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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85EAB9 it is the complementary color #7A1546. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85EAB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85EAB9 shade: #8AEAB4, #9BFCC7, #ACFFDA, #BDFFED and #CEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85EAB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85EAB9 shade: #85EAB9, #74D8A6, #63C693, #52B480 and #41A26D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85EAB9 shade: #84EAB9, #84EA9D, #87EA84, #A2EA84 and #BEEA84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85EAB9 shade: #84EAB9, #84EAD4, #84E4EA, #84C9EA and #84AEEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85EAB9 shade matches the following richer shades: #84EAB9 and #79F5B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85EAB9 shade: #84EAB9, #90DEB8, #9CD3B8, #A7C7B8 and #B3BCB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85EAB9 shade: #88EA84, #84EA9C, #84EAB7, #84EAD2 and #84E6EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85EAB9 shade: #3EDE90, #61E4A4, #84EAB9, #A8F0CD and #CBF6E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85EAB9 shade: #85EAB9, #84A3EA and #EA8F84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85EAB9 shade: #85EAB9, #B784EA and #EAB784

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85EAB9 shade: #85EAB9, #84A3EA, #EA84B7 and #EACB84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85EAB9 shade: #85EAB9, #8484EA, #EA84B7 and #EAEA84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 21 / 8

HEX #85EAB9

RGB 133 234 185

HSL 150.89, 0.71%, 0.72%

LAB 85.67, -40.48, 14.7

 

Complementary color

CMYK 0 / 83 / 43 / 52

HEX #7A1546

RGB 122 21 70

HSL 330.89, 0.71%, 0.28%

LAB 27.06, 45.61, -3.05

 

CMYK 41 / 0 / 23 / 8

HEX #8AEAB4

RGB 138 234 180

HSL 146.25, 0.7%, 0.73%

LAB 85.78, -40.13, 17.48

 

CMYK 38 / 0 / 21 / 1

HEX #9BFCC7

RGB 155 252 199

HSL 147.22, 0.94%, 0.8%

LAB 92, -39.89, 16.51

 

CMYK 33 / 0 / 15 / 0

HEX #ACFFDA

RGB 172 255 218

HSL 153.25, 1%, 0.84%

LAB 94.03, -32.81, 9.73

 

CMYK 26 / 0 / 7 / 0

HEX #BDFFED

RGB 189 255 237

HSL 163.64, 1%, 0.87%

LAB 95.35, -24.1, 1.96

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 43 / 0 / 21 / 8

HEX #85EAB9

RGB 133 234 185

HSL 150.89, 0.71%, 0.72%

LAB 85.67, -40.48, 14.7

 

CMYK 46 / 0 / 23 / 15

HEX #74D8A6

RGB 116 216 166

HSL 150, 0.56%, 0.65%

LAB 79.37, -40.69, 15.72

 

CMYK 50 / 0 / 26 / 22

HEX #63C693

RGB 99 198 147

HSL 149.09, 0.46%, 0.58%

LAB 72.99, -40.86, 16.81

 

CMYK 54 / 0 / 29 / 29

HEX #52B480

RGB 82 180 128

HSL 148.16, 0.4%, 0.51%

LAB 66.52, -40.98, 18

 

CMYK 60 / 0 / 33 / 36

HEX #41A26D

RGB 65 162 109

HSL 147.22, 0.43%, 0.45%

LAB 59.95, -40.98, 19.3

 

CMYK 44 / 0 / 21 / 8

HEX #84EAB9

RGB 132 234 185

HSL 151.18, 0.71%, 0.72%

LAB 85.63, -40.74, 14.64

 

CMYK 44 / 0 / 33 / 8

HEX #84EA9D

RGB 132 234 157

HSL 134.71, 0.71%, 0.72%

LAB 85.09, -45.97, 28.36

 

