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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85E164 it is the complementary color #7A1E9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85E164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85E164 shade: #8AE15F, #9BF372, #ACFF85, #BDFF98 and #CEFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85E164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85E164 shade: #85E164, #74CF51, #63BD3E, #52AB2B and #419918

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85E164 shade: #85E164, #A7E164, #C9E164, #E1D864 and #E1B664

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85E164 shade: #85E164, #64E165, #64E187, #64E1A8 and #64E1CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85E164 shade matches the following richer shades: #85E164 and #7EF055

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85E164 shade: #85E164, #8CD273, #93C382, #9AB591 and #A1A6A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85E164 shade: #C8E164, #A7E164, #86E164, #64E164 and #64E186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85E164 shade: #52CC27, #6ADB42, #85E164, #A0E887 and #BCEEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85E164 shade: #85E164, #64E1D9 and #E164B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85E164 shade: #85E164, #6486E1 and #E16486

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85E164 shade: #85E164, #64E1D9, #C064E1 and #E1646D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85E164 shade: #85E164, #64C4E1, #C064E1 and #E18164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 56 / 12

HEX #85E164

RGB 133 225 100

HSL 104.16, 0.68%, 0.64%

LAB 81.71, -49.92, 51.92

 

Complementary color

CMYK 21 / 81 / 0 / 39

HEX #7A1E9B

RGB 122 30 155

HSL 284.16, 0.68%, 0.36%

LAB 32.77, 56.37, -48.44

 

CMYK 39 / 0 / 58 / 12

HEX #8AE15F

RGB 138 225 95

HSL 100.15, 0.68%, 0.63%

LAB 81.88, -48.87, 54.43

 

CMYK 36 / 0 / 53 / 5

HEX #9BF372

RGB 155 243 114

HSL 100.93, 0.84%, 0.7%

LAB 88.11, -48.89, 53.36

 

CMYK 33 / 0 / 48 / 0

HEX #ACFF85

RGB 172 255 133

HSL 100.82, 1%, 0.76%

LAB 92.57, -46.3, 50.17

 

CMYK 26 / 0 / 40 / 0

HEX #BDFF98

RGB 189 255 152

HSL 98.45, 1%, 0.8%

LAB 93.71, -38.31, 42.71

 

CMYK 19 / 0 / 33 / 0

HEX #CEFFAB

RGB 206 255 171

HSL 95, 1%, 0.84%

LAB 94.98, -29.96, 35.2

 

CMYK 41 / 0 / 56 / 12

HEX #85E164

RGB 133 225 100

HSL 104.16, 0.68%, 0.64%

LAB 81.71, -49.92, 51.92

 

CMYK 44 / 0 / 61 / 19

HEX #74CF51

RGB 116 207 81

HSL 103.33, 0.57%, 0.56%

LAB 75.41, -49.83, 52.96

 

CMYK 48 / 0 / 67 / 26

HEX #63BD3E

RGB 99 189 62

HSL 102.52, 0.51%, 0.49%

LAB 69.04, -49.58, 53.79

 

CMYK 52 / 0 / 75 / 33

HEX #52AB2B

RGB 82 171 43

HSL 101.72, 0.6%, 0.42%

LAB 62.59, -49.08, 54.2

 

CMYK 58 / 0 / 84 / 40

HEX #419918

RGB 65 153 24

HSL 100.93, 0.73%, 0.35%

LAB 56.06, -48.21, 53.75

 

CMYK 41 / 0 / 56 / 12

HEX #85E164

RGB 133 225 100

HSL 104.16, 0.68%, 0.64%

LAB 81.71, -49.92, 51.92

 

CMYK 26 / 0 / 56 / 12

HEX #A7E164

RGB 167 225 100

HSL 87.84, 0.68%, 0.64%

LAB 83.44, -38.43, 54.38

 

CMYK 11 / 0 / 56 / 12

HEX #C9E164

RGB 201 225 100

HSL 71.52, 0.68%, 0.64%

LAB 85.6, -25.57, 57.43

 

CMYK 0 / 4 / 56 / 12

HEX #E1D864

RGB 225 216 100

HSL 55.68, 0.68%, 0.64%

LAB 85.02, -11.54, 57.25

 

CMYK 0 / 19 / 56 / 12

HEX #E1B664

RGB 225 182 100

HSL 39.36, 0.68%, 0.64%

LAB 76.3, 5.98, 47.1

 

CMYK 41 / 0 / 56 / 12

HEX #85E164

RGB 133 225 100

HSL 104.16, 0.68%, 0.64%

LAB 81.71, -49.92, 51.92

 

CMYK 56 / 0 / 55 / 12

HEX #64E165

RGB 100 225 101

HSL 120.48, 0.68%, 0.64%

LAB 80.46, -59, 49.68

 

CMYK 56 / 0 / 40 / 12

HEX #64E187

RGB 100 225 135

HSL 136.8, 0.68%, 0.64%

LAB 80.91, -54.11, 33.77

 

CMYK 56 / 0 / 25 / 12

HEX #64E1A8

RGB 100 225 168

HSL 152.64, 0.68%, 0.64%

LAB 81.5, -47.94, 17.56

 

CMYK 56 / 0 / 10 / 12

HEX #64E1CA

RGB 100 225 202

HSL 168.96, 0.68%, 0.64%

LAB 82.28, -40.27, 0.74

 

CMYK 41 / 0 / 56 / 12

HEX #85E164

RGB 133 225 100

HSL 104.16, 0.68%, 0.64%

LAB 81.71, -49.92, 51.92

 

CMYK 48 / 0 / 65 / 6

HEX #7EF055

RGB 126 240 85

HSL 104.13, 0.84%, 0.64%

LAB 85.71, -59.38, 62.78

 

