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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85EAC4 it is the complementary color #7A153B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85EAC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85EAC4 shade: #8AEABF, #9BFCD2, #ACFFE5, #BDFFF8 and #CEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85EAC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85EAC4 shade: #85EAC4, #74D8B1, #63C69E, #52B48B and #41A278

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85EAC4 shade: #84EAC4, #84EAA8, #84EA8D, #97EA84 and #B3EA84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85EAC4 shade: #84EAC4, #84EADF, #84D9EA, #84BEEA and #84A3EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85EAC4 shade matches the following richer shades: #84EAC4 and #79F5C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85EAC4 shade: #84EAC4, #90DEC1, #9CD3BE, #A7C7BB and #B3BCB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85EAC4 shade: #84EA8D, #84EAA8, #84EAC3, #84EADE and #84DBEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85EAC4 shade: #3EDEA2, #61E4B3, #84EAC4, #A8F0D5 and #CBF6E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85EAC4 shade: #85EAC4, #8497EA and #EA9A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85EAC4 shade: #85EAC4, #C384EA and #EAC384

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85EAC4 shade: #85EAC4, #8497EA, #EA84AB and #EAD784

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85EAC4 shade: #85EAC4, #9084EA, #EA84AB and #DEEA84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 16 / 8

HEX #85EAC4

RGB 133 234 196

HSL 157.43, 0.71%, 0.72%

LAB 85.92, -38.21, 9.3

 

Complementary color

CMYK 0 / 83 / 52 / 52

HEX #7A153B

RGB 122 21 59

HSL 337.43, 0.71%, 0.28%

LAB 26.71, 44.53, 3.86

 

CMYK 41 / 0 / 18 / 8

HEX #8AEABF

RGB 138 234 191

HSL 153.13, 0.7%, 0.73%

LAB 86.01, -37.95, 12.08

 

CMYK 38 / 0 / 17 / 1

HEX #9BFCD2

RGB 155 252 210

HSL 154.02, 0.94%, 0.8%

LAB 92.24, -37.72, 11.18

 

CMYK 33 / 0 / 10 / 0

HEX #ACFFE5

RGB 172 255 229

HSL 161.2, 1%, 0.84%

LAB 94.29, -30.59, 4.43

 

CMYK 26 / 0 / 3 / 0

HEX #BDFFF8

RGB 189 255 248

HSL 173.64, 1%, 0.87%

LAB 95.63, -21.83, -3.31

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 43 / 0 / 16 / 8

HEX #85EAC4

RGB 133 234 196

HSL 157.43, 0.71%, 0.72%

LAB 85.92, -38.21, 9.3

 

CMYK 46 / 0 / 18 / 15

HEX #74D8B1

RGB 116 216 177

HSL 156.6, 0.56%, 0.65%

LAB 79.61, -38.39, 10.23

 

CMYK 50 / 0 / 20 / 22

HEX #63C69E

RGB 99 198 158

HSL 155.76, 0.46%, 0.58%

LAB 73.23, -38.54, 11.23

 

CMYK 54 / 0 / 23 / 29

HEX #52B48B

RGB 82 180 139

HSL 154.9, 0.4%, 0.51%

LAB 66.75, -38.64, 12.32

 

CMYK 60 / 0 / 26 / 36

HEX #41A278

RGB 65 162 120

HSL 154.02, 0.43%, 0.45%

LAB 60.18, -38.63, 13.52

 

CMYK 44 / 0 / 16 / 8

HEX #84EAC4

RGB 132 234 196

HSL 157.65, 0.71%, 0.72%

LAB 85.87, -38.46, 9.23

 

CMYK 44 / 0 / 28 / 8

HEX #84EAA8

RGB 132 234 168

HSL 141.18, 0.71%, 0.72%

LAB 85.29, -44.02, 22.98

 

