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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85ED44 it is the complementary color #7A12BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85ED44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85ED44 shade: #8AED3F, #9BFF52, #ACFF65, #BDFF78 and #CEFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85ED44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85ED44 shade: #85ED44, #74DB31, #63C91E, #52B70B and #41A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85ED44 shade: #85EC45, #B2EC45, #DFEC45, #ECCC45 and #EC9F45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85ED44 shade: #85EC45, #58EC45, #45EC5F, #45EC8C and #45ECB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85ED44 shade matches the following richer shades: #85EC45 and #81FD34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85ED44 shade: #85EC45, #89DC55, #8DCB66, #91BB76 and #94AA87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85ED44 shade: #E1EC45, #B4EC45, #88EC45, #5BEC45 and #45EC5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85ED44 shade: #5ACB14, #6DE81F, #85EC45, #9EF06A and #B6F490

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85ED44 shade: #85ED44, #45ECCB and #EC45CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85ED44 shade: #85ED44, #4588EC and #EC4588

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85ED44 shade: #85ED44, #45ECCB, #A945EC and #EC4566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85ED44 shade: #85ED44, #45DBEC, #A945EC and #EC5645

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 71 / 7

HEX #85ED44

RGB 133 237 68

HSL 96.92, 0.82%, 0.6%

LAB 84.98, -57.48, 68.48

 

Complementary color

CMYK 35 / 90 / 0 / 27

HEX #7A12BB

RGB 122 18 187

HSL 276.92, 0.82%, 0.4%

LAB 34.31, 66.03, -65.14

 

CMYK 42 / 0 / 73 / 7

HEX #8AED3F

RGB 138 237 63

HSL 94.14, 0.83%, 0.59%

LAB 85.16, -56.24, 70.42

 

CMYK 39 / 0 / 68 / 0

HEX #9BFF52

RGB 155 255 82

HSL 94.68, 1%, 0.66%

LAB 91.28, -56.64, 70.2

 

CMYK 33 / 0 / 60 / 0

HEX #ACFF65

RGB 172 255 101

HSL 92.34, 1%, 0.7%

LAB 92.23, -49.56, 64

 

CMYK 26 / 0 / 53 / 0

HEX #BDFF78

RGB 189 255 120

HSL 89.33, 1%, 0.74%

LAB 93.32, -41.95, 57.26

 

CMYK 19 / 0 / 45 / 0

HEX #CEFF8B

RGB 206 255 139

HSL 85.34, 1%, 0.77%

LAB 94.53, -33.93, 50.19

 

CMYK 44 / 0 / 71 / 7

HEX #85ED44

RGB 133 237 68

HSL 96.92, 0.82%, 0.6%

LAB 84.98, -57.48, 68.48

 

CMYK 47 / 0 / 78 / 14

HEX #74DB31

RGB 116 219 49

HSL 96.35, 0.7%, 0.53%

LAB 78.81, -56.92, 68.38

 

CMYK 51 / 0 / 85 / 21

HEX #63C91E

RGB 99 201 30

HSL 95.79, 0.74%, 0.45%

LAB 72.57, -56.11, 67.45

 

CMYK 55 / 0 / 94 / 28

HEX #52B70B

RGB 82 183 11

HSL 95.23, 0.89%, 0.38%

LAB 66.28, -54.92, 65.23

 

CMYK 61 / 0 / 100 / 35

HEX #41A500

RGB 65 165 0

HSL 96.36, 1%, 0.32%

LAB 59.92, -53.28, 61.3

 

CMYK 44 / 0 / 71 / 7

HEX #85EC45

RGB 133 236 69

HSL 97.01, 0.81%, 0.6%

LAB 84.69, -57.02, 67.83

 

CMYK 25 / 0 / 71 / 7

HEX #B2EC45

RGB 178 236 69

HSL 80.84, 0.81%, 0.6%

LAB 86.94, -41.62, 70.83

 