CMYK 42 / 0 / 44 / 8

HEX #87EA84

RGB 135 234 132

HSL 118.24, 0.71%, 0.72%

LAB 84.82, -49.03, 40.58

 

CMYK 31 / 0 / 44 / 8

HEX #A2EA84

RGB 162 234 132

HSL 102.35, 0.71%, 0.72%

LAB 86.1, -40.58, 42.47

 

CMYK 19 / 0 / 44 / 8

HEX #BEEA84

RGB 190 234 132

HSL 85.88, 0.71%, 0.72%

LAB 87.71, -30.81, 44.83

 

CMYK 44 / 0 / 21 / 8

HEX #84EAB9

RGB 132 234 185

HSL 151.18, 0.71%, 0.72%

LAB 85.63, -40.74, 14.64

 

CMYK 44 / 0 / 9 / 8

HEX #84EAD4

RGB 132 234 212

HSL 167.06, 0.71%, 0.72%

LAB 86.26, -34.94, 1.4

 

CMYK 44 / 3 / 0 / 8

HEX #84E4EA

RGB 132 228 234

HSL 183.53, 0.71%, 0.72%

LAB 85.17, -26.83, -11.8

 

CMYK 44 / 14 / 0 / 8

HEX #84C9EA

RGB 132 201 234

HSL 199.41, 0.71%, 0.72%

LAB 77.65, -13.23, -23.13

 

CMYK 44 / 26 / 0 / 8

HEX #84AEEA

RGB 132 174 234

HSL 215.29, 0.71%, 0.72%

LAB 70.26, 1.33, -34.49

 

CMYK 44 / 0 / 21 / 8

HEX #84EAB9

RGB 132 234 185

HSL 151.18, 0.71%, 0.72%

LAB 85.63, -40.74, 14.64

 

CMYK 51 / 0 / 24 / 4

HEX #79F5B9

RGB 121 245 185

HSL 150.97, 0.86%, 0.72%

LAB 88.39, -48.22, 18.44

 

CMYK 44 / 0 / 21 / 8

HEX #84EAB9

RGB 132 234 185

HSL 151.18, 0.71%, 0.72%

LAB 85.63, -40.74, 14.64

 

CMYK 35 / 0 / 17 / 13

HEX #90DEB8

RGB 144 222 184

HSL 150.77, 0.54%, 0.72%

LAB 82.72, -32.16, 11.11

 

CMYK 26 / 0 / 13 / 17

HEX #9CD3B8

RGB 156 211 184

HSL 150.55, 0.38%, 0.72%

LAB 80.25, -23.27, 7.66

 

CMYK 16 / 0 / 8 / 22

HEX #A7C7B8

RGB 167 199 184

HSL 151.88, 0.22%, 0.72%

LAB 77.59, -13.69, 3.93

 

CMYK 5 / 0 / 3 / 26

HEX #B3BCB7

RGB 179 188 183

HSL 146.67, 0.06%, 0.72%

LAB 75.43, -4.06, 1.44

 

CMYK 42 / 0 / 44 / 8

HEX #88EA84

RGB 136 234 132

HSL 117.65, 0.71%, 0.72%

LAB 84.87, -48.74, 40.64

 

CMYK 44 / 0 / 33 / 8

HEX #84EA9C

RGB 132 234 156

HSL 134.12, 0.71%, 0.72%

LAB 85.07, -46.14, 28.85

 

CMYK 44 / 0 / 22 / 8

HEX #84EAB7

RGB 132 234 183

HSL 150, 0.71%, 0.72%

LAB 85.59, -41.14, 15.62

 

CMYK 44 / 0 / 10 / 8

HEX #84EAD2

RGB 132 234 210

HSL 165.88, 0.71%, 0.72%

LAB 86.21, -35.39, 2.37

 

CMYK 44 / 2 / 0 / 8

HEX #84E6EA

RGB 132 230 234

HSL 182.35, 0.71%, 0.72%

LAB 85.73, -27.8, -10.97

 