CMYK 41 / 0 / 56 / 12

HEX #85E164

RGB 133 225 100

HSL 104.16, 0.68%, 0.64%

LAB 81.71, -49.92, 51.92

 

CMYK 33 / 0 / 45 / 18

HEX #8CD273

RGB 140 210 115

HSL 104.21, 0.51%, 0.64%

LAB 77.82, -39.46, 40.14

 

CMYK 25 / 0 / 33 / 24

HEX #93C382

RGB 147 195 130

HSL 104.31, 0.35%, 0.64%

LAB 74.09, -27.98, 27.71

 

CMYK 15 / 0 / 20 / 29

HEX #9AB591

RGB 154 181 145

HSL 105, 0.2%, 0.64%

LAB 70.84, -16.08, 15.33

 

CMYK 3 / 0 / 4 / 35

HEX #A1A6A0

RGB 161 166 160

HSL 110, 0.03%, 0.64%

LAB 67.57, -2.92, 2.48

 

CMYK 11 / 0 / 56 / 12

HEX #C8E164

RGB 200 225 100

HSL 72, 0.68%, 0.64%

LAB 85.53, -25.97, 57.33

 

CMYK 26 / 0 / 56 / 12

HEX #A7E164

RGB 167 225 100

HSL 87.84, 0.68%, 0.64%

LAB 83.44, -38.43, 54.38

 

CMYK 40 / 0 / 56 / 12

HEX #86E164

RGB 134 225 100

HSL 103.68, 0.68%, 0.64%

LAB 81.75, -49.61, 51.99

 

CMYK 56 / 0 / 56 / 12

HEX #64E164

RGB 100 225 100

HSL 120, 0.68%, 0.64%

LAB 80.45, -59.13, 50.13

 

CMYK 56 / 0 / 40 / 12

HEX #64E186

RGB 100 225 134

HSL 136.32, 0.68%, 0.64%

LAB 80.89, -54.27, 34.25

 

CMYK 60 / 0 / 81 / 20

HEX #52CC27

RGB 82 204 39

HSL 104.36, 0.68%, 0.48%

LAB 72.97, -61.29, 65.36

 

CMYK 52 / 0 / 70 / 14

HEX #6ADB42

RGB 106 219 66

HSL 104.31, 0.68%, 0.56%

LAB 78.53, -58.69, 62.28

 

CMYK 41 / 0 / 56 / 12

HEX #85E164

RGB 133 225 100

HSL 104.16, 0.68%, 0.64%

LAB 81.71, -49.92, 51.92

 

CMYK 31 / 0 / 42 / 9

HEX #A0E887

RGB 160 232 135

HSL 104.54, 0.68%, 0.72%

LAB 85.47, -39.96, 40.17

 

CMYK 21 / 0 / 29 / 7

HEX #BCEEAA

RGB 188 238 170

HSL 104.12, 0.67%, 0.8%

LAB 89.27, -28.28, 27.85

 

CMYK 41 / 0 / 56 / 12

HEX #85E164

RGB 133 225 100

HSL 104.16, 0.68%, 0.64%

LAB 81.71, -49.92, 51.92

 

CMYK 56 / 0 / 4 / 12

HEX #64E1D9

RGB 100 225 217

HSL 176.16, 0.68%, 0.64%

LAB 82.68, -36.52, -6.62

 

CMYK 0 / 56 / 18 / 12

HEX #E164B8

RGB 225 100 184

HSL 319.68, 0.68%, 0.64%

LAB 60.41, 58.19, -21.03

 

CMYK 41 / 0 / 56 / 12

HEX #85E164

RGB 133 225 100

HSL 104.16, 0.68%, 0.64%

LAB 81.71, -49.92, 51.92

 

CMYK 56 / 40 / 0 / 12

HEX #6486E1

RGB 100 134 225

HSL 223.68, 0.68%, 0.64%

LAB 57.27, 14.38, -50.04

 

CMYK 0 / 56 / 40 / 12

HEX #E16486

RGB 225 100 134

HSL 343.68, 0.68%, 0.64%

LAB 58.83, 51.88, 5.52

 

CMYK 41 / 0 / 56 / 12

HEX #85E164

RGB 133 225 100

HSL 104.16, 0.68%, 0.64%

LAB 81.71, -49.92, 51.92

 

CMYK 56 / 0 / 4 / 12

HEX #64E1D9

RGB 100 225 217

HSL 176.16, 0.68%, 0.64%

LAB 82.68, -36.52, -6.62

 

CMYK 15 / 56 / 0 / 12

HEX #C064E1

RGB 192 100 225

HSL 284.16, 0.68%, 0.64%

LAB 57.81, 56.21, -48.67

 

CMYK 0 / 56 / 52 / 12

HEX #E1646D

RGB 225 100 109

HSL 355.68, 0.68%, 0.64%

LAB 58.25, 49.48, 19.26

 

CMYK 41 / 0 / 56 / 12

HEX #85E164

RGB 133 225 100

HSL 104.16, 0.68%, 0.64%

LAB 81.71, -49.92, 51.92

 

CMYK 56 / 13 / 0 / 12

HEX #64C4E1

RGB 100 196 225

HSL 193.92, 0.68%, 0.64%

LAB 74.59, -20.24, -23.07

 

CMYK 15 / 56 / 0 / 12

HEX #C064E1

RGB 192 100 225

HSL 284.16, 0.68%, 0.64%

LAB 57.81, 56.21, -48.67

 

CMYK 0 / 43 / 56 / 12

HEX #E18164

RGB 225 129 100

HSL 13.92, 0.68%, 0.64%

LAB 63.86, 34.19, 31.75

 

Description

Color code: HEX #85E164 | qconv.com Color code: HEX #85E164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 225 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 225 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 56 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 56% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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