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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85EA7A it is the complementary color #7A1585. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85EA7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85EA7A shade: #8AEA75, #9BFC88, #ACFF9B, #BDFFAE and #CEFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85EA7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85EA7A shade: #85EA7A, #74D867, #63C654, #52B441 and #41A22E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85EA7A shade: #85EA7A, #A3EA7A, #C1EA7A, #DFEA7A and #EAD67A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85EA7A shade: #85EA7A, #7AEA8D, #7AEAAB, #7AEACA and #7AEAE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85EA7A shade matches the following richer shades: #85EA7A and #7BF66E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85EA7A shade: #85EA7A, #8FDD87, #99D193, #A3C59F and #ADB8AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85EA7A shade: #C1EA7A, #A3EA7A, #85EA7A, #7AEA8D and #7AEAAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85EA7A shade: #44DF33, #64E456, #85EA7A, #A6EF9E and #C7F5C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85EA7A shade: #85EA7A, #7ADFEA and #EA7AB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85EA7A shade: #85EA7A, #7A85EA and #EA7A85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85EA7A shade: #85EA7A, #7ADFEA, #DF7AEA and #EA857A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85EA7A shade: #85EA7A, #7ABDEA, #DF7AEA and #EAA77A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 48 / 8

HEX #85EA7A

RGB 133 234 122

HSL 114.11, 0.73%, 0.7%

LAB 84.61, -50.98, 45.14

 

Complementary color

CMYK 8 / 84 / 0 / 48

HEX #7A1585

RGB 122 21 133

HSL 294.11, 0.73%, 0.3%

LAB 30.32, 54.8, -38.83

 

CMYK 41 / 0 / 50 / 8

HEX #8AEA75

RGB 138 234 117

HSL 109.23, 0.74%, 0.69%

LAB 84.76, -50.12, 47.75

 

CMYK 38 / 0 / 46 / 1

HEX #9BFC88

RGB 155 252 136

HSL 110.17, 0.95%, 0.76%

LAB 90.95, -50.03, 46.56

 

CMYK 33 / 0 / 39 / 0

HEX #ACFF9B

RGB 172 255 155

HSL 109.8, 1%, 0.8%

LAB 92.86, -43.47, 39.98

 

CMYK 26 / 0 / 32 / 0

HEX #BDFFAE

RGB 189 255 174

HSL 108.89, 1%, 0.84%

LAB 94.05, -35.24, 32.29

 

CMYK 19 / 0 / 24 / 0

HEX #CEFFC1

RGB 206 255 193

HSL 107.42, 1%, 0.88%

LAB 95.37, -26.7, 24.65

 

CMYK 43 / 0 / 48 / 8

HEX #85EA7A

RGB 133 234 122

HSL 114.11, 0.73%, 0.7%

LAB 84.61, -50.98, 45.14

 

CMYK 46 / 0 / 52 / 15

HEX #74D867

RGB 116 216 103

HSL 113.1, 0.59%, 0.63%

LAB 78.35, -51.02, 46.36

 

CMYK 50 / 0 / 58 / 22

HEX #63C654

RGB 99 198 84

HSL 112.11, 0.5%, 0.55%

LAB 72.01, -50.93, 47.55

 

CMYK 54 / 0 / 64 / 29

HEX #52B441

RGB 82 180 65

HSL 111.13, 0.47%, 0.48%

LAB 65.61, -50.66, 48.62

 

CMYK 60 / 0 / 72 / 36

HEX #41A22E

RGB 65 162 46

HSL 110.17, 0.56%, 0.41%

LAB 59.12, -50.09, 49.38

 

CMYK 43 / 0 / 48 / 8

HEX #85EA7A

RGB 133 234 122

HSL 114.11, 0.73%, 0.7%

LAB 84.61, -50.98, 45.14

 

CMYK 30 / 0 / 48 / 8

HEX #A3EA7A

RGB 163 234 122

HSL 98.04, 0.73%, 0.7%

LAB 86.03, -41.48, 47.21

 

