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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85EF8D it is the complementary color #7A1072. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85EF8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85EF8D shade: #8AEF88, #9BFF9B, #ACFFAE, #BDFFC1 and #CEFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85EF8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85EF8D shade: #85EF8D, #74DD7A, #63CB67, #52B954 and #41A741

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85EF8D shade: #85EF8D, #99EF85, #B6EF85, #D2EF85 and #EFEE85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85EF8D shade: #85EF8D, #85EFA9, #85EFC6, #85EFE2 and #85DEEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85EF8D shade matches the following richer shades: #85EF8D and #79FA83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85EF8D shade: #85EF8D, #90E496, #9BD8A0, #A6CDA9 and #B1C2B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85EF8D shade: #B6EF85, #9AEF85, #85EF8C, #85EFA8 and #85EFC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85EF8D shade: #3CE548, #60EA6B, #85EF8D, #A9F3AF and #CEF8D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85EF8D shade: #85EF8D, #85D2EF and #EF85A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85EF8D shade: #85EF8D, #8C85EF and #EF8C85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85EF8D shade: #85EF8D, #85D2EF, #EF85E8 and #EFA185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85EF8D shade: #85EF8D, #85B3EF, #EF85E8 and #EFC185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 41 / 6

HEX #85EF8D

RGB 133 239 141

HSL 124.53, 0.77%, 0.73%

LAB 86.33, -50.37, 38.05

 

Complementary color

CMYK 0 / 87 / 7 / 52

HEX #7A1072

RGB 122 16 114

HSL 304.53, 0.77%, 0.27%

LAB 28.7, 52.8, -29.41

 

CMYK 42 / 0 / 43 / 6

HEX #8AEF88

RGB 138 239 136

HSL 118.83, 0.76%, 0.74%

LAB 86.46, -49.67, 40.73

 

CMYK 39 / 0 / 39 / 0

HEX #9BFF9B

RGB 155 255 155

HSL 120, 1%, 0.8%

LAB 92.07, -48.66, 38.79

 

CMYK 33 / 0 / 32 / 0

HEX #ACFFAE

RGB 172 255 174

HSL 121.45, 1%, 0.84%

LAB 93.17, -40.64, 30.94

 

CMYK 26 / 0 / 24 / 0

HEX #BDFFC1

RGB 189 255 193

HSL 123.64, 1%, 0.87%

LAB 94.39, -32.24, 23.16

 

CMYK 19 / 0 / 17 / 0

HEX #CEFFD4

RGB 206 255 212

HSL 127.35, 1%, 0.9%

LAB 95.75, -23.56, 15.49

 

CMYK 44 / 0 / 41 / 6

HEX #85EF8D

RGB 133 239 141

HSL 124.53, 0.77%, 0.73%

LAB 86.33, -50.37, 38.05

 

CMYK 48 / 0 / 45 / 13

HEX #74DD7A

RGB 116 221 122

HSL 123.43, 0.61%, 0.66%

LAB 80.08, -50.49, 39.31

 

CMYK 51 / 0 / 49 / 20

HEX #63CB67

RGB 99 203 103

HSL 122.31, 0.5%, 0.59%

LAB 73.77, -50.52, 40.61

 

CMYK 56 / 0 / 55 / 27

HEX #52B954

RGB 82 185 84

HSL 121.17, 0.42%, 0.52%

LAB 67.38, -50.4, 41.92

 

CMYK 61 / 0 / 61 / 35

HEX #41A741

RGB 65 167 65

HSL 120, 0.44%, 0.45%

LAB 60.91, -50.05, 43.18

 

CMYK 44 / 0 / 41 / 6

HEX #85EF8D

RGB 133 239 141

HSL 124.53, 0.77%, 0.73%

LAB 86.33, -50.37, 38.05

 

CMYK 36 / 0 / 44 / 6

HEX #99EF85

RGB 153 239 133

HSL 108.68, 0.77%, 0.73%

LAB 87.09, -45.55, 43.14

 

