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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85E323 it is the complementary color #7A1CDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85E323. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85E323 shade: #8AE31E, #9BF531, #ACFF44, #BDFF57 and #CEFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85E323. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85E323 shade: #85E323, #74D110, #63BF00, #52AD00 and #419B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85E323 shade: #84E221, #B7E221, #E2D821, #E2A421 and #E27021

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85E323 shade: #84E221, #50E221, #21E227, #21E25B and #21E28F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85E323 shade matches the following richer shades: #84E221 and #84F60D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85E323 shade: #84E221, #83CE36, #83B94A, #82A55E and #829172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85E323 shade: #E2D821, #B8E221, #85E221, #51E221 and #21E225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85E323 shade: #5A9D14, #6FC119, #84E221, #98E746 and #ACEB6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85E323 shade: #85E323, #21E2A5 and #E221D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85E323 shade: #85E323, #2185E2 and #E22185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85E323 shade: #85E323, #21E2A5, #7E21E2 and #E2215E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85E323 shade: #85E323, #21E2DF, #7E21E2 and #E22125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 85 / 11

HEX #85E323

RGB 133 227 35

HSL 89.38, 0.77%, 0.51%

LAB 81.86, -55.28, 75

 

Complementary color

CMYK 45 / 87 / 0 / 14

HEX #7A1CDC

RGB 122 28 220

HSL 269.38, 0.77%, 0.49%

LAB 38.08, 70.86, -78.16

 

CMYK 39 / 0 / 87 / 11

HEX #8AE31E

RGB 138 227 30

HSL 87.11, 0.78%, 0.5%

LAB 82.07, -53.8, 76.28

 

CMYK 37 / 0 / 80 / 4

HEX #9BF531

RGB 155 245 49

HSL 87.55, 0.91%, 0.58%

LAB 88.21, -54.55, 77.68

 

CMYK 33 / 0 / 73 / 0

HEX #ACFF44

RGB 172 255 68

HSL 86.63, 1%, 0.63%

LAB 92, -51.88, 76.02

 

CMYK 26 / 0 / 66 / 0

HEX #BDFF57

RGB 189 255 87

HSL 83.57, 1%, 0.67%

LAB 93.03, -44.71, 70.69

 

CMYK 19 / 0 / 58 / 0

HEX #CEFF6A

RGB 206 255 106

HSL 79.73, 1%, 0.71%

LAB 94.18, -37.08, 64.6

 

CMYK 41 / 0 / 85 / 11

HEX #85E323

RGB 133 227 35

HSL 89.38, 0.77%, 0.51%

LAB 81.86, -55.28, 75

 

CMYK 44 / 0 / 92 / 18

HEX #74D110

RGB 116 209 16

HSL 88.91, 0.86%, 0.44%

LAB 75.67, -54.33, 72.81

 

CMYK 48 / 0 / 100 / 25

HEX #63BF00

RGB 99 191 0

HSL 88.9, 1%, 0.37%

LAB 69.41, -53.09, 69.29

 

CMYK 53 / 0 / 100 / 32

HEX #52AD00

RGB 82 173 0

HSL 91.56, 1%, 0.34%

LAB 63.08, -51.49, 64.04

 

CMYK 58 / 0 / 100 / 39

HEX #419B00

RGB 65 155 0

HSL 94.84, 1%, 0.3%

LAB 56.65, -49.71, 58.72

 

CMYK 42 / 0 / 85 / 11

HEX #84E221

RGB 132 226 33

HSL 89.22, 0.77%, 0.51%

LAB 81.52, -55.29, 75.11

 

CMYK 19 / 0 / 85 / 11

HEX #B7E221

RGB 183 226 33

HSL 73.37, 0.77%, 0.51%

LAB 84.26, -36.78, 78.53

 

CMYK 0 / 4 / 85 / 11

HEX #E2D821

RGB 226 216 33

HSL 56.89, 0.77%, 0.51%

LAB 84.68, -14.33, 80.17

 

CMYK 0 / 27 / 85 / 11

HEX #E2A421

RGB 226 164 33

HSL 40.73, 0.77%, 0.51%

LAB 71.44, 12.56, 69.37

 

CMYK 0 / 50 / 85 / 11

HEX #E27021

RGB 226 112 33

HSL 24.56, 0.77%, 0.51%

LAB 59.77, 39.91, 59.76

 

CMYK 42 / 0 / 85 / 11

HEX #84E221

RGB 132 226 33

HSL 89.22, 0.77%, 0.51%

LAB 81.52, -55.29, 75.11

 

CMYK 65 / 0 / 85 / 11

HEX #50E221

RGB 80 226 33

HSL 105.39, 0.77%, 0.51%

LAB 79.73, -69.28, 72.86

 

CMYK 85 / 0 / 83 / 11

HEX #21E227

RGB 33 226 39

HSL 121.87, 0.77%, 0.51%

LAB 78.96, -75.88, 70.51

 

CMYK 85 / 0 / 60 / 11

HEX #21E25B

RGB 33 226 91

HSL 138.03, 0.77%, 0.51%

LAB 79.31, -71.49, 52.49

 

CMYK 85 / 0 / 37 / 11

HEX #21E28F

RGB 33 226 143

HSL 154.2, 0.77%, 0.51%

LAB 80.01, -63.19, 28.27

 

CMYK 42 / 0 / 85 / 11

HEX #84E221

RGB 132 226 33

HSL 89.22, 0.77%, 0.51%

LAB 81.52, -55.29, 75.11

 

CMYK 46 / 0 / 95 / 4

HEX #84F60D

RGB 132 246 13

HSL 89.36, 0.93%, 0.51%

LAB 87.41, -63.26, 82.9

 