CMYK 18 / 0 / 48 / 8

HEX #C1EA7A

RGB 193 234 122

HSL 81.96, 0.73%, 0.7%

LAB 87.77, -30.81, 49.74

 

CMYK 5 / 0 / 48 / 8

HEX #DFEA7A

RGB 223 234 122

HSL 65.89, 0.73%, 0.7%

LAB 89.83, -19.37, 52.72

 

CMYK 0 / 9 / 48 / 8

HEX #EAD67A

RGB 234 214 122

HSL 49.29, 0.73%, 0.7%

LAB 85.5, -5.05, 47.66

 

CMYK 43 / 0 / 48 / 8

HEX #85EA7A

RGB 133 234 122

HSL 114.11, 0.73%, 0.7%

LAB 84.61, -50.98, 45.14

 

CMYK 48 / 0 / 40 / 8

HEX #7AEA8D

RGB 122 234 141

HSL 130.18, 0.73%, 0.7%

LAB 84.44, -51.3, 35.51

 

CMYK 48 / 0 / 27 / 8

HEX #7AEAAB

RGB 122 234 171

HSL 146.25, 0.73%, 0.7%

LAB 84.96, -46.04, 20.91

 

CMYK 48 / 0 / 14 / 8

HEX #7AEACA

RGB 122 234 202

HSL 162.86, 0.73%, 0.7%

LAB 85.63, -39.58, 5.69

 

CMYK 48 / 0 / 1 / 8

HEX #7AEAE8

RGB 122 234 232

HSL 178.93, 0.73%, 0.7%

LAB 86.41, -32.44, -8.94

 

CMYK 43 / 0 / 48 / 8

HEX #85EA7A

RGB 133 234 122

HSL 114.11, 0.73%, 0.7%

LAB 84.61, -50.98, 45.14

 

CMYK 50 / 0 / 55 / 4

HEX #7BF66E

RGB 123 246 110

HSL 114.26, 0.88%, 0.7%

LAB 87.61, -59.97, 54.25

 

CMYK 43 / 0 / 48 / 8

HEX #85EA7A

RGB 133 234 122

HSL 114.11, 0.73%, 0.7%

LAB 84.61, -50.98, 45.14

 

CMYK 35 / 0 / 39 / 13

HEX #8FDD87

RGB 143 221 135

HSL 114.42, 0.56%, 0.7%

LAB 81.46, -40.58, 34.81

 

CMYK 27 / 0 / 30 / 18

HEX #99D193

RGB 153 209 147

HSL 114.19, 0.4%, 0.7%

LAB 78.74, -29.95, 25.12

 

CMYK 17 / 0 / 19 / 23

HEX #A3C59F

RGB 163 197 159

HSL 113.68, 0.25%, 0.7%

LAB 76.21, -18.64, 15.36

 

CMYK 6 / 0 / 7 / 28

HEX #ADB8AC

RGB 173 184 172

HSL 115, 0.08%, 0.7%

LAB 73.64, -6.08, 4.77

 

CMYK 18 / 0 / 48 / 8

HEX #C1EA7A

RGB 193 234 122

HSL 81.96, 0.73%, 0.7%

LAB 87.77, -30.81, 49.74

 

CMYK 30 / 0 / 48 / 8

HEX #A3EA7A

RGB 163 234 122

HSL 98.04, 0.73%, 0.7%

LAB 86.03, -41.48, 47.21

 

CMYK 43 / 0 / 48 / 8

HEX #85EA7A

RGB 133 234 122

HSL 114.11, 0.73%, 0.7%

LAB 84.61, -50.98, 45.14

 

CMYK 48 / 0 / 40 / 8

HEX #7AEA8D

RGB 122 234 141

HSL 130.18, 0.73%, 0.7%

LAB 84.44, -51.3, 35.51

 

CMYK 48 / 0 / 27 / 8

HEX #7AEAAB

RGB 122 234 171

HSL 146.25, 0.73%, 0.7%

LAB 84.96, -46.04, 20.91

 

