E8

RGB 135 230 232

HSL 181.24, 0.68%, 0.72%

LAB 85.79, -27.59, -9.8

 

CMYK 42 / 12 / 0 / 9

HEX #87CCE8

RGB 135 204 232

HSL 197.32, 0.68%, 0.72%

LAB 78.56, -14.58, -20.67

 

CMYK 42 / 23 / 0 / 9

HEX #87B2E8

RGB 135 178 232

HSL 213.4, 0.68%, 0.72%

LAB 71.43, -0.68, -31.57

 

CMYK 70 / 1 / 0 / 15

HEX #41D7DA

RGB 65 215 218

HSL 181.18, 0.67%, 0.55%

LAB 78.92, -37.16, -12.85

 

CMYK 56 / 1 / 0 / 12

HEX #64DFE1

RGB 100 223 225

HSL 180.96, 0.68%, 0.64%

LAB 82.34, -33.49, -11.38

 

CMYK 42 / 1 / 0 / 9

HEX #87E6E8

RGB 135 230 232

HSL 181.24, 0.68%, 0.72%

LAB 85.79, -27.59, -9.8

 

CMYK 29 / 0 / 0 / 7

HEX #A9EDEE

RGB 169 237 238

HSL 180.87, 0.67%, 0.8%

LAB 89.48, -20.82, -7.31

 

CMYK 17 / 0 / 0 / 4

HEX #CCF4F5

RGB 204 244 245

HSL 181.46, 0.67%, 0.88%

LAB 93.51, -12.59, -4.78

 

CMYK 43 / 1 / 0 / 9

HEX #85E6E8

RGB 133 230 232

HSL 181.21, 0.68%, 0.72%

LAB 85.71, -28.06, -9.93

 

CMYK 33 / 42 / 0 / 9

HEX #9C87E8

RGB 156 135 232

HSL 252.99, 0.68%, 0.72%

LAB 61.85, 29.34, -46.43

 

CMYK 0 / 16 / 42 / 9

HEX #E8C287

RGB 232 194 135

HSL 36.49, 0.68%, 0.72%

LAB 80.45, 5.76, 34.7

 

CMYK 43 / 1 / 0 / 9

HEX #85E6E8

RGB 133 230 232

HSL 181.21, 0.68%, 0.72%

LAB 85.71, -28.06, -9.93

 

CMYK 0 / 42 / 1 / 9

HEX #E887E6

RGB 232 135 230

HSL 301.24, 0.68%, 0.72%

LAB 69.61, 50.72, -32.61

 

CMYK 1 / 0 / 42 / 9

HEX #E6E887

RGB 230 232 135

HSL 61.24, 0.68%, 0.72%

LAB 89.99, -14.4, 46.83

 

CMYK 43 / 1 / 0 / 9

HEX #85E6E8

RGB 133 230 232

HSL 181.21, 0.68%, 0.72%

LAB 85.71, -28.06, -9.93

 

CMYK 33 / 42 / 0 / 9

HEX #9C87E8

RGB 156 135 232

HSL 252.99, 0.68%, 0.72%

LAB 61.85, 29.34, -46.43

 

CMYK 0 / 41 / 42 / 9

HEX #E88887

RGB 232 136 135

HSL 0.62, 0.68%, 0.72%

LAB 66.91, 36.48, 16.5

 

CMYK 9 / 0 / 42 / 9

HEX #D3E887

RGB 211 232 135

HSL 72.99, 0.68%, 0.72%

LAB 88.6, -21.7, 44.78

 

CMYK 43 / 1 / 0 / 9

HEX #85E6E8

RGB 133 230 232

HSL 181.21, 0.68%, 0.72%

LAB 85.71, -28.06, -9.93

 

CMYK 20 / 42 / 0 / 9

HEX #B987E8

RGB 185 135 232

HSL 270.93, 0.68%, 0.72%

LAB 64.54, 37.39, -42.01

 

CMYK 0 / 41 / 42 / 9

HEX #E88887

RGB 232 136 135

HSL 0.62, 0.68%, 0.72%

LAB 66.91, 36.48, 16.5

 

CMYK 22 / 0 / 42 / 9

HEX #B5E887

RGB 181 232 135

HSL 91.55, 0.68%, 0.72%

LAB 86.65, -32.75, 41.9

 

Description

Color code: HEX #85E6E8 | qconv.com Color code: HEX #85E6E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 230 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 230 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 1 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 1% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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