CMYK 6 / 0 / 71 / 7

HEX #DFEC45

RGB 223 236 69

HSL 64.67, 0.81%, 0.6%

LAB 89.91, -24.04, 74.74

 

CMYK 0 / 14 / 71 / 7

HEX #ECCC45

RGB 236 204 69

HSL 48.5, 0.81%, 0.6%

LAB 82.62, -2.8, 67.96

 

CMYK 0 / 33 / 71 / 7

HEX #EC9F45

RGB 236 159 69

HSL 32.34, 0.81%, 0.6%

LAB 71.59, 20.79, 56.74

 

CMYK 44 / 0 / 71 / 7

HEX #85EC45

RGB 133 236 69

HSL 97.01, 0.81%, 0.6%

LAB 84.69, -57.02, 67.83

 

CMYK 63 / 0 / 71 / 7

HEX #58EC45

RGB 88 236 69

HSL 113.17, 0.81%, 0.6%

LAB 83.18, -68.78, 65.8

 

CMYK 71 / 0 / 60 / 7

HEX #45EC5F

RGB 69 236 95

HSL 129.34, 0.81%, 0.6%

LAB 82.96, -69.82, 55.08

 

CMYK 71 / 0 / 41 / 7

HEX #45EC8C

RGB 69 236 140

HSL 145.51, 0.81%, 0.6%

LAB 83.52, -63.29, 34.53

 

CMYK 71 / 0 / 22 / 7

HEX #45ECB9

RGB 69 236 185

HSL 161.68, 0.81%, 0.6%

LAB 84.36, -54.16, 12.58

 

CMYK 44 / 0 / 71 / 7

HEX #85EC45

RGB 133 236 69

HSL 97.01, 0.81%, 0.6%

LAB 84.69, -57.02, 67.83

 

CMYK 49 / 0 / 79 / 1

HEX #81FD34

RGB 129 253 52

HSL 97.01, 0.98%, 0.6%

LAB 89.47, -65.5, 77.65

 

CMYK 44 / 0 / 71 / 7

HEX #85EC45

RGB 133 236 69

HSL 97.01, 0.81%, 0.6%

LAB 84.69, -57.02, 67.83

 

CMYK 38 / 0 / 61 / 14

HEX #89DC55

RGB 137 220 85

HSL 96.89, 0.66%, 0.6%

LAB 80.27, -48.08, 56.94

 

CMYK 31 / 0 / 50 / 20

HEX #8DCB66

RGB 141 203 102

HSL 96.83, 0.49%, 0.6%

LAB 75.66, -37.59, 43.85

 

CMYK 22 / 0 / 37 / 27

HEX #91BB76

RGB 145 187 118

HSL 96.52, 0.34%, 0.6%

LAB 71.47, -26.59, 30.51

 

CMYK 13 / 0 / 21 / 33

HEX #94AA87

RGB 148 170 135

HSL 97.71, 0.17%, 0.6%

LAB 67.12, -14.26, 15.54

 

CMYK 5 / 0 / 71 / 7

HEX #E1EC45

RGB 225 236 69

HSL 63.95, 0.81%, 0.6%

LAB 90.06, -23.23, 74.94

 

CMYK 24 / 0 / 71 / 7

HEX #B4EC45

RGB 180 236 69

HSL 80.12, 0.81%, 0.6%

LAB 87.06, -40.88, 70.98

 

CMYK 42 / 0 / 71 / 7

HEX #88EC45

RGB 136 236 69

HSL 95.93, 0.81%, 0.6%

LAB 84.82, -56.09, 68

 

CMYK 61 / 0 / 71 / 7

HEX #5BEC45

RGB 91 236 69

HSL 112.1, 0.81%, 0.6%

LAB 83.26, -68.14, 65.91

 

CMYK 71 / 0 / 61 / 7

HEX #45EC5B

RGB 69 236 91

HSL 127.9, 0.81%, 0.6%

LAB 82.92, -70.27, 56.75

 