CMYK 70 / 0 / 77 / 13

HEX #44DF33

RGB 68 223 51

HSL 114.07, 0.73%, 0.54%

LAB 78.6, -69.74, 67.08

 

CMYK 56 / 0 / 62 / 11

HEX #64E456

RGB 100 228 86

HSL 114.08, 0.72%, 0.62%

LAB 81.22, -61.77, 57.17

 

CMYK 43 / 0 / 48 / 8

HEX #85EA7A

RGB 133 234 122

HSL 114.11, 0.73%, 0.7%

LAB 84.61, -50.98, 45.14

 

CMYK 31 / 0 / 34 / 6

HEX #A6EF9E

RGB 166 239 158

HSL 114.07, 0.72%, 0.78%

LAB 88.12, -37.85, 32.18

 

CMYK 19 / 0 / 21 / 4

HEX #C7F5C2

RGB 199 245 194

HSL 114.12, 0.72%, 0.86%

LAB 92.28, -24.1, 19.81

 

CMYK 43 / 0 / 48 / 8

HEX #85EA7A

RGB 133 234 122

HSL 114.11, 0.73%, 0.7%

LAB 84.61, -50.98, 45.14

 

CMYK 48 / 5 / 0 / 8

HEX #7ADFEA

RGB 122 223 234

HSL 185.89, 0.73%, 0.7%

LAB 83.37, -26.66, -14.54

 

CMYK 0 / 48 / 24 / 8

HEX #EA7AB2

RGB 234 122 178

HSL 330, 0.73%, 0.7%

LAB 65.46, 49.61, -9.87

 

CMYK 43 / 0 / 48 / 8

HEX #85EA7A

RGB 133 234 122

HSL 114.11, 0.73%, 0.7%

LAB 84.61, -50.98, 45.14

 

CMYK 48 / 43 / 0 / 8

HEX #7A85EA

RGB 122 133 234

HSL 234.11, 0.73%, 0.7%

LAB 58.84, 22.57, -52.47

 

CMYK 0 / 48 / 43 / 8

HEX #EA7A85

RGB 234 122 133

HSL 354.11, 0.73%, 0.7%

LAB 64.25, 44.17, 13.95

 

CMYK 43 / 0 / 48 / 8

HEX #85EA7A

RGB 133 234 122

HSL 114.11, 0.73%, 0.7%

LAB 84.61, -50.98, 45.14

 

CMYK 48 / 5 / 0 / 8

HEX #7ADFEA

RGB 122 223 234

HSL 185.89, 0.73%, 0.7%

LAB 83.37, -26.66, -14.54

 

CMYK 5 / 48 / 0 / 8

HEX #DF7AEA

RGB 223 122 234

HSL 294.11, 0.73%, 0.7%

LAB 66.17, 55.38, -40.25

 

CMYK 0 / 43 / 48 / 8

HEX #EA857A

RGB 234 133 122

HSL 5.89, 0.73%, 0.7%

LAB 66.27, 37.48, 22.94

 

CMYK 43 / 0 / 48 / 8

HEX #85EA7A

RGB 133 234 122

HSL 114.11, 0.73%, 0.7%

LAB 84.61, -50.98, 45.14

 

CMYK 48 / 19 / 0 / 8

HEX #7ABDEA

RGB 122 189 234

HSL 204.11, 0.73%, 0.7%

LAB 73.85, -9.27, -28.98

 

CMYK 5 / 48 / 0 / 8

HEX #DF7AEA

RGB 223 122 234

HSL 294.11, 0.73%, 0.7%

LAB 66.17, 55.38, -40.25

 

CMYK 0 / 29 / 48 / 8

HEX #EAA77A

RGB 234 167 122

HSL 24.11, 0.73%, 0.7%

LAB 73.89, 19.54, 33.02

 

Description

Color code: HEX #85EA7A | qconv.com Color code: HEX #85EA7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 234 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 234 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 48 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 48% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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