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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #861993 it is the complementary color #79E66C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #861993. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #861993 shade: #8B198E, #9C2BA1, #AD3DB4, #BE4FC7 and #CF61DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #861993. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #861993 shade: #861993, #750780, #64006D, #53005A and #420047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #861993 shade: #871994, #941980, #94195E, #94193D and #94191C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #861993 shade: #871994, #651994, #441994, #231994 and #191994

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #861993 shade matches the following richer shades: #871994 and #920BA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #861993 shade: #871994, #7C2786, #713578, #66436A and #5A515C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #861993 shade: #441994, #651994, #851994, #941981 and #941960

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #861993 shade: #460D4D, #661370, #871994, #A71FB7 and #C625DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #861993 shade: #861993, #942319 and #199454

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #861993 shade: #861993, #948519 and #199485

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #861993 shade: #861993, #942319, #279419 and #198994

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #861993 shade: #861993, #944819, #279419 and #196594

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 83 / 0 / 42

HEX #861993

RGB 134 25 147

HSL 293.61, 0.71%, 0.34%

LAB 33.71, 58.58, -41.94

 

Complementary color

CMYK 47 / 0 / 53 / 10

HEX #79E66C

RGB 121 230 108

HSL 113.61, 0.71%, 0.66%

LAB 82.78, -54.57, 49.4

 

CMYK 2 / 82 / 0 / 44

HEX #8B198E

RGB 139 25 142

HSL 298.46, 0.7%, 0.33%

LAB 34.27, 58.7, -37.93

 

CMYK 3 / 73 / 0 / 37

HEX #9C2BA1

RGB 156 43 161

HSL 297.46, 0.58%, 0.4%

LAB 40.19, 60.09, -39.86

 

CMYK 4 / 66 / 0 / 29

HEX #AD3DB4

RGB 173 61 180

HSL 296.47, 0.49%, 0.47%

LAB 46.33, 60.57, -41.22

 

CMYK 5 / 60 / 0 / 22

HEX #BE4FC7

RGB 190 79 199

HSL 295.5, 0.52%, 0.55%

LAB 52.58, 60.52, -42.2

 

CMYK 5 / 56 / 0 / 15

HEX #CF61DA

RGB 207 97 218

HSL 294.55, 0.62%, 0.62%

LAB 58.86, 60.15, -42.94

 

CMYK 9 / 83 / 0 / 42

HEX #861993

RGB 134 25 147

HSL 293.61, 0.71%, 0.34%

LAB 33.71, 58.58, -41.94

 

CMYK 9 / 95 / 0 / 50

HEX #750780

RGB 117 7 128

HSL 294.55, 0.9%, 0.26%

LAB 28.09, 55.86, -39.32

 

CMYK 8 / 100 / 0 / 57

HEX #64006D

RGB 100 0 109

HSL 295.05, 1%, 0.21%

LAB 23.04, 50.97, -35.47

 

CMYK 8 / 100 / 0 / 65

HEX #53005A

RGB 83 0 90

HSL 295.33, 1%, 0.18%

LAB 18.26, 44.68, -30.81

 

CMYK 7 / 100 / 0 / 72

HEX #420047

RGB 66 0 71

HSL 295.77, 1%, 0.14%

LAB 13.31, 38.15, -25.97

 

CMYK 9 / 83 / 0 / 42

HEX #871994

RGB 135 25 148

HSL 293.66, 0.71%, 0.34%

LAB 33.95, 58.95, -42.16

 

CMYK 0 / 83 / 14 / 42

HEX #941980

RGB 148 25 128

HSL 309.76, 0.71%, 0.34%

LAB 35.1, 58.41, -27.82

 

CMYK 0 / 83 / 36 / 42

HEX #94195E

RGB 148 25 94

HSL 326.34, 0.71%, 0.34%

LAB 33.56, 54.03, -8.61

 

CMYK 0 / 83 / 59 / 42

HEX #94193D

RGB 148 25 61

HSL 342.44, 0.71%, 0.34%

LAB 32.54, 51.01, 11.49

 

CMYK 0 / 83 / 81 / 42

HEX #94191C

RGB 148 25 28

HSL 358.54, 0.71%, 0.34%

LAB 31.98, 49.29, 31.85

 

CMYK 9 / 83 / 0 / 42

HEX #871994

RGB 135 25 148

HSL 293.66, 0.71%, 0.34%

LAB 33.95, 58.95, -42.16

 

CMYK 32 / 83 / 0 / 42

HEX #651994

RGB 101 25 148

HSL 277.07, 0.71%, 0.34%

LAB 28.38, 52.81, -51.44

 

CMYK 54 / 83 / 0 / 42

HEX #441994

RGB 68 25 148

HSL 260.98, 0.71%, 0.34%

LAB 23.88, 47.94, -59

 

CMYK 76 / 83 / 0 / 42

HEX #231994

RGB 35 25 148

HSL 244.88, 0.71%, 0.34%

LAB 20.79, 44.68, -64.2

 

CMYK 83 / 83 / 0 / 42

HEX #191994

RGB 25 25 148

HSL 240, 0.71%, 0.34%

LAB 20.2, 44.07, -65.19

 

CMYK 9 / 83 / 0 / 42

HEX #871994

RGB 135 25 148

HSL 293.66, 0.71%, 0.34%

LAB 33.95, 58.95, -42.16

 

CMYK 10 / 93 / 0 / 36

HEX #920BA2

RGB 146 11 162

HSL 293.64, 0.87%, 0.34%

LAB 35.91, 66.01, -47.43

 