CMYK 24 / 0 / 44 / 6

HEX #B6EF85

RGB 182 239 133

HSL 92.26, 0.77%, 0.73%

LAB 88.62, -35.85, 45.39

 

CMYK 12 / 0 / 44 / 6

HEX #D2EF85

RGB 210 239 133

HSL 76.42, 0.77%, 0.73%

LAB 90.38, -25.66, 47.96

 

CMYK 0 / 0 / 44 / 6

HEX #EFEE85

RGB 239 238 133

HSL 59.43, 0.77%, 0.73%

LAB 92.22, -14.05, 50.69

 

CMYK 44 / 0 / 41 / 6

HEX #85EF8D

RGB 133 239 141

HSL 124.53, 0.77%, 0.73%

LAB 86.33, -50.37, 38.05

 

CMYK 44 / 0 / 29 / 6

HEX #85EFA9

RGB 133 239 169

HSL 140.38, 0.77%, 0.73%

LAB 86.79, -45.73, 24.54

 

CMYK 44 / 0 / 17 / 6

HEX #85EFC6

RGB 133 239 198

HSL 156.79, 0.77%, 0.73%

LAB 87.39, -40.04, 10.35

 

CMYK 44 / 0 / 5 / 6

HEX #85EFE2

RGB 133 239 226

HSL 172.64, 0.77%, 0.73%

LAB 88.07, -33.78, -3.29

 

CMYK 44 / 7 / 0 / 6

HEX #85DEEF

RGB 133 222 239

HSL 189.62, 0.77%, 0.73%

LAB 83.68, -22.38, -16.66

 

CMYK 44 / 0 / 41 / 6

HEX #85EF8D

RGB 133 239 141

HSL 124.53, 0.77%, 0.73%

LAB 86.33, -50.37, 38.05

 

CMYK 52 / 0 / 48 / 2

HEX #79FA83

RGB 121 250 131

HSL 124.65, 0.93%, 0.73%

LAB 88.96, -59.37, 46.16

 

CMYK 44 / 0 / 41 / 6

HEX #85EF8D

RGB 133 239 141

HSL 124.53, 0.77%, 0.73%

LAB 86.33, -50.37, 38.05

 

CMYK 37 / 0 / 34 / 11

HEX #90E496

RGB 144 228 150

HSL 124.29, 0.61%, 0.73%

LAB 83.77, -41.05, 30.25

 

CMYK 28 / 0 / 26 / 15

HEX #9BD8A0

RGB 155 216 160

HSL 124.92, 0.44%, 0.73%

LAB 81.08, -30.44, 21.53

 

CMYK 19 / 0 / 18 / 20

HEX #A6CDA9

RGB 166 205 169

HSL 124.62, 0.28%, 0.73%

LAB 78.83, -19.87, 13.73

 

CMYK 9 / 0 / 8 / 24

HEX #B1C2B2

RGB 177 194 178

HSL 123.53, 0.12%, 0.73%

LAB 76.77, -8.84, 6.06

 

CMYK 24 / 0 / 44 / 6

HEX #B6EF85

RGB 182 239 133

HSL 92.26, 0.77%, 0.73%

LAB 88.62, -35.85, 45.39

 

CMYK 36 / 0 / 44 / 6

HEX #9AEF85

RGB 154 239 133

HSL 108.11, 0.77%, 0.73%

LAB 87.14, -45.23, 43.21

 

CMYK 44 / 0 / 41 / 6

HEX #85EF8C

RGB 133 239 140

HSL 123.96, 0.77%, 0.73%

LAB 86.31, -50.52, 38.53

 

CMYK 44 / 0 / 30 / 6

HEX #85EFA8

RGB 133 239 168

HSL 139.81, 0.77%, 0.73%

LAB 86.77, -45.91, 25.02

 

CMYK 44 / 0 / 18 / 6

HEX #85EFC4

RGB 133 239 196

HSL 155.66, 0.77%, 0.73%

LAB 87.34, -40.46, 11.33

 

