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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #860ED7 it is the complementary color #79F128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #860ED7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #860ED7 shade: #8B0ED2, #9C20E5, #AD32F8, #BE44FF and #CF56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #860ED7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #860ED7 shade: #860ED7, #7500C4, #6400B1, #53009E and #42008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #860ED7 shade: #860DD7, #BC0DD7, #D70DBC, #D70D85 and #D70D4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #860ED7 shade: #860DD7, #4F0DD7, #190DD7 and #0D0DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #860ED7 shade matches the following richer shades: #860DD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #860ED7 shade: #860DD7, #8220C5, #7F32B2, #7B45A0 and #77588D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #860ED7 shade: #170DD7, #4D0DD7, #830DD7, #B90DD7 and #D70DC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #860ED7 shade: #56088A, #6E0BB0, #860DD7, #9B1EF0 and #AC44F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #860ED7 shade: #860ED7, #D70D39 and #0DD732

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #860ED7 shade: #860ED7, #D7830D and #0DD783

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #860ED7 shade: #860ED7, #D70D39, #61D70D and #0DD7AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #860ED7 shade: #860ED7, #D71E0D, #61D70D and #0DC6D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 93 / 0 / 16

HEX #860ED7

RGB 134 14 215

HSL 275.82, 0.88%, 0.45%

LAB 38.36, 73.88, -74.77

 

Complementary color

CMYK 50 / 0 / 83 / 5

HEX #79F128

RGB 121 241 40

HSL 95.82, 0.88%, 0.55%

LAB 85.57, -63.97, 76.96

 

CMYK 34 / 93 / 0 / 18

HEX #8B0ED2

RGB 139 14 210

HSL 278.27, 0.88%, 0.44%

LAB 38.65, 73.46, -71.38

 

CMYK 32 / 86 / 0 / 10

HEX #9C20E5

RGB 156 32 229

HSL 277.77, 0.79%, 0.51%

LAB 43.88, 76.03, -73.61

 

CMYK 30 / 80 / 0 / 3

HEX #AD32F8

RGB 173 50 248

HSL 277.27, 0.93%, 0.58%

LAB 49.43, 77.45, -75.18

 

CMYK 25 / 73 / 0 / 0

HEX #BE44FF

RGB 190 68 255

HSL 279.14, 1%, 0.63%

LAB 54.35, 75.66, -70.98

 

CMYK 19 / 66 / 0 / 0

HEX #CF56FF

RGB 207 86 255

HSL 282.96, 1%, 0.67%

LAB 59.1, 71.97, -63.19

 

CMYK 38 / 93 / 0 / 16

HEX #860ED7

RGB 134 14 215

HSL 275.82, 0.88%, 0.45%

LAB 38.36, 73.88, -74.77

 

CMYK 40 / 100 / 0 / 23

HEX #7500C4

RGB 117 0 196

HSL 275.82, 1%, 0.38%

LAB 33.49, 70.02, -71.81

 

CMYK 44 / 100 / 0 / 31

HEX #6400B1

RGB 100 0 177

HSL 273.9, 1%, 0.35%

LAB 29.12, 64.4, -67.84

 

CMYK 47 / 100 / 0 / 38

HEX #53009E

RGB 83 0 158

HSL 271.52, 1%, 0.31%

LAB 24.66, 58.7, -63.78

 

CMYK 53 / 100 / 0 / 45

HEX #42008B

RGB 66 0 139

HSL 268.49, 1%, 0.27%

LAB 20.13, 52.9, -59.59

 

CMYK 38 / 94 / 0 / 16

HEX #860DD7

RGB 134 13 215

HSL 275.94, 0.89%, 0.45%

LAB 38.31, 74.02, -74.85

 

CMYK 13 / 94 / 0 / 16

HEX #BC0DD7

RGB 188 13 215

HSL 291.98, 0.89%, 0.45%

LAB 46.82, 81.16, -60.61

 

CMYK 0 / 94 / 13 / 16

HEX #D70DBC

RGB 215 13 188

HSL 308.02, 0.89%, 0.45%

LAB 49.94, 81.68, -39.75

 

CMYK 0 / 94 / 38 / 16

HEX #D70D85

RGB 215 13 133

HSL 324.36, 0.89%, 0.45%

LAB 47.53, 75.44, -10.69

 

CMYK 0 / 94 / 63 / 16

HEX #D70D4F

RGB 215 13 79

HSL 340.4, 0.89%, 0.45%

LAB 46.04, 71.41, 20.53

 

CMYK 38 / 94 / 0 / 16

HEX #860DD7

RGB 134 13 215

HSL 275.94, 0.89%, 0.45%

LAB 38.31, 74.02, -74.85

 

CMYK 63 / 94 / 0 / 16

HEX #4F0DD7

RGB 79 13 215

HSL 259.6, 0.89%, 0.45%

LAB 31.48, 69.31, -86.36

 

CMYK 88 / 94 / 0 / 16

HEX #190DD7

RGB 25 13 215

HSL 243.56, 0.89%, 0.45%

LAB 27.85, 67.36, -92.51

 

CMYK 94 / 94 / 0 / 16

HEX #0D0DD7

RGB 13 13 215

HSL 240, 0.89%, 0.45%

LAB 27.52, 67.21, -93.07

 

CMYK 38 / 94 / 0 / 16

HEX #860DD7

RGB 134 13 215

HSL 275.94, 0.89%, 0.45%

LAB 38.31, 74.02, -74.85

 

CMYK 38 / 94 / 0 / 16

HEX #860DD7

RGB 134 13 215

HSL 275.94, 0.89%, 0.45%

LAB 38.31, 74.02, -74.85

 