CMYK 9 / 83 / 0 / 42

HEX #871994

RGB 135 25 148

HSL 293.66, 0.71%, 0.34%

LAB 33.95, 58.95, -42.16

 

CMYK 7 / 71 / 0 / 47

HEX #7C2786

RGB 124 39 134

HSL 293.68, 0.55%, 0.34%

LAB 32.83, 49.39, -35.43

 

CMYK 6 / 56 / 0 / 53

HEX #713578

RGB 113 53 120

HSL 293.73, 0.39%, 0.34%

LAB 32.73, 37.07, -26.95

 

CMYK 4 / 37 / 0 / 58

HEX #66436A

RGB 102 67 106

HSL 293.85, 0.23%, 0.34%

LAB 33.73, 22.38, -16.68

 

CMYK 2 / 12 / 0 / 64

HEX #5A515C

RGB 90 81 92

HSL 289.09, 0.06%, 0.34%

LAB 35.66, 6, -5.06

 

CMYK 54 / 83 / 0 / 42

HEX #441994

RGB 68 25 148

HSL 260.98, 0.71%, 0.34%

LAB 23.88, 47.94, -59

 

CMYK 32 / 83 / 0 / 42

HEX #651994

RGB 101 25 148

HSL 277.07, 0.71%, 0.34%

LAB 28.38, 52.81, -51.44

 

CMYK 10 / 83 / 0 / 42

HEX #851994

RGB 133 25 148

HSL 292.68, 0.71%, 0.34%

LAB 33.61, 58.57, -42.73

 

CMYK 0 / 83 / 13 / 42

HEX #941981

RGB 148 25 129

HSL 309.27, 0.71%, 0.34%

LAB 35.16, 58.56, -28.36

 

CMYK 0 / 83 / 35 / 42

HEX #941960

RGB 148 25 96

HSL 325.37, 0.71%, 0.34%

LAB 33.64, 54.26, -9.79

 

CMYK 9 / 83 / 0 / 70

HEX #460D4D

RGB 70 13 77

HSL 293.44, 0.71%, 0.18%

LAB 16.13, 35.54, -25.55

 

CMYK 9 / 83 / 0 / 56

HEX #661370

RGB 102 19 112

HSL 293.55, 0.71%, 0.26%

LAB 25.14, 47.47, -34.03

 

CMYK 9 / 83 / 0 / 42

HEX #871994

RGB 135 25 148

HSL 293.66, 0.71%, 0.34%

LAB 33.95, 58.95, -42.16

 

CMYK 9 / 83 / 0 / 28

HEX #A71FB7

RGB 167 31 183

HSL 293.68, 0.71%, 0.42%

LAB 42.18, 69.49, -49.68

 

CMYK 9 / 83 / 0 / 15

HEX #C625DA

RGB 198 37 218

HSL 293.37, 0.71%, 0.5%

LAB 49.97, 79.44, -57.18

 

CMYK 9 / 83 / 0 / 42

HEX #861993

RGB 134 25 147

HSL 293.61, 0.71%, 0.34%

LAB 33.71, 58.58, -41.94

 

CMYK 0 / 76 / 83 / 42

HEX #942319

RGB 148 35 25

HSL 4.88, 0.71%, 0.34%

LAB 33.07, 46.05, 34.65

 

CMYK 83 / 0 / 43 / 42

HEX #199454

RGB 25 148 84

HSL 148.78, 0.71%, 0.34%

LAB 54.06, -47.08, 24.96

 

CMYK 9 / 83 / 0 / 42

HEX #861993

RGB 134 25 147

HSL 293.61, 0.71%, 0.34%

LAB 33.71, 58.58, -41.94

 

CMYK 0 / 10 / 83 / 42

HEX #948519

RGB 148 133 25

HSL 52.68, 0.71%, 0.34%

LAB 55.22, -5.78, 54.73

 

CMYK 83 / 0 / 10 / 42

HEX #199485

RGB 25 148 133

HSL 172.68, 0.71%, 0.34%

LAB 55.15, -35.16, -1.15

 

CMYK 9 / 83 / 0 / 42

HEX #861993

RGB 134 25 147

HSL 293.61, 0.71%, 0.34%

LAB 33.71, 58.58, -41.94

 

CMYK 0 / 76 / 83 / 42

HEX #942319

RGB 148 35 25

HSL 4.88, 0.71%, 0.34%

LAB 33.07, 46.05, 34.65

 

CMYK 74 / 0 / 83 / 42

HEX #279419

RGB 39 148 25

HSL 113.17, 0.71%, 0.34%

LAB 53.69, -52.35, 51.04

 

CMYK 83 / 7 / 0 / 42

HEX #198994

RGB 25 137 148

HSL 185.37, 0.71%, 0.34%

LAB 52.1, -25.21, -14.36

 

CMYK 9 / 83 / 0 / 42

HEX #861993

RGB 134 25 147

HSL 293.61, 0.71%, 0.34%

LAB 33.71, 58.58, -41.94

 

CMYK 0 / 51 / 83 / 42

HEX #944819

RGB 148 72 25

HSL 22.93, 0.71%, 0.34%

LAB 39.58, 28.84, 40.8

 

CMYK 74 / 0 / 83 / 42

HEX #279419

RGB 39 148 25

HSL 113.17, 0.71%, 0.34%

LAB 53.69, -52.35, 51.04

 

CMYK 83 / 32 / 0 / 42

HEX #196594

RGB 25 101 148

HSL 202.93, 0.71%, 0.34%

LAB 40.66, -5.07, -32.05

 

Description

Color code: HEX #861993 | qconv.com Color code: HEX #861993 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 25 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 25 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 83 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 83% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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