CMYK 74 / 0 / 69 / 10

HEX #3CE548

RGB 60 229 72

HSL 124.26, 0.76%, 0.57%

LAB 80.44, -71.33, 61.66

 

CMYK 59 / 0 / 54 / 8

HEX #60EA6B

RGB 96 234 107

HSL 124.78, 0.77%, 0.65%

LAB 83.12, -62.5, 50.07

 

CMYK 44 / 0 / 41 / 6

HEX #85EF8D

RGB 133 239 141

HSL 124.53, 0.77%, 0.73%

LAB 86.33, -50.37, 38.05

 

CMYK 30 / 0 / 28 / 5

HEX #A9F3AF

RGB 169 243 175

HSL 124.86, 0.76%, 0.81%

LAB 89.69, -36.01, 25.69

 

CMYK 17 / 0 / 16 / 3

HEX #CEF8D1

RGB 206 248 209

HSL 124.29, 0.75%, 0.89%

LAB 93.82, -20.7, 14.32

 

CMYK 44 / 0 / 41 / 6

HEX #85EF8D

RGB 133 239 141

HSL 124.53, 0.77%, 0.73%

LAB 86.33, -50.37, 38.05

 

CMYK 44 / 12 / 0 / 6

HEX #85D2EF

RGB 133 210 239

HSL 196.42, 0.77%, 0.73%

LAB 80.35, -16.32, -21.69

 

CMYK 0 / 44 / 30 / 6

HEX #EF85A8

RGB 239 133 168

HSL 340.19, 0.77%, 0.73%

LAB 67.99, 44.43, -0.42

 

CMYK 44 / 0 / 41 / 6

HEX #85EF8D

RGB 133 239 141

HSL 124.53, 0.77%, 0.73%

LAB 86.33, -50.37, 38.05

 

CMYK 41 / 44 / 0 / 6

HEX #8C85EF

RGB 140 133 239

HSL 243.96, 0.77%, 0.73%

LAB 60.41, 28.28, -52.66

 

CMYK 0 / 41 / 44 / 6

HEX #EF8C85

RGB 239 140 133

HSL 3.96, 0.77%, 0.73%

LAB 68.61, 36.8, 20.09

 

CMYK 44 / 0 / 41 / 6

HEX #85EF8D

RGB 133 239 141

HSL 124.53, 0.77%, 0.73%

LAB 86.33, -50.37, 38.05

 

CMYK 44 / 12 / 0 / 6

HEX #85D2EF

RGB 133 210 239

HSL 196.42, 0.77%, 0.73%

LAB 80.35, -16.32, -21.69

 

CMYK 0 / 44 / 3 / 6

HEX #EF85E8

RGB 239 133 232

HSL 303.96, 0.77%, 0.73%

LAB 70.14, 54.13, -32.82

 

CMYK 0 / 33 / 44 / 6

HEX #EFA185

RGB 239 161 133

HSL 15.85, 0.77%, 0.73%

LAB 73.24, 25.78, 26.37

 

CMYK 44 / 0 / 41 / 6

HEX #85EF8D

RGB 133 239 141

HSL 124.53, 0.77%, 0.73%

LAB 86.33, -50.37, 38.05

 

CMYK 44 / 25 / 0 / 6

HEX #85B3EF

RGB 133 179 239

HSL 213.96, 0.77%, 0.73%

LAB 71.87, 0.2, -34.71

 

CMYK 0 / 44 / 3 / 6

HEX #EF85E8

RGB 239 133 232

HSL 303.96, 0.77%, 0.73%

LAB 70.14, 54.13, -32.82

 

CMYK 0 / 19 / 44 / 6

HEX #EFC185

RGB 239 193 133

HSL 33.96, 0.77%, 0.73%

LAB 80.84, 8.86, 36.37

 

Description

Color code: HEX #85EF8D | qconv.com Color code: HEX #85EF8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 239 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 239 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 41 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 41% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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