CMYK 44 / 0 / 40 / 8

HEX #84EA8D

RGB 132 234 141

HSL 125.29, 0.71%, 0.72%

LAB 84.83, -48.57, 36.1

 

CMYK 35 / 0 / 44 / 8

HEX #97EA84

RGB 151 234 132

HSL 108.82, 0.71%, 0.72%

LAB 85.55, -44.16, 41.65

 

CMYK 24 / 0 / 44 / 8

HEX #B3EA84

RGB 179 234 132

HSL 92.35, 0.71%, 0.72%

LAB 87.04, -34.75, 43.85

 

CMYK 44 / 0 / 16 / 8

HEX #84EAC4

RGB 132 234 196

HSL 157.65, 0.71%, 0.72%

LAB 85.87, -38.46, 9.23

 

CMYK 44 / 0 / 5 / 8

HEX #84EADF

RGB 132 234 223

HSL 173.53, 0.71%, 0.72%

LAB 86.54, -32.38, -3.97

 

CMYK 44 / 7 / 0 / 8

HEX #84D9EA

RGB 132 217 234

HSL 190, 0.71%, 0.72%

LAB 82.09, -21.41, -16.41

 

CMYK 44 / 19 / 0 / 8

HEX #84BEEA

RGB 132 190 234

HSL 205.88, 0.71%, 0.72%

LAB 74.62, -7.41, -27.76

 

CMYK 44 / 30 / 0 / 8

HEX #84A3EA

RGB 132 163 234

HSL 221.76, 0.71%, 0.72%

LAB 67.31, 7.52, -39.08

 

CMYK 44 / 0 / 16 / 8

HEX #84EAC4

RGB 132 234 196

HSL 157.65, 0.71%, 0.72%

LAB 85.87, -38.46, 9.23

 

CMYK 51 / 0 / 19 / 4

HEX #79F5C7

RGB 121 245 199

HSL 157.74, 0.86%, 0.72%

LAB 88.68, -45.33, 11.62

 

CMYK 44 / 0 / 16 / 8

HEX #84EAC4

RGB 132 234 196

HSL 157.65, 0.71%, 0.72%

LAB 85.87, -38.46, 9.23

 

CMYK 35 / 0 / 13 / 13

HEX #90DEC1

RGB 144 222 193

HSL 157.69, 0.54%, 0.72%

LAB 82.93, -30.32, 6.65

 

CMYK 26 / 0 / 10 / 17

HEX #9CD3BE

RGB 156 211 190

HSL 157.09, 0.38%, 0.72%

LAB 80.39, -22.06, 4.67

 

CMYK 16 / 0 / 6 / 22

HEX #A7C7BB

RGB 167 199 187

HSL 157.5, 0.22%, 0.72%

LAB 77.67, -13.09, 2.42

 

CMYK 5 / 0 / 2 / 26

HEX #B3BCB8

RGB 179 188 184

HSL 153.33, 0.06%, 0.72%

LAB 75.46, -3.87, 0.93

 

CMYK 44 / 0 / 40 / 8

HEX #84EA8D

RGB 132 234 141

HSL 125.29, 0.71%, 0.72%

LAB 84.83, -48.57, 36.1

 

CMYK 44 / 0 / 28 / 8

HEX #84EAA8

RGB 132 234 168

HSL 141.18, 0.71%, 0.72%

LAB 85.29, -44.02, 22.98

 

CMYK 44 / 0 / 17 / 8

HEX #84EAC3

RGB 132 234 195

HSL 157.06, 0.71%, 0.72%

LAB 85.85, -38.67, 9.73

 

CMYK 44 / 0 / 5 / 8

HEX #84EADE

RGB 132 234 222

HSL 172.94, 0.71%, 0.72%

LAB 86.52, -32.62, -3.48

 

CMYK 44 / 6 / 0 / 8

HEX #84DBEA

RGB 132 219 234

HSL 188.82, 0.71%, 0.72%

LAB 82.65, -22.41, -15.57

 