CMYK 72 / 0 / 35 / 13

HEX #3EDE90

RGB 62 222 144

HSL 150.75, 0.71%, 0.56%

LAB 79.2, -58.43, 26.74

 

CMYK 57 / 0 / 28 / 11

HEX #61E4A4

RGB 97 228 164

HSL 150.69, 0.71%, 0.64%

LAB 82.22, -50.64, 20.63

 

CMYK 44 / 0 / 21 / 8

HEX #84EAB9

RGB 132 234 185

HSL 151.18, 0.71%, 0.72%

LAB 85.63, -40.74, 14.64

 

CMYK 30 / 0 / 15 / 6

HEX #A8F0CD

RGB 168 240 205

HSL 150.83, 0.71%, 0.8%

LAB 89.42, -29.49, 9.83

 

CMYK 17 / 0 / 9 / 4

HEX #CBF6E1

RGB 203 246 225

HSL 150.7, 0.7%, 0.88%

LAB 93.47, -17.81, 5.53

 

CMYK 43 / 0 / 21 / 8

HEX #85EAB9

RGB 133 234 185

HSL 150.89, 0.71%, 0.72%

LAB 85.67, -40.48, 14.7

 

CMYK 44 / 30 / 0 / 8

HEX #84A3EA

RGB 132 163 234

HSL 221.76, 0.71%, 0.72%

LAB 67.31, 7.52, -39.08

 

CMYK 0 / 39 / 44 / 8

HEX #EA8F84

RGB 234 143 132

HSL 6.47, 0.71%, 0.72%

LAB 68.61, 33.26, 20.55

 

CMYK 43 / 0 / 21 / 8

HEX #85EAB9

RGB 133 234 185

HSL 150.89, 0.71%, 0.72%

LAB 85.67, -40.48, 14.7

 

CMYK 22 / 44 / 0 / 8

HEX #B784EA

RGB 183 132 234

HSL 270, 0.71%, 0.72%

LAB 63.76, 38.93, -44.34

 

CMYK 0 / 22 / 44 / 8

HEX #EAB784

RGB 234 183 132

HSL 30, 0.71%, 0.72%

LAB 77.89, 12.03, 32.96

 

CMYK 43 / 0 / 21 / 8

HEX #85EAB9

RGB 133 234 185

HSL 150.89, 0.71%, 0.72%

LAB 85.67, -40.48, 14.7

 

CMYK 44 / 30 / 0 / 8

HEX #84A3EA

RGB 132 163 234

HSL 221.76, 0.71%, 0.72%

LAB 67.31, 7.52, -39.08

 

CMYK 0 / 44 / 22 / 8

HEX #EA84B7

RGB 234 132 183

HSL 330, 0.71%, 0.72%

LAB 67.59, 45.3, -9.51

 

CMYK 0 / 13 / 44 / 8

HEX #EACB84

RGB 234 203 132

HSL 41.76, 0.71%, 0.72%

LAB 82.84, 1.56, 39.36

 

CMYK 43 / 0 / 21 / 8

HEX #85EAB9

RGB 133 234 185

HSL 150.89, 0.71%, 0.72%

LAB 85.67, -40.48, 14.7

 

CMYK 44 / 44 / 0 / 8

HEX #8484EA

RGB 132 132 234

HSL 240, 0.71%, 0.72%

LAB 59.3, 25.51, -51.7

 

CMYK 0 / 44 / 22 / 8

HEX #EA84B7

RGB 234 132 183

HSL 330, 0.71%, 0.72%

LAB 67.59, 45.3, -9.51

 

CMYK 0 / 0 / 44 / 8

HEX #EAEA84

RGB 234 234 132

HSL 60, 0.71%, 0.72%

LAB 90.78, -14.13, 49.32

 

Description

Color code: HEX #85EAB9 | qconv.com Color code: HEX #85EAB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 234 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 234 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 21 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 21% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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