CMYK 42 / 0 / 85 / 11

HEX #84E221

RGB 132 226 33

HSL 89.22, 0.77%, 0.51%

LAB 81.52, -55.29, 75.11

 

CMYK 36 / 0 / 74 / 19

HEX #83CE36

RGB 131 206 54

HSL 89.61, 0.61%, 0.51%

LAB 75.6, -46.63, 63.93

 

CMYK 29 / 0 / 60 / 27

HEX #83B94A

RGB 131 185 74

HSL 89.19, 0.44%, 0.51%

LAB 69.48, -35.98, 49.59

 

CMYK 21 / 0 / 43 / 35

HEX #82A55E

RGB 130 165 94

HSL 89.58, 0.28%, 0.51%

LAB 63.72, -24.65, 32.9

 

CMYK 10 / 0 / 21 / 43

HEX #829172

RGB 130 145 114

HSL 89.03, 0.12%, 0.51%

LAB 58.24, -11.29, 14.69

 

CMYK 0 / 4 / 85 / 11

HEX #E2D821

RGB 226 216 33

HSL 56.89, 0.77%, 0.51%

LAB 84.68, -14.33, 80.17

 

CMYK 19 / 0 / 85 / 11

HEX #B8E221

RGB 184 226 33

HSL 73.06, 0.77%, 0.51%

LAB 84.33, -36.38, 78.61

 

CMYK 41 / 0 / 85 / 11

HEX #85E221

RGB 133 226 33

HSL 88.91, 0.77%, 0.51%

LAB 81.56, -54.96, 75.16

 

CMYK 64 / 0 / 85 / 11

HEX #51E221

RGB 81 226 33

HSL 105.08, 0.77%, 0.51%

LAB 79.76, -69.07, 72.89

 

CMYK 85 / 0 / 84 / 11

HEX #21E225

RGB 33 226 37

HSL 121.24, 0.77%, 0.51%

LAB 78.95, -75.97, 70.98

 

CMYK 43 / 0 / 87 / 38

HEX #5A9D14

RGB 90 157 20

HSL 89.34, 0.77%, 0.35%

LAB 58.36, -42.15, 57.15

 

CMYK 42 / 0 / 87 / 24

HEX #6FC119

RGB 111 193 25

HSL 89.29, 0.77%, 0.43%

LAB 70.59, -49.48, 66.99

 

CMYK 42 / 0 / 85 / 11

HEX #84E221

RGB 132 226 33

HSL 89.22, 0.77%, 0.51%

LAB 81.52, -55.29, 75.11

 

CMYK 34 / 0 / 70 / 9

HEX #98E746

RGB 152 231 70

HSL 89.44, 0.77%, 0.59%

LAB 84.11, -48.76, 67.16

 

CMYK 27 / 0 / 55 / 8

HEX #ACEB6A

RGB 172 235 106

HSL 89.3, 0.76%, 0.67%

LAB 86.62, -40.52, 55.45

 

CMYK 41 / 0 / 85 / 11

HEX #85E323

RGB 133 227 35

HSL 89.38, 0.77%, 0.51%

LAB 81.86, -55.28, 75

 

CMYK 85 / 0 / 27 / 11

HEX #21E2A5

RGB 33 226 165

HSL 161.04, 0.77%, 0.51%

LAB 80.42, -58.55, 17.43

 

CMYK 0 / 85 / 7 / 11

HEX #E221D2

RGB 226 33 210

HSL 304.97, 0.77%, 0.51%

LAB 53.93, 84.01, -46

 

CMYK 41 / 0 / 85 / 11

HEX #85E323

RGB 133 227 35

HSL 89.38, 0.77%, 0.51%

LAB 81.86, -55.28, 75

 

CMYK 85 / 41 / 0 / 11

HEX #2185E2

RGB 33 133 226

HSL 208.91, 0.77%, 0.51%

LAB 54.65, 5.9, -54.91

 

CMYK 0 / 85 / 41 / 11

HEX #E22185

RGB 226 33 133

HSL 328.91, 0.77%, 0.51%

LAB 50.63, 75.04, -5.84

 

CMYK 41 / 0 / 85 / 11

HEX #85E323

RGB 133 227 35

HSL 89.38, 0.77%, 0.51%

LAB 81.86, -55.28, 75

 

CMYK 85 / 0 / 27 / 11

HEX #21E2A5

RGB 33 226 165

HSL 161.04, 0.77%, 0.51%

LAB 80.42, -58.55, 17.43

 

CMYK 44 / 85 / 0 / 11

HEX #7E21E2

RGB 126 33 226

HSL 268.91, 0.77%, 0.51%

LAB 39.6, 71.34, -79.07

 

CMYK 0 / 85 / 58 / 11

HEX #E2215E

RGB 226 33 94

HSL 341.04, 0.77%, 0.51%

LAB 49.57, 72.04, 16.41

 

CMYK 41 / 0 / 85 / 11

HEX #85E323

RGB 133 227 35

HSL 89.38, 0.77%, 0.51%

LAB 81.86, -55.28, 75

 

CMYK 85 / 0 / 1 / 11

HEX #21E2DF

RGB 33 226 223

HSL 179.07, 0.77%, 0.51%

LAB 81.86, -43.59, -11.16

 

CMYK 44 / 85 / 0 / 11

HEX #7E21E2

RGB 126 33 226

HSL 268.91, 0.77%, 0.51%

LAB 39.6, 71.34, -79.07

 

CMYK 0 / 85 / 84 / 11

HEX #E22125

RGB 226 33 37

HSL 358.76, 0.77%, 0.51%

LAB 48.75, 69.62, 48.61

 

Description

Color code: HEX #85E323 | qconv.com Color code: HEX #85E323 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 227 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 227 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 85 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 85% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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