CMYK 72 / 0 / 27 / 13

HEX #3EDEA2

RGB 62 222 162

HSL 157.5, 0.71%, 0.56%

LAB 79.54, -54.71, 17.83

 

CMYK 57 / 0 / 21 / 11

HEX #61E4B3

RGB 97 228 179

HSL 157.56, 0.71%, 0.64%

LAB 82.53, -47.49, 13.22

 

CMYK 44 / 0 / 16 / 8

HEX #84EAC4

RGB 132 234 196

HSL 157.65, 0.71%, 0.72%

LAB 85.87, -38.46, 9.23

 

CMYK 30 / 0 / 11 / 6

HEX #A8F0D5

RGB 168 240 213

HSL 157.5, 0.71%, 0.8%

LAB 89.6, -27.9, 5.93

 

CMYK 17 / 0 / 7 / 4

HEX #CBF6E6

RGB 203 246 230

HSL 157.67, 0.7%, 0.88%

LAB 93.59, -16.86, 3.11

 

CMYK 43 / 0 / 16 / 8

HEX #85EAC4

RGB 133 234 196

HSL 157.43, 0.71%, 0.72%

LAB 85.92, -38.21, 9.3

 

CMYK 44 / 35 / 0 / 8

HEX #8497EA

RGB 132 151 234

HSL 228.82, 0.71%, 0.72%

LAB 64.14, 14.41, -44.03

 

CMYK 0 / 34 / 44 / 8

HEX #EA9A84

RGB 234 154 132

HSL 12.94, 0.71%, 0.72%

LAB 71.06, 27.45, 23.87

 

CMYK 43 / 0 / 16 / 8

HEX #85EAC4

RGB 133 234 196

HSL 157.43, 0.71%, 0.72%

LAB 85.92, -38.21, 9.3

 

CMYK 17 / 44 / 0 / 8

HEX #C384EA

RGB 195 132 234

HSL 277.06, 0.71%, 0.72%

LAB 65, 42.31, -42.32

 

CMYK 0 / 17 / 44 / 8

HEX #EAC384

RGB 234 195 132

HSL 37.06, 0.71%, 0.72%

LAB 80.84, 5.72, 36.79

 

CMYK 43 / 0 / 16 / 8

HEX #85EAC4

RGB 133 234 196

HSL 157.43, 0.71%, 0.72%

LAB 85.92, -38.21, 9.3

 

CMYK 44 / 35 / 0 / 8

HEX #8497EA

RGB 132 151 234

HSL 228.82, 0.71%, 0.72%

LAB 64.14, 14.41, -44.03

 

CMYK 0 / 44 / 27 / 8

HEX #EA84AB

RGB 234 132 171

HSL 337.06, 0.71%, 0.72%

LAB 67.23, 43.63, -3.29

 

CMYK 0 / 8 / 44 / 8

HEX #EAD784

RGB 234 215 132

HSL 48.82, 0.71%, 0.72%

LAB 85.89, -4.61, 43.22

 

CMYK 43 / 0 / 16 / 8

HEX #85EAC4

RGB 133 234 196

HSL 157.43, 0.71%, 0.72%

LAB 85.92, -38.21, 9.3

 

CMYK 38 / 44 / 0 / 8

HEX #9084EA

RGB 144 132 234

HSL 247.06, 0.71%, 0.72%

LAB 60.22, 28.48, -50.17

 

CMYK 0 / 44 / 27 / 8

HEX #EA84AB

RGB 234 132 171

HSL 337.06, 0.71%, 0.72%

LAB 67.23, 43.63, -3.29

 

CMYK 5 / 0 / 44 / 8

HEX #DEEA84

RGB 222 234 132

HSL 67.06, 0.71%, 0.72%

LAB 89.88, -18.79, 48

 

Description

Color code: HEX #85EAC4 | qconv.com Color code: HEX #85EAC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 234 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 234 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 16 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 16% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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