CMYK 56 / 0 / 90 / 20

HEX #5ACB14

RGB 90 203 20

HSL 97.05, 0.82%, 0.44%

LAB 72.85, -59.66, 69.49

 

CMYK 53 / 0 / 87 / 9

HEX #6DE81F

RGB 109 232 31

HSL 96.72, 0.81%, 0.52%

LAB 82.41, -64.41, 75.92

 

CMYK 44 / 0 / 71 / 7

HEX #85EC45

RGB 133 236 69

HSL 97.01, 0.81%, 0.6%

LAB 84.69, -57.02, 67.83

 

CMYK 34 / 0 / 56 / 6

HEX #9EF06A

RGB 158 240 106

HSL 96.72, 0.82%, 0.68%

LAB 87.3, -47.49, 56.06

 

CMYK 25 / 0 / 41 / 4

HEX #B6F490

RGB 182 244 144

HSL 97.2, 0.82%, 0.76%

LAB 90.16, -36.76, 41.99

 

CMYK 44 / 0 / 71 / 7

HEX #85ED44

RGB 133 237 68

HSL 96.92, 0.82%, 0.6%

LAB 84.98, -57.48, 68.48

 

CMYK 71 / 0 / 14 / 7

HEX #45ECCB

RGB 69 236 203

HSL 168.14, 0.81%, 0.6%

LAB 84.78, -49.86, 3.74

 

CMYK 0 / 71 / 14 / 7

HEX #EC45CB

RGB 236 69 203

HSL 311.86, 0.81%, 0.6%

LAB 58.42, 76.03, -34.83

 

CMYK 44 / 0 / 71 / 7

HEX #85ED44

RGB 133 237 68

HSL 96.92, 0.82%, 0.6%

LAB 84.98, -57.48, 68.48

 

CMYK 71 / 42 / 0 / 7

HEX #4588EC

RGB 69 136 236

HSL 215.93, 0.81%, 0.6%

LAB 57.01, 11.54, -56.66

 

CMYK 0 / 71 / 42 / 7

HEX #EC4588

RGB 236 69 136

HSL 335.93, 0.81%, 0.6%

LAB 55.95, 68.15, 0.41

 

CMYK 44 / 0 / 71 / 7

HEX #85ED44

RGB 133 237 68

HSL 96.92, 0.82%, 0.6%

LAB 84.98, -57.48, 68.48

 

CMYK 71 / 0 / 14 / 7

HEX #45ECCB

RGB 69 236 203

HSL 168.14, 0.81%, 0.6%

LAB 84.78, -49.86, 3.74

 

CMYK 28 / 71 / 0 / 7

HEX #A945EC

RGB 169 69 236

HSL 275.93, 0.81%, 0.6%

LAB 50.39, 67.48, -66.9

 

CMYK 0 / 71 / 57 / 7

HEX #EC4566

RGB 236 69 102

HSL 348.14, 0.81%, 0.6%

LAB 55.12, 65.36, 19.43

 

CMYK 44 / 0 / 71 / 7

HEX #85ED44

RGB 133 237 68

HSL 96.92, 0.82%, 0.6%

LAB 84.98, -57.48, 68.48

 

CMYK 71 / 7 / 0 / 7

HEX #45DBEC

RGB 69 219 236

HSL 186.11, 0.81%, 0.6%

LAB 80.73, -33.32, -19.72

 

CMYK 28 / 71 / 0 / 7

HEX #A945EC

RGB 169 69 236

HSL 275.93, 0.81%, 0.6%

LAB 50.39, 67.48, -66.9

 

CMYK 0 / 64 / 71 / 7

HEX #EC5645

RGB 236 86 69

HSL 6.11, 0.81%, 0.6%

LAB 57, 56.89, 40.77

 

Description

Color code: HEX #85ED44 | qconv.com Color code: HEX #85ED44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 237 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 237 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 71 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 71% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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