CMYK 34 / 84 / 0 / 23

HEX #8220C5

RGB 130 32 197

HSL 275.64, 0.72%, 0.45%

LAB 37.5, 65.8, -65.75

 

CMYK 29 / 72 / 0 / 30

HEX #7F32B2

RGB 127 50 178

HSL 276.09, 0.56%, 0.45%

LAB 37.86, 54.62, -54

 

CMYK 23 / 57 / 0 / 37

HEX #7B45A0

RGB 123 69 160

HSL 275.6, 0.4%, 0.45%

LAB 39.59, 40.11, -40.51

 

CMYK 16 / 38 / 0 / 45

HEX #77588D

RGB 119 88 141

HSL 275.09, 0.23%, 0.45%

LAB 42.5, 23.39, -24.54

 

CMYK 89 / 94 / 0 / 16

HEX #170DD7

RGB 23 13 215

HSL 242.97, 0.89%, 0.45%

LAB 27.78, 67.33, -92.62

 

CMYK 64 / 94 / 0 / 16

HEX #4D0DD7

RGB 77 13 215

HSL 259.01, 0.89%, 0.45%

LAB 31.28, 69.19, -86.69

 

CMYK 39 / 94 / 0 / 16

HEX #830DD7

RGB 131 13 215

HSL 275.05, 0.89%, 0.45%

LAB 37.88, 73.69, -75.58

 

CMYK 14 / 94 / 0 / 16

HEX #B90DD7

RGB 185 13 215

HSL 291.09, 0.89%, 0.45%

LAB 46.32, 80.71, -61.44

 

CMYK 0 / 94 / 11 / 16

HEX #D70DC0

RGB 215 13 192

HSL 306.83, 0.89%, 0.45%

LAB 50.15, 82.2, -41.75

 

CMYK 38 / 94 / 0 / 46

HEX #56088A

RGB 86 8 138

HSL 276, 0.89%, 0.29%

LAB 23.63, 52.89, -53.1

 

CMYK 38 / 94 / 0 / 31

HEX #6E0BB0

RGB 110 11 176

HSL 276, 0.88%, 0.37%

LAB 31.09, 63.5, -63.95

 

CMYK 38 / 94 / 0 / 16

HEX #860DD7

RGB 134 13 215

HSL 275.94, 0.89%, 0.45%

LAB 38.31, 74.02, -74.85

 

CMYK 35 / 88 / 0 / 6

HEX #9B1EF0

RGB 155 30 240

HSL 275.71, 0.88%, 0.53%

LAB 44.5, 78.55, -78.83

 

CMYK 29 / 72 / 0 / 5

HEX #AC44F3

RGB 172 68 243

HSL 275.66, 0.88%, 0.61%

LAB 51.12, 69.93, -69.63

 

CMYK 38 / 93 / 0 / 16

HEX #860ED7

RGB 134 14 215

HSL 275.82, 0.88%, 0.45%

LAB 38.36, 73.88, -74.77

 

CMYK 0 / 94 / 73 / 16

HEX #D70D39

RGB 215 13 57

HSL 346.93, 0.89%, 0.45%

LAB 45.68, 70.4, 33.55

 

CMYK 94 / 0 / 77 / 16

HEX #0DD732

RGB 13 215 50

HSL 130.99, 0.89%, 0.45%

LAB 75.4, -73.42, 64.04

 

CMYK 38 / 93 / 0 / 16

HEX #860ED7

RGB 134 14 215

HSL 275.82, 0.88%, 0.45%

LAB 38.36, 73.88, -74.77

 

CMYK 0 / 39 / 94 / 16

HEX #D7830D

RGB 215 131 13

HSL 35.05, 0.89%, 0.45%

LAB 62.26, 25.14, 66.3

 

CMYK 94 / 0 / 39 / 16

HEX #0DD783

RGB 13 215 131

HSL 155.05, 0.89%, 0.45%

LAB 76.27, -62.8, 29.4

 

CMYK 38 / 93 / 0 / 16

HEX #860ED7

RGB 134 14 215

HSL 275.82, 0.88%, 0.45%

LAB 38.36, 73.88, -74.77

 

CMYK 0 / 94 / 73 / 16

HEX #D70D39

RGB 215 13 57

HSL 346.93, 0.89%, 0.45%

LAB 45.68, 70.4, 33.55

 

CMYK 55 / 0 / 94 / 16

HEX #61D70D

RGB 97 215 13

HSL 95.05, 0.89%, 0.45%

LAB 76.78, -62.15, 73.78

 

CMYK 94 / 0 / 20 / 16

HEX #0DD7AB

RGB 13 215 171

HSL 166.93, 0.89%, 0.45%

LAB 77.06, -53.94, 9.49

 

CMYK 38 / 93 / 0 / 16

HEX #860ED7

RGB 134 14 215

HSL 275.82, 0.88%, 0.45%

LAB 38.36, 73.88, -74.77

 

CMYK 0 / 86 / 94 / 16

HEX #D71E0D

RGB 215 30 13

HSL 5.05, 0.89%, 0.45%

LAB 46.18, 66.87, 55.81

 

CMYK 55 / 0 / 94 / 16

HEX #61D70D

RGB 97 215 13

HSL 95.05, 0.89%, 0.45%

LAB 76.78, -62.15, 73.78

 

CMYK 94 / 8 / 0 / 16

HEX #0DC6D7

RGB 13 198 215

HSL 185.05, 0.89%, 0.45%

LAB 73.14, -34.14, -20.01

 

Description

Color code: HEX #860ED7 | qconv.com Color code: HEX #860ED7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 14 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 14 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 93 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 93% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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